R.E.M. was an American rock band from Athens, Georgia, formed in 1980 by dr… Read Full Bio ↴R.E.M. was an American rock band from Athens, Georgia, formed in 1980 by drummer Bill Berry, guitarist Peter Buck, bassist/backing vocalist Mike Mills, and lead vocalist Michael Stipe. One of the first alternative rock bands, R.E.M. was noted for Buck's ringing, arpeggiated guitar style, Stipe's distinctive vocal quality and obscure lyrics, Mills's melodic basslines and backing vocals, and Berry's tight, economical style of drumming.
R.E.M. released its first single—"Radio Free Europe"—in 1981 on the independent record label Hib-Tone. The single was followed by the Chronic Town EP in 1982, the band's first release on I.R.S. Records. In 1983, the group released its critically acclaimed debut album, Murmur, and built its reputation over the next few years through subsequent releases, constant touring, and the support of college radio. Following years of underground success, R.E.M. achieved a mainstream hit in 1987 with the single "The One I Love". The group signed to Warner Bros. Records in 1988, and began to espouse political and environmental concerns while playing large arenas worldwide.
By the early 1990s, when alternative rock began to enter the mainstream, R.E.M. was viewed by subsequent acts such as Nirvana and Pavement as a pioneer of the genre. The band released its two most commercially successful albums, Out of Time (1991) and Automatic for the People (1992), which veered from the band's established sound and catapulted it to international fame. R.E.M.'s 1994 release, Monster, was a return to a more rock-oriented sound, but still continued its run of success. The band began its first tour in six years to support the album; the tour was marred by medical emergencies suffered by three of the band members.
In 1996, R.E.M. re-signed with Warner Bros. for a reported US$80 million, at the time the most expensive recording contract in history. Its 1996 release, New Adventures in Hi-Fi, though critically acclaimed, fared worse commercially than its predecessors. The following year, Bill Berry left the band, while Stipe, Buck, and Mills continued the group as a trio. Through some changes in musical style, the band continued its career into the next decade with mixed critical and commercial success, despite having sold more than 85 million records worldwide and becoming one of the world's best-selling music artists. In 2007, the band was inducted into the Rock and Roll Hall of Fame, in their first year of eligibility. R.E.M. disbanded amicably in September 2011, announcing the split on its website.
In January 1980, Michael Stipe met Peter Buck in Wuxtry Records, the Athens record store where Buck worked. The pair discovered that they shared similar tastes in music, particularly in punk rock and protopunk artists like Patti Smith, Television, and the Velvet Underground. Stipe said, "It turns out that I was buying all the records that [Buck] was saving for himself." Through mutual friend Kathleen O'Brien, Stipe and Buck then met fellow University of Georgia students Mike Mills and Bill Berry, who had played music together since high school and lived together in Georgia. The quartet agreed to collaborate on several songs; Stipe later commented that "there was never any grand plan behind any of it". Their still-unnamed band spent a few months rehearsing in a deconsecrated Episcopal church in Athens, and played its first show on April 5, 1980, supporting the Side Effects at O'Brien's birthday party held in the same church, performing a mix of originals and 1960s and 1970s covers. After considering Twisted Kites, Cans of Piss, and Negro Eyes, the band settled on "R.E.M." (which is an initialism for rapid eye movement, the dream stage of sleep), which Stipe selected at random from a dictionary.
The band members eventually dropped out of school to focus on their developing group. They found a manager in Jefferson Holt, a record store clerk who was so impressed by an R.E.M. performance in his hometown of Chapel Hill, North Carolina, that he moved to Athens. R.E.M.'s success was almost immediate in Athens and surrounding areas; the band drew progressively larger crowds for shows, which caused some resentment in the Athens music scene. Over the next year and a half, R.E.M. toured throughout the Southern United States. Touring was arduous because a touring circuit for alternative rock bands did not then exist. The group toured in an old blue van driven by Holt, and lived on a food allowance of $2 each per day.
R.E.M. was pivotal in the creation and development of the alternative rock genre. AllMusic stated, "R.E.M. mark the point when post-punk turned into alternative rock." In the early 1980s, the musical style of R.E.M. stood in contrast to the post-punk and new wave genres that had preceded it. Music journalist Simon Reynolds noted that the post-punk movement of the late 1970s and early 1980s "had taken whole swaths of music off the menu", particularly that of the 1960s, and that "After postpunk's demystification and New Pop's schematics, it felt liberating to listen to music rooted in mystical awe and blissed-out surrender." Reynolds declared R.E.M., a band that recalled the music of the 1960s with its "plangent guitar chimes and folk-styled vocals" and who "wistfully and abstractly conjured visions and new frontiers for America", one of "the two most important alt-rock bands of the day." With the release of Murmur, R.E.M. had the most impact musically and commercially of the developing alternative genre's early groups, leaving in its wake a number of jangle pop followers.
R.E.M.'s early breakthrough success served as an inspiration for other alternative bands. Spin referred to the "R.E.M. model"—career decisions that R.E.M. made which set guidelines for other underground artists to follow in their own careers. Spin's Charles Aaron wrote that by 1985, "They'd shown how far an underground, punk-inspired rock band could go within the industry without whoring out its artistic integrity in any obvious way. They'd figured out how to buy in, not sellout-in other words, they'd achieved the American Bohemian Dream." Steve Wynn of Dream Syndicate said, "They invented a whole new ballgame for all of the other bands to follow whether it was Sonic Youth or the Replacements or Nirvana or Butthole Surfers. R.E.M. staked the claim. Musically, the bands did different things, but R.E.M. was first to show us you can be big and still be cool." Biographer David Buckley stated that between 1991 and 1994, a period that saw the band sell an estimated 30 million albums, R.E.M. "asserted themselves as rivals to U2 for the title of biggest rock band in the world." Over the course of its career, the band has sold over 85 million records worldwide.
Alternative bands such as Nirvana, Pavement, Radiohead, Coldplay, Pearl Jam (the band's vocalist Eddie Vedder inducted R.E.M. into the Rock and Roll Hall of Fame), and Live, have drawn inspiration from R.E.M.'s music. "When I was 15 years old in Richmond, Virginia, they were a very important part of my life," Pavement's Bob Nastanovich said, "as they were for all the members of our band." Pavement's contribution to the No Alternative compilation (1993) was "Unseen Power of the Picket Fence", a song about R.E.M.'s early days. Local H, according to the band's Twitter account, created their name by combining two R.E.M. songs: "Oddfellows Local 151" and "Swan Swan H". Kurt Cobain of Nirvana was a fan of R.E.M., and had unfulfilled plans to collaborate on a musical project with Stipe. Cobain told Rolling Stone in an interview earlier that year, "I don’t know how that band does what they do. God, they’re the greatest. They've dealt with their success like saints, and they keep delivering great music."
During his show at the 40 Watt Club in October 2018, Johnny Marr said: "As a British musician coming out of the indie scene in the early '80s, which I definitely am and am proud to have been, I can't miss this opportunity to acknowledge and pay my respects and honor the guys who put this town on the map for us in England. I'm talking about my comrades in guitar music, R.E.M. The Smiths really respected R.E.M. We had to keep an eye on what those guys were up to. It's an interesting thing for me, as a British musician, and all those guys as British musicians, to come to this place and play for you guys, knowing that it's the roots of Mike Mills and Bill Berry and Michael Stipe and my good friend Peter Buck."
R.E.M. released its first single—"Radio Free Europe"—in 1981 on the independent record label Hib-Tone. The single was followed by the Chronic Town EP in 1982, the band's first release on I.R.S. Records. In 1983, the group released its critically acclaimed debut album, Murmur, and built its reputation over the next few years through subsequent releases, constant touring, and the support of college radio. Following years of underground success, R.E.M. achieved a mainstream hit in 1987 with the single "The One I Love". The group signed to Warner Bros. Records in 1988, and began to espouse political and environmental concerns while playing large arenas worldwide.
By the early 1990s, when alternative rock began to enter the mainstream, R.E.M. was viewed by subsequent acts such as Nirvana and Pavement as a pioneer of the genre. The band released its two most commercially successful albums, Out of Time (1991) and Automatic for the People (1992), which veered from the band's established sound and catapulted it to international fame. R.E.M.'s 1994 release, Monster, was a return to a more rock-oriented sound, but still continued its run of success. The band began its first tour in six years to support the album; the tour was marred by medical emergencies suffered by three of the band members.
In 1996, R.E.M. re-signed with Warner Bros. for a reported US$80 million, at the time the most expensive recording contract in history. Its 1996 release, New Adventures in Hi-Fi, though critically acclaimed, fared worse commercially than its predecessors. The following year, Bill Berry left the band, while Stipe, Buck, and Mills continued the group as a trio. Through some changes in musical style, the band continued its career into the next decade with mixed critical and commercial success, despite having sold more than 85 million records worldwide and becoming one of the world's best-selling music artists. In 2007, the band was inducted into the Rock and Roll Hall of Fame, in their first year of eligibility. R.E.M. disbanded amicably in September 2011, announcing the split on its website.
In January 1980, Michael Stipe met Peter Buck in Wuxtry Records, the Athens record store where Buck worked. The pair discovered that they shared similar tastes in music, particularly in punk rock and protopunk artists like Patti Smith, Television, and the Velvet Underground. Stipe said, "It turns out that I was buying all the records that [Buck] was saving for himself." Through mutual friend Kathleen O'Brien, Stipe and Buck then met fellow University of Georgia students Mike Mills and Bill Berry, who had played music together since high school and lived together in Georgia. The quartet agreed to collaborate on several songs; Stipe later commented that "there was never any grand plan behind any of it". Their still-unnamed band spent a few months rehearsing in a deconsecrated Episcopal church in Athens, and played its first show on April 5, 1980, supporting the Side Effects at O'Brien's birthday party held in the same church, performing a mix of originals and 1960s and 1970s covers. After considering Twisted Kites, Cans of Piss, and Negro Eyes, the band settled on "R.E.M." (which is an initialism for rapid eye movement, the dream stage of sleep), which Stipe selected at random from a dictionary.
The band members eventually dropped out of school to focus on their developing group. They found a manager in Jefferson Holt, a record store clerk who was so impressed by an R.E.M. performance in his hometown of Chapel Hill, North Carolina, that he moved to Athens. R.E.M.'s success was almost immediate in Athens and surrounding areas; the band drew progressively larger crowds for shows, which caused some resentment in the Athens music scene. Over the next year and a half, R.E.M. toured throughout the Southern United States. Touring was arduous because a touring circuit for alternative rock bands did not then exist. The group toured in an old blue van driven by Holt, and lived on a food allowance of $2 each per day.
R.E.M. was pivotal in the creation and development of the alternative rock genre. AllMusic stated, "R.E.M. mark the point when post-punk turned into alternative rock." In the early 1980s, the musical style of R.E.M. stood in contrast to the post-punk and new wave genres that had preceded it. Music journalist Simon Reynolds noted that the post-punk movement of the late 1970s and early 1980s "had taken whole swaths of music off the menu", particularly that of the 1960s, and that "After postpunk's demystification and New Pop's schematics, it felt liberating to listen to music rooted in mystical awe and blissed-out surrender." Reynolds declared R.E.M., a band that recalled the music of the 1960s with its "plangent guitar chimes and folk-styled vocals" and who "wistfully and abstractly conjured visions and new frontiers for America", one of "the two most important alt-rock bands of the day." With the release of Murmur, R.E.M. had the most impact musically and commercially of the developing alternative genre's early groups, leaving in its wake a number of jangle pop followers.
R.E.M.'s early breakthrough success served as an inspiration for other alternative bands. Spin referred to the "R.E.M. model"—career decisions that R.E.M. made which set guidelines for other underground artists to follow in their own careers. Spin's Charles Aaron wrote that by 1985, "They'd shown how far an underground, punk-inspired rock band could go within the industry without whoring out its artistic integrity in any obvious way. They'd figured out how to buy in, not sellout-in other words, they'd achieved the American Bohemian Dream." Steve Wynn of Dream Syndicate said, "They invented a whole new ballgame for all of the other bands to follow whether it was Sonic Youth or the Replacements or Nirvana or Butthole Surfers. R.E.M. staked the claim. Musically, the bands did different things, but R.E.M. was first to show us you can be big and still be cool." Biographer David Buckley stated that between 1991 and 1994, a period that saw the band sell an estimated 30 million albums, R.E.M. "asserted themselves as rivals to U2 for the title of biggest rock band in the world." Over the course of its career, the band has sold over 85 million records worldwide.
Alternative bands such as Nirvana, Pavement, Radiohead, Coldplay, Pearl Jam (the band's vocalist Eddie Vedder inducted R.E.M. into the Rock and Roll Hall of Fame), and Live, have drawn inspiration from R.E.M.'s music. "When I was 15 years old in Richmond, Virginia, they were a very important part of my life," Pavement's Bob Nastanovich said, "as they were for all the members of our band." Pavement's contribution to the No Alternative compilation (1993) was "Unseen Power of the Picket Fence", a song about R.E.M.'s early days. Local H, according to the band's Twitter account, created their name by combining two R.E.M. songs: "Oddfellows Local 151" and "Swan Swan H". Kurt Cobain of Nirvana was a fan of R.E.M., and had unfulfilled plans to collaborate on a musical project with Stipe. Cobain told Rolling Stone in an interview earlier that year, "I don’t know how that band does what they do. God, they’re the greatest. They've dealt with their success like saints, and they keep delivering great music."
During his show at the 40 Watt Club in October 2018, Johnny Marr said: "As a British musician coming out of the indie scene in the early '80s, which I definitely am and am proud to have been, I can't miss this opportunity to acknowledge and pay my respects and honor the guys who put this town on the map for us in England. I'm talking about my comrades in guitar music, R.E.M. The Smiths really respected R.E.M. We had to keep an eye on what those guys were up to. It's an interesting thing for me, as a British musician, and all those guys as British musicians, to come to this place and play for you guys, knowing that it's the roots of Mike Mills and Bill Berry and Michael Stipe and my good friend Peter Buck."
Intro
R.E.M. Lyrics
Jump to: Overall Meaning ↴ Line by Line Meaning ↴
浪漫始于掉了脑袋
结束于把它找了回来
缠人领带要解开
才能放肆地说爱
今夜将一切全都甩开
把烦恼暂时放口袋
你的思绪愈空白
你的情绪愈澎湃
啦啦...
(Nobody cares, After tonight)
啦啦...
(Nobody cares, After tonight)
I I I I (I am eXhausted)
I I I I (I need an eXit)
I I I I (I am eXhausted)
I I I I (wanna be eXcited)
谁的呼吸偷偷靠过来
谁眼神来去在徘徊
谁的气味在使坏
加速我心跳的节拍
谁的身体轻轻在摇摆
谁头发放任用力甩
谁用Whiskey 加冰块
在调释沸腾的血
啦啦...
(Nobody cares, After tonight)
啦啦...
(Nobody cares, After tonight)
After tonight
结束于把它找了回来
缠人领带要解开
才能放肆地说爱
今夜将一切全都甩开
把烦恼暂时放口袋
你的思绪愈空白
你的情绪愈澎湃
(Nobody cares, After tonight)
啦啦...
(Nobody cares, After tonight)
I I I I (I am eXhausted)
I I I I (I need an eXit)
I I I I (I am eXhausted)
I I I I (wanna be eXcited)
谁的呼吸偷偷靠过来
谁眼神来去在徘徊
谁的气味在使坏
加速我心跳的节拍
谁的身体轻轻在摇摆
谁头发放任用力甩
谁用Whiskey 加冰块
在调释沸腾的血
啦啦...
(Nobody cares, After tonight)
啦啦...
(Nobody cares, After tonight)
After tonight
The lyrics to R.E.M.'s song "Intro" evoke a sense of reckless abandon and hedonism. The opening lines, "Romance begins with losing your head/ It ends when you get it back," suggest that the quest for love and passion often involves taking risks and making mistakes. The singer then goes on to describe a night of letting go of worries and inhibitions, with the repeated refrain of "nobody cares, after tonight," emphasizing the temporary nature of the experience. The second half of the song becomes more sensual and specific, with descriptions of someone's breath and scent causing the heart to race, and the use of alcohol as a means of releasing pent-up energy.
Overall, "Intro" can be interpreted as a celebration of living in the moment and embracing the unpredictable nature of life and love. The lyrics suggest a need for escapism and a departure from the mundane, with the final line of "after tonight" indicating that the excitement and freedom being described may not last forever.
Line by Line Meaning
浪漫始于掉了脑袋
Romance begins with losing your mind
结束于把它找了回来
Ends with finding your way back
缠人领带要解开
You have to loosen that suffocating tie
才能放肆地说爱
Before you can speak freely of love
今夜将一切全都甩开
Tonight we're throwing everything away
把烦恼暂时放口袋
Put our worries away for now
你的思绪愈空白
The clearer your mind becomes
你的情绪愈澎湃
The more intense your emotions get
啦啦...(Nobody cares, After tonight)
La la la... (Nobody cares, after tonight)
I I I I (I am eXhausted)
I, I, I, I (I am exhausted)
I I I I (I need an eXit)
I, I, I, I (I need an exit)
I I I I (I am eXhausted)
I, I, I, I (I am exhausted)
I I I I (wanna be eXcited)
I, I, I, I (wanna be excited)
谁的呼吸偷偷靠过来
Whose breath draws near in secret
谁眼神来去在徘徊
Whose eyes wander back and forth
谁的气味在使坏
Whose aroma is causing mischief
加速我心跳的节拍
Accelerating the rhythm of my heartbeat
谁的身体轻轻在摇摆
Whose body is lightly swaying
谁头发放任用力甩
Whose hair is swinging wildly
谁用Whiskey 加冰块
Who's using whiskey with ice to
在调释沸腾的血
release boiling blood
啦啦...(Nobody cares, After tonight)
La la la... (Nobody cares, after tonight)
啦啦...(Nobody cares, After tonight)
La la la... (Nobody cares, after tonight)
After tonight
After tonight
Lyrics © O/B/O APRA AMCOS
Lyrics Licensed & Provided by LyricFind
To comment on or correct specific content, highlight it
More Genres
No Artists Found
More Artists
Load All
No Albums Found
More Albums
Load All
No Tracks Found
Genre not found
Artist not found
Album not found
Search results not found
Song not found
Jazmyn Henderson
Last night boy I met you
Yeah, when I was sleeping
You're such a dream to me
And it was on a day like this
Yeah, if you can believe
If you can believe
You're such a dream to me
Before you speak, don't move
'Cause I don't wanna wake up
Wake up, wake up, wake up
Don't wanna wake up
Wake up, wake up, wake up (Oh)
Boy, you're such a dream
If you can believe?
Boy you're such a dream to me, yeah, yeah
"Excuse me, um, I love you"
I know that's not the way to start a conversation, trouble
I watch them other girls when they come and bug you
But I felt like I knew you, so I just wanted to hug you
Plus, you don't know your way around
You can stop your playing now
All your worries, lay 'em down, shh, don't say it loud
Is this real, baby?
(Bum, bum, bum, bum, bum, bum, bum, bum, bum, bum, bum)
You like?
"I love you"
Who starts a conversation like that? Nobody, but I do
But you are not a picture, I can't cut you up and hide you
I'll get you out my mind, mhm, I tried to
But I just want to stand and yell
I will never dare to tell
Think I heard some wedding bells, shh, keep it to yourself
Is this real? (Is this real?)
Before you speak, don't move
'Cause I don't wanna wake up
Wake up, wake up, wake up
Don't wanna wake up, oh no
Wake up, wake up, wake up
'Cause you're such a dream
If you can believe
You're such a dream to me, mmm, boy
I could buy you anything, but I cannot buy you
Before your boy gets smart, I would never try to
You know I'm thinking to myself, "What happened, why you?"
But when I see you in my dreams, psh, I knew
You know how to treat it, you know how to eat it
You know how to beat it (I know how to keep it)
The Good Housekeeping Seal
(Bum, bum, bum, bum, bum, bum, bum, bum, bum, bum, bum)
I don't just wanna touch you
I'm tryna turn two single people into a couple
What's your next month like? Tell me what you're up to
We can leave right now, boy, you don't need a duffle
What about La Perla? Let Vickie keep her secret
Boy, it ain't no secret if I know you're gonna peep it, oh
Before you speak, don't move
'Cause I don't wanna wake up
Wake up, wake up, wa-wake up
Wake up, wake up, wake up, wa-wake up
(No I don't want, no)
'Cause you're such a dream (does this end?)
If you can believe, you're such a dream to me
To me, mmm, boy, to me
Skari
thank you for these lyrics 🤍🤍
Porcelainz
R.E.M sounds so dreamy it fits so perfectly
Gary Harstvedt
This makes up for all the seven or eight kicker videos!! Glad to have you singing !!! ++
Gary Harstvedt
In another dream....yeah ! This is the good hit I want too....touching in my dreams, mmmm !! Very nice video !+!
Kirill Reznichenko
Wow