As a member of The Weavers, Seeger had a string of hits, including a 1949 recording of Leadbelly's "Goodnight Irene" that topped the charts for 13 weeks in 1950. He was formerly a member of the Communist Party of the United States of America and was a major contributor to folk and protest music in the 1950s and the 1960s.
Perhaps best known today as the author or co-author of the songs Where Have All the Flowers Gone, If I Had a Hammer, and Turn, Turn, Turn, songs that have been recorded by many artists both in and outside the folk revival movement and which are still sung all over the world. Flowers was a hit recording for The Kingston Trio (1962), Marlene Dietrich, who recorded it in English, German and French (1962), and Johnny Rivers (1965). "If I Had a Hammer" was a hit for Peter, Paul & Mary (1962) and Trini Lopez (1963), while The Byrds popularized "Turn, Turn, Turn" in the mid-1960s.
Early work
Seeger dropped out of Harvard (where he had been studying journalism) in 1939, and he took a job in Washington, D.C. at the Archive of American Folk Song in the Library of Congress. In that capacity, he met and was influenced by many important musicians such as Woody Guthrie and Leadbelly. He met Woody at a "Grapes of Wrath" migrant workers concert on March 3, 1940 and the two thereafter began a musical collaboration.
In 1948, Seeger wrote the first version of his now-classic How to Play the Five-String Banjo, a book that many banjo players credit with starting them off on the instrument. He went on to invent the Long Neck or Seeger banjo. This instrument is three frets longer than a typical banjo, and slightly longer than a bass guitar at 25 Frets, and is tuned a minor third lower than the normal 5-string banjo.
As a self-described "split tenor" (between an alto and a tenor), he was a founding member of the folk groups the Almanac Singers with Woody Guthrie and the Weavers with Lee Hays, Ronnie Gilbert and Fred Hellerman. The Weavers had major hits in the early 1950s, before being blacklisted in the McCarthy Era.
On August 18, 1955, Pete was subpoenaed to testify before the House Un-American Activities Committee (HUAC) where he refused to name personal and political associations stating it would violate his First Amendment rights... "I am not going to answer any questions as to my association, my philosophical or religious beliefs or my political beliefs, or how I voted in any election, or any of these private affairs. I think these are very improper questions for any American to be asked, especially under such compulsion as this." Seeger's refusal to testify led to a March 26, 1957 indictment for contempt of Congress; for some years, he had to keep the federal government apprised of where he was going any time he left the Southern District of New York. He was convicted in a jury trial in March 1961, and sentenced to a year in jail, but in May 1962 an appeals court ruled the indictment to be flawed and overturned his conviction.
Seeger started a solo career in 1958, and is known for songs such as "Where Have All the Flowers Gone?," "If I Had a Hammer" (co-written with Lee Hays), "Turn, Turn, Turn," adapted from the Book of Ecclesiastes, and "We Shall Overcome" (based on a spiritual and later became the unofficial anthem for the civil rights movement). Seeger became influential in the 1960s folk revival centered in Greenwich Village. He helped found Broadside Magazine and Sing Out!. He was strongly associated with Moses Asch and Folkways Records. To describe the new crop of folk singers, many of whom were politically minded in their songs, he coined the phrase "Woody's children", alluding to his former bandmate Woody Guthrie, who by this time had become a legendary figure. He has often sung and is associated with the song "Joe Hill".
In the mid-sixties he hosted a regional folk music TV show called Rainbow Quest which featured folk musicians playing traditional folk music. Among his guests were Johnny Cash, June Carter, Mississippi John Hurt, Buffy Sainte-Marie, Roscoe Holcomb, The Stanley Brothers, Doc Watson, Tom Paxton, Judy Collins, Richard Fariña and Mimi Fariña, and many others. Thirty-eight hour-long programs were recorded at new UHF station WNJU's Newark studios in 1965 and 1966, produced by Seeger and his wife Toshi with Sholom Rubinstein.
An early advocate of Bob Dylan, Seeger was supposedly incensed over the distorted electric sound Dylan brought into the 1965 Newport Folk Festival, especially with the inability to clearly hear the lyrics. There are many conflicting versions of exactly what ensued, some claiming that he actually tried to disconnect the equipment. He is often cited as one of the main opponents to Dylan at Newport 1965, but claimed in 2005:
"There are reports of me being anti-him going electric at the '65 Newport Folk festival, but that's wrong. I was the MC that night. He was singing 'Maggie's Farm' and you couldn't understand a word because the mic was distorting his voice. I ran to the mixing desk and said, 'Fix the sound, it's terrible!' The guy said 'No, that's how they want it.' And I did say that if I had an axe I'd cut the cable! But I wanted to hear the words. I didn't mind him going electric.
Later work
Seeger achieved some notoriety in 1967 and 1968 for his song "Waist Deep in the Big Muddy", about a captain—a "big fool"—who drowned while leading a platoon on maneuvers in Louisiana during World War II. Seeger performed the song on the Smothers Brothers Comedy Hour after some arguments with CBS about whether the song's lyrics were objectionable. Although the song was cut from the Smothers Brothers show in September 1967, Seeger returned in January 1968 and sang the entire song. It was clearly an allegory about the U.S. under the leadership of Lyndon Johnson which was in over its head in the Vietnam War.
Another slight against Lyndon Johnson can be heard in his singing of Len Chandler's seemingly juvenile song, "Beans in My Ears" from his 1966 album Dangerous Songs!? in which he accuses "Mrs. Jay's little son Alby" (Alby Jay is meant to sound like LBJ) of having beans in his ears, or of not listening to the people.
In 1998 a double-CD tribute album was released - "Where Have All the Flowers Gone: the Songs of Pete Seeger". It contained contributions from Bonnie Raitt, Jackson Browne, Ani DiFranco, Billy Bragg, Eliza Carthy, Bruce Springsteen, Roger McGuinn, Judy Collins, Indigo Girls, Dick Gaughan, Martin Simpson, Odetta and others.
Pete Seeger still performed occasionally in public until his death, and for a number of years appeared at the National Storytelling Festival in Jonesborough Tennessee to tell stories, mostly children's stories such as Abiyoyo. He performed at MerleFest April 27-30, 2006 in Wilkesboro, NC.
On March 16, 2007, the 88-year old Pete Seeger performed with his siblings Mike Seeger and Peggy Seeger, and other Seeger family members at the Library of Congress in Washington, D.C., where he had been employed as a folk song archivist 67 years earlier.
In April 2006, Bruce Springsteen released a collection of songs associated with Seeger or in Seeger's folk tradition, We Shall Overcome: The Seeger Sessions. Bruce Springsteen performed a series of concerts based on those sessions, to sellout crowds. Springsteen had previously recorded one Seeger favorite, "We Shall Overcome," on the 1998 "Where Have All the Flowers Gone" tribute album.
Seeger lived in the hamlet of Dutchess Junction in the Town of Fishkill, NY and remained very politically active in the Hudson Valley Region of New York, especially in the near-by City of Beacon, NY. He and Toshi purchased their land in 1949, and lived there first in a trailer, then in a log cabin they built themselves, and eventually in a larger house. Seeger joined the Community Church (a church practicing Unitarian Universalism), is considered a famous Unitarian Universalist, and often performed at functions for the Unitarian Universalist Association.
Seeger died in 2014 of natural causes.
Awards
Seeger has been the recipient of many awards and recognitions throughout his career, including:
A Grammy Lifetime Achievement Award (1993)
The National Medal of Arts from the National Endowment for the Arts (1994)
Kennedy Center Lifetime Achievement Honor (1994)
The Harvard Arts Medal (1996)
Induction into the Rock and Roll Hall of Fame (1996)
Grammy Award for Best Traditional Folk Album of 1996 for his record "Pete" (1997)
Grey Goose
Pete Seeger Lyrics
Jump to: Overall Meaning ↴ Line by Line Meaning ↴
Preacher went a hunting, Lawd, Lawd, Lawd
He took along a shotgun, Lawd, Lawd, Lawd
He was hunting for the
Grey goose, Lawd, Lawd, lawd
Grey goose came a-flying, Lawd, Lawd, Lawd
He was way high a-flying, Lawd, Lawd, Lawd
Way back, Lawd, Lawd, lawd
The hammer went click-clack, Lawd, Lawd, Lawd
The grey goose came a-falling, Lawd, Lawd
Lawd
Then they put him on the wagon, Lawd, Lawd
Lawd and took him to the de
White house, Lawd, Lawd, lawd
Then your wife and my wife, Lawd, Lawd, Lawd
They had a feather picking, Lawd, Lawd, Lawd
He was six weeks a-picking, Lawd, Lawd, Lawd
Then they put him on to parboil, Lawd, Lawd
Lawd
He was six months a parboiling, Lawd, Lawd
Lawd
Then they put him on the table, Lawd, Lawd
Lawd and the knife wouldn't stick
Him, Lawd, Lawd, lawd
And the fork wouldn't prick him, Lawd, Lawd
Lawd so they throw'd him out to
The hog pen, Lawd, Lawd, lawd
And he broke old Gerry's
Jaw-bone, Lawd, Lawd, lawd
So they throw'd him to
The saw-mill, Lawd, Lawd, lawd
He broke that saw's teeth out, Lawd, Lawd
Lawd
The last time I saw him, Lawd, Lawd, Lawd
He was flying across the ocean, Lawd, Lawd
Lawd
With a long string of goslins, Lawd, Lawd
Lawd
And they all went quink-quanck, Lawd, Lawd
Lawd
The song, "Grey Goose," by Pete Seeger, is a traditional folk song that uses lyrics to tell the story of a hunting trip gone wrong. The father in the song goes out hunting with his zulu, a rifle or musket, and comes across a grey goose. He takes aim and fires, but the goose falls slowly to the ground, taking six weeks to hit the earth. The family spends six weeks picking the feathers and then six months boiling the bird before finally putting it on the table. However, the goose proved to be too tough to eat and was eventually fed to the pigs. In the end, the goose flew away with a group of goslings, leaving behind the sound of his distinctive "quank quink-quank" call.
The song can be interpreted in a number of ways, but at its core, it speaks to the futility of violence and the pointless destruction of life for sport. The lyrics suggest that the father might have been more skilled at killing than at preparing the meat for consumption, as the bird proves to be inedible despite significant efforts to prepare it. Furthermore, the goose's journey with the young goslings suggests the persistence of life and the importance of preservation.
Line by Line Meaning
Well, las' Monday mornin', Lawd, Lawd, Lawd
On a particular Monday morning, Oh my God!
My daddy went a-huntin'
My father went for hunting
Well, he carried along his zulu
He carried his hunting gun called Zulu
Well, along come a grey goose
A grey goose appeared
Well, he throwed it to his shoulder
He lifted the gun and placed it on his shoulder
an' he ram his hammer' way back
He pulled the cock or hammer back to load the gun
Well, he pulled on de trigger
He pressed the trigger
Well, down he come a-windin'
The goose fell to the ground
He was six weeks a-fallin'
It took six weeks to reach the ground after being shot
He was six weeks a-findin'
It took six weeks to find the goose after it fell
An' he put him on de wagon, An'he taken him to de white house
He carried the goose home on a wagon
He was six weeks a-pickin'
It took six weeks to pluck the feathers from the goose
Lordy, your wife an'my wife Oh, they give a feather pickin'
Our wives helped in plucking the feathers
An' they put him on to parboil
They boiled the goose partially
He was six months a-parboil'
It took six months to partially boil the goose
An' they put him on de table
They put the goose on the table for cooking
Now, de fork couldn' stick him
The cooked goose was tough even for a fork to pierce
An' de knife couldn't cut him
The goose was so tough that even a knife couldn't cut it
An' they throwed him in de hog-pen
They used the goose as food for the hogs
An' he broke de ol'sow's jawbone
The tough goose broke the jawbone of an old sow
An' they taken him to de sawmill
They carried the goose to the sawmill
An' he broke de saw's teeth out
The tough goose broke the teeth of the saw
An' de las' time I seed him
The last time I saw him
Well, he's flyin' across de ocean
The cooked goose was flying across the ocean
Wid a long string o' goslin's
With a long string of goslings
An' they all goin': quank quink-quank
And they were all making the sound 'quank quink-quank'
Lyrics © O/B/O APRA AMCOS
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