As a rock and roll, rhythm & blues, soul, blues, jazz, country and pop musician he helped to shape the sound of rhythm & blues.
He brought a soulful sound to everything from country music ("I Can't Stop Loving You") to rock and roll ("Mess Around"), to pop standards to a now-iconic rendition of "America the Beautiful." Frank Sinatra called him "the only genius in the business."
Ray Charles was born in Albany, Georgia on September 23, 1930. He was the son of Aretha Williams, a share cropper, and Bailey Robinson, a railroad repair man, mechanic and handyman. The two were never married. The family moved to Greenville, Florida, when Ray was an infant. Bailey had three more families, leaving Aretha to raise the family on her own.
Ray Charles was not born blind. He started to lose his sight somewhere at the age of five. He was rendered totally blind by the age of seven. Charles never knew exactly why he lost his sight, though there are sources that suggest his blindness was due to glaucoma, and some other sources suggest that Ray began to lose his sight from an infection caused by soapy water to his eyes which was left untreated. He attended school at the Florida School for the Deaf and the Blind in St. Augustine, Florida from 1937-1945 where he developed his musical gift that he is known and remembered for today. His father died when he was ten, followed by his mother five years later.
In school, he was taught only classical music, but he wanted to play what he heard on the radio, jazz and blues. After his mother died, Charles did not return to school. He lived in Jacksonville with a couple who were friends of his mother. For over a year, he played the piano for bands at the Ritz Theatre in LaVilla, earning $4 a night. Charles moved to Orlando, then Tampa, where he played "with a hillbilly band called The Florida Playboys." This is where Charles began his reputation of always wearing sunglasses that were made by designer Billy Stickles.
Charles had always played for other people, but he wanted a band that was his own. He decided to leave Florida for a large city, but Chicago and New York City were too big. He moved to Seattle in 1947 and soon started recording, first for the label Swing Time Records, achieving his first hit with the 1949 "Confession Blues". The song soared to #2 on the R&B charts. He followed his first recording with his only other hit with Swingtime, "Baby, Let Me Hold Your Hand" in 1951. It hit #5 on the R&B charts. He then signed with Ahmet Ertegün at Atlantic Records a year later. When he entered show business, his name was shortened to Ray Charles to avoid confusion with boxer Sugar Ray Robinson.
Breakthrough period with Atlantic Records
Almost immediately after signing with Atlantic, Charles scored his first hit singles with the label with "It Should Have Been Me" and the Ertegün-composed "Mess Around", both making the charts in 1953. But it was Charles' "I Got A Woman" (composed with band mate Renald Richard) that brought the musician to national prominence.
The song reached the top of Billboard's R&B singles chart in 1955 and from there until 1959, Charles would have a series of R&B chart-toppers including "This Little Girl of Mine", "Lonely Avenue", "Mary Ann", "Drown in My Own Tears" and "The Night Time (Is the Right Time)", which were compiled on his Atlantic releases Hallelujah, I Love Her So, Yes Indeed!, and The Genius Sings the Blues. Charles was often cited for using his voice like a saxophone, most notably by the prominent critic Victor Bollo. During this time of transition, he recruited a young girl group from Philadelphia named The Cookies as his background singing group, recording with them in New York and changing their name to the Raelettes in the process.
Crossover success
In 1959, Charles crossed over to top 40 radio with the release of his impromptu blues number, "What'd I Say", which was initially conceived while Charles was in concert. The song would reach number 1 on the R&B list and would become Charles' first top ten single on the pop charts, peaking at number 6. Charles would also record The Genius of Ray Charles, before leaving Atlantic for a more lucrative deal with ABC Records in 1959.
Hit songs such as "Georgia On My Mind" (US #1), "Hit the Road Jack" (US #1) and "Unchain My Heart" (US #9) helped him transition to pop success and his landmark 1962 album, Modern Sounds in Country and Western Music and its sequel Modern Sounds in Country and Western Music, Vol. 2, helped to bring country into the mainstream of music. He also had major pop hits in 1963 with "Busted" (US #4) and "Take These Chains From My Heart" (US #8), and also scoring a Top 20 hit four years later, in 1967, with "Here We Go Again" (US #15) (which would later be duetted with Norah Jones in 2004).
Later years
In 1965, Charles was arrested for possession of heroin, a drug to which he had been addicted for nearly 20 years. It was his third arrest for the offence, but he avoided jail time after kicking the habit in a clinic in Los Angeles. He spent a year on parole in 1966, when his single "Crying Time" reached #6 on the charts.
During the late 1960s and into the 1970s, Charles' releases were hit-or-miss, with some big hits and critically acclaimed work. His version of "Georgia On My Mind" was proclaimed the state song of Georgia on April 24, 1979, with Charles performing it on the floor of the state legislature. He also had success with his unique version of "America the Beautiful."
In November 1977 Charles appeared as the host of NBC's Saturday Night Live. In the 1980s a number of other events increased Charles' recognition among young audiences. He made a cameo appearance in the popular 1980 film The Blues Brothers. In 1985, "The Right Time" was featured in the episode "Happy Anniversary" of The Cosby Show on NBC. The next year in 1986, he sang America The Beautiful at Wrestlemania 2. In a Pepsi Cola commercial of the early 1990s, Charles popularized the catchphrase "You Got the Right One, Baby!" plus he helped in the song "We Are the World" a touching song for USA for Africa.
Despite his support of Martin Luther King, Jr. in the 1960s and his support for the American Civil Rights Movement, Charles courted controversy when he toured South Africa in 1981, during an international boycott of the country because of its apartheid policy.
Charles recorded a cover version of the Japanese band Southern All Stars' song "Itoshi no Ellie" as "Ellie My Love" for a Suntory TV advertisement, reaching #3 on Japan's Oricon chart. Eventually, it sold more than 400,000 copies, and became that year's best-selling single performed by a Western artist for the Japanese music market.
Besides winning 17 Grammy Awards in his career (include five posthumous ones), Charles was also honored in many other ways. In 1979, he was one of the first honorees of the Georgia State Music Hall of Fame being recognized for being a musician born in the state. Ray's version of "Georgia On My Mind" was made into the official state song for Georgia. In 1981, he was given a star on the Hollywood Walk of Fame and was one of the first inductees to the Rock & Roll Hall of Fame at its inaugural ceremony in 1986. He received the Kennedy Center Honors in 1986. In 1987, he was awarded the Grammy Lifetime Achievement Award. In 1991, he was inducted to the Rhythm & Blues Foundation. In 1998 he was awarded the Polar Music Prize together with Ravi Shankar in Stockholm, Sweden. In 2004 he was inducted to the Jazz Hall of Fame, and inducted to the National Black Sports & Entertainment Hall of Fame. Also in 2004, Rolling Stone Magazine ranked him #10 on their list of the 100 Greatest Artists of All Time.
The Grammy Awards of 2005 were dedicated to Charles.
On December 7, 2007, Ray Charles Plaza was opened in Albany, Georgia, with a revolving, lighted bronze sculpture of Charles seated at a piano.
On December 26, 2007, Ray Charles was inducted into the Hit Parade Hall of Fame.
Ray Charles Post Office Building
In 2005, the U.S. postal facility located at 4960 W. Washington Blvd., in Los Angeles, California, was designated the Ray Charles Post Office Building.
On August 24, 2005, the United States Congress honored Charles by dedicating and renaming the former West Adams Station post office in Los Angeles the "Ray Charles Station".
Charles has also appeared at two Presidential inaugurations in his lifetime. In 1985, he performed for Ronald Reagan's second inauguration, and in 1993 performed for Bill Clinton's first inauguration.
In the late '80s and early '90s, Charles made appearances on The Super Dave Osbourne Show, where he performed and appeared in a few vignettes where he was somehow driving a car, often as Super Dave's chauffeur. At the height of his newfound fame in the early nineties, Charles did guest vocals for quite a few projects. He also appeared (with Chaka Khan) on long time friend Quincy Jones' hit "I'll Be Good to You" in 1990, from Jones' album Back on the Block.
Following Jim Henson's death in 1990, Ray Charles appeared in the one-hour CBS tribute, The Muppets Celebrate Jim Henson. He gave a short speech about the deceased, stating that Henson "took a simple song and a piece of felt and turned it into a moment of great power". Charles was referring to the song "It's Not Easy Being Green", which Charles later performed with the rest of the Muppet cast in a tribute to Henson's legacy.
During the sixth season of Designing Women, Ray Charles vocally performed "Georgia On My Mind", rather than the song being rendered by other musicians without lyrics as in the previous five seasons
During his life he received eight honorary doctorates, the last from Dillard University in New Orleans in 2003. Later that same year, he performed his 10,000th career concert at the Greek Theater in Los Angeles.
Charles finalized "Genius Loves Company" a duets album in 2004, which posthumously became the best selling album of his career. Norah Jones, B.B. King, Willie Nelson, Michael McDonald, Bonnie Raitt, Gladys Knight, Johnny Mathis and James Taylor are just a few of the notable artists involved with the project.
Charles was awarded the prestigious "President's Merit Award" from the Grammy(r) organization and was named a City of Los Angeles "Cultural Treasure" by LA Mayor James Hahn during "African American Heritage Month" in a ceremony that he attended. He also received the NAACP Image Awards' "Hall of Fame Award."
Charles died in July 2004 in California. Three months later, his biopic "Ray" opened in theaters. The performance of Jamie Foxx as Ray gave him an Oscar for best lead performance in a feature film.
Recently, a series of slot machines were designed in Charles' name for the visually handicapped and the legendary performer was also named a "living legend" by the Library of Congress.
Charles once told an interviewer from USA Today, "Music to me is just like breathing. I have to have it. It's part of me."
What'd I Say Pt. 1 & 2
Ray Charles Lyrics
Jump to: Overall Meaning ↴ Line by Line Meaning ↴
Come and love your daddy all night long
All right now, hey, hey, all right
See the girl with the diamond ring
She knows how to shake that thing
All right now, hey, hey, hey, hey
I'm going to send you back to Arkansas
Oh yes ma'am
You don't do right, don't do right
When you see me in misery
Come on baby see about me
Now yeah, all right
All right, oh, play it boy
When you see me in misery
Come on baby see about me
Now yeah, hey hey
All right
See the girl with the red dress on
She can do the Birdland all night long
Yeah yeah, what'd I say
All right
Well, tell me what'd I say
Tell me what'd I say right now
Tell me what'd I say
Tell me what'd I say right now
Tell me what'd I say
Tell me what'd I say
And I wanna know
Baby I wanna know right now
And I wanna know
And I wanna know right now yeah
And I wanna know
Said I wanna know, yeah
Hey (hey) ho (ho) hey (hey) ho (ho) hey (hey) ho (ho)
Oh one more time (just one more time)
Say it one more time right now (just one more time)
Say it one more time now (just one more time)
Say it one more time yeah (just one more time)
Say it one more time (just one more time)
Say it one more time yeah (just one more time)
Hey (hey) ho (ho) hey (hey) ho (ho) hey (hey) ho (ho)
Ah, make me feel so good (make me feel so good)
Make me feel so good now yeah (make me feel so good)
Woah, baby (make me feel so good)
Make me feel so good yeah (make me feel so good)
Make me feel so good (make me feel so good)
Make me feel so good yeah (make me feel so good)
Huh (huh) ho (ho) huh (huh) ho (ho) huh (huh) ho (ho)
Ah, it's all right (baby it's all right)
Said that it's all right right now (baby it's all right)
Said that it's all right (baby it's all right)
Said that it's all right yeah (baby it's all right)
Said that it's all right (baby it's all right)
Said that it's all right (baby it's all right)
Woah, shake that thing now (baby shake that thing)
Baby shake that thing now now (baby shake that thing)
Baby shake that thing (baby shake that thing)
Baby shake that thing right now (baby shake that thing)
Baby shake that thing (baby shake that thing)
Baby shake that thing (baby shake that thing)
Woah, I feel all right now yeah (make me feel all right)
Said I feel all right now (make me feel all right)
Woah (make me feel all right)
Tell you I feel all right (make me feel all right)
Said I feel all right (make me feel all right)
Baby I feel all right (make me feel all right)
The song "What'd I Say Part 2" by Ray Charles is a perfect example of a classic rhythm and blues song that contains repetitive, sexually suggestive lyrics that capitalize on the familiar sexual innuendos found in most soul songs. The singer is addressing his female listener to treat him with respect and love him all night long. He continues and praises a girl with a diamond ring and a girl in a red dress who can do the Birdland all night long. He repeats his request for validation and pleads with the listener to tell him what he said now, repeatedly for emphasis. The song features Charles' signature soulful voice, and the backing musicians keep the rhythm and the energy flowing throughout.
The lyrics to "What'd I Say Part 2" signify a time in American history when the rock and roll revolution was taking place. The song was considered scandalous for its sexual innuendo, which was considered vulgar at the time. Today, the song has become a classic rhythm and blues song, known for its energy and soulful delivery by the legendary Ray Charles. The song also signifies the change in music in the 1950s and '60s, as the genre began to shift away from big band jazz and traditional swing music to more rock and roll-themed music.
Line by Line Meaning
Hey mama, don't you treat me wrong
The singer asks for love and respect from his mother figure
Come and love your daddy all night long
The singer requests undivided attention and affection
All right now, hey, hey, all right
The singer expresses satisfaction and excitement
See the girl with the diamond ring
The artist singles out a woman wearing a diamond ring for attention
She knows how to shake that thing
The artist admires the woman's dancing abilities
All right now, hey, hey, hey, hey
The excitement and energy continues
Tell your mama, tell your pa
The singer threatens to send the listener back home
I'm going to send you back to Arkansas
The artist uses the threat of sending the listener back to Arkansas as a consequence
Oh yes ma'am
The artist acknowledges the power dynamic of maternal authority
You don't do right, don't do right
The artist emphasizes the importance of the listener's compliance with his requests
When you see me in misery
The singer is vulnerable and needs support from the listener
Come on baby see about me
The artist asks for the listener's help
Now yeah, all right
The singer maintains a positive and hopeful attitude
All right, oh, play it boy
The singer gives permission and encouragement for a musical accompaniment
See the girl with the red dress on
The singer singles out another woman in a red dress for attention
She can do the Birdland all night long
The artist admires the woman's dancing abilities, specifically her ability to do a popular dance called the Birdland
Yeah yeah, what'd I say
The artist expresses his satisfaction and enthusiasm again
Well, tell me what'd I say
The singer requests a response from the listener
Tell me what'd I say right now
The singer encourages the listener to give a prompt and immediate response
And I wanna know
The artist is curious and seeks understanding
Baby I wanna know right now
The artist emphasizes the urgency of his request for an answer
Hey (hey) ho (ho) hey (hey) ho (ho) hey (hey) ho (ho)
The artist begins a chant that serves as a musical interlude
Oh one more time (just one more time)
The singer repeats the chant for emphasis
Say it one more time right now (just one more time)
The artist requests another repetition, again emphasizing urgency
Say it one more time now (just one more time)
The singer repeats the request, emphasizing immediacy
Say it one more time yeah (just one more time)
The singer again requests another repetition
Woah, shake that thing now (baby shake that thing)
The singer encourages the women to dance and move their bodies
Baby shake that thing now now (baby shake that thing)
The artist reiterates the encouragement to dance with urgency
Baby shake that thing (baby shake that thing)
The artist again encourages dancing
Baby shake that thing right now (baby shake that thing)
The singer emphasizes the immediacy and urgency of his request for dancing
Woah, I feel all right now yeah (make me feel all right)
The singer expresses satisfaction and joy in the moment
Said I feel all right now (make me feel all right)
The artist reiterates his positive feelings in the moment
Woah (make me feel all right)
The artist emphasizes his positive feelings again
Tell you I feel all right (make me feel all right)
The artist proclaims his positive feelings to the listener
Said I feel all right (make me feel all right)
The singer repeats his declaration of positive feelings
Baby I feel all right (make me feel all right)
The artist acknowledges the listener's role in his positive feelings and expresses gratitude
Lyrics © Tratore, Sony/ATV Music Publishing LLC, Sentric Music, Kobalt Music Publishing Ltd., Warner Chappell Music, Inc.
Written by: Ray Charles
Lyrics Licensed & Provided by LyricFind
@scouseronthewirral
Written By Ray Charles and recorded on 18 February 1959, released In June 1959 and peaked at #1 on R&B chart and #6 pop. Earning Ray his first gold record.
Covers:
Johnny O’ Keefe (Nov 1959)
Bobby Rydell (Nov 1959)
The Olympics (Apr 1960)
Jack Eubanks (Nov 1960)
Dee Clark (1960)
Cliff Richard (14 Apr 1961)
The Cliffters (22 Sep 1961)
Jerry Lee Lewis (1961)
The Beau-marks (1961)
The chevrons (1961)
Donnie Brooks (1961)
Carroll Brothers (Mar 1962)
Bobby Darin (Mar 1962)
Keeley Smith (Apr 1962)
Teddy Randazzo (May 1962)
Anita Kerr singers (Nov 1962)
Clyde Mcphatter (1962)
The Crickets (1962)
The Spotnicks (1962)
Rod McKuen (1962)
Don Lang (1962)
Tom & Jerry (1962)
Jimmy Justice (1962)
Ray Fowler (1962)
Dick Dale (June 1963)
Trini Lopez (Jun 1963)
Floyd Cramer (Aug 1963)
Elvis Presley Recorded What’d I Say on 30 August 1963 during his Viva Las Vegas Soundtrack session, it was released on 28 April 1964 and peaked at #21 On Billboard’s Hot 100 Singles chart.
@robreynolds1287
"What'd I Say (Parts 1 & 2)"
Hey mama, don't you treat me wrong - Come and love your daddy all night long
All right now, hey hey, all right - See the girl with the diamond ring
She knows how to shake that thing - All right now now now, hey hey, hey hey
Tell your mama, tell your pa I'm gonna send you back to Arkansas
Oh yes, ma'm, you don't do right, don't do right Aw, play it boy
When you see me in misery Come on baby, see about me
Now yeah, all right, all right, aw play it, boy When you see me in misery
Come on baby, see about me Now yeah, hey hey, all right
See the girl with the red dress on She can do the Birdland all night long
Yeah yeah, what'd I say, all right
Well, tell me what'd I say, yeah
Tell me what'd I say right now
Tell me what'd I say
Tell me what'd I say right now
Tell me what'd I say
Tell me what'd I say yeah
And I wanna know
Baby I wanna know right now
And-a I wanna know
And I wanna know right now yeah
And-a I wanna know
Said I wanna know yeah
[Spoken:] Hey, don't quit now! (c'mon honey)
Naw, I got, I uh-uh-uh, I'm changing (stop! stop! we'll do it again)
Wait a minute, wait a minute, oh hold it! Hold it! Hold it!
Hey (hey) ho (ho) hey (hey) ho (ho) hey (hey) ho (ho) hey
Oh one more time (just one more time)
Say it one more time right now (just one more time)
Say it one more time now (just one more time)
Say it one more time yeah (just one more time)
Say it one more time (just one more time)
Say it one more time yeah (just one more time)
Hey (hey) ho (ho) hey (hey) ho (ho) hey (hey) ho (ho) hey
Ah! Make me feel so good (make me feel so good)
Make me feel so good now yeah (make me feel so good)
Woah! Baby (make me feel so good)
Make me feel so good yeah (make me feel so good)
Make me feel so good (make me feel so good)
Make me feel so good yeah (make me feel so good)
Huh (huh) ho (ho) huh (huh) ho (ho) huh (huh) ho (ho) huh
Awh it's all right (baby it's all right)
Said that it's all right right now (baby it's all right)
Said that it's all right (baby it's all right)
Said that it's all right yeah (baby it's all right)
Said that it's all right (baby it's all right)
Said that it's all right (baby it's all right)
Woah! Shake that thing now (baby shake that thing)
Baby shake that thing now now (baby shake that thing)
Baby shake that thing (baby shake that thing)
Baby shake that thing right now (baby shake that thing)
Baby shake that thing (baby shake that thing)
Baby shake that thing (baby shake that thing)
Woah! I feel all right now yeah (make me feel all right)
Said I feel all right now (make me feel all right)
Woooah! (make me feel all right)
Tell you I feel all right (make me feel all right)
Said I feel all right (make me feel all right)
Baby I feel all right (make me feel all right)
@patriciaasher4614
In 1958, Charles was on stage doing a live show when he ran out of stuff they'd prepared. There were 12 minutes of stage time remaining, and he rarely left the stage early. Charles told his band members, The Raelettes, "Listen, I'm going to fool around, and y'all just follow me." This 1959 hit single, What'd I Say, was the result of that impromptu on the spot jam session.
@zovalentine7305
Ray Charles Robinson
23 September 1930 ~
10 June 2004
Rest in powerful peace⚘
@Phantomsbreath
The drummer on this needs more recognition. Without them, this wouldn't be half as good as it is!
@garybrockwell2031
A what the reck am I,
Can we all stand up on stage... No soz
@garybrockwell2031
No room 🕺💥🆘🙏😍
@karenoliver6999
You are right
@connor_selby
bruno carr is his name
@smithairrion1476
MAN!!!!!!!!!
@Sayeeda1
More classic Rhythm and Blues!!!
@thenicest157
What a talent..if u are blind u are not dumb..powerfull words..we love u Ray..R.I.P.