Roger Waters was the main lyricist for the classic British rock band Pink Floyd. He, along with Syd Barrett, Nick Mason, and Richard Wright, formed the band in 1965 and released their first album, The Piper at the Gates of Dawn in 1967. In 1968, Syd Barrett was replaced by guitarist/singer David Gilmour. He and Gilmour were the main creative forces behind the albums Meddle, Dark Side of the Moon, and Wish You Were Here; Waters eventually became the primary songwriter, being the driving force behind Animals, and The Wall as well as the sole songwriter of The Final Cut. Waters became well-known for being an intense perfectionist and his controlling nature alienated the rest of the band. The Final Cut, released in 1983, was essentially a Roger Waters solo album "performed by Pink Floyd" as the credits stated. This would be the group's last album with Waters. David Gilmour decided to carry on with Pink Floyd and Waters, believing that Pink Floyd was a "non-entity" without him, sued the rest of the band to retire the Pink Floyd name. His lawsuit ultimately failed, and Pink Floyd released three more studio albums and two double live albums, without him.
The feud between David Gilmour and Roger Waters lasted for decades, and it wasn't until Live 8 in 2005 that they finally decided to set their differences aside and perform a brief set for the charity gig. This would be the last time that Pink Floyd would ever perform together in their "classic" lineup. Shortly after the show, there was much speculation that Pink Floyd would get back together for a full reunion tour, but Gilmour ultimately nixed the idea, stating that although the Live 8 gig was fun, the rehearsals were not.
Much to everyone's surprise, Gilmour and Waters reunited once again on July 11, 2010 for a charity performance for “The Hoping Foundation,” an organization that supports Palestinian refugee kids. At Ronnie Scott’s club in London, the duo performed four songs together: “To Know Him Is to Love Him” (a cover of the old Teddy Bear’s song), “Wish You Were Here,” “Comfortably Numb,” and finally (after a special request) “Another Brick in the Wall Part 2.” Once again, just like after the Live 8 Reunion, speculation began regarding future reunions. No official Pink Floyd reunion has yet been set, but Gilmour did promise that he would join Roger Waters for one show on his 2010-11 “The Wall” tour, performing “Comfortably Numb.” Gilmour fulfilled his promise on May 14, 2011 in London.
Waters has so far released the following solo albums:
* Music from The Body soundtrack with Ron Geesin(1970)
* The Pros and Cons of Hitch Hiking (1984)
* When the Wind Blows soundtrack with contributions from other artists as well (1986)
* Radio K.A.O.S. (1987)
* The Wall: Live in Berlin (1990)
* Amused to Death (1992)
* In the Flesh live (2000)
* Flickering Flame: The Solo Years, Vol. 1 (2003)
* Ça Ira (Opera) (2005)
*Is This the Life We Really Want? (2017)
*Igor Stravinsky's The Soldier's Tale (2018)
*The Lockdown Sessions (2022)
The Bravery of Being out
Roger Waters Lyrics
Jump to: Overall Meaning ↴ Line by Line Meaning ↴
To squeeze off a shot
You're good fun at parties
You wear the right masks
You're old but you still
Like a laugh in the locker room
You can't abide change
You opened your suitcase
Behind the old workings
To show off the magnum
You deafened the canyon
A comfort a friend
Only upstaged in the end
By the Uzi machine gun
Does the recoil remind you
Remind you of sex
Old man what the hell you gonna kill next
Old timer who you gonna kill next
I looked over Jordan and what did I see
Saw a U.S. Marine in a pile of debris
I swam in your pools
And lay under your palm trees
I looked in the eyes of the Indian
Who lay on the Federal Building steps
And through the range finder over the hill
I saw the front line boys popping their pills
Sick of the mess they find
On their desert stage
And the bravery of being out of range
Yeah the question is vexed
Old man what the hell you gonna kill next
Old timer who you gonna kill next
Hey bartender over here
Two more shots
And two more beers
Sir turn up the TV sound
The war has started on the ground
Just love those laser guided bombs
They're really great
For righting wrongs
You hit the target
And win the game
From bars 3,000 miles away
3,000 miles away
We play the game
With the bravery of being out of range
We zap and maim
With the bravery of being out of range
We strafe the train
With the bravery of being out of range
We gain terrain
With the bravery of being out of range
With the bravery of being out of range
We play the game
With the bravery of being out of range
The lyrics to Roger Waters's song The Bravery of Being out deals with the subject of war, violence, and the mindset of those who partake in them. The opening lines of the song introduce us to a character who is armed and enjoys shooting, someone who wears masks to a party and has a predilection for violence. The character appears to be old, someone who is resistant to change and is more comfortable in their comfort zone. The second verse describes the character taking out a magnum from his suitcase, and using it to deafen the canyon, a display of power and aggression.
The third verse describes the singer's experiences and observations of war, including seeing a US marine in a pile of debris, swimming in pools and laying under palm trees, meeting an Indian on the Federal Building steps, and watching the war unfold through a range finder over the hill. The final verse makes reference to the entertainment industry, where people watch the war unfold on TV and celebrate the use of technology like laser-guided bombs, cheering on the destruction from the comfort of their bars.
The song's lyrics are a powerful commentary on the futility of war and the senseless loss of life that it brings about. Roger Waters's criticism of a society that glorifies war and views the destruction it brings as entertainment is unmistakable. The repetitive chorus highlights the irony of the situation, as people who stay out of range sit and watch the destruction unfold with detachment.
Line by Line Meaning
You have a natural tendency
You possess an inherent inclination
To squeeze off a shot
To take a quick shot or fire at someone/something
You're good fun at parties
You're entertaining and enjoyable at social gatherings
You wear the right masks
You put up a facade or put on a fake persona that is socially acceptable
You're old but you still
You're aged but nonetheless
Like a laugh in the locker room
You find humor in masculine, colloquial spaces
You can't abide change
You cannot tolerate or accept change
You're at home on the range
You're comfortable in the rural, western way of living
You opened your suitcase
You revealed or presented something
Behind the old workings
Behind the old mechanisms or operations
To show off the magnum
To flaunt the large gun
You deafened the canyon
You caused a loud echo in the valley
A comfort a friend
A source of reassurance and closeness
Only upstaged in the end
But ultimately overshadowed
By the Uzi machine gun
By the Uzi's rapid firing power
Does the recoil remind you
Does the recoil make you think of
Remind you of sex
Remind you of the pleasures of sex
Old man what the hell you gonna kill next
Old man, who or what are you going to kill next?
Old timer who you gonna kill next
Old timer, who are you going to kill next?
I looked over Jordan and what did I see
I surveyed Jordan and observed
Saw a U.S. Marine in a pile of debris
Saw a U.S. Marine lying in a heap of rubble
I swam in your pools
I enjoyed your luxuries or privileges
And lay under your palm trees
And relaxed under your palm trees
I looked in the eyes of the Indian
I gazed into the eyes of the Native American
Who lay on the Federal Building steps
Who was prone on the steps of the Federal Building
And through the range finder over the hill
And through the optical instrument used for aiming over the hill
I saw the front line boys popping their pills
I witnessed the soldiers on the front line taking drugs or pills
Sick of the mess they find
Weary of the chaos they encounter
On their desert stage
On their barren, desolate battlefield
And the bravery of being out of range
And the courage of being in a safe distance from the battlefield
Yeah the question is vexed
Yes, the question is problematic or difficult
Old man what the hell you gonna kill next
Old man, who or what are you going to kill next?
Old timer who you gonna kill next
Old timer, who are you going to kill next?
Hey bartender over here
Excuse me bartender
Two more shots
Two more drinks
And two more beers
And two more glasses of beer
Sir turn up the TV sound
Sir, increase the volume on the TV
The war has started on the ground
The war has commenced on the field
Just love those laser guided bombs
I admire those bombs that use lasers for guidance
They're really great
They are truly excellent or impressive
For righting wrongs
For correcting injustices
You hit the target
You successfully hit the expected mark
And win the game
And emerge as the victor
From bars 3,000 miles away
From the comforting distance of 3,000 miles away
3,000 miles away
A distance of 3,000 miles away
We play the game
We participate in the war
With the bravery of being out of range
With the courage of being outside the danger zone
We zap and maim
We attack and injure
We strafe the train
We target the train with gunfire
We gain terrain
We capture more land
With the bravery of being out of range
With the courage of being outside the danger zone
With the bravery of being out of range
With the courage of being outside the danger zone
We play the game
We participate in the war
With the bravery of being out of range
With the courage of being outside the danger zone
Lyrics © BMG Rights Management
Written by: ROGER WATERS
Lyrics Licensed & Provided by LyricFind
@Yungrexy
@@nottingtohide I once did a remaster of the Body tracks and noted how much of Dark Side of the Moon was there in seed. Using audio from the documentary I made a flowing piece with interludes and segues:
'Body Parts' Roger Waters and Ron Geesin - 1970
Parts:
01. Sea Shell and Stone
02. Sea Shell and Soft Stone (Short)
03. Breathe
04. Give Birth to a Child (Interlude)
05. Chain of Life
06. Us Not Them (Interlude)
07. Sea Shell and Soft Stone (Full)
08. Brain Damaged
09. Give Birth to a Smile (CD Version)
10. Mortality - The Not So Great Gig in the Sky
11. Give Birth to a Smile (Pink Floyd Version)
12. Lunatic
Runtime 22:39
@mcolville
Amused To Death is overdue for a renaissance. A masterpiece. Killer album.
@Yungrexy
He did a remaster a couple of years back and released it on blu-ray... Tis indeed a masterpiece, love that album, The Final Cut & When the Wind Blows... ITTLWRW is yet to grow on me in the same way but it is a good continuation of these themes.
@roywatson8133
rocks mr gloomy is back
@andrewhaines8603
There is supposed to be a super deluxe edition due out this month mixed to give greater depth and detail. Only two places you can order it from. Check out the info on Brain Damage. Was about £140 sterling
@scottscottsdale7868
Indeed.
@VictorGonzalez-gk1nr
Couldn't agree more. Amongst Waters' best work in my opinion
@PushkarNagpal
Just a reminder, This beautiful human is 77 yrs old and doing more than most of us here! What a legend you are Mr. Waters <3
@benjamincasey6617
Well said. He's brave, but pulls it off.
@hosoiarchives4858
I know when he put Gilmour in his place I thought it was beautiful
@thomasrouh2258
Amen.....Spot on with that comment.....God Bless Roger Waters!!!!!