Smith made his recorded debut in 1994 as part of IQ Procedure through Suburban Base’s short-lived hip hop imprint Bluntly Speaking Vinyl. He debuted as Roots Manuva the same year on Blak Twang's "Queen’s Head” single, before releasing his own single, “Next Type of Motion” the following year. 1996 saw the release of his collaborations with Skitz (“Where My Mind Is At”/”Blessed Be the Manner”). The release of “Feva” followed in 1997; this was also the year that saw the first releases from Big Dada, a collaboration between Coldcut’s Ninja Tune label and hip hop journalist Will Ashon.
Releasing for Coldcut's renowned experimental/hip-hop label Ninja Tune in 1998, some of his music may be seen as a predecessor of grime. The following year he released his fearsome debut album, “Brand New Second Hand”. Manuva was rewarded for his breakthrough with a MOBO as Best Hip Hop Act that year. He has also relesed 2001's “Run Come Save Me”, followed the next year by “Dub Come Save Me” in, which features dub remixes of five songs from the previous album alongside new work. This was followed up with the release of “Awfully Deep” in 2005 and “Alternately Deep” in 2006.
The lyrics of his songs are usually known to take a distinctly British edge, with many critics highlighting his references of eating cheese on toast and drinking bitter as examples of this. His warm and easily recognizable voice can be heard on many songs he performed with other artists such as Chali 2na (of Jurassic 5 & Ozomatli), DJ Shadow, U.N.K.L.E., Nightmares on Wax, The Cinematic Orchestra, Beth Orton and Leftfield. He also made an appearance on the Gorillaz album, Demon Days, lending his distinctive vocals to the track, "All Alone".
Facety 2:11
Roots Manuva Lyrics
Jump to: Overall Meaning ↴ Line by Line Meaning ↴
Uh huh, Uh huh, Uh huh Uh huh Uh huh (repeated)
Yep
Elevated poetry flowers it's all flowetry
Power prepare honours to honour deep, I'm on it so
Here for hours and hours and here shedding them tears of joys [?] of noise, not too
Got forgot to get got or get me
T for technique but fear not the passion
We smash you little half hearts
Beating you back to them
Boat race (repeated)
Uh huh, Uh huh, Uh huh Uh huh Uh huh (repeated)
Yep
Holding it down, holding it down, holding it down
Men in the ground, men in the sound, men from now
We was out, from the found, in the foundery
Kicking it down, every ground, of a boundary
Shaka Shaka yes, Zulu Zulu now
Got the spirit now, they can't fool who now
Got the tool to do the must, do the get down
Got to get loud don't fear nor fret now
Tear the Tet techniques in your boat race
Hold a space I lace the bar
Par for par play the part yep
And never partly
Collect more scars than a [?]
Boat race (repeated)
Uh huh, Uh huh, Uh huh Uh huh Uh huh (repeated)
Yep
The lyrics of Roots Manuva's "Facety 2:11" are complex and seem to revolve around the idea of creativity and the power of language. The first verse talks about the beauty of language and its ability to convey deep emotions and thoughts. The line "elevated poetry flowers it's all flowetry" compares language to flowers, suggesting that both are natural, beautiful and expressive. The next line "power prepare honours to honour deep" implies that language has the power to offer respect and recognition to those who use it well.
In the second verse, the lyrics become more cryptic, with references to emotion and conflict. The lines "Here for hours and hours and here shedding them tears of joys [?] of noise, not too" suggest that the singer has been immersed in their emotions for a long time. They may have experienced moments of joy, but also of noise - perhaps inner turmoil or uncertainty. The repetition of "boat race" throughout the song may relate to the idea of a mental race or competition, highlighting the challenge of creative expression.
The last few lines of the song switch to a more confident and assertive tone, with terms like "hold a space" and "never partly" suggesting a refusal to compromise or give in to doubt. The line "collect more scars than a [?]" implies that the act of creativity is not always easy or safe, but requires a willingness to take risks and embrace the potential for failure.
Line by Line Meaning
Boat race (repeated)
This phrase is used in British slang to refer to a person's face, particularly if they are of a different race. The repetition of this phrase throughout the song creates a chant-like effect.
Uh huh, Uh huh, Uh huh Uh huh Uh huh (repeated)
This is another repeated phrase meant to build up energy and create a sense of unity and rhythm among listeners.
Yep
A short affirmative statement used to signify agreement or acknowledgement.
Elevated poetry flowers it's all flowetry
This line suggests that Roots Manuva's writing style is something that grows and blooms the more it is cultivated, and that it is heavily influenced by hip-hop culture and rhythms.
Power prepare honours to honour deep, I'm on it so
This line suggests that Roots Manuva is committed to his craft and is working hard to become better, even in the face of adversity or prejudice. He is striving to create something meaningful and important.
Here for hours and hours and here shedding them tears of joys [?] of noise, not too
This line is somewhat obscure and difficult to interpret, but it seems to suggest that Roots Manuva is putting in a lot of work and emotional labor to create his music, but that he is unafraid of the noise and chaos that comes with pursuing your passion.
Got forgot to get got or get me
This line is unclear in meaning, but it seems to suggest that Roots Manuva has been overlooked or forgotten in some way that is frustrating to him.
What did you do, you don't you don't sweat me
This line is a rhetorical question that may reflect Roots Manuva's irritation at those who have not given him the recognition or respect he feels he deserves. He is saying that he is not somebody to be ignored or underestimated.
T for technique but fear not the passion
This line is a play on words that suggests that technical ability (as in the letter T) is important, but not as important as passion and emotion. In other words, Roots Manuva believes that it's not enough to simply be skilled - you have to care deeply about what you're doing.
We smash you little half hearts
This line is a taunt that suggests that Roots Manuva and his crew are powerful and confident, and that they are not afraid to take down those who are less committed or less talented than they are. The phrase 'half hearts' implies that others are not fully invested or passionate about what they're doing.
Beating you back to them
This line is somewhat ambiguous in meaning, but it seems to suggest that Roots Manuva and his crew are so powerful and intimidating that they are causing others to revert back to old ways of thinking or feeling. They are challenging their listeners to step up and be better.
Holding it down, holding it down, holding it down
This repeated phrase suggests that Roots Manuva and his crew are in control, and that they are keeping things stable and powerful. It may also imply a sense of endurance or perseverance in the face of obstacles.
Men in the ground, men in the sound, men from now
This line is difficult to interpret, but it seems to suggest that Roots Manuva is drawing inspiration from different sources or places (i.e. the ground and the sound), and that he is looking to the future for direction and guidance.
We was out, from the found, in the foundery
This line is unclear in meaning, but it may suggest that Roots Manuva and his crew have come from humble beginnings, but are now working to build something strong and powerful. The word 'foundery' suggests a place where things are made or created.
Kicking it down, every ground, of a boundary
This line is a statement of confidence and power. It suggests that Roots Manuva and his crew are tearing down barriers and limitations, and are expanding their reach and influence.
Shaka Shaka yes, Zulu Zulu now
This line is a reference to South African culture and may be a shout-out to those who came before Roots Manuva, inspiring him to create music that reflects his heritage and cultural roots.
Got the spirit now, they can't fool who now
This line suggests that Roots Manuva is on a mission to create music that is authentic and meaningful, and that nobody else can fake or copy his style. He is confident in his own abilities and his own vision.
Got the tool to do the must, do the get down
This line suggests that Roots Manuva has the skills and the knowledge he needs to create music that is true to himself and his community. He is going to 'get down' (i.e. create something exciting and vibrant) no matter what.
Got to get loud don't fear nor fret now
This line is a call to action, suggesting that in order to make a difference or create something powerful, you have to be confident and unafraid. You have to be willing to speak up and make yourself heard.
Tear the Tet techniques in your boat race
This line is another play on words, suggesting that Roots Manuva is going to use his own sharp 'techniques' (i.e. ability to rap) to tear apart and 'tear the' techniques of others. The phrase 'in your boat race' is a slang term for 'in your face'.
Hold a space I lace the bar
This line suggests that Roots Manuva is creating something new and exciting in his music - he is 'lacing' (or embellishing) traditional bars or lyrics with his own unique style.
Par for par play the part yep
This line is unclear in meaning, but it may suggest that Roots Manuva is on equal footing with other musicians, and that he is going to 'play the part' of a successful artist no matter what obstacles he faces.
And never partly
This line suggests that Roots Manuva never does anything halfway or without full commitment. He is always giving his all to his art and to his vision.
Collect more scars than a [?]
This line is another taunt, suggesting that Roots Manuva has gone through a lot of pain and struggle to become the artist he is today. He has 'collected' more scars (or hardships) than a specific unidentified thing - this is left to the listener's imagination.
Writer(s): Kieran Hebden, Rodney Smith
Contributed by Aubrey E. Suggest a correction in the comments below.
Matty G
Roots Manuva is completely back on form on latest album Bleeds and Four Tet has worked his magic on this tune too! ACE! :)
MsAngelface888
Really like this track after hearing it once, had to play it a few times. Got some bounce and bass, lovin it.
Respect to Roots Manuva and Four Tet.
Ruben Eihwaz
This is a track that needs a passable sound system. This will not impress you through laptop speakers. But if you get the full spectrum of the bass, man, this is a tight groove.
McBong's Lab
woo, this is fat, thanks Roots Manuva, keep those beats pumping :)
Noah Tenik
Roots is the one!
Dan
Love it
Vincent Walden
If you listen closely enough, the chorus is actually "Smoke Brie"
Poyan Pourshian
Vincent Walden Cannot un-hear that.
Belma
potpurri potpurri potpurri potpurri
brandnewbadidea
Vote For Rhys!