There are 7 artists/bands under the name of Renaissance:

1) A Britis… Read Full Bio ↴There are 7 artists/bands under the name of Renaissance:

1) A British progressive rock band - The first incarnation of Renaissance came out of the ashes of The Yardbirds in early 1968 when drummer Jim McCarty and guitarist/vocalist Keith Relf formed an acoustic based band. They added keyboardist John Hawken, bassist Louis Cennamo and vocalist Jane Relf (Keith's sister). This band released two albums (Renaissance (1969) and Illusion (1971)) before breaking up. Some of the members reformed as Illusion.

McCarty then reformed the band with singer Binky Cullom, bassist Jon Camp, keyboardist John Tout, drummer Terence Sullivan, and guitarist/composer Michael Dunford. Cullom was promptly replaced by Annie Haslam, then McCarty himself left soon after, but this group went on to become the "classic" lineup of Renaissance. They recorded a string of successful albums starting with the LP Prologue (1972). Throughout numerous personnel changes in the 70s, Haslam, Dunford and Camp remained the core of the band.

Their particular brand of mixing classical and classically-inspired music with melodic rock is arguably one of the most successful attempts at this sort of fusion. In the 80s, the band saw their popularity wane with a turn to shorter song forms dominated by synthesizers. After breaking up in the mid-80s, various combinations have reformed for concerts and recordings.

2) A Mexican rock band ( Mexican Renaissance)

3) A Japanese band. (Japanese Rеnaissance)

4) A Serbian medieval/renaissance assemble

5) Renaissance - The band was originally formed back in November 1991 by Chriss Ons (guitar) who decided to leave the band he was in at the time, Chronic Death. His band mates Dirk Vollon (bass) and Jürgen De Wispelare (drums) joined the new project, followed by Domingo Smets (guitar). The idea was to musically break out of restraining thrash/death metal sound and to incorporate more harmonic content & epic song structure into the songwriting, something which seemed impossible if staying in Chronic Death. The band set out to rehearse and by early '92 had some song ideas together, most of which would wind up on the bands debut demo Archway later that year. By late '92 The band got offered a split 7" EP (with the band Ancient Rites) on a small Belgian label, After Dark Records, and used the demo track "Windows" for that release. Meanwhile the band had also been brought to the attention of Hans de Wyngaert of the new label Shiver Records. A deal to release the 13 minute epic track "Tired Blood / Vaudeville" (split over 2 sides) on a 7" single was signed in early '93. Both EP's sold really well, yet while keeping on searching to find new band members, it was mainly Chriss who, assisted by Dirk, would continue writing new material using a small 4 track recorder. Despite the fact that it looked like the trio Chriss/Dirk/Santiago had become a studio project until other musicians were found, Shiver records offered them a CD deal. During the summer of '93, about a year after the bands first demo; Chriss and Dirk recorded a 40-minute piece called "The Death Of Art". The initial idea was to make a concept album and to focus on just the music, and add vocals later. A friend of the band, Canadian writer and philosophy student John Hymers, was asked to write a poem entitled "The Death Of Art", which would serve as working material for vocalist Santiago. After the final vocal tracks had been recorded, Chriss finished the project by himself due to a lack of input and interest from Dirk. The album finally saw release on Shiver Records in February 1994. The first pressing of the CD sold out in a matter of months, and the album has been repressed and licensed since (including a Polish issue in cassette format). Chriss took a break from writing and recording for about a year, only to start doing so again by mid '95, with Dirk Vollon sporadically collaborating. For the time being, the project name was also changed to Rinascimento, to avoid confusion with the other Renaissance, a band that released material mainly during the 70's. Tons of stuff was recorded over the following years, but, reluctant to release another record without the ability to perform any of it live, most of this demo material was shelved or not entirely completed - Chriss didn't really feel the "need" to make the music commercially available on a label so in 1998, a double CDR set aptly titled "Rinascimento - demos 1995-1998" was distributed among just a few friends of the band. Due to other interests and activities, the whole project was laid to rest by late 1998 ... (from the official website - http://renaissance_online.tripod.com/biography.html )

6) Renaissance - an Acapella Christian Quartet - In 1985 a new birth of music took place in Los Angeles, California that would change the landscape of acappella gospel music forever.
The quartet is comprised of soprano and first tenor Sharon Harris, first and second tenor George Pendergrass, baritone Adam Thompson, and first and second tenor Ronald Walker. All four are noted alumni of Southwestern Christian College in Terrell, Texas.
Every member of the group is also a distinguished lead singer in a league all their own. In addition to the Renaissance project, members of the group have also left an indubitable imprint on the world of Christian music. Not only has he released several solo albums, Ronald Walker has deposited a treasury of well-known songs particularly among church groups, sadly many of which still go without his credit today. Sharon Harris has lent her angelic voice to several projects including Los Angeles' own Southside Church of Christ Choir, Reflections, enjoyed a brief stint with Straight Company, and was a featured vocalist on "Acappella Gospel," produced by George Pendergrass and Keith Lancaster. Adam Thompson has provided "the bottom" on Ron Walker's projects, is a worship leader in Reseda, California, in addition to pursuing an acting career in Hollywood. Probably the most notable member of Renaissance to date is George Pendergrass who is known to people everywhere as the lead singer of the internationally known group, Acappella. His powerful voice is immediately recognizable and needs no introduction in most circles of the music industry. Featured on over 15 albums on the Acappella Music Group, George has also performed with U2, Michael W. Smith, on a Disney soundtrack and with a host of other well-known recording artists.

7) An all-female accapella group from the University of Maine, Orono.

Opening Out
Renaissance Lyrics

Jump to: Overall Meaning ↴ Line by Line Meaning ↴

Fading mist you swirl and dance before my eyes
To realise
The feelings that have lay within my heart
Life in dreams is so much kinder
Just a moment's memory
To fade away, in distance lies your home

Broken city, take you with me

Soon to be harmonised
There before your eyes
Only to exist
Time has held tomorrow yearning while apart
Now the longing has begun for you

Suns will never set
And shall not forget
Promises we made
Somewhere there's a harbour
Though we pass her by
Where our ship can be and safely lie
In the warmth of her arms
Inside a perfect day

And with each passing moment
We wait to sail away

Overall Meaning

The lyrics of Renaissance's song Opening Out tell a story of deep emotions and longing. It starts with a description of fading mist, which symbolizes the uncertainty and transience of life. The singer of the song realizes that the feelings that they have kept in their heart are better expressed in dreams, where everything is much kinder.

The next section of the song talks about a broken city that the singer wants to take with them. This could be a metaphor for a lost love or a place that holds a special memory. The line "Only to exist" suggests that whatever the singer is seeking will only exist in their imagination, and they will have to accept that reality. The verse then talks about time holding the singer back from their desires, and how they are beginning to long for what they have been missing.

The chorus of the song is a hopeful and uplifting one, reminding us that the suns will never set and promises made will never be forgotten. There is a sense of safety and warmth in the idea of a "harbor", a place where the singer can find peace and rest from their journey. The line "where our ship can be and safely lie" can be interpreted as a metaphor for finding a place in life where one can be at peace and belong.

Overall, the lyrics of Opening Out are about the human need for connection and belonging, and how we can find peace and happiness by pursuing our dreams and passions.

Line by Line Meaning

Fading mist you swirl and dance before my eyes
The haze disappears and swirls around the eyes to reveal clarity

To realise
To truly comprehend the emotions behind the haze

The feelings that have lay within my heart
The buried feelings that resurface and come to light

Life in dreams is so much kinder
The comparative life in dreams is more pleasant and forgiving

Just a moment's memory
Only a fleeting recollection

To fade away, in distance lies your home
The memories gradually dissipate as your home gets farther away

Broken city, take you with me
The damaged city comes along for the ride

Soon to be harmonised
A union to happen soon

There before your eyes
It is happening in front of you

Only to exist
Only to be present and no more than that

Time has held tomorrow yearning while apart
As time has passed, the yearning for tomorrow grows stronger while apart