As a rock and roll, rhythm & blues, soul, blues, jazz, country and pop musician he helped to shape the sound of rhythm & blues.
He brought a soulful sound to everything from country music ("I Can't Stop Loving You") to rock and roll ("Mess Around"), to pop standards to a now-iconic rendition of "America the Beautiful." Frank Sinatra called him "the only genius in the business."
Ray Charles was born in Albany, Georgia on September 23, 1930. He was the son of Aretha Williams, a share cropper, and Bailey Robinson, a railroad repair man, mechanic and handyman. The two were never married. The family moved to Greenville, Florida, when Ray was an infant. Bailey had three more families, leaving Aretha to raise the family on her own.
Ray Charles was not born blind. He started to lose his sight somewhere at the age of five. He was rendered totally blind by the age of seven. Charles never knew exactly why he lost his sight, though there are sources that suggest his blindness was due to glaucoma, and some other sources suggest that Ray began to lose his sight from an infection caused by soapy water to his eyes which was left untreated. He attended school at the Florida School for the Deaf and the Blind in St. Augustine, Florida from 1937-1945 where he developed his musical gift that he is known and remembered for today. His father died when he was ten, followed by his mother five years later.
In school, he was taught only classical music, but he wanted to play what he heard on the radio, jazz and blues. After his mother died, Charles did not return to school. He lived in Jacksonville with a couple who were friends of his mother. For over a year, he played the piano for bands at the Ritz Theatre in LaVilla, earning $4 a night. Charles moved to Orlando, then Tampa, where he played "with a hillbilly band called The Florida Playboys." This is where Charles began his reputation of always wearing sunglasses that were made by designer Billy Stickles.
Charles had always played for other people, but he wanted a band that was his own. He decided to leave Florida for a large city, but Chicago and New York City were too big. He moved to Seattle in 1947 and soon started recording, first for the label Swing Time Records, achieving his first hit with the 1949 "Confession Blues". The song soared to #2 on the R&B charts. He followed his first recording with his only other hit with Swingtime, "Baby, Let Me Hold Your Hand" in 1951. It hit #5 on the R&B charts. He then signed with Ahmet Ertegün at Atlantic Records a year later. When he entered show business, his name was shortened to Ray Charles to avoid confusion with boxer Sugar Ray Robinson.
Breakthrough period with Atlantic Records
Almost immediately after signing with Atlantic, Charles scored his first hit singles with the label with "It Should Have Been Me" and the Ertegün-composed "Mess Around", both making the charts in 1953. But it was Charles' "I Got A Woman" (composed with band mate Renald Richard) that brought the musician to national prominence.
The song reached the top of Billboard's R&B singles chart in 1955 and from there until 1959, Charles would have a series of R&B chart-toppers including "This Little Girl of Mine", "Lonely Avenue", "Mary Ann", "Drown in My Own Tears" and "The Night Time (Is the Right Time)", which were compiled on his Atlantic releases Hallelujah, I Love Her So, Yes Indeed!, and The Genius Sings the Blues. Charles was often cited for using his voice like a saxophone, most notably by the prominent critic Victor Bollo. During this time of transition, he recruited a young girl group from Philadelphia named The Cookies as his background singing group, recording with them in New York and changing their name to the Raelettes in the process.
Crossover success
In 1959, Charles crossed over to top 40 radio with the release of his impromptu blues number, "What'd I Say", which was initially conceived while Charles was in concert. The song would reach number 1 on the R&B list and would become Charles' first top ten single on the pop charts, peaking at number 6. Charles would also record The Genius of Ray Charles, before leaving Atlantic for a more lucrative deal with ABC Records in 1959.
Hit songs such as "Georgia On My Mind" (US #1), "Hit the Road Jack" (US #1) and "Unchain My Heart" (US #9) helped him transition to pop success and his landmark 1962 album, Modern Sounds in Country and Western Music and its sequel Modern Sounds in Country and Western Music, Vol. 2, helped to bring country into the mainstream of music. He also had major pop hits in 1963 with "Busted" (US #4) and "Take These Chains From My Heart" (US #8), and also scoring a Top 20 hit four years later, in 1967, with "Here We Go Again" (US #15) (which would later be duetted with Norah Jones in 2004).
Later years
In 1965, Charles was arrested for possession of heroin, a drug to which he had been addicted for nearly 20 years. It was his third arrest for the offence, but he avoided jail time after kicking the habit in a clinic in Los Angeles. He spent a year on parole in 1966, when his single "Crying Time" reached #6 on the charts.
During the late 1960s and into the 1970s, Charles' releases were hit-or-miss, with some big hits and critically acclaimed work. His version of "Georgia On My Mind" was proclaimed the state song of Georgia on April 24, 1979, with Charles performing it on the floor of the state legislature. He also had success with his unique version of "America the Beautiful."
In November 1977 Charles appeared as the host of NBC's Saturday Night Live. In the 1980s a number of other events increased Charles' recognition among young audiences. He made a cameo appearance in the popular 1980 film The Blues Brothers. In 1985, "The Right Time" was featured in the episode "Happy Anniversary" of The Cosby Show on NBC. The next year in 1986, he sang America The Beautiful at Wrestlemania 2. In a Pepsi Cola commercial of the early 1990s, Charles popularized the catchphrase "You Got the Right One, Baby!" plus he helped in the song "We Are the World" a touching song for USA for Africa.
Despite his support of Martin Luther King, Jr. in the 1960s and his support for the American Civil Rights Movement, Charles courted controversy when he toured South Africa in 1981, during an international boycott of the country because of its apartheid policy.
Charles recorded a cover version of the Japanese band Southern All Stars' song "Itoshi no Ellie" as "Ellie My Love" for a Suntory TV advertisement, reaching #3 on Japan's Oricon chart. Eventually, it sold more than 400,000 copies, and became that year's best-selling single performed by a Western artist for the Japanese music market.
Besides winning 17 Grammy Awards in his career (include five posthumous ones), Charles was also honored in many other ways. In 1979, he was one of the first honorees of the Georgia State Music Hall of Fame being recognized for being a musician born in the state. Ray's version of "Georgia On My Mind" was made into the official state song for Georgia. In 1981, he was given a star on the Hollywood Walk of Fame and was one of the first inductees to the Rock & Roll Hall of Fame at its inaugural ceremony in 1986. He received the Kennedy Center Honors in 1986. In 1987, he was awarded the Grammy Lifetime Achievement Award. In 1991, he was inducted to the Rhythm & Blues Foundation. In 1998 he was awarded the Polar Music Prize together with Ravi Shankar in Stockholm, Sweden. In 2004 he was inducted to the Jazz Hall of Fame, and inducted to the National Black Sports & Entertainment Hall of Fame. Also in 2004, Rolling Stone Magazine ranked him #10 on their list of the 100 Greatest Artists of All Time.
The Grammy Awards of 2005 were dedicated to Charles.
On December 7, 2007, Ray Charles Plaza was opened in Albany, Georgia, with a revolving, lighted bronze sculpture of Charles seated at a piano.
On December 26, 2007, Ray Charles was inducted into the Hit Parade Hall of Fame.
Ray Charles Post Office Building
In 2005, the U.S. postal facility located at 4960 W. Washington Blvd., in Los Angeles, California, was designated the Ray Charles Post Office Building.
On August 24, 2005, the United States Congress honored Charles by dedicating and renaming the former West Adams Station post office in Los Angeles the "Ray Charles Station".
Charles has also appeared at two Presidential inaugurations in his lifetime. In 1985, he performed for Ronald Reagan's second inauguration, and in 1993 performed for Bill Clinton's first inauguration.
In the late '80s and early '90s, Charles made appearances on The Super Dave Osbourne Show, where he performed and appeared in a few vignettes where he was somehow driving a car, often as Super Dave's chauffeur. At the height of his newfound fame in the early nineties, Charles did guest vocals for quite a few projects. He also appeared (with Chaka Khan) on long time friend Quincy Jones' hit "I'll Be Good to You" in 1990, from Jones' album Back on the Block.
Following Jim Henson's death in 1990, Ray Charles appeared in the one-hour CBS tribute, The Muppets Celebrate Jim Henson. He gave a short speech about the deceased, stating that Henson "took a simple song and a piece of felt and turned it into a moment of great power". Charles was referring to the song "It's Not Easy Being Green", which Charles later performed with the rest of the Muppet cast in a tribute to Henson's legacy.
During the sixth season of Designing Women, Ray Charles vocally performed "Georgia On My Mind", rather than the song being rendered by other musicians without lyrics as in the previous five seasons
During his life he received eight honorary doctorates, the last from Dillard University in New Orleans in 2003. Later that same year, he performed his 10,000th career concert at the Greek Theater in Los Angeles.
Charles finalized "Genius Loves Company" a duets album in 2004, which posthumously became the best selling album of his career. Norah Jones, B.B. King, Willie Nelson, Michael McDonald, Bonnie Raitt, Gladys Knight, Johnny Mathis and James Taylor are just a few of the notable artists involved with the project.
Charles was awarded the prestigious "President's Merit Award" from the Grammy(r) organization and was named a City of Los Angeles "Cultural Treasure" by LA Mayor James Hahn during "African American Heritage Month" in a ceremony that he attended. He also received the NAACP Image Awards' "Hall of Fame Award."
Charles died in July 2004 in California. Three months later, his biopic "Ray" opened in theaters. The performance of Jamie Foxx as Ray gave him an Oscar for best lead performance in a feature film.
Recently, a series of slot machines were designed in Charles' name for the visually handicapped and the legendary performer was also named a "living legend" by the Library of Congress.
Charles once told an interviewer from USA Today, "Music to me is just like breathing. I have to have it. It's part of me."
I've Grown Accustomed to Her Face
Ray Charles Lyrics
Jump to: Overall Meaning ↴ Line by Line Meaning ↴
He almost makes the day begin
I've grown accustomed to the tune he whistles night and noon
His smiles, his frowns, his ups and downs
Are second nature to me now
Like breathing out and breathing in
I was serenely independent and content before we met
Surely I could always be that way again and yet
Accustomed to his face
He's second nature to me now
Like breathing out and breathing in
I'm very grateful he's a man and so easy to forget
Rather like a habit one can always break and yet
I've grown accustomed to the trace of something in the air
Accustomed to his face
In these heartwarming lyrics of Ray Charles's song "I've Grown Accustomed to Her Face," the singer expresses a deep sense of familiarity and attachment to someone special in their life. The singer begins by acknowledging how they have become used to the presence of this person in their daily routine, emphasizing that their very existence seems intertwined with that of the person they are referring to. From the way they start their day to the tunes they whistle, every aspect of this person's being has become an integral part of the singer's life.
The lyrics further delve into the evolution of the singer's feelings towards this person. Initially, the singer recalls a time when they were independent and content, hinting at a life before they met this individual. Despite believing they could revert to their former state of independence, the singer finds themselves admitting that they have grown accustomed to the person's looks, voice, and overall presence. The mention of the person's smiles, frowns, ups, and downs indicates that their highs and lows are now shared and deeply understood by the singer.
As the song progresses, the singer reflects on the ease with which they have integrated this person into their life. The individual has become "second nature," as essential to them as breathing itself. The lyrics touch upon gratefulness for the person's gender, alluding to the idea that it may be easier to forget or move on from someone of the opposite gender. However, despite acknowledging that this connection could potentially be broken like a habit, the singer finds themselves admitting that they have grown accustomed to the intangible presence of this person that lingers in the air.
In conclusion, through the repetition of the phrase "accustomed to his face," the lyrics underscore the profound impact this person has had on the singer's life. Their presence has become a comforting constant, a part of the singer's very essence. Despite moments of contemplation about returning to a state of independence, the singer's deep-rooted familiarity and attachment to this person shine through in the lyrics, beautifully capturing the evolution of their feelings and the significance of this relationship in their life. The song poignantly portrays the beauty and complexity of growing accustomed to someone's presence and the deep emotional connection that ensues.
Line by Line Meaning
I've grown accustomed to his face
I have become familiar and comfortable with seeing his face on a regular basis
He almost makes the day begin
His presence in my life helps me start the day on a positive note
I've grown accustomed to the tune he whistles night and noon
I have become used to hearing the melody he whistles at all times of the day
His smiles, his frowns, his ups and downs
I am now familiar with his various expressions and moods
Are second nature to me now
His actions and emotions have become automatic and instinctive to me
Like breathing out and breathing in
His presence has become as essential to me as breathing
I was serenely independent and content before we met
I was happy and self-sufficient before he came into my life
Surely I could always be that way again and yet
I believe I could return to that state of contentment if needed
I've grown accustomed to his looks, accustomed to his voice
I have become comfortable with his physical appearance and voice
He's second nature to me now
He has become as natural and essential to me as any basic instinct
I'm very grateful he's a man and so easy to forget
I appreciate that he is a man and therefore easier to move on from if necessary
Rather like a habit one can always break and yet
Similar to a habit that can be broken despite how ingrained it may seem
I've grown accustomed to the trace of something in the air
I have become familiar with the subtle presence of something intangible in the atmosphere
Accustomed to his face
Familiar with and comfortable seeing his face regularly
Lyrics © BMG Rights Management, Universal Music Publishing Group, Capitol CMG Publishing, Integrity Music, Kobalt Music Publishing Ltd., Warner Chappell Music, Inc.
Written by: Alan Jay Lerner, Frederick Loewe
Lyrics Licensed & Provided by LyricFind
Donna Bennett
2020 and I still love this song by Nat King Cole.
Lawrence Driscoll
Great song! Great singer!
Kenwood Anderson
What a beautiful rendition of that classic song!
Lawrence Driscoll
Brilliant, as is much if not all of Cole!
Paul Brewer
The best interpretation I've ever heard.
MrMonroman
Love his phrasing and pauses...that's what makes him unique...let alone his superb voice!
isa tan
My gesh...he has such a lovely voice to listen to. I never get tired of listening.
Kathy Yansick
.....he sings this the best! Heartfelt and Genuine So Classy 💨☀️🌟🌹
RenMom Tha-RenaissanceSoul
A Nat King Cole Biopic is long over due!
corinto martins
Demais. 😀