U.N.I.T.Y.
Queen Latifah Lyrics
Uh, U.N.I.T.Y., U.N.I.T.Y. that's a unity
U.N.I.T.Y., love a black man from infinity to infinity
(Who you calling a bitch?)
U.N.I.T.Y., U.N.I.T.Y. that's a unity (You gotta let him know)
(You go, come on here we go)
U.N.I.T.Y., Love a black woman from (You got to let him know)
infinity to infinity (You ain't a bitch or a ho)
U.N.I.T.Y., U.N.I.T.Y. that's a unity (You gotta let him know)
(You go, come on here we go)
U.N.I.T.Y., Love a black man from (You got to let him know)
Instinct leads me to another flow
Everytime I hear a brother call a girl a bitch or a ho
Trying to make a sister feel low
You know all of that gots to go
Now everybody knows there's exceptions to this rule
Now don't be getting mad, when we playing, it's cool
But don't you be calling out my name
I bring wrath to those who disrespect me like a dame
That's why I'm talking, one day I was walking down the block
I had my cutoff shorts on right cause it was crazy hot
I walked past these dudes when they passed me
One of 'em felt my booty, he was nasty
I turned around red, somebody was catching the wrath
Then the little one said (Yeah me bitch) and laughed
Since he was with his boys he tried to break fly
Huh, I punched him dead in his eye and said "Who you calling a bitch?"
(Here we go)
U.N.I.T.Y., U.N.I.T.Y. that's a unity (You gotta let him know)
(You go, come on here we go)
U.N.I.T.Y., Love a black woman from (You got to let him know)
infinity to infinity (You ain't a bitch or a ho)
(Here we go)
U.N.I.T.Y., U.N.I.T.Y. that's a unity (You gotta let him know)
(You go, come on here we go)
U.N.I.T.Y., Love a black man from (You got to let him know)
infinity to infinity (You ain't a bitch or a ho)
I hit the bottom, there ain't nowhere else to go but up
Bad days at work, give you an attitude then you were rough
And take it out on me but that's about enough
You put your hands on me again I'll put your ass in handcuffs
I guess I fell so deep in love I grew dependency
I was too blind to see just how it was affecting me
All I knew was you, you was all the man I had
And I was scared to let you go, even though you treated me bad
But I don't want my kids to see me getting beat down
By daddy smacking mommy all around
You say I'm nothing without ya, but I'm nothing with ya
A man don't really love you if he hits ya
This is my notice to the door, I'm not taking it no more
I'm not your personal whore, that's not what I'm here for
And nothing good gonna come to ya til you do right by me
Brother you wait and see (Who you calling a bitch?)
(Here we go)
U.N.I.T.Y., U.N.I.T.Y. that's a unity (You gotta let him know)
(You go, come on here we go)
U.N.I.T.Y., Love a black woman from (You got to let him know)
infinity to infinity (You ain't a bitch or a ho)
(Here we go)
U.N.I.T.Y., U.N.I.T.Y. that's a unity (You gotta let him know)
(You go, come on here we go)
U.N.I.T.Y., Love a black man from (You got to let him know)
infinity to infinity (You ain't a bitch or a ho)
What's going on in your mind is what I ask ya
But like Yo-Yo, you don't hear me though
You wear a rag around your head and you call yourself
a "Gangsta Bitch" now that you saw Apache's video
I saw you wilding, acting like a fool
I peeped you out the window jumping girls after school
But where did all of this come from?
A minute ago, you was a nerd and nobody ever heard of ya
Now you a wannabe... hard
You barely know your ABC's, please
There's plenty of people out there with triggers ready to pull it
Why you trying to jump in front of the bullet (Young lady)
Uh, and real bad girls are the silent type
Ain't none of this work getting your face sliced
Cause that's what happened to your homegirl, right? Bucking with nobody
She got to wear that for life (Who you calling a bitch?)
(Here we go)
U.N.I.T.Y., U.N.I.T.Y. that's a unity (You gotta let him know)
(You go, come on here we go)
U.N.I.T.Y., Love a black woman from (You got to let him know)
infinity to infinity (You ain't a bitch or a ho)
(Here we go)
U.N.I.T.Y., U.N.I.T.Y. that's a unity (You gotta let him know)
(You go, come on here we go)
U.N.I.T.Y., Love a black man from (You must let him know)
infinity to infinity (You ain't a bitch or a ho)
Lyrics © BMG Rights Management
Written by: D. OWENS, J. SAMPLE
Lyrics Licensed & Provided by LyricFind
To comment on specific lyrics, highlight them
Famed rapper, singer, model and actress Dana Elaine Owens, better known by her stage name Queen Latifah, was born on March 18, 1970, in Newark, New Jersey. Her debut album All Hail to the Queen sold more than 1 million copies, and the single U.N.I.T.Y. earned Latifah her first Grammy Award. Latifah has also garnered acclaim for acting; she earned her first Oscar nomination (best supporting actress) for her performance in the blockbuster musical Chicago. Read Full BioFamed rapper, singer, model and actress Dana Elaine Owens, better known by her stage name Queen Latifah, was born on March 18, 1970, in Newark, New Jersey. Her debut album All Hail to the Queen sold more than 1 million copies, and the single U.N.I.T.Y. earned Latifah her first Grammy Award. Latifah has also garnered acclaim for acting; she earned her first Oscar nomination (best supporting actress) for her performance in the blockbuster musical Chicago. She has also earned a Golden Globe award, two Screen Actors Guild Awards, two Image Awards, six additional Grammy nominations, an Emmy Award nomination and an Academy Award nomination.
Latifah was born and raised in the public housing projects of Newark, New Jersey, the daughter of Rita, a schoolteacher who worked at Irvington High School, and Lancelot Owens, a policeman. Her parents divorced when Latifah was ten. Latifah performed the number "Home" from the musical The Wiz in a high school play. Her stage name, Latifah (لطيفة), meaning "kind" in Arabic, was given to her when she was eight by her cousin. Latifah was raised in the Baptist church, and, while in high school, was a power forward on her basketball team.
She started her career beatboxing for the rap group Ladies Fresh. Latifah was one of the members of the original version of the Flavor Unit MC's, which, at that time, was a crew of MC's grouped around producer DJ Mark The 45 King. In 1988, DJ Mark the 45 King heard a demo version of Latifah's single Princess of the Posse and gave the demo to Fab 5 Freddy, who was the host of Yo! MTV Raps. The recording captured the attention of Tommy Boy Music employee Dante Ross, who immediately signed Latifah, and in 1988 issued her first single, Wrath of My Madness. The track met with a positive response and afforded her the opportunity to launch a European tour, and to perform at the Harlem's famed Apollo Theater. The next year Latifah released her first album, All Hail the Queen, which went on to sell more than 1 million copies.
As she began to earn money, Latifah displayed an interest in investment, putting money into a delicatessen and a video store on the ground floor of the apartment in which she was living. She came to realize that she had a knack for business, and realized that there was an opening for her in record production. In 1991, Latifah organized and became chief executive officer of the Flavor Unit Records and Management Company, headquartered in Jersey City, New Jersey. In the same year she was released her sophomore album, called Nature of a Sista'. It was the final album on Tommy Boy Records. By late 1993, the company had signed 17 rap groups, including the very successful Naughty by Nature. In 1993, Latifah recorded a jazz- and reggae-influenced album titled Black Reign. While the album sold more than 500,000 copies, the single U.N.I.T.Y. earned Latifah her first Grammy Award in 1995. In 1998, Co Produced by Ro Smith now CEO of Def Ro Inc. she released her fourth hip hop album Order in the Court. After Order in the Court, Latifah shifted primarily to sung lyrics in soul music and jazz standards, which she had used sparingly in her previous hip hop-oriented records.
In 2004, she released the soul/jazz standards The Dana Owens Album. On July 11, 2007, Latifah sang at the famed Hollywood Bowl in Los Angeles as the headlining act in a live jazz concert. Before a crowd of more than 12,400, she was backed by a 10-piece live orchestra and three backup vocalists, The Queen Latifah Orchestra. Latifah performed new arrangements of standards including California Dreaming, first made popular by '60s icons The Mamas & the Papas. In 2007, Latifah released an album entitled Trav'lin' Light. Jill Scott, Erykah Badu, Joe Sample, George Duke, Christian McBride, and Stevie Wonder made guest appearances. It was nominated for a Grammy in the "Best Traditional Pop Vocal Album" category. On September 12, 2008, Rolling Stone reported that Queen Latifah is working on a new album that is due in sometime in 2009; this album will be, at least partially, produced by Dr. Dre. She will also work with Missy Elliott.
Acting Success
In the 1990s, Latifah branched out into acting. She made her big screen debut in Spike Lee's interracial romance drama Jungle Fever (1991). The following year, Latifah appeared in the crime thriller Juice with Omar Epps and Tupac Shakur. She soon landed a leading role on the small screen, appearing in the sitcom Living Single from 1993 to '98. The comedy, which also starred Kim Coles, Kim Fields and Erika Alexander, proved to be a ground-breaking show. It remains one of the few sitcoms to focus on a group of African-American women.
A talented performer, Latifah continued to tackle both comedic and dramatic parts. She co-starred in 1996's Set It Off with Jada Pinkett Smith, Kimberly Elise and Vivica A. Fox, playing as a lesbian bank robber. Two years later, Latifah teamed up with Holly Hunter and Danny DeVito for the comedy Living Out Loud (1998). She also appeared with Denzel Washington and Angelina Jolie[[i]i] in The Bone Collector (1999).
Perhaps Latifah's most acclaimed film role to date came in the 2002 hit musical Chicago, starring Richard Gere, Catherine Zeta-Jones and Renee Zellweger. Her portrayal of prison matron Mama Morton gave her a chance to show off both her singing talents and acting skills. For her work in the film, Latifah earned an Academy Award nomination for best supporting actress. She lost to Chicago co-star Catherine Zeta-Jones.
Latifah went on to receive strong reviews for 2003's romantic comedy Bringing Down the House co-starring with Steve Martin. The following year, she experienced some disappointment with Taxi, which co-starred Jimmy Fallon. The comedy proved to be a critical and commercial dud. She fared better with Beauty Shop (2005) and her voice-over work in the hit animated film Ice Age: The Meltdown (2006).
In 2007, Queen Latifah again delighted movie-goers with her musical talents. She appeared as Motormouth Maybelle in Hairspray with John Travolta. Her crime caper Mad Money (2008) with Diane Keaton and Katie Holmes received much colder reception. Returning to drama, Latifah gave a strong performance in The Secret Life of Bees (2008).
On the small screen, Latifah has made a number of guest television appearances over the years, including on the shows 30 Rock and Single Ladies. She also co-starred in the 2012 TV remake of Steel Magnolias with Alfre Woodard, Phylicia Rashad and Jill Scott. Latifah branched out in a new direction the following year. She will enter the daytime television market with a new talk show. The Queen Latifah Show will debut in the fall of 2013. The program promises to be a mix of interviews and comedic and musical performances, according to BET.com.
In addition to acting, Queen Latifah serves as a spokesperson for CoverGirl cosmetics. She even has her own line with the company: The Queen Collection.
Latifah was born and raised in the public housing projects of Newark, New Jersey, the daughter of Rita, a schoolteacher who worked at Irvington High School, and Lancelot Owens, a policeman. Her parents divorced when Latifah was ten. Latifah performed the number "Home" from the musical The Wiz in a high school play. Her stage name, Latifah (لطيفة), meaning "kind" in Arabic, was given to her when she was eight by her cousin. Latifah was raised in the Baptist church, and, while in high school, was a power forward on her basketball team.
She started her career beatboxing for the rap group Ladies Fresh. Latifah was one of the members of the original version of the Flavor Unit MC's, which, at that time, was a crew of MC's grouped around producer DJ Mark The 45 King. In 1988, DJ Mark the 45 King heard a demo version of Latifah's single Princess of the Posse and gave the demo to Fab 5 Freddy, who was the host of Yo! MTV Raps. The recording captured the attention of Tommy Boy Music employee Dante Ross, who immediately signed Latifah, and in 1988 issued her first single, Wrath of My Madness. The track met with a positive response and afforded her the opportunity to launch a European tour, and to perform at the Harlem's famed Apollo Theater. The next year Latifah released her first album, All Hail the Queen, which went on to sell more than 1 million copies.
As she began to earn money, Latifah displayed an interest in investment, putting money into a delicatessen and a video store on the ground floor of the apartment in which she was living. She came to realize that she had a knack for business, and realized that there was an opening for her in record production. In 1991, Latifah organized and became chief executive officer of the Flavor Unit Records and Management Company, headquartered in Jersey City, New Jersey. In the same year she was released her sophomore album, called Nature of a Sista'. It was the final album on Tommy Boy Records. By late 1993, the company had signed 17 rap groups, including the very successful Naughty by Nature. In 1993, Latifah recorded a jazz- and reggae-influenced album titled Black Reign. While the album sold more than 500,000 copies, the single U.N.I.T.Y. earned Latifah her first Grammy Award in 1995. In 1998, Co Produced by Ro Smith now CEO of Def Ro Inc. she released her fourth hip hop album Order in the Court. After Order in the Court, Latifah shifted primarily to sung lyrics in soul music and jazz standards, which she had used sparingly in her previous hip hop-oriented records.
In 2004, she released the soul/jazz standards The Dana Owens Album. On July 11, 2007, Latifah sang at the famed Hollywood Bowl in Los Angeles as the headlining act in a live jazz concert. Before a crowd of more than 12,400, she was backed by a 10-piece live orchestra and three backup vocalists, The Queen Latifah Orchestra. Latifah performed new arrangements of standards including California Dreaming, first made popular by '60s icons The Mamas & the Papas. In 2007, Latifah released an album entitled Trav'lin' Light. Jill Scott, Erykah Badu, Joe Sample, George Duke, Christian McBride, and Stevie Wonder made guest appearances. It was nominated for a Grammy in the "Best Traditional Pop Vocal Album" category. On September 12, 2008, Rolling Stone reported that Queen Latifah is working on a new album that is due in sometime in 2009; this album will be, at least partially, produced by Dr. Dre. She will also work with Missy Elliott.
Acting Success
In the 1990s, Latifah branched out into acting. She made her big screen debut in Spike Lee's interracial romance drama Jungle Fever (1991). The following year, Latifah appeared in the crime thriller Juice with Omar Epps and Tupac Shakur. She soon landed a leading role on the small screen, appearing in the sitcom Living Single from 1993 to '98. The comedy, which also starred Kim Coles, Kim Fields and Erika Alexander, proved to be a ground-breaking show. It remains one of the few sitcoms to focus on a group of African-American women.
A talented performer, Latifah continued to tackle both comedic and dramatic parts. She co-starred in 1996's Set It Off with Jada Pinkett Smith, Kimberly Elise and Vivica A. Fox, playing as a lesbian bank robber. Two years later, Latifah teamed up with Holly Hunter and Danny DeVito for the comedy Living Out Loud (1998). She also appeared with Denzel Washington and Angelina Jolie[[i]i] in The Bone Collector (1999).
Perhaps Latifah's most acclaimed film role to date came in the 2002 hit musical Chicago, starring Richard Gere, Catherine Zeta-Jones and Renee Zellweger. Her portrayal of prison matron Mama Morton gave her a chance to show off both her singing talents and acting skills. For her work in the film, Latifah earned an Academy Award nomination for best supporting actress. She lost to Chicago co-star Catherine Zeta-Jones.
Latifah went on to receive strong reviews for 2003's romantic comedy Bringing Down the House co-starring with Steve Martin. The following year, she experienced some disappointment with Taxi, which co-starred Jimmy Fallon. The comedy proved to be a critical and commercial dud. She fared better with Beauty Shop (2005) and her voice-over work in the hit animated film Ice Age: The Meltdown (2006).
In 2007, Queen Latifah again delighted movie-goers with her musical talents. She appeared as Motormouth Maybelle in Hairspray with John Travolta. Her crime caper Mad Money (2008) with Diane Keaton and Katie Holmes received much colder reception. Returning to drama, Latifah gave a strong performance in The Secret Life of Bees (2008).
On the small screen, Latifah has made a number of guest television appearances over the years, including on the shows 30 Rock and Single Ladies. She also co-starred in the 2012 TV remake of Steel Magnolias with Alfre Woodard, Phylicia Rashad and Jill Scott. Latifah branched out in a new direction the following year. She will enter the daytime television market with a new talk show. The Queen Latifah Show will debut in the fall of 2013. The program promises to be a mix of interviews and comedic and musical performances, according to BET.com.
In addition to acting, Queen Latifah serves as a spokesperson for CoverGirl cosmetics. She even has her own line with the company: The Queen Collection.
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Laura Mendes
Verse 1]
Instinct leads me to another flow
Every time I hear a brother call a girl a bitch or a ho
Tryna make a sister feel low
You know all of that gots to go
Now everybody knows there's exceptions to this rule
Now don't be gettin' mad, when we playin', it's cool
But don't you be calling me out my name
I bring wrath to those who disrespect me like a dame
That's why I'm talkin', one day I was walkin' down the block
I had my cutoff shorts on right 'cause it was crazy hot
I walked past these dudes when they passed me
One of 'em felt my booty, he was nasty
I turned around red, somebody was catchin' the wrath
Then the little one said, "Ha ha, yeah me, bitch," and laughed
Since he was with his boys, he tried to break fly
Huh, I punched him dead in his eye
And said, "Who you callin' a bitch?" Yeah!
[Hook]
U.N.I.T.Y., U.N.I.T.Y. that's a unity (Here we go, you gotta let him know)
(You go, come on, here we go)
U.N.I.T.Y., love a black woman from (You gotta let him know)
Infinity to infinity (You ain't a bitch or a ho, here we go)
U.N.I.T.Y., U.N.I.T.Y. that's a unity (Uh, you gotta let him know)
(You go, come on here we go)
U.N.I.T.Y., love a black man from (Yeah, you gotta let him know)
Infinity to infinity (You ain't a bitch or a ho)
[Verse 2]
I hit the bottom, there ain't nowhere else to go but up
Bad days at work give you an attitude and you erupt
And take it out on me but that's about enough
You put your hands on me again I'll put your ass in handcuffs
I guess I fell so deep in love I grew dependency
I was too blind to see just how it was affectin' me
All that I knew was you was all the man I had
And I was scared to let you go
Even though you treated me bad
But I don’t want to see my kids see me gettin' beat down by daddy smackin' mommy all around
You say I'm nothin' without ya but I'm nothing' with ya
A man don't really love you if he hits ya
This is my notice to the door, I'm not takin' it no more
I'm not your personal whore, that's not what I'm here for
And nothing good gon' come to ya til you do right by me
Brother you wait and see (Who you callin' a bitch? Uh!)
[Hook]
U.N.I.T.Y., U.N.I.T.Y. that's a unity (Here we go, you gotta let him know)
(Come on, here we go)
U.N.I.T.Y., love a black man from (Yeah, you gotta let him know)
Infinity to infinity (You ain't a bitch or a ho, here we go)
U.N.I.T.Y., U.N.I.T.Y. that's a unity (Uh, you gotta let him know)
(Come on, here we go)
U.N.I.T.Y., love a black woman from (Yeah, you gotta let him know)
Infinity to infinity (You ain't a bitch or a ho)
Verse 3]
What's goin' on in your mind is what I ask ya
But like Yo-Yo, you don't hear me though
You wear a rag around your head
And you call yourself a "gangsta bitch"
Now that you saw Apache's video
I saw you wildin', actin' like a fool
I peeped you out the window jumping girls after school
But where did all of this come from?
A minute ago, you was a nerd and nobody ever heard of ya
Now you a wannabe...hard
You barely know your ABC's, please
There's plenty of people out there with triggers ready to pull it
Why you tryna jump in front of the bullet (Young lady)?
Uh, and real bad girls are the silent type
Ain't none of this worth gettin' your face sliced
'Cause that's what happened to your homegirl, right?
(Barking with no bite!)
She got to wear that for life
(Who you callin' a bitch? Uh!)
[Hook]
U.N.I.T.Y., U.N.I.T.Y. that's a unity (Here we go, you gotta let him know)
(Come on, here we go)
U.N.I.T.Y., Love a black woman from (You gotta let him know)
Infinity to infinity (You ain't a bitch or a ho, here we go)
U.N.I.T.Y., U.N.I.T.Y. that's a unity (Gotta let him know)
(Come on, here we go)
U.N.I.T.Y., Love a black man from (You must let him know)
Infinity to infinity (You ain't a bitch or a ho)
Carla Ward
Twenty eight years later, and her lyrics still speak truth.
Charlene White
Facts
Tre Hazel
Wow so powerful
Andrew Boland
@Dun Can both tracks are gems
Andrew Boland
30 years later
Laura Thiel
28 yrs later i need this song in my life. I will never let a man use this word against me ever again. I am so grateful I grew up in the 90s and was exposed to strong Women of Color like her majesty Queen Latifa.
Tania Harrison
As a little girl in the 90's, Queen Latifah made me feel like Superwoman. It was ok to stand up for self respect! Thank you QUEEN✊🏼
Oona
Raising a girl inthe 90's, I feel the same.
lsamoa
Same!!
The Profile Pod
This hits just as hard in 2022, than it did in 1994.