Wet Dream
Romeo Max Lyrics


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Every night me go to sleep, me have wet dreams
Every night me go to sleep, me have wet dreams
Lie down girl let me push it up, push it up, lie down
Lie down girl let me push it up, push it up, lie down
Lie down girl let me push it up, push it up, lie down
Lie down girl let me push it up, push it up, lie down

You in your small corner, I stand in mine
Throw all the punch you want to, I can take them all

Lie down girl let me push it up, push it up, lie down
Lie down girl let me push it up, push it up, lie down

Look how you're big and fat, like a big, big shot
Give the crumpet to big foot Joe, give the fanny to me

Lie down girl let me push it up, push it up, lie down
Lie down girl let me push it up, push it up, lie down
Lie down girl let me push it up, push it up, lie down
Lie down girl let me push it up, push it up, lie down
Lie down girl let me push it up, push it up, lie down, so he said




Lie down girl let me push it up, push it up, lie down
Lie down girl let me push it up, push it up, lie down

Overall Meaning

The lyrics of Romeo Max's song Wet Dream are very suggestive, and they talk about sexual fantasies and desires. The repeated line "Every night me go to sleep, me have wet dreams" is a clear reference to nocturnal emissions, which is a natural occurrence for men during sleep. The next set of lines "Lie down girl let me push it up, push it up, lie down" is a clear instruction, indicating the desire to engage in sexual activity with a woman. The same line is repeated multiple times, emphasizing the desire for sexual intimacy.


The next few lyrics indicate a confrontation between two people, but the sexual connotation is maintained, "You in your small corner, I stand in mine, Throw all the punch you want to, I can take them all." This line can be interpreted as the artist's defiance towards criticism and opposition, making a statement that he can handle anything that comes his way.


The next set of lines "Look how you're big and fat, like a big, big shot, Give the crumpet to big foot Joe, give the fanny to me" is another reference to sexual activity. The line "Lie down girl let me push it up, push it up, lie down" is repeated multiple times, emphasizing the strong sexual desire that the artist has. As a whole, the song conveys sexual fantasies and desires in a very suggestive manner, with lyrics that are explicit yet catchy.


Line by Line Meaning

Every night me go to sleep, me have wet dreams
I have sexual dreams every night when I go to sleep


Lie down girl let me push it up, push it up, lie down
I want the girl to lay down so that we can have sex


You in your small corner, I stand in mine
We have our own separate lives and don't interfere with each other's affairs


Throw all the punch you want to, I can take them all
I can handle any challenge or criticism thrown at me


Look how you're big and fat, like a big, big shot
You may seem powerful and influential but it's not appealing to me


Give the crumpet to big foot Joe, give the fanny to me
Let the other guy have the average girl, I want the attractive one




Lyrics Β© O/B/O APRA/AMCOS

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Most interesting comment from YouTube:

@natetaiapa2218

Maxie’s reputation as a ladies man must have been on Bunny’s mind when he tried to persuade Max to record β€˜Wet Dream’. Max had written the song but did not want to sing it and none of Bunny’s Agro stable of established artists, including Slim Smith, Roy Shirley and John Holt would touch it. Even Derrick Morgan whose β€˜Hold You Jackβ€˜ rhythm was to be used for the song did not want to know.

Bunny, a man never short of ideas, (one of his album sleeves even featured a cartoon of a man’s head with a glowing light bulb above it) realised that the song had definite possibilities. He would later gain the soubriquet β€˜Striker’ because of his almost innate ability to make hit records. Maxie was not over-keen, but Bunny allegedly told him if he didn’t do it he was β€˜out of here’, and so they arrived one night at Studio One on Brentford Road to find Coxsone himself in charge of the session. When he heard Max sing the opening bars of β€˜Wet Dream’ he was so disgusted that he refused to go any further and told his apprentice engineer, Errol β€˜ET’ Thompson, to take over on the board. Rude or β€˜slack’ records were nothing new and, under the influence of American artists such as Blowfly, were currently undergoing something of a revival, but the format usually tended towards boasts of sexual prowess rather than a concern with β€˜erotic dreams causing involuntary ejaculations’. Bunny promptly took β€˜Wet Dream’ to the Palmer brothers in London who promptly released it on their Unity label.

It was an exciting time for Jamaican music in the U.K. as it bathed in its first real run of international success largely due to its adoption by London’s β€˜skinheadβ€˜ cult. Oh how we laughed when we first heard the record, acknowledging that it was a version of an already established hit record on a popular rhythm and expecting that, like most β€˜novelty’ records, it would disappear in a week or two as soon as something new came along.

However this one refused to go away and it proved to be instrumental in introducing reggae to the British public as it continued to sell and sell and sell. It made and stayed on the U.K. National Charts for an unprecedented twenty-five weeks where it reached the dizzy heights of number ten without the benefit of any radio play at all. The record was deemed so offensive that Alan Freeman was not permitted to even say the title on his Sunday afternoon β€˜Pick Of The Pops’ show and it was only ever referred to as β€˜a record by Max Romeo’. The potent blend of humour and sexual β€˜suggestiveness’ ensured its popularity with the U.K. audience who had never heard anything quite so blatant before.

It certainly proved to be a rude awakening for young Max who was really thrown in at the deep end and when he arrived in the U.K. to promote the record he steadfastly stuck to his story that his song was nothing whatsoever to do with sex at all. Oh no. In fact it was an everyday story of poverty in Jamaica where the roof of Maxie’s shack was constantly leaking – and we all know just how much it pours with rain in Jamaica.

The chorus of β€˜lie down gal let me push it up, push it up’ actually alluded to the ever polite Max requesting that his young lady move out of the way so that he push a broom up into the hole in the roof to stop said leak. So now we knew that β€˜Wet Dream’ was not rude and was all about Maxie’s good night’s sleep being disturbed by a leaking roof. So that’s all right then. Of course everyone believed him even though no-one thought to ask him what the lines about β€˜give the crumpet to Big Foot Joe, give the fanny to me’ meant and Alan Freeman persisted in calling it β€˜a record by Max Romeo’.

Just in case anyone had really believed him, Maxie went on to promptly record a number of innuendo filled records which, strangely enough, also failed to garner any air play and, to this day, β€˜Wet Dream’ remains his sole U.K. chart entry. Surprisingly β€˜Wet Dream’ was not a particularly big seller in Jamaica, but even if he found it hard to live down the stigma attached to the record in the U.K., Maxie had no such problems at home and he enjoyed hit after hit on the Jamaican charts. Reference: https://trojanrecords.com/artist/max-romeo/



All comments from YouTube:

@MrRichardcrowe

My mum plays this record in the garden so all the neighbours can hear. She's totally oblivious.

@johnrooney1749

You go that girl John moss side Manchester boy 1950s.John Rooney

@johnmilbourn8876

Classes

@wendyharper9454

Love your mum. Would have done the same, except that I was only about 16 when this record came out. Oh what an uproar - banned everywhere in the stuffy 60's!! Didn't stop all the illegal imports though. Great beginning for Trojan Music ...

@JamesJones-bb4bx

LMAO love man

@RetroReminiscing

ha ha ha !!! Love that thought! Id do it purposley so see the neighbours reactions lol

4 More Replies...

@oludotunjohnshowemimo434

It was definitely a blessing in disguise for Max Romeo when the BBC banned it as it became number one elsewhere.

@damienelliott4906

My old man's going out song ....should have seen the faces in the crematorium 🀣

@jamesflynn6439

Good for him. Top Man

@spiritov69

Omg 🀣🀣🀣
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