Philip Glass (born January 31, 1937) is an American composer. He is widely … Read Full Bio ↴Philip Glass (born January 31, 1937) is an American composer. He is widely regarded as one of the most influential musicians of the late 20th century. Glass's work has been described as minimal music, having similar qualities to other "minimalist" composers such as La Monte Young, Steve Reich, and Terry Riley. Glass describes himself as a composer of "music with repetitive structures", which he has helped evolve stylistically.
Glass founded the Philip Glass Ensemble, with which he still performs on keyboards. He has written numerous operas and musical theatre works, twelve symphonies, eleven concertos, eight string quartets and various other chamber music, and film scores. Three of his film scores have been nominated for Academy Awards.
Glass was born in Baltimore, Maryland, the son of Ida (née Gouline) and Benjamin Charles Glass. His family were Jewish emigrants from Lithuania. His father owned a record store and his mother was a librarian. In his memoir, Glass recalls that at the end of World War II his mother aided Jewish Holocaust survivors, inviting recent arrivals to America to stay at their home until they could find a job and a place to live. She developed a plan to help them learn English and develop skills so they could find work. His sister, Sheppie, would later do similar work as an active member of the International Rescue Committee.
Glass developed his appreciation of music from his father, discovering later his father's side of the family had many musicians. His cousin Cevia was a classical pianist, while others had been in vaudeville.
Glass has composed many film scores, starting with the orchestral score for Koyaanisqatsi (1982), and continuing with two biopics, Mishima: A Life in Four Chapters (1985, resulting in the String Quartet No. 3) and Kundun (1997) about the Dalai Lama, for which he received his first Academy Award nomination. In 1968 he composed and conducted the score for director Harrison Engle's minimalist comedy short, Railroaded, played by the Philip Glass Ensemble. This was one of his earliest film efforts.
The year after scoring Hamburger Hill (1987), Glass began a long collaboration with the filmmaker Errol Morris with his music for Morris's celebrated documentaries, including The Thin Blue Line (1988) and A Brief History of Time (1991). He continued composing for the Qatsi trilogy with the scores for Powaqqatsi (1988) and Naqoyqatsi (2002). In 1995 he composed the theme for Reggio's short independent film Evidence. He made a cameo appearance—briefly visible performing at the piano—in Peter Weir's The Truman Show (1998), which uses music from Powaqqatsi, Anima Mundi and Mishima, as well as three original tracks by Glass. In the 1990s, he also composed scores for Bent (1997) and the thriller Candyman (1992) and its sequel, Candyman: Farewell to the Flesh (1995), plus a film adaptation of Joseph Conrad's The Secret Agent (1996).
In 1999, he finished a new soundtrack for the 1931 film Dracula. The Hours (2002) earned him a second Academy Award nomination, and was followed by another Morris documentary, The Fog of War (2003). In the mid-2000s Glass provided the scores to films such as Secret Window (2004), Neverwas (2005), The Illusionist and Notes on a Scandal, garnering his third Academy Award nomination for the latter. Glass's most recent film scores include No Reservations (Glass makes a brief cameo in the film sitting at an outdoor café), Cassandra's Dream (2007), Les Regrets (2009), Mr Nice (2010), the Brazilian film Nosso Lar (2010) and Fantastic Four (2015, in collaboration with Marco Beltrami). In 2009, Glass composed original theme music for Transcendent Man, about the life and ideas of Ray Kurzweil by filmmaker Barry Ptolemy.
In the 2000s Glass's work from the 1980s again became known to wider public through various media. In 2005 his Concerto for Violin and Orchestra (1987) was featured in the surreal French thriller, La Moustache, providing a tone intentionally incongruous to the banality of the movie's plot. Metamorphosis: Metamorphosis One from Solo Piano (1989) was featured in the reimagined Battlestar Galactica in the episode "Valley of Darkness" and also in the final episode ("return 0") of Person of Interest. In 2008, Rockstar Games released Grand Theft Auto IV featuring Glass's "Pruit Igoe" (from Koyaanisqatsi). "Pruit Igoe" and "Prophecies" (also from Koyaanisqatsi) were used both in a trailer for Watchmen and in the film itself. Watchmen also included two other Glass pieces in the score: "Something She Has To Do" from The Hours and "Protest" from Satyagraha, act 2, scene 3. In 2013 Glass contributed a piano piece "Duet" to the Park Chan-wook film Stoker. In 2017 Glass scored the National Geographic Films documentary Jane (a documentary on the life of renowned British primatologist Jane Goodall).
Glass's music was featured in two award-winning films by Russian director Andrey Zvyagintsev, Elena (2011) and Leviathan (2014).
For television, Glass composed the theme for Night Stalker (2005).
Glass founded the Philip Glass Ensemble, with which he still performs on keyboards. He has written numerous operas and musical theatre works, twelve symphonies, eleven concertos, eight string quartets and various other chamber music, and film scores. Three of his film scores have been nominated for Academy Awards.
Glass was born in Baltimore, Maryland, the son of Ida (née Gouline) and Benjamin Charles Glass. His family were Jewish emigrants from Lithuania. His father owned a record store and his mother was a librarian. In his memoir, Glass recalls that at the end of World War II his mother aided Jewish Holocaust survivors, inviting recent arrivals to America to stay at their home until they could find a job and a place to live. She developed a plan to help them learn English and develop skills so they could find work. His sister, Sheppie, would later do similar work as an active member of the International Rescue Committee.
Glass developed his appreciation of music from his father, discovering later his father's side of the family had many musicians. His cousin Cevia was a classical pianist, while others had been in vaudeville.
Glass has composed many film scores, starting with the orchestral score for Koyaanisqatsi (1982), and continuing with two biopics, Mishima: A Life in Four Chapters (1985, resulting in the String Quartet No. 3) and Kundun (1997) about the Dalai Lama, for which he received his first Academy Award nomination. In 1968 he composed and conducted the score for director Harrison Engle's minimalist comedy short, Railroaded, played by the Philip Glass Ensemble. This was one of his earliest film efforts.
The year after scoring Hamburger Hill (1987), Glass began a long collaboration with the filmmaker Errol Morris with his music for Morris's celebrated documentaries, including The Thin Blue Line (1988) and A Brief History of Time (1991). He continued composing for the Qatsi trilogy with the scores for Powaqqatsi (1988) and Naqoyqatsi (2002). In 1995 he composed the theme for Reggio's short independent film Evidence. He made a cameo appearance—briefly visible performing at the piano—in Peter Weir's The Truman Show (1998), which uses music from Powaqqatsi, Anima Mundi and Mishima, as well as three original tracks by Glass. In the 1990s, he also composed scores for Bent (1997) and the thriller Candyman (1992) and its sequel, Candyman: Farewell to the Flesh (1995), plus a film adaptation of Joseph Conrad's The Secret Agent (1996).
In 1999, he finished a new soundtrack for the 1931 film Dracula. The Hours (2002) earned him a second Academy Award nomination, and was followed by another Morris documentary, The Fog of War (2003). In the mid-2000s Glass provided the scores to films such as Secret Window (2004), Neverwas (2005), The Illusionist and Notes on a Scandal, garnering his third Academy Award nomination for the latter. Glass's most recent film scores include No Reservations (Glass makes a brief cameo in the film sitting at an outdoor café), Cassandra's Dream (2007), Les Regrets (2009), Mr Nice (2010), the Brazilian film Nosso Lar (2010) and Fantastic Four (2015, in collaboration with Marco Beltrami). In 2009, Glass composed original theme music for Transcendent Man, about the life and ideas of Ray Kurzweil by filmmaker Barry Ptolemy.
In the 2000s Glass's work from the 1980s again became known to wider public through various media. In 2005 his Concerto for Violin and Orchestra (1987) was featured in the surreal French thriller, La Moustache, providing a tone intentionally incongruous to the banality of the movie's plot. Metamorphosis: Metamorphosis One from Solo Piano (1989) was featured in the reimagined Battlestar Galactica in the episode "Valley of Darkness" and also in the final episode ("return 0") of Person of Interest. In 2008, Rockstar Games released Grand Theft Auto IV featuring Glass's "Pruit Igoe" (from Koyaanisqatsi). "Pruit Igoe" and "Prophecies" (also from Koyaanisqatsi) were used both in a trailer for Watchmen and in the film itself. Watchmen also included two other Glass pieces in the score: "Something She Has To Do" from The Hours and "Protest" from Satyagraha, act 2, scene 3. In 2013 Glass contributed a piano piece "Duet" to the Park Chan-wook film Stoker. In 2017 Glass scored the National Geographic Films documentary Jane (a documentary on the life of renowned British primatologist Jane Goodall).
Glass's music was featured in two award-winning films by Russian director Andrey Zvyagintsev, Elena (2011) and Leviathan (2014).
For television, Glass composed the theme for Night Stalker (2005).
Metamorphosis One
Philip Glass Lyrics
Instrumental
Lyrics Licensed & Provided by LyricFind
To comment on or correct specific content, highlight it
More Genres
No Artists Found
More Artists
Load All
No Albums Found
More Albums
Load All
No Tracks Found
Genre not found
Artist not found
Album not found
Search results not found
Song not found
@ofshadowdreams
“If you can hear this, you’re alone. The only thing left of me is the sound of my voice. I don’t know if any of us made it. So let me tell you who we were. And how we fought back.”
@heyvsauce__9927
I'm not crying, you are!
@Halo687doesminecraft
Someone once asked me if I had learned anything from it all. So let me tell you what I learned. I learned: everyone dies alone. But if you meant something to someone; if you helped someone; or loved someone; if even a single person remembers you; then maybe you never really die. And maybe, this isn’t the end at all.
@akaiseigo5664
I promised to myself that i will never leave to the ones that i loved. Years later, i am still here and never leave them but they leave me.One by one they passed away.
@cnxzy7355
Its literally my h/w
@joaoalmeida4661
💔
@NitinBansal85
As if series wasn't enough, this music...!!! Love every aspect of Person Of Interest. A show that deserved so much more.... A true masterpiece.
@stefanvicentic
Once upon a time when this masterpiece had only 10-20k of views and BSG fans all over it. <3 So say we all!
@dvmegrnbk2032
Once upon a time...
@alexlichanow2382
So say we all o7