Shut It Down
Pitbull - www.Marvin-Vibez.in Lyrics

Yeah yeah, aaah, diggy Das nigga, diggy Das what what??
The artist greets his fans and acknowledges the members of his team with a reference to their monikers.

Got ta hold it down
The artist must maintain a sense of control and responsibility.

Hold it down, nigga keep it on lock
The artist emphasizes the importance of maintaining order and security amidst chaos.

I be the man droppin the slang on your premises
The artist asserts his authority as a wordsmith and creative force in the industry.

We the menaces, clanging rappers like they're Genesis
The artist and his crew assert their dominance over other rappers, comparing their impact to the creation story in the Bible.

Now what the hell is this I heard you wanna see this
The artist addresses his critics and challengers, questioning their motives and bravado.

Ya best believe this kid, I got more rhymes than Run got Adidas
The artist boasts about his ability to create an endless stream of lyrics and rhymes, comparing it to the iconic shoe brand.

You can't defeat us so just back up off the metaphor
The artist is confident in his abilities and warns others not to attempt to challenge him on the intellectual level of his lyrics.

The Boogie Banger tell me what the hell's the art for?
The artist questions the purpose and meaning behind his own creative expression.

Yiggity yeah
The artist interjects with a lighthearted phrase to transition to the next verse.

The sooky-sooky, bringin it from the sewer it's the Boogie Bang
The artist references his humble beginnings and implies that he is bringing his raw, gritty sound to the mainstream.

Use to kick the rookie slang, critics wonder "Could he hang?"
The artist recalls a time when he was an unknown and was doubted by his critics.

Drop my first joint and made the whole world flip
The artist boasts about the impact and popularity of his first release.

Next trip, critics that wasn't wit it popped lip (like what?)
The artist acknowledges the negative responses some critics had to his success and brushes them off.

"Nigga eat dat and nigga eat dis"
The artist quotes the negative comments he receives from those who are critical of his music.

but fuck, nigga need that, get off my nigga, eject
The artist responds with defiance to those negative comments, asserting his need for continued success and dismissing his critics.

Miggity mog it's the Prince of Darkness here to spark this
The artist introduces himself with a nickname and implies that he is initiating something powerful and impactful.

riggity mic, my target's the underground market
The artist explains that his focus is on the underground music scene and cultivating a loyal fan base there.

I be the rapper and chief, the editor etcetera
The artist positions himself as a leader and creative authority in the hip-hop community.

The miggity mad dred night predator
The artist employs another nickname and implies that he is a fierce competitor and fighter in the music world.

Cos all the time, nigga's be frontin in their rhymes
The artist critiques other rappers for being dishonest or fake in their lyrics.

claimin to represent the bastards, missin classes, doin time
The artist implies that other rappers claim to speak for the underrepresented or oppressed, but lack authenticity in their experiences.

But when I come thru they be like "Oooh look, the Man!"
The artist implies that when he enters a space, he commands attention and respect as an influential figure in hip-hop.

Shakin niggas down like the earth shook Japan
The artist employs a simile to describe his power and impact, comparing it to a major natural disaster.

Well all I need is my 40, some Buda and my Timbs
The artist describes the simple items he needs to feel comfortable and confident in his life and work.

my biggity black benz with them 19 inch rims
The artist describes his luxury car and accessories, implying that he has achieved a high level of success.

I gotta maintain and at the same time I watch my ass
The artist acknowledges the pressure to maintain success while remaining vigilant and aware of potential threats or setbacks.

the cash, cos any fuckin day could be your last
The artist emphasizes the dangers of his line of work and the uncertainty of the music industry.

I took a breather now we snipin off the roof
The artist references a break he took from music before returning with a renewed focus and drive for success.

We back up in the booth and gettin busy off the 100 proof
The artist implies that he is re-energized and working hard on a new project, perhaps fueled by alcohol.

of Vodka, I rock a rhyme just for the thrill of it
The artist describes his motivation for creating music as pure enjoyment and excitement.

Cos when I'm spillin it I'm fillin it, check how I'm killin it
The artist is confident in his ability to create powerful and impactful music and challenges others to witness it.

But a'time I write a rhyme I takes some time to make it rougher
The artist explains that he puts great effort and care into crafting his lyrics to be as impactful as possible.

So suffer, y'know it's me the nicotine puffer
The artist employs a catchy, self-referential phrase to close out the verse.

I miggity made this for the snitches, cos for the riches
The artist implies that he is making his music for those who are sincere and genuine, rather than those who are disloyal or opportunistic.

we never changing faces like them two singin bitches
The artist criticizes other musicians for being fake or disingenuous, implying that he remains authentic and true to himself.

So hold it down for '95 or youse a goner
The artist implores his fans to support him and remain loyal to his work, warning that those who don't may miss out on his future success.

Big up to all my peoples on corner puffin marijuana
The artist nods to his fans who gather in public spaces to engage in drug use, acknowledging their contributions to his success.

I briggity break the dame, we roll the game
The artist employs another nickname and implies that he is dominating the competitive field of hip-hop.

In '92 wit my crew, ain't a thing changed
The artist reminisces about an earlier time in his career and implies that, despite his success, he remains true to his roots and original crew.

but the styles, the miles on the jeep, the beamer
The artist acknowledges the changes that have come with his success, such as owning nice cars and acquiring new stylistic preferences.

the drawers on my ass, the erb grass got greener
The artist implies that he has more financial success and is able to afford nicer clothing and better quality marijuana.

My knocker plus be droppin the skills off the top a
The artist references another nickname and asserts his ability to improvise and create lyrics on the spot.

the dome for my peoples in the sewer, yo I got ta....
The artist describes a connection he shares with his fans who come from the same humble beginnings as he did.

Hold it down, keep it on lock
The artist repeats his earlier admonition to maintain order and security.

My nigga Mo Bee wit the real hip-hop
The artist shouts out his friend and collaborator, DJ Moe Bee, and asserts that their music represents true hip-hop culture.

(Got ta hold it down)
The artist reinforces his earlier plea for maintaining order and responsibility.

Diggity Das EFX wit the real hip-hop
The artist acknowledges another group he admires and respects as authentic hip-hop musicians.

The young and the restless, word we don't stop
The artist describes another group he respects and implies that they share his drive for success and authenticity.

My nigga PMD wit the real hip-hop (Hit Squad)
The artist shouts out another respected hip-hop group and their affiliated record label.

My nigga DJ Scratch wit the real hip-hop
The artist shouts out another collaborator and asserts their shared commitment to authentic hip-hop music.