"Everything right now is so fast paced," Pulse Ultra guitarist Dominic Cifa… Read Full Bio ↴"Everything right now is so fast paced," Pulse Ultra guitarist Dominic Cifarelli, says. "Everything is ultra this, ultra that – ultra soft tissue to wipe your ass, and ultra light cigarettes to give you ultra cancer. Then pulse stands for being human, for life. So Pulse Ultra – it's like life amped up and taken to the next level."

The sound of Velvet Hammer/Atlantic recording group Pulse Ultra's debut album is that of rocks amped up and taken to the next level. "HEADSPACE" is a stirring mix of cerebral and aggressive hard rock, melding complex musical constructions with dramatic melodies and harrowing, introspective lyrics.

Tracks like "Build Your Cages" and "Glass Door" reveals the Montreal-based quartet's multi-faceted sonic approach, with an array of unstoppable hooks, ethereal atmospherics, and ambitious arrangements.

Best friends since childhood, Cifarelli and bassist Jeff Feldman have spent most of their lives playing music together. Their high school band gigged at local parties and the occasional Battle of the Bands, but the band's lineup was in frequent flux, leading to a temporary parting-of-the-ways in 1997. The addition of drummer Maxx Zinno brought a new sense of direction and increased focus.

"It was a very weird time," Dominic says, "but then we got with Maxx, and the first day we jammed, we wrote three songs! It was really immediate."

While Montreal is widely regarded for the diversity of its dance and electronic-based music, it is not exactly known as a hotbed of dark and mysterious rock 'n' roll. Cifarelli, Feldman, and Zinno envisioned a band that could not be imprisoned by confinement of the city's trip-hoppin' club scene.

"Raves are huge," Cifarelli says. "There's not much room for a rock band, and the ones that are here don't usually stick together."

The band rehearsed and wrote with a fervor, going so far as to cut a few demos, but something was still missing. The missing piece of the puzzle fell into place at a 1999 Halloween party attended by the band members as well as a local singer by the name of Zo Vizza.

"Some kid put our CD on," Cifarelli recalls, "and Zo starts singing along. I'm listening to this kid's voice and I totally freaked out. The next day I called him and said, 'Let's write some songs.'" "I was about to join this French band," Vizza says, "which was like my last resort. Then Dominic called and it all started up from there."

Cifarelli and Vizza clicked immediately, penning a number of gripping, acoustic-driven songs, blending the power of Dominic's prog metal influences with Zo's evocative Doors-inspired melodies.

"We just kind of shed all the crap," the guitarist says. "We thought, 'Let's make the heavy stuff heavier and the light stuff lighter.' We want to push all the boundaries, without forgetting that it's all about the song." In the summer of 2000, the guitarist made a connection that led to the band finally getting out of the garage and into the studio. A big fan of Velvet Hammer/Atlantic recording group Taproot, Cifarelli decided to visit the band's tour bus when the Michigan-based band came to Montreal for a show.

"Taproot is very special to us," Dominic says. "So when they came to Montreal, I went over to where they were playing with a six-pack of beer and I just fuckin' knocked on the bus. (Guitarist) Mike (DeWolf) came out and I said, 'I bought you some beer, man. Congratulations on your fuckin' success and shit,' and he said 'Come on in.' I just chilled out with him and the rest of the band for a couple hours and they were fuckin' totally cool." Cifarelli passed over a CD of the latest Headspace demos, and a blown-away DeWolf handed back his manager's phone number.

"I thought, 'I'm not going to call. I don't want to ruin how special the day was,'" Dominic says. "The next day, which was my birthday, the manager e-mailed me! So I called him, we started talking, and the rest is history." Taking on the new moniker of Pulse Ultra, the band inked a deal with Velvet Hammer Management and soon found them signed to Atlantic Records. In July of 2001, Pulse Ultra left the chilly climes of Canada for sunny Los Angeles in order to work with producer Neal Avron (Everclear, Seven Mary Three).

"Neal had never done anything really heavy before," Cifarelli says, "but he was totally excited about us. When we finally met him, we loved his vibe. He was totally amazing – an amazing ear, an amazing engineer, an amazing producer, just a musical genius all around."

The sessions proved to be the most wrenching emotional experience of the band members' lives. As if recording their major label debut wasn't stressful enough, Zinno was diagnosed with an extreme hernia early into the process. Worse, Vizza's father passed away one month into the recording, sending Zo into a spiral of anxiety attacks. Pulse Ultra ultimately spent six long months in Los Angeles, but unlike many bands in a similar situation, they didn't take advantage of the many opportunities the city offers to musicians.

"We never really went out," Cifarelli says. "We were like, 'Let's work hard now, and then we'll fuckin' go crazy.' So we hid out in our rehearsal spot six days a week, practicing, and having anxiety attacks."

The resulting album – dubbed "HEADSPACE" – is fraught with the raw emotions and difficult circumstances that fuelled the recording sessions. Psychologically visceral songs like "Build Your Cages" and "Finding My Place" express Zo's refusal to sacrifice his dreams, even as the pressures built up within and without.

"I'm not a great believer in heaven and hell," he explains. "I believe you should make your heaven on earth. And a lot of people aren't doing that. They're living their lives through other people's expectations, so it's a struggle to do what you want to do. Like the fact that like I was good in school, people always kept on telling me not to sacrifice something good for music. Well, I just think you should just do what you love, period."

With their extraordinary debut about to be unleashed upon an unsuspecting world, the band are excited to take their explosive live set to the fans, starting in the summer of 2002 with a prestigious slot on the annual Ozzfest. "From the lowest lows you get the highest highs," muses Vizza.

For Pulse Ultra, things are about to get even higher...

==Band Members==

* Zo Vizza (Vocals)
* Dominic Cifarelli (Guitar)
* Jeff Feldman (Bass)
* Maxx Zinno (Drums)

Look Closer
Pulse Ultra Lyrics

Jump to: Overall Meaning ↴ Line by Line Meaning ↴

Why do
You judge me
It's time
To get over yourself
Morals
Dissipating
Gives me eyes
To get a closer look

Why do you judge me this way
I don't know
I've made mistakes more than once
More than once

My views
Do you smudge me
A dime
To get over myself

So much
Retribution
Gives me eyes
To get a closer look

Why do you judge me this way
I don't know
I've made mistakes more than once
I'm only human
I can't offer you, perfection
I can offer you a closer
look into my view

I gave in one too many times
I rectify myself with guilt
But it's over whelming me

Why do you judge me this way
I don't know
I've made mistakes more than once
I'm only human
I can't offer you, perfection

I can offer you a closer
look into my view

Overall Meaning

The song “Look Closer” by Pulse Ultra is a call to those who judge others without understanding them. The first verse asks why the listener judges the singer, and encourages them to “get over yourself.” The second verse, however, suggests that the singer doesn’t know why they are being judged, and admits to making mistakes. The bridge offers a brief respite from the self-examination, by criticizing the listener for smudging the singer’s views.

The chorus is the most important part of the song, both musically and lyrically. Here, the singer asks the listener why they judge them, then admits to making mistakes. However, they also claim that they are only human, and can’t offer the listener perfection. Instead, they offer a closer look into their viewpoint. The lyrics suggest that the singer wants to build a connection with the listener, but that they are stymied by their own fear of judgment.

One of the most striking aspects of “Look Closer” is its use of religious imagery. The repeated references to “morals dissipating” suggest that the singer has some kind of spiritual background, but that they are struggling with it. In addition, the bridge mentions “retribution,” which is a religious concept implying that actions have consequences. The central message of the song – that we should try to understand each other rather than condemn – is a moral message in itself.

Line by Line Meaning

Why do
Questioning why the listener is judging the singer

You judge me
The listener is unfairly judging the singer

It's time
The singer feels it's necessary to address the issue

To get over yourself
The listener needs to stop being self-centered

Morals
The listener's principles or values

Dissipating
The listener's morals are fading away or becoming less important

Gives me eyes
The singer gains perspective or insight

To get a closer look
The artist wants to examine the situation more closely

My views
The artist's opinions or beliefs

Do you smudge me
The listener discredits the artist's views

A dime
A small amount