The Teen Kings went to Memphis and although Orbison had grown weary of "Oob… Read Full Bio ↴The Teen Kings went to Memphis and although Orbison had grown weary of "Ooby Dooby", Phillips wanted to cut the record again in a better studio. Orbison rankled quietly at Phillips' dictating what the band would play and how Orbison was to sing it. However, with Phillips' production, the record broke into the Billboard Hot 100, peaking at number 59 and selling 200,000 copies. The Teen Kings toured with Sonny James, Johnny Horton, and Cash. Much influenced by Elvis Presley, Orbison performed frenetically, doing "everything we could to get applause because we had only one hit record". The Teen Kings also began writing more material such as "Go! Go! Go!" and "Rockhouse", generally in standard rockabilly style. The band ultimately split over disputed writing credits and royalties, but Orbison stayed in Memphis and asked his 16-year-old girlfriend, Claudette Frady, to join him. They stayed in Phillips's home, where they slept in separate rooms; in the studio Orbison concentrated on the mechanics of recording. Sam Phillips remembered being much more impressed with Orbison's mastery of the guitar than his voice; a ballad Orbison wrote called "The Clown" was met with lukewarm appreciation at best. Sun Records producer Jack Clement told Orbison after hearing it that he would never make it as a ballad singer.
He found a modicum of success at Sun Records and found his way into Elvis Presley's social circle, once going to pick up a date for Presley in his purple Cadillac. Orbison sold "Claudette", a song he wrote about Frady, whom he married in 1957, to The Everly Brothers and it appeared on the B-side of their smash hit "All I Have to Do Is Dream". The first and perhaps only royalties Orbison earned from Sun Records enabled him to make a down-payment on his own Cadillac. However, frustrated at Sun, Orbison gradually stopped recording, toured music circuits around Texas to make a living, and for seven months in 1958 quit performing completely. His car repossessed and in dire financial straits, he often depended on family and friends for funds.
For a brief period in the late 1950s Orbison made his living at Acuff-Rose, a songwriting firm concentrating mainly on country music. After spending an entire day writing a song, he would make several demo tapes at a time and send them to Wesley Rose, who would try to find the musical acts to record them. Orbison attempted to sell to RCA Victor songs he recorded that were written by other writers as well, working with and being completely in awe of Chet Atkins, who had played guitar with Presley. Orbison tried one song penned by Boudleaux Bryant called "Seems to Me". Bryant's impression of Orbison was of "a timid, shy kid who seemed to be rather befuddled by the whole music scene. I remember the way he sang then—softly, prettily but almost bashfully, as if someone might be disturbed by his efforts and reprimand him."
Playing shows late into the night, and living with his wife and young child in his tiny apartment, Orbison often sought refuge by taking his guitar to his car and writing songs there. Songwriter Joe Melson, an acquaintance of Orbison's, tapped on his car window one day in Texas in 1958 and the two decided to try to write some songs together. During three recording sessions in 1958 and 1959, Orbison and Melson recorded seven songs at RCA Nashville, with Atkins producing, but only two songs were judged worthy of release by RCA; Wesley Rose maneuvered Orbison into the sights of producer Fred Foster at Monument Records.
He found a modicum of success at Sun Records and found his way into Elvis Presley's social circle, once going to pick up a date for Presley in his purple Cadillac. Orbison sold "Claudette", a song he wrote about Frady, whom he married in 1957, to The Everly Brothers and it appeared on the B-side of their smash hit "All I Have to Do Is Dream". The first and perhaps only royalties Orbison earned from Sun Records enabled him to make a down-payment on his own Cadillac. However, frustrated at Sun, Orbison gradually stopped recording, toured music circuits around Texas to make a living, and for seven months in 1958 quit performing completely. His car repossessed and in dire financial straits, he often depended on family and friends for funds.
For a brief period in the late 1950s Orbison made his living at Acuff-Rose, a songwriting firm concentrating mainly on country music. After spending an entire day writing a song, he would make several demo tapes at a time and send them to Wesley Rose, who would try to find the musical acts to record them. Orbison attempted to sell to RCA Victor songs he recorded that were written by other writers as well, working with and being completely in awe of Chet Atkins, who had played guitar with Presley. Orbison tried one song penned by Boudleaux Bryant called "Seems to Me". Bryant's impression of Orbison was of "a timid, shy kid who seemed to be rather befuddled by the whole music scene. I remember the way he sang then—softly, prettily but almost bashfully, as if someone might be disturbed by his efforts and reprimand him."
Playing shows late into the night, and living with his wife and young child in his tiny apartment, Orbison often sought refuge by taking his guitar to his car and writing songs there. Songwriter Joe Melson, an acquaintance of Orbison's, tapped on his car window one day in Texas in 1958 and the two decided to try to write some songs together. During three recording sessions in 1958 and 1959, Orbison and Melson recorded seven songs at RCA Nashville, with Atkins producing, but only two songs were judged worthy of release by RCA; Wesley Rose maneuvered Orbison into the sights of producer Fred Foster at Monument Records.
Roy Orbison & Teen Kings
Roy Orbison & Teen Kings Lyrics
Hey, baby, jump over here
When you do the ooby-dooby, I just gotta be near
Ooby-dooby, ooby-dooby, ooby-dooby, ooby-dooby
Ooby-dooby, ooby-dooby, ooby-dooby
Dooby-do-wah-do-wah-do-waaah
Well, you wiggle to the left, you wiggle to the right
You do the ooby-dooby with all of your might
Ooby-dooby, ooby-dooby, ooby-dooby, ooby-dooby
Ooby-dooby, ooby-dooby, ooby-dooby
Dooby-do-wah-do-wah-do-waaah
Well, you wiggle and you shake like a big rattlesnake
You do the ooby-dooby til you think you have a break
Oobu-dooby, ooby-dooby, ooby-dooby, ooby-dooby
Ooby-dooby, ooby-dooby, ooby-dooby
Dooby-do-wah-do-wah-do-waaah
Well, you've been strutting cause now you know
Let's do the ooby-dooby, baby let's go
Ooby-dooby, ooby-dooby, ooby-dooby, ooby-dooby
Ooby-dooby, ooby-dooby, ooby-dooby
Dooby-do-wah-do-wah-do-waaah
When you do the ooby-dooby, I just gotta be near
Ooby-dooby, ooby-dooby, ooby-dooby, ooby-dooby
Ooby-dooby, ooby-dooby, ooby-dooby
Dooby-do-wah-do-wah-do-waaah
Well, you wiggle to the left, you wiggle to the right
You do the ooby-dooby with all of your might
Ooby-dooby, ooby-dooby, ooby-dooby, ooby-dooby
Dooby-do-wah-do-wah-do-waaah
Well, you wiggle and you shake like a big rattlesnake
You do the ooby-dooby til you think you have a break
Oobu-dooby, ooby-dooby, ooby-dooby, ooby-dooby
Ooby-dooby, ooby-dooby, ooby-dooby
Dooby-do-wah-do-wah-do-waaah
Well, you've been strutting cause now you know
Let's do the ooby-dooby, baby let's go
Ooby-dooby, ooby-dooby, ooby-dooby, ooby-dooby
Ooby-dooby, ooby-dooby, ooby-dooby
Dooby-do-wah-do-wah-do-waaah
Lyrics © O/B/O APRA AMCOS
Lyrics Licensed & Provided by LyricFind
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@johnmitchelljr
I don't know how much guitar Mr. Orbison played on his singles but what I've heard is great. Thank you.
@bcb2555
Masterpiece is the only word to describe this .... thank God for Roy's time here
@ingedreuw432
Mein Freund lieber Roy Robinson du warst super toll es ist so schade ich habe dich so geliebt und deine Lieder deine Stimme war klasse sowas werden wir nicht wieder bekommen leider nicht danke für die Erinnerung
@douglaswatson6629
Nothing like the original - one of my all time favorites...
@brianmorris410
The original version was recorded at the New Clovis studio for Norman Petty came out on Je-Wel April `56, Sun is better in my opinion
@jeffjeeves6337
Roy was a solid guitarist who could play rockabilly with the best of them,also a great vocalist and songwriter,his sun recordings can hold their own against anyone! he must have been a strong person too,as he had some real tradegies in his life.In the 60's his voice attained an almost operatic quality,and he wrote some unique songs.All in all, a towering talent,roy orbison, gone,but not gone.............
@mrdan322
I've been a guitar player for many years and I still have to learn the EXACT way to play Obbie Doobie the way Roy plays it. I come close. But I miss something.
@genebailey554
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@kelseycrider329
This song makes me want a Dooby and dance the Ooby Dooby way lol
@voyageuse45
Yes génial musique, très beau partage !!! votre vidéo et très jolie... merci beaucoup vous avez toujours de très belles chansons...Amitié Jojo