When Your Loves Has Gone
Ray Charles Lyrics


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What good is the scheming, the planning and dreaming
That comes with each new love affair
The dreams that we cherish, so often might perish
And leaves you with castles in air

When you're alone, who cares for starlit skies
When you're alone, the magic moonlight dies
At break of dawn, there is no sunrise
When your lover has gone

What lonely hours, the evening shadows bring
What lonely hours, with memories lingering




Like faded flowers, life can't mean anything
When your lover has gone

Overall Meaning

The lyrics of Ray Charles's "When Your Love Has Gone" is heart-wrenching to say the least. It is a song about the aftermath of a reckless love affair. The singer talks about how the promises, dreams, and plans that come with starting a new relationship end up being shattered in the end, leaving the person with nothing but a broken heart and lost hopes. The lyrics speak about the loneliness and emptiness that one feels when they are left alone after the end of a love affair. The song is a poignant reminder of how the highs of falling in love come with the inevitable lows of heartbreak.


The first stanza of the song talks about the futility of making plans and dreaming when it comes to love. The second stanza is about the melancholy that one feels when they are left alone after the end of a relationship. It emphasizes the fact that the loneliness that follows a breakup is overwhelming and can make even the most beautiful things in life seem dull and unimportant. The third stanza is about the memories that linger after a failed relationship, and how it can make life seem meaningless.


The imagery used in the song is powerful, as it paints a vivid picture of the desolation and emotional distress that come with the end of a love affair. The use of words like "lonely hours" and "faded flowers" evoke a sense of sadness and helplessness. The song's melody also adds to the melancholic mood, reminding the listener of the lost happiness that was once present.


Line by Line Meaning

What good is the scheming, the planning and dreaming
What is the use of making schemes and dreaming about the future when it comes to a new love affair


That comes with each new love affair
All the planning and dreaming that accompanies every new romantic relationship


The dreams that we cherish, so often might perish
The aspirations that we hold dear may often be crushed


And leaves you with castles in air
Leaves you with hollow fantasies and unfulfilled dreams


When you're alone, who cares for starlit skies
When you are alone, you might not care about the beauty of the starry sky above


When you're alone, the magic moonlight dies
The enchanting brightness of the moonlight fades when you are alone


At break of dawn, there is no sunrise
You won't witness the beauty of the sunrise when you're alone


When your lover has gone
All these joys disappear from life when your lover leaves you


What lonely hours, the evening shadows bring
The evening shadows bring untold moments of loneliness


What lonely hours, with memories lingering
Despite trying hard to move on, memories of past linger and weigh down heavily


Like faded flowers, life can't mean anything
Life seems to lose its vibrancy and sparkle like faded flowers


When your lover has gone
All these feelings of emptiness and meaninglessness arise only when your lover is not around




Lyrics © Warner/Chappell Music, Inc.
Written by: ANDRE PREVIN, ANDRE G. PREVIN, DORY PREVIN

Lyrics Licensed & Provided by LyricFind
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Comments from YouTube:

@impala327

Sublime.

@donaldkane1714

This song needs to be performed with its introduction

@merkjanoosterhoff1590

Better listen the whole album..

@g.andrewmaness7742

From 1957, from his seventh LP for Atlantic in TWO YEARS (!).
The cuts on Side 1, including this one, feature a huge (and hugely talented) one-time-only big band made up of some of Brother Ray's regular working band (David "Fathead" Newman is the tenor sax soloist), along with some members of both the Basie and Ellington bands, with Quincy Jones conducting this swinging, yet tender arrangement by Jazz great Al Cohn.
Brother Ray had already made his mark on R'n'B and R'n'R, and he wanted to show that he could still tip his hat to Nat "King" Cole, an early influence.
The LP is called "The Genius of Ray Charles:"
Francis Albert Sinatra reportedly said, "He is the only true genius in our business."
If the quote is accurate, this cut is Exhibit A.

@angelocrooner

tra i più Grandi!

@tuxguys

From 1957, from his seventh LP for Atlantic in TWO YEARS (!).
The cuts on Side 1, including this one, feature a huge (and hugely talented) one-time-only big band made up of some of Brother Ray's regular working band (David "Fathead" Newman is the tenor sax soloist), along with some members of both the Basie and Ellington bands, with Quincy Jones conducting this swinging, yet tender arrangement by Jazz great Al Cohn.
Brother Ray had already made his mark on R'n'B and R'n'R, and he wanted to show that he could still tip his hat to Nat "King" Cole, an early influence.
The LP is called "The Genius of Ray Charles:"
Francis Albert Sinatra reportedly said, "He is the only true genius in our business."
If the quote is accurate, this cut is Exhibit A.

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