Pritam Chakraborty (chakravarty) better known as Pritam is a music director… Read Full Bio ↴Pritam Chakraborty (chakravarty) better known as Pritam is a music director and composer from India who is currently based in Mumbai.
Early life
Pritam was born in Kolkata into a Bengali family. Pritam is the son of Prabodh Chakraborty, who runs a music school for children. Pritam gained his early training in music from his father and learned to play the guitar while still in school.
After completing his schooling at St. James' School and college education at Presidency College, he went to a music school. At Presidency he was the Social Services Secretary of the Students Union run by the Independents' Consolidation (IC). Pritam joined a Bangla band, Chandrabindoo. Before that he formed another band with his Presidency batchmates, called "Jotugriher Pakhi". They even have a cassette released to their credit at that time. In January 1993, Pritam joined the Film and Television Institute in Pune to undertake a course in sound recording and sound engineering. During this time, he was offered a chance to compose background music for a film by Hungarian filmmaker Istvan Gaal. He also learned African music from musicologist Kedar Avati.
Career
Having completed his education, Pritam Chakraborty moved to Mumbai to pursue a career in Bollywood. During his stay in Mumbai, he began composing ad jingles, and became friendly with a number of other young men struggling to make it big, like Shantanu Moitra, Rajkumar Hirani, Sanjay Gadhvi and Chandrajeet Ganguly, also known as Jeet, who played the guitar with Anup Jalota.
Pritam got his first break when Gadhvi was signed on to direct Tere Liye and he, in turn, signed on his friends Jeet and Pritam as music composers. Though the music was well received, the film sank at the box office. However, in 2002 Yashraj Films signed Gadhvi up to direct Mere Yaar Ki Shaadi Hai, for which the Jeet-Pritam duo once again composed the music. All the songs from that movie were chartbusters, and the duo had hit the big time.His music comprises various kinds including Indian classical music and western influences. Pritam was then actively involved in mentoring and judging new talent on Zee TV's singing competition show Sa Re Ga Ma Pa Challenge 2009.
[edit] Solo career
Jeet and Pritam worked together for only one more film which was Mudda-The Issue, before amicably parting. After the separation, Pritam's career as a solo musician stalled as he signed a series of flops like Fun2shh - Dudes In The 10th Century and Agnipankh. The films sank at the box office and with them, Pritam’s music too. However, in 2004, Pritam composed the music for Sanjay Gadhvi's second film, Dhoom, which was a runaway success. The film did well and the music topped the charts.
Pritam followed up the success of Dhoom with a string of chartbusting numbers after a year for Chocolate, Garam Masala and Gangster. Also he composed the music for Dhoom 2, the sequel to [Dhoom] & Life in a Metro. Most recently he composed the music for Singh Is Kinng, Kismat Konnection and formed a Band named Metro. His most top rated musics are from the movies Dhoom, Dhoom2, Gangster, Life in a metro, Jab we met, Race, Billu, Love Aaj Kal, Golmaal Returns, Tum Mile, Ajab Prem Ki Gazab Kahani, De Dana Dan, Toh Baat Pakki, Atithi Tum Kab Jaoge?, Badmaash Company and more.
Career
Having completed his education, Pritam Chakraborty moved to Mumbai to pursue a career in Bollywood. During his stay in Mumbai, he began composing ad jingles, and became friendly with a number of other young men struggling to make it big, like Shantanu Moitra, Rajkumar Hirani, Sanjay Gadhvi and Chandrajeet Ganguly, also known as Jeet, who played the guitar with Anup Jalota.
Pritam got his first break when Gadhvi was signed on to direct Tere Liye and he, in turn, signed on his friends Jeet and Pritam as music composers. Though the music was well received, the film sank at the box office. However, in 2002 Yashraj Films signed Gadhvi up to direct Mere Yaar Ki Shaadi Hai, for which the Jeet-Pritam duo once again composed the music. All the songs from that movie were chartbusters, and the duo had hit the big time.His music comprises various kinds including Indian classical music and western influences. Pritam was then actively involved in mentoring and judging new talent on Zee TV's singing competition show Sa Re Ga Ma Pa Challenge 2009.
[edit] Solo career
Jeet and Pritam worked together for only one more film which was Mudda-The Issue, before amicably parting. After the separation, Pritam's career as a solo musician stalled as he signed a series of flops like Fun2shh - Dudes In The 10th Century and Agnipankh. The films sank at the box office and with them, Pritam’s music too. However, in 2004, Pritam composed the music for Sanjay Gadhvi's second film, Dhoom, which was a runaway success. The film did well and the music topped the charts.
Pritam followed up the success of Dhoom with a string of chartbusting numbers after a year for Chocolate, Garam Masala and Gangster. Also he composed the music for Dhoom 2, the sequel to [Dhoom] & Life in a Metro. Most recently he composed the music for Singh Is Kinng, Kismat Konnection and formed a Band named Metro. His most top rated musics are from the movies Dhoom, Dhoom2, Gangster, Life in a metro, Jab we met, Race, Billu, Love Aaj Kal, Golmaal Returns, Tum Mile, Ajab Prem Ki Gazab Kahani, De Dana Dan, Toh Baat Pakki, Atithi Tum Kab Jaoge?, Badmaash Company and more.
Filmography as an actor
Life in a metro (Guest appearance)
[edit] References
1.^ Plagiarism - Common chord that strings Pritam's music
2.^ 'I don't deny copying'
3.^ Bollywood music: If it's a hit, it's a rip-off
4.^ Pritam's the legitimate copy cat?
Early life
Pritam was born in Kolkata into a Bengali family. Pritam is the son of Prabodh Chakraborty, who runs a music school for children. Pritam gained his early training in music from his father and learned to play the guitar while still in school.
After completing his schooling at St. James' School and college education at Presidency College, he went to a music school. At Presidency he was the Social Services Secretary of the Students Union run by the Independents' Consolidation (IC). Pritam joined a Bangla band, Chandrabindoo. Before that he formed another band with his Presidency batchmates, called "Jotugriher Pakhi". They even have a cassette released to their credit at that time. In January 1993, Pritam joined the Film and Television Institute in Pune to undertake a course in sound recording and sound engineering. During this time, he was offered a chance to compose background music for a film by Hungarian filmmaker Istvan Gaal. He also learned African music from musicologist Kedar Avati.
Career
Having completed his education, Pritam Chakraborty moved to Mumbai to pursue a career in Bollywood. During his stay in Mumbai, he began composing ad jingles, and became friendly with a number of other young men struggling to make it big, like Shantanu Moitra, Rajkumar Hirani, Sanjay Gadhvi and Chandrajeet Ganguly, also known as Jeet, who played the guitar with Anup Jalota.
Pritam got his first break when Gadhvi was signed on to direct Tere Liye and he, in turn, signed on his friends Jeet and Pritam as music composers. Though the music was well received, the film sank at the box office. However, in 2002 Yashraj Films signed Gadhvi up to direct Mere Yaar Ki Shaadi Hai, for which the Jeet-Pritam duo once again composed the music. All the songs from that movie were chartbusters, and the duo had hit the big time.His music comprises various kinds including Indian classical music and western influences. Pritam was then actively involved in mentoring and judging new talent on Zee TV's singing competition show Sa Re Ga Ma Pa Challenge 2009.
[edit] Solo career
Jeet and Pritam worked together for only one more film which was Mudda-The Issue, before amicably parting. After the separation, Pritam's career as a solo musician stalled as he signed a series of flops like Fun2shh - Dudes In The 10th Century and Agnipankh. The films sank at the box office and with them, Pritam’s music too. However, in 2004, Pritam composed the music for Sanjay Gadhvi's second film, Dhoom, which was a runaway success. The film did well and the music topped the charts.
Pritam followed up the success of Dhoom with a string of chartbusting numbers after a year for Chocolate, Garam Masala and Gangster. Also he composed the music for Dhoom 2, the sequel to [Dhoom] & Life in a Metro. Most recently he composed the music for Singh Is Kinng, Kismat Konnection and formed a Band named Metro. His most top rated musics are from the movies Dhoom, Dhoom2, Gangster, Life in a metro, Jab we met, Race, Billu, Love Aaj Kal, Golmaal Returns, Tum Mile, Ajab Prem Ki Gazab Kahani, De Dana Dan, Toh Baat Pakki, Atithi Tum Kab Jaoge?, Badmaash Company and more.
Career
Having completed his education, Pritam Chakraborty moved to Mumbai to pursue a career in Bollywood. During his stay in Mumbai, he began composing ad jingles, and became friendly with a number of other young men struggling to make it big, like Shantanu Moitra, Rajkumar Hirani, Sanjay Gadhvi and Chandrajeet Ganguly, also known as Jeet, who played the guitar with Anup Jalota.
Pritam got his first break when Gadhvi was signed on to direct Tere Liye and he, in turn, signed on his friends Jeet and Pritam as music composers. Though the music was well received, the film sank at the box office. However, in 2002 Yashraj Films signed Gadhvi up to direct Mere Yaar Ki Shaadi Hai, for which the Jeet-Pritam duo once again composed the music. All the songs from that movie were chartbusters, and the duo had hit the big time.His music comprises various kinds including Indian classical music and western influences. Pritam was then actively involved in mentoring and judging new talent on Zee TV's singing competition show Sa Re Ga Ma Pa Challenge 2009.
[edit] Solo career
Jeet and Pritam worked together for only one more film which was Mudda-The Issue, before amicably parting. After the separation, Pritam's career as a solo musician stalled as he signed a series of flops like Fun2shh - Dudes In The 10th Century and Agnipankh. The films sank at the box office and with them, Pritam’s music too. However, in 2004, Pritam composed the music for Sanjay Gadhvi's second film, Dhoom, which was a runaway success. The film did well and the music topped the charts.
Pritam followed up the success of Dhoom with a string of chartbusting numbers after a year for Chocolate, Garam Masala and Gangster. Also he composed the music for Dhoom 2, the sequel to [Dhoom] & Life in a Metro. Most recently he composed the music for Singh Is Kinng, Kismat Konnection and formed a Band named Metro. His most top rated musics are from the movies Dhoom, Dhoom2, Gangster, Life in a metro, Jab we met, Race, Billu, Love Aaj Kal, Golmaal Returns, Tum Mile, Ajab Prem Ki Gazab Kahani, De Dana Dan, Toh Baat Pakki, Atithi Tum Kab Jaoge?, Badmaash Company and more.
Filmography as an actor
Life in a metro (Guest appearance)
[edit] References
1.^ Plagiarism - Common chord that strings Pritam's music
2.^ 'I don't deny copying'
3.^ Bollywood music: If it's a hit, it's a rip-off
4.^ Pritam's the legitimate copy cat?
Malang
Pritam Lyrics
Jump to: Overall Meaning ↴
इश्क़ लबों पे, इश्क़ दुआ में
जिस्म में, रूह में इश्क़ रवाँ, रवाँ, रवाँ, रवाँ
इश्क़ नज़र में, इश्क़ बशर में
अक्स में, रक्स में इश्क़-ए-निशाँ, निशाँ, निशाँ, निशाँ
दम मलंग-मलंग, दम-दम मलंग-मलंग
मलंग-मलंग, दम-दम मलंग-मलंग
मलंग-मलंग, दम इश्क़-इश्क़ है मलंग मेरा
दम मलंग-मलंग, दम-दम मलंग-मलंग
मलंग-मलंग, दम-दम मलंग-मलंग
मलंग-मलंग, दम इश्क़-इश्क़ है मलंग मेरा
इश्क़ है आवारा, इश्क़ है बंजारा
इश्क़ है अंगारा, रहता है, बहता है ये इश्क़ ज़र्दों में
इश्क़ में मिट जाऊँ, इश्क़ में बह जाऊँ
इश्क़ में हो जाऊँ फ़ना, फ़ना, फ़ना, फ़ना
मलंग-मलंग, दम-दम मलंग-मलंग
मलंग-मलंग, दम-दम मलंग-मलंग
मलंग-मलंग, दम इश्क़-इश्क़ है मलंग मेरा
दम मलंग-मलंग, दम-दम मलंग-मलंग
मलंग-मलंग, दम-दम मलंग-मलंग
मलंग-मलंग, दम इश्क़-इश्क़ है मलंग मेरा
मेरी मन्नतों में, मेरी जन्नतों में
तेरा ही तेरा शुमार हैं
मेरी चाहतों पे, मेरी राहतों पे
तेरा ही तेरा ख़ुमार हैं
मलंग-मलंग मैं, तेरे ही लिए हूँ मलंग मैं
मेरी उल्फ़तों में, मेरी शिद्दतों में
सजदों में तेरा ही नूर है
तेरी बेख़ुदी में, तेरी दिलकशी में
तेरी बंदगी में दिल चूर है
मलंग-मलंग मैं, तेरे ही लिए हूँ मलंग मैं
मैं यहाँ-वहाँ जाऊँ, जहाँ दर-ब-दर, बदर
तेरे लिए रहती हूँ बेसबर, सबर
तेरी बेक़रारियों में इश्क़-इश्क़ है मलंग मेरा
दम मलंग-मलंग, दम-दम मलंग-मलंग
मलंग-मलंग, दम-दम मलंग-मलंग
मलंग-मलंग, दम इश्क़-इश्क़ है मलंग मेरा
में फलक से आया तुझ को जो पाया
टकराया रब से तेरी चाह में
तू ही इपतीदा तू हे इंतहा हैं
जीना हैं तेरे ही पन्हा में
मलंग मलंग में तेरे लिए ही हूँ मलंग में
में तहसलियों से ना कहानियों से मिलता सुकून तुझे देख कर
तू ही रहनुमा हैं तू ही आशना हैं ज़ह्नु जीया में तेरा असर
मलंग मलंग में तेरे लिए ही हूँ मलंग में
अब लागि - लागी मुझे तेरी लगन लगन
जागी - जागी मन में तेरी अगन अगन
तेरी ही धुन में ही अब इश्क़ इश्क़ मलंग मेरा
दम मलंग-मलंग, दम-दम मलंग-मलंग
मलंग-मलंग, दम-दम मलंग-मलंग
मलंग-मलंग, दम इश्क़-इश्क़ है मलंग मेरा
दम मलंग-मलंग, दम-दम मलंग-मलंग
मलंग-मलंग, दम-दम मलंग-मलंग
मलंग-मलंग, दम इश्क़-इश्क़ है मलंग मेरा
दम मलंग-मलंग, दम-दम मलंग-मलंग
मलंग-मलंग, दम-दम मलंग-मलंग
मलंग-मलंग, दम इश्क़-इश्क़ है मलंग मेरा
जिस्म में, रूह में इश्क़ रवाँ, रवाँ, रवाँ, रवाँ
इश्क़ नज़र में, इश्क़ बशर में
अक्स में, रक्स में इश्क़-ए-निशाँ, निशाँ, निशाँ, निशाँ
दम मलंग-मलंग, दम-दम मलंग-मलंग
मलंग-मलंग, दम-दम मलंग-मलंग
मलंग-मलंग, दम इश्क़-इश्क़ है मलंग मेरा
मलंग-मलंग, दम-दम मलंग-मलंग
मलंग-मलंग, दम इश्क़-इश्क़ है मलंग मेरा
इश्क़ है आवारा, इश्क़ है बंजारा
इश्क़ है अंगारा, रहता है, बहता है ये इश्क़ ज़र्दों में
इश्क़ में मिट जाऊँ, इश्क़ में बह जाऊँ
इश्क़ में हो जाऊँ फ़ना, फ़ना, फ़ना, फ़ना
मलंग-मलंग, दम-दम मलंग-मलंग
मलंग-मलंग, दम-दम मलंग-मलंग
मलंग-मलंग, दम इश्क़-इश्क़ है मलंग मेरा
दम मलंग-मलंग, दम-दम मलंग-मलंग
मलंग-मलंग, दम-दम मलंग-मलंग
मलंग-मलंग, दम इश्क़-इश्क़ है मलंग मेरा
मेरी मन्नतों में, मेरी जन्नतों में
तेरा ही तेरा शुमार हैं
मेरी चाहतों पे, मेरी राहतों पे
तेरा ही तेरा ख़ुमार हैं
मलंग-मलंग मैं, तेरे ही लिए हूँ मलंग मैं
मेरी उल्फ़तों में, मेरी शिद्दतों में
सजदों में तेरा ही नूर है
तेरी बेख़ुदी में, तेरी दिलकशी में
तेरी बंदगी में दिल चूर है
मलंग-मलंग मैं, तेरे ही लिए हूँ मलंग मैं
मैं यहाँ-वहाँ जाऊँ, जहाँ दर-ब-दर, बदर
तेरे लिए रहती हूँ बेसबर, सबर
तेरी बेक़रारियों में इश्क़-इश्क़ है मलंग मेरा
दम मलंग-मलंग, दम-दम मलंग-मलंग
मलंग-मलंग, दम-दम मलंग-मलंग
मलंग-मलंग, दम इश्क़-इश्क़ है मलंग मेरा
में फलक से आया तुझ को जो पाया
टकराया रब से तेरी चाह में
तू ही इपतीदा तू हे इंतहा हैं
जीना हैं तेरे ही पन्हा में
मलंग मलंग में तेरे लिए ही हूँ मलंग में
में तहसलियों से ना कहानियों से मिलता सुकून तुझे देख कर
तू ही रहनुमा हैं तू ही आशना हैं ज़ह्नु जीया में तेरा असर
मलंग मलंग में तेरे लिए ही हूँ मलंग में
अब लागि - लागी मुझे तेरी लगन लगन
जागी - जागी मन में तेरी अगन अगन
तेरी ही धुन में ही अब इश्क़ इश्क़ मलंग मेरा
दम मलंग-मलंग, दम-दम मलंग-मलंग
मलंग-मलंग, दम-दम मलंग-मलंग
मलंग-मलंग, दम इश्क़-इश्क़ है मलंग मेरा
दम मलंग-मलंग, दम-दम मलंग-मलंग
मलंग-मलंग, दम-दम मलंग-मलंग
मलंग-मलंग, दम इश्क़-इश्क़ है मलंग मेरा
दम मलंग-मलंग, दम-दम मलंग-मलंग
मलंग-मलंग, दम-दम मलंग-मलंग
मलंग-मलंग, दम इश्क़-इश्क़ है मलंग मेरा
The lyrics of the song "Malang" revolve around the theme of love and the intense emotions that come with it. The opening lines, "Ishq labon pe, ishq dua mein," convey the idea that love resides not only on the lips and in words, but also in prayers. It emphasizes that love exists not only in the physical realm but also in the soul.
The next set of lines, "Ishq nazar mein, ishq bashar mein, aks mein, raks mein ishq-e-nishaan," expresses that love is present in the eyes and in existence itself. It suggests that love can be seen in someone's gaze and is reflected in their actions and movements. It symbolizes the all-encompassing nature of love, which leaves its mark on everything.
The recurring chorus of "Dam malang-malang, dam-dam malang-malang, malang-malang, dam ishq-ishq hai malang mera" emphasizes the ecstatic and passionate nature of love. The word "Malang" itself denotes someone who is deeply lost in love and unable to control their emotions or desires. It signifies the intoxicating and consuming power of love, which fills the heart and soul completely.
The lyrics further describe love as being free-spirited and wandering, comparing it to a nomad or a wanderer. It portrays love as being fiery and alive, capable of burning with intensity. The line "Malang hai aawara, malang hai banjara, malang hai angaara" suggests that love is adventurous, constantly seeking new experiences and thrills.
The last section of the song highlights the singer's devotion and longing for their beloved. The lines "Meri mannaton mein, meri jannaton mein, tera hi tera shumaar hai" express that the beloved is the sole focus of the singer's desires and wishes. They describe love as a source of happiness and fulfillment.
Overall, the lyrics of "Malang" explore the various facets of love, from its ethereal nature to its intense passion and the sheer devotion it inspires. The song emphasizes the all-encompassing power of love and the impact it has on one's mind, heart, and soul.
Lyrics © O/B/O APRA AMCOS
Written by: SAMEER ANJAAN, PRITAAM CHAKRABORTY
Lyrics Licensed & Provided by LyricFind
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