There are more than one artist named PIG.

1) In his past lives, PIG … Read Full Bio ↴There are more than one artist named PIG.

1) In his past lives, PIG was Lord Raymond Watts, known variously as Raymond Scaballero in Foetus, an icy addition to Psychic TV, a savage PA destroyer in Einstürzende Neubauten, and a founding catalyst of KMFDM. Watts began his arrest record in London where he was most likely pissed off about something and doing sound manipulations, loops and live sound for Psychic TV. He soon crashed into Einstürzende Neubauten (probably in a strip bar) and escaped the smug complacency of the English music scene by moving to Hamburg, Germany and setting up his Building Site studio in a bunker of munitions factory, where he invited in artists including Sprung Aus Den Wolken, Die Haut, and Christiane F. In his pursuit of a cutting edge music scene he sought out like-minded souls to create terrorism instead of tonality. Playing on European/American Neubauten tours, he quickly earned a reputation for destroying PA systems -- the security guards sent by the PA companies to protect the gear were not amused. Between their security thugs and ones hired by Watts to protect him from them, most nights ended up bloody, tense and occasionally on fire.

While collaborating with Neubauten's "gritter" twins: Blixa Bargeld and FM Einheit, Watts lived in the red light district next to a brothel, in amongst the sleaze of the Hamburg docks. Watts heard about Sascha Konietzko who was doing bizarre work with vacuum cleaners, and after drinking him into submission, dragged him and his tall, pale cohort En Esch down the stairs into the freezing Building Site studio, where they locked themselves into Watts' "frozen cesspit" with 20' steel sheets and other garbage, emerging with the debut What Do You Know Deutschland?

As one of the architects of the KMFDM sound, Watts went east to plow through the entrails of the German avant garde, planting the seed of his new experiment while KMFDM moved to America. The mutant was born out of the blood and piss in a basement studio opposite the Berlin Wall and became the 1988 debut album A Poke In The Eye. In addition, Watts was recruited by Foetus (Jim Thirwell) to be in his first live band, and after a European tour which involved disappearances, catholic school girls, and worms, Thirwell stayed on the produce the 12" Shit for Brains. Watts said he'd buy the next round and went to the US to record Steroid Maximus with Thirwell, and also did sound for Crime & the City Solution.

When the wall came down, Watts split his time between London and Tokyo, looking for a new alien habitat after Berlin's pleasure dome exploded. PIG morphed with various collaborators and Watts started working with Japanese musicians, turning his attention to Schaft, which became a huge hit there. The Watts system emerged as an elastic style of working with refuse and collaborating with pariahs: one man's trash is another man's treasure, darling.

Long-time PIG fan Trent Reznor came to see him around '91/'92 at a tiny club in Camden, England and introduced himself to the unimpressed Watts who was surprised that this fellow knew most of PIG's scattered discography. PIG was invited to open Nine Inch Nails' European tour in '94 -- complete with real pig heads on stage that were a load of fun after a few days' decomposition. Later, in 1995, Reznor's Nothing label released his fourth album, Sinsation.

In the mid 1990s, Konietzko ran into Watts again and they worked on the Sin, Sex & Salvation EP, which led to Watts returning to the fold for Nihil, the most successful KMFDM album to date, which included the Watts-penned hit Juke Joint Jezebel. Watts also appeared on the band's Symbols album, doing vocals on the delightfully-titled Spit Sperm and Unfit, while KMFDM's Gunter Schulz and Sascha Konietzko appear on the 1997 release Wrecked, furthering their incestuous relationship.

Still bigger in Japan than the rest of the world, PIG released his sixth album, Genuine American Monster, there in 1999. Finally, in 2002, PIG found a new American home with the Metropolis Records label, who had that year recently released the album ATTAK.

In 2012 PIG released two demos; written by Watts; and performed by Watts and Marc Heal (Cubanate) entitled: Drugzilla (Rough As A Hog's Arse Mix) released on June 8th; Shake (Rough Mix) released on July 14th; and Drugzilla (Pork Talk Mix by Raymond Watts) released on December 2nd.

2) PIG is a Japanese melodic punk band from Japan.
http://www.audioleaf.com/piggip3/

3) pig used to be the alias of Oscar Lang when he first started releasing music in 2017. In 2019 however, he started releasing under his real name, and with that the already released pig releases were re-released under Oscar Lang.

4) Pig is a Beatmaker who became known for his '' dirty '' beats so he earned the nickname Pig which was adopted with an artistic name. Producer and Beatmaker for more than 5 years, he has accumulated several experiences in his career, with more than 15 million Streams.

Suck Spit Shit
Pig Lyrics

Jump to: Overall Meaning ↴ Line by Line Meaning ↴

Something is wrong in my head
See the stain where I have bled
In all the places that I try
You take the needle into my eye

You suck it all up
Spit it right out
Take it all in

And shit it right out

And everyday just like the last
My sordid empty dirty past
Can't you hear the lonely call
Be the one to stop my fall

It's time to say just what you feel
And kiss your ass goodbye
And you better squeal

And just for you
I've got a trifle
The sweetest gun
And a little rifle

You suck it all up
Spit it right out
Take it all in
And shit it right out

And everyday just like the last
My sordid empty dirty past
Can't you hear the lonely call
Be the one to stop my fall

And everyday just like the last
My sordid empty dirty past
Can't you hear the lonely call
Be the one to stop my fall

You suck it all up
Spit it right out
Take it all in
And shit it right out

And everyday just like the last
My sordid empty dirty past
Can't you hear the lonely call
Be the one to stop my fall

And everyday just like the last
My sordid empty dirty past
Can't you hear the lonely call
Be the one to stop my fall

Shit it right out

Overall Meaning

The lyrics to PIG’s song “Suck Spit Shit” may be considered disturbing and depraved by some listeners, but upon careful examination, they convey a deep sense of anguish and despair. The opening lines, “something is wrong in my head, see the stain where I have bled,” suggest a profound mental and emotional turmoil that the singer is experiencing. This inner turmoil seems to stem from a sordid, empty, and dirty past that haunts the singer every day, as repeated several times in the chorus.

As the song progresses, the singer sings about someone sucking up all their pain and angst, only to spit it out and shit it right out. This suggests a feeling of being used, abused, and discarded by others, leaving the singer with nothing but their pain and suffering. The repeated chorus underscores the cyclical nature of the singer's torment and repeated failure to break free from their past.

The lyrics also contain a hint of suicidal ideation, as in the lines “be the one to stop my fall” and “it’s time to say just what you feel and kiss your ass goodbye, and you better squeal.” The final line, “shit it right out,” may also suggest a release of physical or emotional pain, a denial of personal responsibility, or even an irreverent gesture of defiance towards the world.

Overall, “Suck Spit Shit” is a dark and introspective song that invites the listener to empathize with the pain and suffering of the singer, while exposing the ugliness of human nature that can lead to such experiences.

Line by Line Meaning

Something is wrong in my head
There's a problem in my mind

See the stain where I have bled
Evidence of past pain is visible

In all the places that I try
No matter where I look

You take the needle into my eye
You hurt me deliberately

You suck it all up
You take everything from me

Spit it right out
You throw it away easily

Take it all in
You accept everything

And shit it right out
Then you discard it just as easily

And everyday just like the last
Every day is the same

My sordid empty dirty past
My shameful, meaningless, filthy history

Can't you hear the lonely call
Can't you hear my cry for help