PFM introduced new sounds, such as the synthesizer, to the Italian musical world. They were also among the first to combine symphonic classical and traditional Italian musical influences in a rock music context. Such innovations and their longevity have made them among the most important bands in the international Progressive rock genre.
The original core members of PFM (Franco Mussida, Franz Di Cioccio, Flavio Premoli, and Giorgio Piazza) came together in the mid 1960's while playing together as backup musicians for many different Italian pop, rock and folk singers such as Lucio Battisti, Mina, Adriano Celentano and Fabrizio De André. They appeared on many recordings for other artists during this period and quickly established themselves as top players on the Italian rock and pop scene. Mussida, Premoli, Piazza and Di Cioccio then formed the group "I quelli" (English translation "Them", or "Those Guys") in 1968. I quelli released one album and some successful Italian singles.
Premiata Forneria Marconi was officially formed in Milan, Italy in 1970 when the members of I quelli met Mauro Pagani from the group Dalton. Pagani helped the group expand their sound to include violin and flute. By this time they were already highly experienced musicians and easily able to play the kind of complex progressive heavy rock played by the leading English and American groups. Their early live performances included covers by groups such as King Crimson and Jethro Tull. Other early influences included Chicago, Ekseption, and The Flock.
They had a long name, as Italian progressive bands tended to have back then, and so were usually referred to as "La Premiata", and later "PFM". After rejecting Isotta-Fraschini (an Italian car maker) the group finally settled on Pagani's suggestion, "Forneria Marconi" (meaning "Marconi Bakery"), borrowed from the sign of a shop in the small town of Chiari, near Brescia. However, record producer and friend Alessandro Colombini suggested the name was not strong enough, so the title "Premiata" (award-winning) was added. Some objected that "Premiata Forneria Marconi" was too long a name, but the group's philosophy stated that the more difficult to remember a band's name, the more difficult to forget it.
The most recent line-up of PFM follows:
- Franco Mussida: acoustic guitar, electric guitar, 12 string guitar, mandolin, vocals (1970–present)
- Franz Di Cioccio: drums, percussion, lead and backing vocals (1970–present)
- Patrick Djivas: bass, programming (1974–present)
- Lucio Fabbri: violin, keyboards (1979–1987, 2000–present )
- Gianluca Tagliavini: piano, Hammond, Minimoog, other keyboards (2005–present)
- Piero Monterisi: additional drums (2006–present)
Former members of PFM follows:
- Flavio Premoli: piano, keyboards, Mellotron, Moog synthesizer, lead vocals (1970–1980, 1997–2005)
- Giorgio Piazza: bass (1970–1974)
- Mauro Pagani: flute, piccolo, violin, vocals (1970–1976)
- Bernardo Lanzetti: lead vocals, rhythm guitar (1975–1977)
- Gregory Bloch: violin (1976–1977)
- Walter Calloni: additional drums (1982–1987)
- Roberto Gualdi: additional drums (1997–2005)
Grazie Davvero
Premiata Forneria Marconi Lyrics
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Piove piano,
Piove su di me;
Viene il giorno viene piano,
Quieto qui dA me,
Piove già.
Suona già sullo stagno,
Cade senza età.
L'acqua senza età.
Piove su un mondo da vivere
Piove sul giorno che è qua
Piove sul tempo che arriverà.
Grazie davvero di vivere
Grazie del giorno che è qua
Grazie del tempo che arriverà.
Piove già piove piano,
Piove su di me:
Viene giorno, viene piano,
Quieto qui da me:
Pioverà
The lyrics of Premiata Forneria Marconi's song Grazie Davvero describe a contemplative moment of the singer as they are standing in the rain. They convey a sense of peace and gratitude for everything that is unfolding in the present moment, both good and bad. The rain is depicted as a metaphor for the passing of time that is beyond our control, a constant flow that we must learn to accept and appreciate. The lyrics speak of the timeless beauty of raindrops falling on a pond and playing on the colors around them, a reminder that even in the midst of turmoil, there is always something beautiful and worth cherishing.
The repetition of the phrase "grazie davvero" (thank you truly) emphasizes the overarching theme of gratitude and acceptance that runs through the song. The chorus expresses a heartfelt appreciation for life itself, the passing of time, and the moment we find ourselves in. The last line of the song, "pioverà" (it will rain), suggests that despite everything that may happen, life will continue to move forward and rain will fall again, a gentle reminder that there is always hope and renewal.
Line by Line Meaning
Piove già:
It's already raining:
Piove piano,
It's raining gently,
Piove su di me;
It's raining on me;
Viene il giorno viene piano,
The day comes slowly,
Quieto qui dA me,
Quiet here with me,
Piove già.
It's already raining.
Suona già sullo stagno,
It already sounds on the pond,
Cade senza età.
It falls without age.
Sui colori gioca piano,
It plays gently on the colors,
L'acqua senza età.
The water without age.
Piove su un mondo da vivere
It's raining on a world to live in
Piove sul giorno che è qua
It's raining on the day that is here
Piove sul tempo che arriverà.
It's raining on the time that will come.
Grazie davvero di vivere
Thank you for truly living
Grazie del giorno che è qua
Thank you for the day that is here
Grazie del tempo che arriverà.
Thank you for the time that will come.
Piove già piove piano,
It's already raining, raining softly,
Piove su di me:
It's raining on me:
Viene giorno, viene piano,
The day comes, coming slowly,
Quieto qui da me:
Quiet here with me:
Pioverà
It will rain.
Lyrics © Universal Music Publishing Group
Written by: FRANCO MUSSIDA, MAURO PAGANI
Lyrics Licensed & Provided by LyricFind