32-20 Blues
Robert Johnson Lyrics
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If I send for my baby, and she don't come
If I send for my baby, man, and she don't come
All the doctors in Hot Springs sure can't help her none
And if she gets unruly, thinks she don't wan' do
If she gets unruly and thinks she don't wan' do
Take my 32-20, now, and cut her half in two
She got a .38 special but I believe it's most too light
She got a .38 special but I believe it's most too light
I got a 32-20, got to make the caps alright
If I send for my baby, man, and she don't come
If I send for my baby, man, and she don't come
All the doctors in Hot Springs sure can't help her none
I'm gonna shoot my pistol, gonna shoot my gatling gun
I'm gonna shoot my pistol, gotta shoot my gatling gun
You made me love you, now your man have come
Ah-oh, baby, where you stayed last night?
Ah-ah, baby, where you stayed last night?
You got your hair all tangled and you ain't talking right
Her .38 special, boys, it do very well
Her .38 special, boys, it do very well
I got a 32-20 now, and it's a-burning
If I send for my baby, man, and she don't come
If I send for my baby, man, and she don't come
All the doctors in Wisconsin sure can't help her none
Hey, hey, baby, where you stayed last night?
Hey, hey, baby, where you stayed last night?
You didn't come home until the sun was shining bright
Ah-oh boy, I just can't take my rest
Ah-oh boy, I just can't take my rest
With this 32-20 laying up and down my breast
If I send for my baby, man, and she don't come
All the doctors in Hot Springs sure can't help her none
And if she gets unruly, thinks she don't wan' do
If she gets unruly and thinks she don't wan' do
Take my 32-20, now, and cut her half in two
She got a .38 special but I believe it's most too light
She got a .38 special but I believe it's most too light
I got a 32-20, got to make the caps alright
If I send for my baby, man, and she don't come
If I send for my baby, man, and she don't come
All the doctors in Hot Springs sure can't help her none
I'm gonna shoot my pistol, gonna shoot my gatling gun
I'm gonna shoot my pistol, gotta shoot my gatling gun
You made me love you, now your man have come
Ah-oh, baby, where you stayed last night?
Ah-ah, baby, where you stayed last night?
You got your hair all tangled and you ain't talking right
Her .38 special, boys, it do very well
Her .38 special, boys, it do very well
I got a 32-20 now, and it's a-burning
If I send for my baby, man, and she don't come
If I send for my baby, man, and she don't come
All the doctors in Wisconsin sure can't help her none
Hey, hey, baby, where you stayed last night?
Hey, hey, baby, where you stayed last night?
You didn't come home until the sun was shining bright
Ah-oh boy, I just can't take my rest
Ah-oh boy, I just can't take my rest
With this 32-20 laying up and down my breast
"32-20 Blues" is a song by Robert Johnson, which is a prime example of a "homicidal blues." The song is about a man who threatens to kill his unfaithful lover. He claims that if he sends for her and she doesn't come, no doctor will be able to help her. In the second verse, he talks about using his gun to threaten her if she becomes unruly. In the chorus, he emphasizes the fact that he has a 32-20 gun and he can use it to solve his problems. The third verse is about the woman's unfaithfulness and he questions where she was the previous night. In the final verse, the singer is restless because of the 32-20 gun that he has on his chest.
The song is a fusion of both folk and blues music, and it consists of a simple melody and raw, direct lyrics. The song's lyrics are seen as a representation of Robert Johnson's life, which included being betrayed by many women. The use of the number "32-20" refers to a specific type of handgun cartridge that was popular among musicians during Johnson's time. In most cases, when blues musicians use the term "32-20," they are referring to a type of gun or ammunition.
Line by Line Meaning
If I send for my baby, and she don't come
If I call my lover and she doesn't show
All the doctors in Hot Springs sure can't help her none
None of the doctors in this town can heal her
And if she gets unruly, thinks she don't wan' do
If she's being difficult and refuses to cooperate
Take my 32-20, now, and cut her half in two
I'll use my gun to threaten her into obeying me
She got a .38 special but I believe it's most too light
Her gun isn't powerful enough to stop me
I'm gonna shoot my pistol, gonna shoot my gatling gun
I'll use any weapon I have to get revenge
Ah-oh, baby, where you stayed last night?
Hey girl, where were you last night?
You got your hair all tangled and you ain't talking right
You look like you've been up to no good
Her .38 special, boys, it do very well
Her gun is effective for her purposes
I got a 32-20 now, and it's a-burning
I have a fierce desire to use my gun
All the doctors in Wisconsin sure can't help her none
Even if she goes to another state, she can't escape me
Hey, hey, baby, where you stayed last night?
Hey girl, where were you last night?
You didn't come home until the sun was shining bright
You stayed out all night
Ah-oh boy, I just can't take my rest
I can't relax or sleep
With this 32-20 laying up and down my breast
I'm constantly thinking about my gun and the power it brings
Lyrics © CONCORD MUSIC PUBLISHING LLC, Peermusic Publishing
Written by: ROBERT JOHNSON
Lyrics Licensed & Provided by LyricFind
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There are several artists by the name Robert Johnson:
1. An American blues singer, guitarist and songwriter (1911-1938) amongst the most famous of Delta blues musicians; ranked fifth in Rolling Stone's list of 100 Greatest Guitarists of All Time; considered by some to be the "Grandfather of Rock 'n' Roll"
2. An English lutenist and composer of the late Tudorian and early Jacobean eras (c.1580-c.1634)
3. A 1970s Memphis-based American guitarist Read Full BioThere are several artists by the name Robert Johnson:
1. An American blues singer, guitarist and songwriter (1911-1938) amongst the most famous of Delta blues musicians; ranked fifth in Rolling Stone's list of 100 Greatest Guitarists of All Time; considered by some to be the "Grandfather of Rock 'n' Roll"
2. An English lutenist and composer of the late Tudorian and early Jacobean eras (c.1580-c.1634)
3. A 1970s Memphis-based American guitarist
4. A former drummer for KC and the Sunshine Band
1. Robert Johnson (Robert Leroy Johnson, Hazlehurst, Mississippi, May 8, 1911- Greenwood, Mississippi, August 16, 1938) was an American blues singer, guitarist and songwriter, among the most famous of Delta blues musicians.
His landmark recordings from 1936–1937 display a remarkable combination of singing, guitar skills, and songwriting talent that have influenced generations of musicians. Johnson's shadowy, poorly documented life and death at age 27 have given rise to much legend.
The first songs to appear were Terraplane Blues and Last Fair Deal Gone Down, Terraplane Blues became a moderate regional hit, selling 5,000 copies.
Other songs Johnson recorded were Come On In My Kitchen, Kind Hearted Woman Blues, I Believe I'll Dust My Broom, and Cross Road Blues.
Come on in My Kitchen included the lines:
"The woman I love took from my best friend / Some joker got lucky, stole her back again / You better come on in my kitchen, it's going to be rainin' outdoors."
In Crossroad Blues, another of his songs, he sang:
"I went to the crossroads, fell down on my knees / I went to the crossroads, fell down on my knees / I asked the Lord above, have mercy, save poor Bob if you please / Uumb, standing at the crossroads I tried to flag a ride / Standing at the crossroads I tried to flag a ride / Ain't nobody seem to know me, everybody pass me by."
Stones In My Passway and Me And The Devil are both about betrayal, a recurrent theme in country blues. Hell Hound On My Trail utilises another common theme: fear of the Devil. Other themes in Johnson's music include impotence (Dead Shrimp Blues and Phonograph Blues) and infidelity (Terraplane Blues, If I Had Possession Over Judgement Day and Love in Vain).
The most widely-known legend surrounding Robert Johnson says that he sold his soul to the Devil at the crossroads of U.S. Highway 61 and U.S. Highway 49 in Clarksdale, Mississippi in exchange for prowess in playing the guitar. Actually, the location Johnson made reference to is a short distance away from that intersection. The Faustian legend was told mainly by Son House, but finds no corroboration in any of Johnson's work, despite titles like Me and the Devil Blues and Hellhound on My Trail. With this said, the song Cross Road Blues is both widely and loosely interpreted by many as a descriptive encounter of Johnson selling his soul.
The older Tommy Johnson (no relation, although it is speculated that they were cousins), by contrast, also claimed to have sold his soul to the Devil. The story goes that if one would go to the crossroads a little before midnight and begin to play the guitar, a large black man would come up to the aspiring guitarist, retune his guitar and then hand it back. At this point (so the legend goes) the guitarist had sold his soul to become a virtuoso (A similar legend even surrounded virtuoso violinist Niccolò Paganini a century before.
His death remains a matter of controversy. Some accounts state that he was given poisoned whiskey at a dance by the husband of a woman he had been secretly seeing. Others claim that it was just The Devil collecting his debt after the old legend of Robert Johnson dealing with the devil.
However, the latest, and unfortunately less dramatic and more plausible theory (published by David Connell in the British Medical Journal) is that Robert Johnson suffered from Marfan's Syndrome. Marfan's is a genetic disorder characterized by disproportionately long limbs, long thin fingers, a tall stature — all of which can be seen in the two photos that exist of Robert Johnson. Marfan's Syndrome is a cause of heart defects, and a complication such as an aortic dissection could lead to Robert Johnson's excruciatingly painful death.
Eleven 78s were released on the Vocalion label during his lifetime, with a twelfth issued posthumously. All songs are copyrighted to Robert Johnson, and his estate.
The Complete Recordings: A double-disc box set was released on August 28, 1990, containing almost everything Robert Johnson ever recorded, with all 29 recordings, and 12 alternate takes. (There is one further alternate, of
Traveling Riverside Blues which was released on Sony's King of the Delta Blues Singers CD and also as an extra in early printings of the paperback edition of Elijah Wald's "Escaping the Delta."
Grammy Awards:
1990 — Best Historical Album The Complete Recordings (Sony/Columbia) Legacy Winner
Grammy Hall of Fame:
1998 — Cross Road Blues (Single) (1936, Vocalion)
National Recording Registry:
The Complete Recordings of Robert Johnson (1936-1937) was included by the National Recording Preservation Board in the Library of Congress' National Recording Registry in 2003.
The board selects songs in an annual basis that are "culturally, historically, or aesthetically significant."
The Rock and Roll Hall of Fame included four songs by Robert Johnson in the 500 songs that shaped rock and roll:
Sweet Home Chicago (1936),
Cross Road Blues (1936),
Hellhound on My Trail (1937),
Love in Vain (1937)
The Blues Foundation Awards:
Robert Johnson: Blues Music Awards
1991 Vintage or Reissue Album The Complete Recordings Winner
Honors and inductions
On September 17, 1994 the U.S. Post Office issues a Robert Johnson 29-cent commemorative postage stamp.
2006 — Grammy Lifetime Achievement Award Winner accepted by son Claud Johnson
2000 — Mississippi Musicians Hall of Fame Inducted
1986 Rock and Roll Hall of Fame Inducted Early Influences
1980 — Blues Hall of Fame Inducted
He was also ranked fifth in Rolling Stone's list of 100 Greatest Guitarists of All Time.
Considered by some to be the "Grandfather of Rock 'n' Roll", his vocal phrasing, original songs, and guitar style have influenced a broad range of musicians, including Muddy Waters, Bob Dylan, Jimi Hendrix, Led Zeppelin, The Rolling Stones, Johnny Winter, Jeff Beck, and Eric Clapton.
2. Robert Johnson (c.1580-c.1634) was an English lutenist and composer of the late Tudorian and early Jacobean eras. He was the son of John Johnson.
3. Memphis-based Robert Johnson has been recording since the early '70s. Some early appearances were on recordings by the Hot Dogs, a band that featured Jack Holder and Greg Reding, later to cross the Mississippi River and become members of the raunchy hard-rocking Black Oak Arkansas.
By the late '70s, Johnson had recorded a single with the Bell Heirs and had established a somewhat regular playing relationship with a rhythm section featuring bassist Dave Cochran and drummer Blair Cunningham. The Infinity label released the premier Johnson effort as a leader, an album entitled Close Personal Friend, yet a collection entitled The Memphis Demos, which came out the following year, is considered to be a much better representation of his work, not the first time a musician's more casual performances beat out a supposedly more serious album project.
4) Robert Johnson was a former drummer for KC and the Sunshine Band
1. An American blues singer, guitarist and songwriter (1911-1938) amongst the most famous of Delta blues musicians; ranked fifth in Rolling Stone's list of 100 Greatest Guitarists of All Time; considered by some to be the "Grandfather of Rock 'n' Roll"
2. An English lutenist and composer of the late Tudorian and early Jacobean eras (c.1580-c.1634)
3. A 1970s Memphis-based American guitarist Read Full BioThere are several artists by the name Robert Johnson:
1. An American blues singer, guitarist and songwriter (1911-1938) amongst the most famous of Delta blues musicians; ranked fifth in Rolling Stone's list of 100 Greatest Guitarists of All Time; considered by some to be the "Grandfather of Rock 'n' Roll"
2. An English lutenist and composer of the late Tudorian and early Jacobean eras (c.1580-c.1634)
3. A 1970s Memphis-based American guitarist
4. A former drummer for KC and the Sunshine Band
1. Robert Johnson (Robert Leroy Johnson, Hazlehurst, Mississippi, May 8, 1911- Greenwood, Mississippi, August 16, 1938) was an American blues singer, guitarist and songwriter, among the most famous of Delta blues musicians.
His landmark recordings from 1936–1937 display a remarkable combination of singing, guitar skills, and songwriting talent that have influenced generations of musicians. Johnson's shadowy, poorly documented life and death at age 27 have given rise to much legend.
The first songs to appear were Terraplane Blues and Last Fair Deal Gone Down, Terraplane Blues became a moderate regional hit, selling 5,000 copies.
Other songs Johnson recorded were Come On In My Kitchen, Kind Hearted Woman Blues, I Believe I'll Dust My Broom, and Cross Road Blues.
Come on in My Kitchen included the lines:
"The woman I love took from my best friend / Some joker got lucky, stole her back again / You better come on in my kitchen, it's going to be rainin' outdoors."
In Crossroad Blues, another of his songs, he sang:
"I went to the crossroads, fell down on my knees / I went to the crossroads, fell down on my knees / I asked the Lord above, have mercy, save poor Bob if you please / Uumb, standing at the crossroads I tried to flag a ride / Standing at the crossroads I tried to flag a ride / Ain't nobody seem to know me, everybody pass me by."
Stones In My Passway and Me And The Devil are both about betrayal, a recurrent theme in country blues. Hell Hound On My Trail utilises another common theme: fear of the Devil. Other themes in Johnson's music include impotence (Dead Shrimp Blues and Phonograph Blues) and infidelity (Terraplane Blues, If I Had Possession Over Judgement Day and Love in Vain).
The most widely-known legend surrounding Robert Johnson says that he sold his soul to the Devil at the crossroads of U.S. Highway 61 and U.S. Highway 49 in Clarksdale, Mississippi in exchange for prowess in playing the guitar. Actually, the location Johnson made reference to is a short distance away from that intersection. The Faustian legend was told mainly by Son House, but finds no corroboration in any of Johnson's work, despite titles like Me and the Devil Blues and Hellhound on My Trail. With this said, the song Cross Road Blues is both widely and loosely interpreted by many as a descriptive encounter of Johnson selling his soul.
The older Tommy Johnson (no relation, although it is speculated that they were cousins), by contrast, also claimed to have sold his soul to the Devil. The story goes that if one would go to the crossroads a little before midnight and begin to play the guitar, a large black man would come up to the aspiring guitarist, retune his guitar and then hand it back. At this point (so the legend goes) the guitarist had sold his soul to become a virtuoso (A similar legend even surrounded virtuoso violinist Niccolò Paganini a century before.
His death remains a matter of controversy. Some accounts state that he was given poisoned whiskey at a dance by the husband of a woman he had been secretly seeing. Others claim that it was just The Devil collecting his debt after the old legend of Robert Johnson dealing with the devil.
However, the latest, and unfortunately less dramatic and more plausible theory (published by David Connell in the British Medical Journal) is that Robert Johnson suffered from Marfan's Syndrome. Marfan's is a genetic disorder characterized by disproportionately long limbs, long thin fingers, a tall stature — all of which can be seen in the two photos that exist of Robert Johnson. Marfan's Syndrome is a cause of heart defects, and a complication such as an aortic dissection could lead to Robert Johnson's excruciatingly painful death.
Eleven 78s were released on the Vocalion label during his lifetime, with a twelfth issued posthumously. All songs are copyrighted to Robert Johnson, and his estate.
The Complete Recordings: A double-disc box set was released on August 28, 1990, containing almost everything Robert Johnson ever recorded, with all 29 recordings, and 12 alternate takes. (There is one further alternate, of
Traveling Riverside Blues which was released on Sony's King of the Delta Blues Singers CD and also as an extra in early printings of the paperback edition of Elijah Wald's "Escaping the Delta."
Grammy Awards:
1990 — Best Historical Album The Complete Recordings (Sony/Columbia) Legacy Winner
Grammy Hall of Fame:
1998 — Cross Road Blues (Single) (1936, Vocalion)
National Recording Registry:
The Complete Recordings of Robert Johnson (1936-1937) was included by the National Recording Preservation Board in the Library of Congress' National Recording Registry in 2003.
The board selects songs in an annual basis that are "culturally, historically, or aesthetically significant."
The Rock and Roll Hall of Fame included four songs by Robert Johnson in the 500 songs that shaped rock and roll:
Sweet Home Chicago (1936),
Cross Road Blues (1936),
Hellhound on My Trail (1937),
Love in Vain (1937)
The Blues Foundation Awards:
Robert Johnson: Blues Music Awards
1991 Vintage or Reissue Album The Complete Recordings Winner
Honors and inductions
On September 17, 1994 the U.S. Post Office issues a Robert Johnson 29-cent commemorative postage stamp.
2006 — Grammy Lifetime Achievement Award Winner accepted by son Claud Johnson
2000 — Mississippi Musicians Hall of Fame Inducted
1986 Rock and Roll Hall of Fame Inducted Early Influences
1980 — Blues Hall of Fame Inducted
He was also ranked fifth in Rolling Stone's list of 100 Greatest Guitarists of All Time.
Considered by some to be the "Grandfather of Rock 'n' Roll", his vocal phrasing, original songs, and guitar style have influenced a broad range of musicians, including Muddy Waters, Bob Dylan, Jimi Hendrix, Led Zeppelin, The Rolling Stones, Johnny Winter, Jeff Beck, and Eric Clapton.
2. Robert Johnson (c.1580-c.1634) was an English lutenist and composer of the late Tudorian and early Jacobean eras. He was the son of John Johnson.
3. Memphis-based Robert Johnson has been recording since the early '70s. Some early appearances were on recordings by the Hot Dogs, a band that featured Jack Holder and Greg Reding, later to cross the Mississippi River and become members of the raunchy hard-rocking Black Oak Arkansas.
By the late '70s, Johnson had recorded a single with the Bell Heirs and had established a somewhat regular playing relationship with a rhythm section featuring bassist Dave Cochran and drummer Blair Cunningham. The Infinity label released the premier Johnson effort as a leader, an album entitled Close Personal Friend, yet a collection entitled The Memphis Demos, which came out the following year, is considered to be a much better representation of his work, not the first time a musician's more casual performances beat out a supposedly more serious album project.
4) Robert Johnson was a former drummer for KC and the Sunshine Band
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Harrison McCartney
Decades before the advent of double tracking, and Robert Johnson made his one guitar sound like two. What an absolute talent.
Paul Wayne Johnson
He is playing lead guitar and rhythm guitar at the same time and singing on top of that. Wow.
Igor
The devil is the second guitar
TheRealDadfad
It's called finger-style alternating bass. The thumb plays the bass/rhythm on the 4, 5 and 6 strings while the index (sometimes other fingers) picks out the treble-lines. Think of it as if your fret-board is split down the middle, three strings on each side, the thumb plays one side the index (or other fingers) the other. Johnson's tunes can be done with a thumb and one finger (with occasional thumb-finger pinches, etc. It's a bit difficult to learn the technique, but not ridiculously so. In the scheme of the playing that style, Johnson's stuff isn't that difficult compared to some. (Listen to some Blind Blake or Bo Carter if you really want to hear some tremendous playing in that style.)
Bulmaro Mondragon Jr
Them fingers he had were really long so he could add bass notes or high notes
WaveWithUs
@TheRealDadfad yeah his stuff is honestly surprisingly easy to play nowadays tho. If you can play some pop songs or are just past beginner guitar phase you can play learn his entire catalogue by heart in a few days.
It's fun stuff! You can't do wrong with blues bass and some chromatic lines
Farley Musclewhite
I've loved this kind of blues since I was a kid.I used to try and try to play like this.I got here tonight because I have a 1916 32-20 Colt right in front of me. Was a cop's gun back in the day.
John Aquino
He played his guitar like a piano. He did things that other blues men from that era weren't doing. At very least enough to carry the blues just that much further. It makes no difference if he was "better," but he did make a significant contribution, and is rightfully recognized for it.
Laura Tanner
It's sounds so piano like sometimes! And alot of his stuff was influenced by the boogie piano tunes of the day. A direct link in the evolution of guitar music.
simplethunder
In a week. Perhaps in a month, perhaps in half a year, you'll come back to one of Robert's songs, and you won't know why, but you will want to hear it again.