Peter Beasley is a British composer and producer of instrumental electronic… Read Full Bio ↴Peter Beasley is a British composer and producer of instrumental electronic music who works in a broad range of styles including progressive, rock, dance, pop, ambient, solo piano and Berlin School. He was born and lives in London, UK.
Originally a rock drummer, he moved into electronic music production, co-founding AMP Records with Mark Jenkins and Ashok Prema in 1985. Beasley contributed three tracks (Ollie's Camera Looks, Cherub and Parchal Papaguio) to The AMP Records Compilation Album (1985).
He was a regular live performer on the electronica scene in the 1980s and toured the UK in 1986 to preview Coruscation, which was released the following year with a performance at the UK Electronica Festival at the Gatehouse Theatre, Stafford.
Beasley's next project was Imaginary Soundtrack - a series of short, mostly improvised pieces, inspired by Tangerine Dream's 80s soundtrack work. This was completed in 1992 but not released until 2009.
In 2007 after a long hiatus, Beasley remixed and remastered Coruscation, re-releasing it with bonus tracks to mark the 20th anniversary.
Beasley was diagnosed with Parkinson's disease in 2003 which has severely restricted the use of his hands and fingers preventing him from live performance. Consequently he has adapted his writing style to employ sequencing and programming more extensively. Beasley donates profits to Parkinson's UK charity.
In April 2010 he released a live album recorded at various venues on his 1986 tour, with the imaginative title UK Tour 1986.
A collaboration Neuadd y drychau / Hall of Mirrors with prolific ambient artist and long time friend Observation Point was recorded under lockdown and social distancing measures (the duo were never closer than 138 miles) during 2020 and released on 6th October.
His long awaited studio album, The Tree That Wished To Dance , was released in February 2021.
DISCOGRAPHY All available as digital downloads on Bandcamp except*
www.peterbeasley.bandcamp.com
The AMP Records Compilation Album (1985)* vinyl LP
Coruscation (1987)
Imaginary Soundtrack (2009)
UK Tour 1986 (2010)
Neuadd y drychau / Hall of Mirrors (2020) with Observation Point
Beetoota (2020)
The Tree That Wished to Dance (2021)
Official Peter Beasley websites:-
www.peterbeasley.bandcamp.com
www.facebook.com/metalbottle
Coruscation track listing:-
1 Hunger Hill (6.00)
2 The Swaggering (4.58)
3 Nullified (4.25)
4 Qwerty Uiop (6.56)
5 York Aspiring (21.21)
Bonus tracks:-
6 Hunger Hill (Under Construction) (5.45)
7 Qwerty Uiop (Demo) (5.41)
8 York Aspiring (Demo) (22.13)
Reviews of Coruscation
Back in the 80s there was a style of lively and rhythmic instrumental synth music that became known as 'Brit Synthrock'. In contrast to the more dreamy, spacey European styles it gave the EM scene a much-needed kick up the bum, but sadly, it was to fade away as most instrumental synth artists started churning out third-rate Tangerine Dream/Klaus Schulze clones rather than developing their own styles. This album from the then London-based Pete Beasley was originally released on cassette (CDs were out of the reach of most amateur musicians in those days!) in 1987, re-released on CD during 2007 and it remains one of the best examples of 80s British synth music.
Alongside Beasley's undoubted melodic talents, what makes this album stand out is his sequencing skills, a legacy of his past playing drums in rock bands, that only the most talented musicians have ever equalled. This is particularly important on the 21 minute magnum opus York Aspiring which moves from its atmospheric, majestic opening through several rhythmic passages, each one merging seemlessly into the next with a constant flurry of thoughtful melodics keeping interest high throughout. The manner in which the pace of the latter sections changes once the rhythm line is fully built up is particularly worthy of note and testament to his skills.
As well as this, there are four shorter tracks (which made up side one of the original cassette), starting with the memorable Hunger Hill (named after a part of Nottingham, fact fans) which kicks the album off in fine fettle with a memorable dynamic and totally digital feel (the DX7 reigns supreme here!) and is followed by the improvised numbers The Swaggering and Nullified which again demonstrate his melodic skills while Gary Attwood's guitar work adds further strength to the pacey and instantly memorable Qwerty Uiop, the loose feel of which hints at more improvisation!
As a bonus there are earlier versions of three of the tracks although, for those who were around at the time, it's a shame that none of the tracks from The AMP Records Compilation Album were included (I wonder why they weren't?). Still, even now this remains a worthwhile listen and a reminder of how good Brit Synth Rock was!
Carl Jenkinson
www.hard-wired.org.uk
For anyone into strong, muscular synth music, this album has much to offer: HUNGER HILL moves along at breakneck speed; THE SWAGGERING features strong percussives and is jazzy in a kind of Roger Powell way; NULLIFIED is more unusual, with reverberating drums beating strongly against a Tangerine Dream like tune, the effect being somewhat like Peter Frohmader's 'Ritual' album, but Beasley's approach is more spritely and light; QWERTY UIOP is a kind of like a disco-ified Ashra sequencer piece, the guitar solo is nice, but it's a pity it wasn't a bit more forward in the mix.
The major triumph here though is the side long YORK ASPIRING, which opens swirling from the void into a typically Tangerine Dream 'White Eagle' period, relaxed melodic rhythmic piece. The composition is quite clever, different ideas take over in steps, so that the fabric of the music is constantly changing. Moving from the gently melodic to the thunderously heavy to the cacophonous to the tranquil with ease. The final section again has an Ashra type sequence, complex percussives and some Tangerine Dream style solos - finishing the album most vibrantly.
Alan Freeman,
Audion
Review of London concert 1986
Another concert organised by AMP Records in quite contrasting surroundings to their bash at the Planetarium a few weeks ago. Situated by the Piazza in Covent Garden, the Africa Centre greeted a small but enthusiastic crowd on a drizzly winter evening.
After an hour of fine E.M. records, courtesy of D.J. Monkey Pilot, Peter Beasley took the stage for the last date of his UK Tour, accompanied by Dave Titchen. I didn't really know what to expect from Beasley, as his contributions to The AMP Records Compilation Album were so varied, but I wasn't disappointed - his hour long set was one of the best I've heard in ages.
Peter kicked off with an improved version of Ollie's Camera Looks and then previewed material from his forthcoming album Coruscation. The first piece, York Aspiring, featured stunning atmospherics and tremendous soloing, with Pete's drumming background clearly evident in his dynamic sequencer patterns.
The highlight of the whole evening came next, as Peter and Dave were joined by guitarist Gary Attwood for another new number. Attwood played a superb solo over a bouncy, driving, Fripp influenced beat. Dave Titchen then featured a short, melodic organ solo which led into a powerful and lively finale. They encored with a number about ex-newsreader Anna Ford!!!
On the strength of this evening, I'm sure Coruscation will be eagerly received.
David Alexander,
The Mix
Originally a rock drummer, he moved into electronic music production, co-founding AMP Records with Mark Jenkins and Ashok Prema in 1985. Beasley contributed three tracks (Ollie's Camera Looks, Cherub and Parchal Papaguio) to The AMP Records Compilation Album (1985).
He was a regular live performer on the electronica scene in the 1980s and toured the UK in 1986 to preview Coruscation, which was released the following year with a performance at the UK Electronica Festival at the Gatehouse Theatre, Stafford.
Beasley's next project was Imaginary Soundtrack - a series of short, mostly improvised pieces, inspired by Tangerine Dream's 80s soundtrack work. This was completed in 1992 but not released until 2009.
In 2007 after a long hiatus, Beasley remixed and remastered Coruscation, re-releasing it with bonus tracks to mark the 20th anniversary.
Beasley was diagnosed with Parkinson's disease in 2003 which has severely restricted the use of his hands and fingers preventing him from live performance. Consequently he has adapted his writing style to employ sequencing and programming more extensively. Beasley donates profits to Parkinson's UK charity.
In April 2010 he released a live album recorded at various venues on his 1986 tour, with the imaginative title UK Tour 1986.
A collaboration Neuadd y drychau / Hall of Mirrors with prolific ambient artist and long time friend Observation Point was recorded under lockdown and social distancing measures (the duo were never closer than 138 miles) during 2020 and released on 6th October.
His long awaited studio album, The Tree That Wished To Dance , was released in February 2021.
DISCOGRAPHY All available as digital downloads on Bandcamp except*
www.peterbeasley.bandcamp.com
The AMP Records Compilation Album (1985)* vinyl LP
Coruscation (1987)
Imaginary Soundtrack (2009)
UK Tour 1986 (2010)
Neuadd y drychau / Hall of Mirrors (2020) with Observation Point
Beetoota (2020)
The Tree That Wished to Dance (2021)
Official Peter Beasley websites:-
www.peterbeasley.bandcamp.com
www.facebook.com/metalbottle
Coruscation track listing:-
1 Hunger Hill (6.00)
2 The Swaggering (4.58)
3 Nullified (4.25)
4 Qwerty Uiop (6.56)
5 York Aspiring (21.21)
Bonus tracks:-
6 Hunger Hill (Under Construction) (5.45)
7 Qwerty Uiop (Demo) (5.41)
8 York Aspiring (Demo) (22.13)
Reviews of Coruscation
Back in the 80s there was a style of lively and rhythmic instrumental synth music that became known as 'Brit Synthrock'. In contrast to the more dreamy, spacey European styles it gave the EM scene a much-needed kick up the bum, but sadly, it was to fade away as most instrumental synth artists started churning out third-rate Tangerine Dream/Klaus Schulze clones rather than developing their own styles. This album from the then London-based Pete Beasley was originally released on cassette (CDs were out of the reach of most amateur musicians in those days!) in 1987, re-released on CD during 2007 and it remains one of the best examples of 80s British synth music.
Alongside Beasley's undoubted melodic talents, what makes this album stand out is his sequencing skills, a legacy of his past playing drums in rock bands, that only the most talented musicians have ever equalled. This is particularly important on the 21 minute magnum opus York Aspiring which moves from its atmospheric, majestic opening through several rhythmic passages, each one merging seemlessly into the next with a constant flurry of thoughtful melodics keeping interest high throughout. The manner in which the pace of the latter sections changes once the rhythm line is fully built up is particularly worthy of note and testament to his skills.
As well as this, there are four shorter tracks (which made up side one of the original cassette), starting with the memorable Hunger Hill (named after a part of Nottingham, fact fans) which kicks the album off in fine fettle with a memorable dynamic and totally digital feel (the DX7 reigns supreme here!) and is followed by the improvised numbers The Swaggering and Nullified which again demonstrate his melodic skills while Gary Attwood's guitar work adds further strength to the pacey and instantly memorable Qwerty Uiop, the loose feel of which hints at more improvisation!
As a bonus there are earlier versions of three of the tracks although, for those who were around at the time, it's a shame that none of the tracks from The AMP Records Compilation Album were included (I wonder why they weren't?). Still, even now this remains a worthwhile listen and a reminder of how good Brit Synth Rock was!
Carl Jenkinson
www.hard-wired.org.uk
For anyone into strong, muscular synth music, this album has much to offer: HUNGER HILL moves along at breakneck speed; THE SWAGGERING features strong percussives and is jazzy in a kind of Roger Powell way; NULLIFIED is more unusual, with reverberating drums beating strongly against a Tangerine Dream like tune, the effect being somewhat like Peter Frohmader's 'Ritual' album, but Beasley's approach is more spritely and light; QWERTY UIOP is a kind of like a disco-ified Ashra sequencer piece, the guitar solo is nice, but it's a pity it wasn't a bit more forward in the mix.
The major triumph here though is the side long YORK ASPIRING, which opens swirling from the void into a typically Tangerine Dream 'White Eagle' period, relaxed melodic rhythmic piece. The composition is quite clever, different ideas take over in steps, so that the fabric of the music is constantly changing. Moving from the gently melodic to the thunderously heavy to the cacophonous to the tranquil with ease. The final section again has an Ashra type sequence, complex percussives and some Tangerine Dream style solos - finishing the album most vibrantly.
Alan Freeman,
Audion
Review of London concert 1986
Another concert organised by AMP Records in quite contrasting surroundings to their bash at the Planetarium a few weeks ago. Situated by the Piazza in Covent Garden, the Africa Centre greeted a small but enthusiastic crowd on a drizzly winter evening.
After an hour of fine E.M. records, courtesy of D.J. Monkey Pilot, Peter Beasley took the stage for the last date of his UK Tour, accompanied by Dave Titchen. I didn't really know what to expect from Beasley, as his contributions to The AMP Records Compilation Album were so varied, but I wasn't disappointed - his hour long set was one of the best I've heard in ages.
Peter kicked off with an improved version of Ollie's Camera Looks and then previewed material from his forthcoming album Coruscation. The first piece, York Aspiring, featured stunning atmospherics and tremendous soloing, with Pete's drumming background clearly evident in his dynamic sequencer patterns.
The highlight of the whole evening came next, as Peter and Dave were joined by guitarist Gary Attwood for another new number. Attwood played a superb solo over a bouncy, driving, Fripp influenced beat. Dave Titchen then featured a short, melodic organ solo which led into a powerful and lively finale. They encored with a number about ex-newsreader Anna Ford!!!
On the strength of this evening, I'm sure Coruscation will be eagerly received.
David Alexander,
The Mix
Peaches and Cream
Peter Beasley Lyrics
We have lyrics for 'Peaches and Cream' by these artists:
112 Yeah, yeah, yeah I like the way it's goin 'down (that's…
112 & Notorious B.I.G. So hot, hot It's the S the L the I the…
112 & P. Diddy So hot, hot It's the S the L the I the…
112 Featuring Ludacris Bad Boy Let's dance Let's dance Let's dance Let's dance …
112 ft Fabolous Yeah, yeah, yeah I like the way it's goin 'down (that's…
112 ft Fabulous So hot, hot It's the S the L the I the…
112 ft. Fabolous Yeah, yeah, yeah I like the way it's goin 'down (that's…
112 ft. Jay-z and LiL Kim So hot, hot It's the S the L the I the…
112/Ludacris Bad Boy Let's dance Let's dance Let's dance Let's dance …
Air Supply The light was on, and everything I felt was strong I…
Darts My papa told me love is not all sweet, Uh…
Domestic Science Club Some men are tobacco - just bad smoke coming down And…
Dony Otilia & Erika Isac Peaches, peaches Peaches, peaches I never thought that I w…
Fischer-Z I've got a brain But it gives me pain to have…
John Butler Trio Well there's far too many questions to ask, To answer any…
Larry Williams So hot, hot It's the S the L the I the…
Magnum Now I stand alone Confusion spills From the unknown Yeah I'…
Markus Schulz When colors turn to grey When I want to fade away I…
Myallo Yeah, hmm As I look in your eyes (Uh) I can feel…
Paulo Mendonça overdose comatose do you think about me your on my mind…
PUFF DADDY feat. 112 Yeah, yeah, yeah I like the way it's goin 'down (that's…
Snoop Dogg Feat. Charlie Wilson She's 'bout to go in She likes that low end Damn, her…
suno Peaches and cream got nothing on us But I don't want…
The John Butler Trio Well there's far too many questions to ask To answer all…
The lyrics are frequently found in the comments by searching or by filtering for lyric videos
More Genres
No Artists Found
More Artists
Load All
No Albums Found
More Albums
Load All
No Tracks Found
Genre not found
Artist not found
Album not found
Search results not found
Song not found
socket_error
The funniest thing about Family Guy and watching reactions to it is a lot of the humor is aimed at GenX and the jokes fly over the heads of younger people like the Wargames movie references.
Trevon Womack
@Jonathan Freedom1st Argiri
you're aware that comedy is subjective right.
Gamex Simmonds
@socket_error Socket error, I think you are right. I was born in the 90s and although I grew up watching family guy( probably shouldn't have been watching it that young) and I understand most references. There have been times especially when I was a kid and watching the first few seasons that went over my head. Same thing with the Simpsons. The writers of the Simpsons grew up in the 70s so to someone like me or even now 15 year old kids where born in like 2006 to go watch an epsiode of the Simpsons or family you may miss references.
Jonathan Freedom1st Argiri
Sexual innuendos and jokes fly right over the heads of these youngest generations, im not sure of thats a good thing or a bad? Maybe bad because it shows a lackluster sense of humor. Idk you tell me. Im an old man of 41. So what do i know i just know a tine when comedy had no limits and was actually Narried with children comedy. Which is something these 2 should react to Al Bundy and Married with Children. Theyl should love it....again Maybe?
JohnE Dieter
@Liam Engram wasn't?
Liam Engram
War Games also wasn't on Netflix on two different occassions including during the height of lockdown when everyone was stuck in their house.
Jamie Derry
Millie's face at most of them, you can tell she's so innocent, bless her :)
Firstname Lastname
Um, yeah... innocent.😉
Michael Bateman
@Red Gonzalez I think so too. BUT, she's classy enough not to say what she's thinking.
Red Gonzalez
Lmao she is not