1. Rockets' history starts in Paris (France), in the year 1972, when they were known under the name Crystal. In 1974, they changed their name to Rocket Men (or Rocketters) as five aliens, bald, with grey eyes, silver skin and space suits, recording the single 'Rocket Man' produced by Claude Lemoine, who would become their producer 'til 1983.
In 1975, they changed their name in Rockets and recorded a single 'Future woman'. In 1976, their first LP entitled, 'Rockets' was released in France, and the group launched a series of phantasmagoric live shows which involved vocoder, lasers, coloured lights, smoke and a bazooka fighting flames three . Their following LP 'On the road again' (1978), is released in a large number of countries. In the following years they released two masterpieces of "space-rock": Plasteroid (1979) and Galaxy (1980). After two more LP (P 3,14 in 1981 and Atomic in 1982) they changed their look (no more silver painted aliens), formations and music style, and the following albums weren't so successful. In 2000 Fabrice Quagliotti (keyboards) brought back the band name, with all new members. In 2003 came out a new CD (Don't Stop) with some new songs in the "classic rockets style" (Rocketsland, Communication) and other dance remixes not so appreciated by most of their fans. Now the band is still alive and a new work is forthcoming.
2. Rockets (UK Alternative Band), a side project or former full time band for solo Artist Roberto Cappellina, consisting of members of the fomer band FarFromWords who played rock music around Watford town between the years of 2001 and 2004. Although their single one EP titled Rockets EP released in 2006 is a little hard to find, by contacting the lead singer you can access such music. Short lived but not forgotten.
3. Rockets (from 07 to present) is a french-touch inspired house project out of San Francisco and Portugal. A member of Discotexas, a label and collective known for an unabashed love of fun and fruit (not necessarily by this order), he's known for producing tracks that range from the likes of filtered disco house to italo-disco and electronica. He is frequently playlisted by the likes of A-Trak, Armand Van Helden, Treasure Fingers, Gloves, Patrick Alavi among other djs and producers from both old and new music scenes.
Rockets has shared the dj booth with artists like Alan Braxe, In Flagranti and A-Trak, and often tag-teams with Xinobi and Moulinex (also out of Discotexas) to lighten up summer festivals and club floors. The first official release from Rockets is coming out of Discotexas in December 2009, and other releases are lined up on different labels.
4. The Rockets (Detroit Band) were a Detroit, Michigan rock band formed in 1972 by former Mitch Ryder and The Detroit Wheels members Johnny "Bee" Bandajek and Jim McCarty. Vocals and drums were handled by Bandajek, McCarty was on lead guitar, John Fraga was on bass and Marc Marcano was on keyboards. Johnny Bee was the driving force and primary songwriter for the Rockets. In the early days, The Rockets paid their dues playing gigs at venues such as, The Rainbow Room and The Peoples Ballroom in Detroit, and The Rock 'N Roll Farm in Wayne, Michigan.
The band took on a new sound in 1976 when David Gilbert was brought in to take over vocals from Johnny Bee. Gilbert had fronted several garage bands and had a brief stint singing for Ted Nugent and The Amboy Dukes in 1971. His drinking and drug habits didn't set too well with the Motor City Madman. Gilbert's raw vocal power proved to be just the ticket to complete the Rockets sound. However, as Nugent had before them, Bandajek and McCarty quickly realized Gilbert would be trouble for the band with his frequent drug and booze binges. The friction between them would go on for seven years before it eventually tore the band apart.
Five studio albums produced several minor hits including a rocking rendition of Fleetwood Mac's "Oh Well". Always a popular group in Detroit, and Michigan, The Rockets had gotten some attention outside of the state, but never really got the big break to become a true national act. The first album, Love Transfusion, was released in 1977. It failed to produce any hits. The 1979 self-titled release featured the hits, "Oh Well" and "Turn Up The Radio". This record also featured on bass, David Hood, one of the "Swampers" from the famous Muscle Shoals Sound Studios in Alabama. Muscle Shoals was mentioned in Lynyrd Skynyrd's southern rock anthem "Sweet Home Alabama". Also, this Rockets album was dedicated to Skynyrd members Ronnie Van Zant, Steve Gaines and Cassie Gaines, who all perished in Skynyrds infamous 1977 plane crash. The third attempt came in 1980 with "No Ballads", "Desire" was a popular tune from this album. Next came the "Back Talk" album in '81 and then finally "Rocket Roll" in 1982. "Rollin' By The Record Machine" from this release was the last hit for the band. The final release, "Live Rockets" was recorded on New Years Eve 1982 at the Royal Oak Music Theatre near Detroit.
The Rockets performed for their last two shows at Pine Knob (now known as DTE Energy Music Theatre) near Detroit on August 28th & 29th, 1983. The band splintered and the members all went their separate ways. Bandajek, McCarty and the rest went on to other projects. Gilbert played in a couple of short-lived local bands and ended up taking a job hanging drywall. David Gilbert was 49 when he died of cirrhosis in 2001.
Contact
Rockets Lyrics
Jump to: Overall Meaning ↴ Line by Line Meaning ↴
Feeling alright, feel like contact tonight
Well you know what it says and you know what you feel
And you know what it's like and you know it's for real
Take it to the limit, take it to the height
Take it to the limit, contact tonight
Don't speak, don't break the spell
I contact you, you contact me
Across the room our glances meet
I contact you
Eye contact, eye contact
Feeling fine, feel like dynamite
Eyes speak more than words can say
Sparks fly eye contact is made
Well you know what it says and you know what you feel
And you know what it's like and you know it's for real
So take it to the limit, take it to the height
Take it to the limit, contact tonight
Breathe deep let your feelings show
Let's dance but not too slow
I contact you, you contact me
Across the room our glances meet
I contact you
Eye contact, eye contact
Take it to the limit, take it to the limit
Eye contact, eye contact
The lyrics of Rockets' song Contact seem to be about two people who are attracted to each other and are trying to make a connection. The first verse talks about feeling strange and then turning around to do it again, perhaps indicating that the singer is torn between hesitation and desire. The chorus emphasizes the importance of making contact- taking it to the limit and the height- and conveys a sense of urgency.
The second verse describes a dance between the two individuals who are trying to make eye contact, with the lyrics emphasizing the importance of non-verbal communication. The singer stresses the importance of letting one's feelings show and "not to slow" down, further emphasizing the urgency and passion of the moment.
Overall, the song is an upbeat and energetic ode to attraction and the desire for connection.
Line by Line Meaning
Feeling strange, turn around do it again
Feeling a bit lost but eager to try again
Feeling alright, feel like contact tonight
Feeling good and hoping to make a personal connection tonight
Well you know what it says and you know what you feel
And you know what it's like and you know it's for real
You understand the situation and your emotions, and know it's genuine
Take it to the limit, take it to the height
Take it to the limit, contact tonight
Push yourself to the fullest and make that connection tonight
Don't speak, don't break the spell
Let's dance, you dance so well
Don't ruin the moment, let's enjoy each other's company and dance
I contact you, you contact me
Across the room our glances meet
I contact you
Eye contact, eye contact
We make eye contact and communicate nonverbally, sensing our connection
Feeling fine, feel like dynamite
Eyes speak more than words can say
Sparks fly eye contact is made
Feeling great and realizing eye contact can convey emotions more effectively than spoken words
Breathe deep let your feelings show
Let's dance but not too slow
I contact you, you contact me
Across the room our glances meet
I contact you
Eye contact, eye contact
Take a deep breath and be open about your feelings, let's dance but not too slowly, we continue communicating through eye contact
Take it to the limit, take it to the limit
Eye contact, eye contact
Push yourself to the fullest and rely on eye contact to make that connection
Writer(s): Arthur Pullam, Robert Dickerson, Edwin Starr Copyright: Zonal Music, Sony/ATV Songs LLC
Contributed by Landon R. Suggest a correction in the comments below.