1) In his past lives, PIG … Read Full Bio ↴There are more than one artist named PIG.
1) In his past lives, PIG was Lord Raymond Watts, known variously as Raymond Scaballero in Foetus, an icy addition to Psychic TV, a savage PA destroyer in Einstürzende Neubauten, and a founding catalyst of KMFDM. Watts began his arrest record in London where he was most likely pissed off about something and doing sound manipulations, loops and live sound for Psychic TV. He soon crashed into Einstürzende Neubauten (probably in a strip bar) and escaped the smug complacency of the English music scene by moving to Hamburg, Germany and setting up his Building Site studio in a bunker of munitions factory, where he invited in artists including Sprung Aus Den Wolken, Die Haut, and Christiane F. In his pursuit of a cutting edge music scene he sought out like-minded souls to create terrorism instead of tonality. Playing on European/American Neubauten tours, he quickly earned a reputation for destroying PA systems -- the security guards sent by the PA companies to protect the gear were not amused. Between their security thugs and ones hired by Watts to protect him from them, most nights ended up bloody, tense and occasionally on fire.
While collaborating with Neubauten's "gritter" twins: Blixa Bargeld and FM Einheit, Watts lived in the red light district next to a brothel, in amongst the sleaze of the Hamburg docks. Watts heard about Sascha Konietzko who was doing bizarre work with vacuum cleaners, and after drinking him into submission, dragged him and his tall, pale cohort En Esch down the stairs into the freezing Building Site studio, where they locked themselves into Watts' "frozen cesspit" with 20' steel sheets and other garbage, emerging with the debut What Do You Know Deutschland?
As one of the architects of the KMFDM sound, Watts went east to plow through the entrails of the German avant garde, planting the seed of his new experiment while KMFDM moved to America. The mutant was born out of the blood and piss in a basement studio opposite the Berlin Wall and became the 1988 debut album A Poke In The Eye. In addition, Watts was recruited by Foetus (Jim Thirwell) to be in his first live band, and after a European tour which involved disappearances, catholic school girls, and worms, Thirwell stayed on the produce the 12" Shit for Brains. Watts said he'd buy the next round and went to the US to record Steroid Maximus with Thirwell, and also did sound for Crime & the City Solution.
When the wall came down, Watts split his time between London and Tokyo, looking for a new alien habitat after Berlin's pleasure dome exploded. PIG morphed with various collaborators and Watts started working with Japanese musicians, turning his attention to Schaft, which became a huge hit there. The Watts system emerged as an elastic style of working with refuse and collaborating with pariahs: one man's trash is another man's treasure, darling.
Long-time PIG fan Trent Reznor came to see him around '91/'92 at a tiny club in Camden, England and introduced himself to the unimpressed Watts who was surprised that this fellow knew most of PIG's scattered discography. PIG was invited to open Nine Inch Nails' European tour in '94 -- complete with real pig heads on stage that were a load of fun after a few days' decomposition. Later, in 1995, Reznor's Nothing label released his fourth album, Sinsation.
In the mid 1990s, Konietzko ran into Watts again and they worked on the Sin, Sex & Salvation EP, which led to Watts returning to the fold for Nihil, the most successful KMFDM album to date, which included the Watts-penned hit Juke Joint Jezebel. Watts also appeared on the band's Symbols album, doing vocals on the delightfully-titled Spit Sperm and Unfit, while KMFDM's Gunter Schulz and Sascha Konietzko appear on the 1997 release Wrecked, furthering their incestuous relationship.
Still bigger in Japan than the rest of the world, PIG released his sixth album, Genuine American Monster, there in 1999. Finally, in 2002, PIG found a new American home with the Metropolis Records label, who had that year recently released the album ATTAK.
In 2012 PIG released two demos; written by Watts; and performed by Watts and Marc Heal (Cubanate) entitled: Drugzilla (Rough As A Hog's Arse Mix) released on June 8th; Shake (Rough Mix) released on July 14th; and Drugzilla (Pork Talk Mix by Raymond Watts) released on December 2nd.
2) PIG is a Japanese melodic punk band from Japan.
http://www.audioleaf.com/piggip3/
3) pig used to be the alias of Oscar Lang when he first started releasing music in 2017. In 2019 however, he started releasing under his real name, and with that the already released pig releases were re-released under Oscar Lang.
4) Pig is a Beatmaker who became known for his '' dirty '' beats so he earned the nickname Pig which was adopted with an artistic name. Producer and Beatmaker for more than 5 years, he has accumulated several experiences in his career, with more than 15 million Streams.
Painiac
Pig Lyrics
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Why don't you see me the way that I see you?
Why don't you say what I want you to say?
Why don't you hurt me in that special way?
Come on and be my God
Come on and be my gun
One is for killing
Too scared to walk away
Too scared to stay (2x)
Why don't you soak me in the stain of your twisted mind?
Why don't you coat me in the blood of your broken shrine?
Why don't you cut me the way I wanna cut you?
Why don't you fuck me the way I wanna fuck you?
Come on and be my God
Come on and be my gun
One is for killing
One is for fun
Too scared to walk away
Too scared to stay (3x)
(Woman)
Nothing touches me (4x)
(Pig)
Come on and be my God
Come on and be my gun
One is for killing
One is for fun
Too scared to walk away
Too scared to stay (2x)
(Woman)
Nothing touches me (2x)
(Pig)
Too scared to walk away
Too scared to stay (2x)
Come on and be my God (2x)
Come on and be my God!
Too scared to walk away
Too scared to stay (2x)
Come on and be my God (2x)
Come on and be my God
(Woman)
Nothing touches me (7x)
The lyrics of PIG's song Painiac describe a dangerous and twisted relationship. The singer is pleading with their partner to treat them in a violent and controlling way, asking them to be their "God" and their "gun." The lyrics suggest that the singer is both afraid of and obsessed with their partner, and is willing to be hurt and abused in order to maintain a connection with them. The repeated phrase "too scared to walk away, too scared to stay" emphasizes the singer's conflicting feelings of fear and desire.
The imagery in the lyrics is dark and disturbing, with references to blood, cutting, and twisted minds. The repeated line "Why don't you see me the way that I see you" suggests that the singer may be projecting their own twisted desires onto their partner, who may not be fully aware of the extent of the singer's obsession. The woman's repeated line "nothing touches me" may suggest a numbness or detachment on her part, or a sense of invincibility in the face of the singer's desires.
Overall, the lyrics of Painiac paint a vivid and unsettling picture of a relationship built on violence, control, and twisted desire.
Line by Line Meaning
Why don't you do what I want you to do?
I want you to meet my needs and desires, but you're not doing it.
Why don't you see me the way that I see you?
I have strong feelings and expectations towards you, but you don't reciprocate those feelings.
Why don't you say what I want you to say?
I want you to vocalize the things I want to hear, but you're not doing it.
Why don't you hurt me in that special way?
I crave a unique style of pain or harm from you, and I wish you would fulfill that desire.
Come on and be my God
I want you to have total control over my life and be my ultimate authority.
Come on and be my gun
I want you to have power over me, like a weapon that could be used to harm or kill.
One is for killing
Being someone's gun is like having the power to kill them emotionally or physically.
One is for fun
Being someone's gun could also be fun, like playing a game of domination and submission.
Too scared to walk away
I'm afraid to leave this situation even though it might be harmful or not fulfilling.
Too scared to stay (2x)
I'm afraid to leave the situation, but also afraid to stay because it might not be healthy.
Why don't you soak me in the stain of your twisted mind?
I want to be immersed in your perverse and disturbed thoughts or behaviors.
Why don't you coat me in the blood of your broken shrine?
I want to be covered in the violence or pain of your past traumas or experiences.
Why don't you cut me the way I wanna cut you?
I desire a certain type or level of harm from you, and I wish you would fulfill that desire.
Why don't you fuck me the way I wanna fuck you?
I desire a certain type or level of sexual encounter with you, and I wish you would fulfill that desire.
Nothing touches me (4x)
The woman is expressing her numbness or dissociation towards the situations and actions being described.
Contributed by Henry H. Suggest a correction in the comments below.
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