R.E.M. released its first single—"Radio Free Europe"—in 1981 on the independent record label Hib-Tone. The single was followed by the Chronic Town EP in 1982, the band's first release on I.R.S. Records. In 1983, the group released its critically acclaimed debut album, Murmur, and built its reputation over the next few years through subsequent releases, constant touring, and the support of college radio. Following years of underground success, R.E.M. achieved a mainstream hit in 1987 with the single "The One I Love". The group signed to Warner Bros. Records in 1988, and began to espouse political and environmental concerns while playing large arenas worldwide.
By the early 1990s, when alternative rock began to enter the mainstream, R.E.M. was viewed by subsequent acts such as Nirvana and Pavement as a pioneer of the genre. The band released its two most commercially successful albums, Out of Time (1991) and Automatic for the People (1992), which veered from the band's established sound and catapulted it to international fame. R.E.M.'s 1994 release, Monster, was a return to a more rock-oriented sound, but still continued its run of success. The band began its first tour in six years to support the album; the tour was marred by medical emergencies suffered by three of the band members.
In 1996, R.E.M. re-signed with Warner Bros. for a reported US$80 million, at the time the most expensive recording contract in history. Its 1996 release, New Adventures in Hi-Fi, though critically acclaimed, fared worse commercially than its predecessors. The following year, Bill Berry left the band, while Stipe, Buck, and Mills continued the group as a trio. Through some changes in musical style, the band continued its career into the next decade with mixed critical and commercial success, despite having sold more than 85 million records worldwide and becoming one of the world's best-selling music artists. In 2007, the band was inducted into the Rock and Roll Hall of Fame, in their first year of eligibility. R.E.M. disbanded amicably in September 2011, announcing the split on its website.
In January 1980, Michael Stipe met Peter Buck in Wuxtry Records, the Athens record store where Buck worked. The pair discovered that they shared similar tastes in music, particularly in punk rock and protopunk artists like Patti Smith, Television, and the Velvet Underground. Stipe said, "It turns out that I was buying all the records that [Buck] was saving for himself." Through mutual friend Kathleen O'Brien, Stipe and Buck then met fellow University of Georgia students Mike Mills and Bill Berry, who had played music together since high school and lived together in Georgia. The quartet agreed to collaborate on several songs; Stipe later commented that "there was never any grand plan behind any of it". Their still-unnamed band spent a few months rehearsing in a deconsecrated Episcopal church in Athens, and played its first show on April 5, 1980, supporting the Side Effects at O'Brien's birthday party held in the same church, performing a mix of originals and 1960s and 1970s covers. After considering Twisted Kites, Cans of Piss, and Negro Eyes, the band settled on "R.E.M." (which is an initialism for rapid eye movement, the dream stage of sleep), which Stipe selected at random from a dictionary.
The band members eventually dropped out of school to focus on their developing group. They found a manager in Jefferson Holt, a record store clerk who was so impressed by an R.E.M. performance in his hometown of Chapel Hill, North Carolina, that he moved to Athens. R.E.M.'s success was almost immediate in Athens and surrounding areas; the band drew progressively larger crowds for shows, which caused some resentment in the Athens music scene. Over the next year and a half, R.E.M. toured throughout the Southern United States. Touring was arduous because a touring circuit for alternative rock bands did not then exist. The group toured in an old blue van driven by Holt, and lived on a food allowance of $2 each per day.
R.E.M. was pivotal in the creation and development of the alternative rock genre. AllMusic stated, "R.E.M. mark the point when post-punk turned into alternative rock." In the early 1980s, the musical style of R.E.M. stood in contrast to the post-punk and new wave genres that had preceded it. Music journalist Simon Reynolds noted that the post-punk movement of the late 1970s and early 1980s "had taken whole swaths of music off the menu", particularly that of the 1960s, and that "After postpunk's demystification and New Pop's schematics, it felt liberating to listen to music rooted in mystical awe and blissed-out surrender." Reynolds declared R.E.M., a band that recalled the music of the 1960s with its "plangent guitar chimes and folk-styled vocals" and who "wistfully and abstractly conjured visions and new frontiers for America", one of "the two most important alt-rock bands of the day." With the release of Murmur, R.E.M. had the most impact musically and commercially of the developing alternative genre's early groups, leaving in its wake a number of jangle pop followers.
R.E.M.'s early breakthrough success served as an inspiration for other alternative bands. Spin referred to the "R.E.M. model"—career decisions that R.E.M. made which set guidelines for other underground artists to follow in their own careers. Spin's Charles Aaron wrote that by 1985, "They'd shown how far an underground, punk-inspired rock band could go within the industry without whoring out its artistic integrity in any obvious way. They'd figured out how to buy in, not sellout-in other words, they'd achieved the American Bohemian Dream." Steve Wynn of Dream Syndicate said, "They invented a whole new ballgame for all of the other bands to follow whether it was Sonic Youth or the Replacements or Nirvana or Butthole Surfers. R.E.M. staked the claim. Musically, the bands did different things, but R.E.M. was first to show us you can be big and still be cool." Biographer David Buckley stated that between 1991 and 1994, a period that saw the band sell an estimated 30 million albums, R.E.M. "asserted themselves as rivals to U2 for the title of biggest rock band in the world." Over the course of its career, the band has sold over 85 million records worldwide.
Alternative bands such as Nirvana, Pavement, Radiohead, Coldplay, Pearl Jam (the band's vocalist Eddie Vedder inducted R.E.M. into the Rock and Roll Hall of Fame), and Live, have drawn inspiration from R.E.M.'s music. "When I was 15 years old in Richmond, Virginia, they were a very important part of my life," Pavement's Bob Nastanovich said, "as they were for all the members of our band." Pavement's contribution to the No Alternative compilation (1993) was "Unseen Power of the Picket Fence", a song about R.E.M.'s early days. Local H, according to the band's Twitter account, created their name by combining two R.E.M. songs: "Oddfellows Local 151" and "Swan Swan H". Kurt Cobain of Nirvana was a fan of R.E.M., and had unfulfilled plans to collaborate on a musical project with Stipe. Cobain told Rolling Stone in an interview earlier that year, "I don’t know how that band does what they do. God, they’re the greatest. They've dealt with their success like saints, and they keep delivering great music."
During his show at the 40 Watt Club in October 2018, Johnny Marr said: "As a British musician coming out of the indie scene in the early '80s, which I definitely am and am proud to have been, I can't miss this opportunity to acknowledge and pay my respects and honor the guys who put this town on the map for us in England. I'm talking about my comrades in guitar music, R.E.M. The Smiths really respected R.E.M. We had to keep an eye on what those guys were up to. It's an interesting thing for me, as a British musician, and all those guys as British musicians, to come to this place and play for you guys, knowing that it's the roots of Mike Mills and Bill Berry and Michael Stipe and my good friend Peter Buck."
The One I Love
R.E.M. Lyrics
Jump to: Overall Meaning ↴ Line by Line Meaning ↴
This one goes out to the one I've left behind
A simple prop to occupy my time
This one goes out to the one I love
Fire
Fire
This one goes out to the one I've left behind
A simple prop to occupy my time
This one goes out to the one I love
Fire (she's comin' down on her own, now)
Fire (she's comin' down on her own, now)
This one goes out to the one I love
This one goes out to the one I've left behind
Another prop has occupied my time
This one goes out to the one I love
Fire (she's comin' down on her own, now)
Fire (she's comin' down on her own, now)
Fire (she's comin' down on her own, now)
Fire (she's comin' down on her own, now)
In "The One I Love" by R.E.M., the lyrics describe the singer's love for someone who they have left behind. The words "This one goes out to the one I love" are repeated throughout the song, underscoring the singer's affection for this person. However, there is also a sense of distance and detachment in the lyrics, as the subject is referred to as a "simple prop to occupy my time." The repetition of the word "fire" in the chorus adds an ominous tone, suggesting that this relationship may not have been a healthy one or may have ended in flames.
The line "simple prop to occupy my time" may suggest that the singer has been using this person as a distraction or a way to pass the time, rather than truly loving them. The repetition of the phrase "This one goes out to" may also suggest a sense of distance or disconnect, as if the singer is talking to the person indirectly or from a distance. The use of the word "prop" implies that this person may not have been seen as an equal partner in the relationship.
Overall, the lyrics of "The One I Love" convey a sense of ambiguity and complexity in the singer's feelings for this person. While there is love there, there is also a sense of detachment and uncertainty, and the repetition of the word "fire" adds an ominous tone that suggests this relationship may not have been a healthy one.
Line by Line Meaning
This one goes out to the one I love
This song is dedicated to my significant other
This one goes out to the one I've left behind
I have moved on from someone else and am now with the one I love
A simple prop to occupy my time
I used to use someone else as a temporary distraction, but am now committed to the one I love
Fire
Passionate love is burning inside of me
Fire
My love is intense and all-consuming
This one goes out to the one I love
Reiterating that this song is about my current love
This one goes out to the one I've left behind
Acknowledging that I have moved on from someone else
Another prop has occupied my time
I have replaced my temporary distraction with someone new
Fire (she's comin' down on her own, now)
My intense love is causing the person I used to be with to feel jealous or envious
Fire (she's comin' down on her own, now)
The passion in my current relationship is causing my ex to feel regret
Fire (she's comin' down on her own, now)
Reiterating the jealousy felt by my ex towards my current relationship
Fire (she's comin' down on her own, now)
The emotions of my ex are out of my control and they must deal with them on their own
Lyrics © Universal Music Publishing Group
Written by: William Thomas Berry, Peter Lawrence Buck, Michael E. Mills, John Michael Stipe
Lyrics Licensed & Provided by LyricFind
Alireza Alivandivafa
Losing My Religion is deservedly iconic, but this song is just as good and just as important to REM's history.
Medium Rick
This was 23 year ago now. And the song was one of their older hits then. Amazing how time flies.
The Croft
You made this comment 1/2 a year ago, and I bet you feel like it was last week
Parrish Muhoberac
@Medium Rick Man, I Couldn't agree more. Orange Crush is one of their greatest, and so is the FULL 6:30 minute version of "GREAT BEYOND" which Michael always addresses to the audience about it being FOR Andy Kaufman (another genius).
Sean
@The Crofti was there and it only feels like a decade ago
subwaygoddess1
I love this song. I wish they'd done a close up on Mike Mills while Michael Stipe was singing "FIRE!" Mills' voice is so beautiful and blends in so perfectly with Michael's
Haley Anne
A very classic yet most recognizable song in music history. So good!
LiteracyLabyrinth
Greatest REM song. Brilliant. Love the simple powerful lyrics.
Jos Bruls
Such a powerful song! Michael Stipe at his very best.
R Mc
One of my fav songs of all time. So much emotion in the vocals. Amazing