As a group, S.T.U.N. are unified in delivering a message, both through their lyrics and through their music. Some of the topics S.T.U.N. deal with on EVOLUTION OF ENERGY are the Government’s growing control of the globe through lies and deception, the healing power in finding your own answers, the warning of the trap of blind compliance, the cowardess and effect of judgment, and the celebration of love and chaos until equality is accomplished. Their name says it all: it’s an acronym for Scream Toward the Uprising of Non-Conformity. Influenced as much by linguist Noam Chomsky and author Daniel Quinn as they are by The Clash or Jane’s Addiction, S.T.U.N’s message is central to their music. “Our music is a call for unity and awareness,” says Neil Spies, guitarist and songwriter/lyricist. “When I grew up, every effort was used to force me to comply with the thought process that whoever was in authority was right – and that’s rarely the truth. We’re here to prove that if you are brave enough to fight adversity for what you believe in that you will have your own message to send that will enlighten the world.
“We’re not pushing opinions on anyone – everyone should question everything, and make decisions for themselves,” Spies continues. “We feel that we have a responsibility, though. When I was a kid, music saved and taught me you can’t feel more alive then when you are part of revolution. When we talk to the kids, they really seem to be starving for a band to fight the “play it safe,” fabricated passion state of the music industry right now. We are playing for them.”
The members of S.T.U.N. were equally absorbed by Jane’s Addiction, Radiohead, Depeche Mode, The Smiths, Super Furry Animals, Pixies, and David Bowie. “We believe in melody, but these don’t feel like traditional melodies to me,” says singer Christiane J. understating one of the many distinctive elements of the band’s incendiary music. Produced by Sean Slade (Radiohead, Hole, The Cure, 60 ft. dolls, Sebadoh, Circle Jerks, Boo Radleys), and mixed by Slade and Paul Kolderie (Pixies, Dinasour Jr., The Lemonheads, Billy Bragg,) and Andy Wallace (Nirvana, At the Drive-in, Rage Against the Machine, Jane’s Addiction, System of a Down) EVOLUTION OF ENERGY is a record that runs on both adrenalin and free-moving intensity.
True to their no-frills aesthetic, the S.T.U.N. saga is short, sweet and to the point. Formed just under three years ago in Los Angeles around the uncompromising music and liberating message of Spies, the group’s members found themselves experiencing a process akin to creative osmosis. “There was a chemistry between us from the moment we met,” asserts lead singer Christiane J. “The challenge was to build on that and take it to the next level.”
“We played any where we could and every chance we got,” said drummer Bobby Alt. “We played parties, local clubs, and eventually, record company showcases. It was a quick, but natural progression, and what meant most to us was the music seemed to make an immediate connection with all different types of music fans.”
S.T.U.N. slowed down their lightning fast ascent long enough to carefully consider their choice of producer. “We chose Sean Slade because he had a real understanding of the bands that influenced us and how those influences came out in our music,” continues bassist Nick S. Recorded at Slade’s Q Division Studios in Boston over the proverbial forty days and forty nights, EVOLUTION OF ENERGY took shape quickly and decisively. “We came in totally prepared, mentally and physically,” says Spies. “The focus was on capturing as much of the sensory overload from our live shows as we could, while still using studio technology to bring out new aspects of music. Slade allowed just the right amount of improvisation and experimenting which I think is lacking in records these days.” Geffen heard the finished record, and signed the band to a deal in the Spring of 2002.
S.T.U.N. is political and thought provoking – all the while somehow instilling a unified, entertaining, celebratory atmosphere. Their audience crosses over the genre-divide: there are people who are into hip-hop coexisting with people who are into punk. You never know what’s going to happen next at our shows. They are never the same, that’s how it should be. S.T.U.N.’s live shows have been described as “sensory overload.” or, as Neil describes it, chaos. “It’s chaos with a reason,” he says. “It’s chaos that creates love and unity.”
“We’re still playing for certain audiences that have not seen our live show before,” Christiane adds. “So when we tour, people are in shock – and then there’s anarchy. On stage, I’m in freefall. I’ve never jumped out of a plane without a parachute, but that is how I would explain the feeling I get when I’m performing.”
“I don’t write about myself right now. I did everything I could to write about what everyone in the world is going through and could relate to,” says Neil. “There’s so much that I’ve learned. There’s so much I’ve come to understand. I got bruised going against the grain and not accepting things I knew were lies -- but I also found a beauty and an urgency in life from it, and that’s what S.T.U.N. is about living in the moment. We are just a moment away. 05.03
Juliet
S.T.U.N. Lyrics
Jump to: Overall Meaning ↴
被践踏的梦想 不屑求原谅
我的倔强 死命保护
你的倔强 冲破了围墙
谁肤浅地叫嚷 痛批太荒唐
我同情他从未 被真爱看上
不怕对抗
警告只让我更渴望
让他们 让他们 排山倒海
封锁和破坏
看着你 看着我 攀过悬崖
越被反对越爱
让他们 让他们 自认关怀
不承认迫害
看着你 看着我 亲吻未来
越反对越爱
为你受的冤枉 都不算疯狂
只有你的善良 能让我悲伤
别再凝望 用那样的心疼眼光
我必须顽强
让他们 让他们 排山倒海
封锁和破坏
看着你 看着我 攀过悬崖
越被反对越爱
让他们 让他们 自认关怀
不承认迫害
看着你 看着我 亲吻未来
越反对越爱
看着你 看着我 亲吻未来
The lyrics of S.T.U.N.'s song "Juliet" delve into themes of defiance, perseverance, and love amidst adversity. The opening lines speak of a paradise lost and a sun falling, symbolizing a sense of exile and decline. The dreams that have been trampled upon are disregarded by those who show no remorse. The singer's stubbornness is portrayed as a fierce protector of their beliefs, while the stubbornness of their counterpart breaks down barriers and walls. The contrast between shallow criticism and the singer's empathy for those who have never experienced true love sets the stage for a narrative of standing up against opposition and yearning for more.
As the lyrics progress, we see a defiance that is fueled by warnings and obstacles, only serving to intensify the singer's desire for freedom and rebellion. The imagery of dancing with wings and causing mountains to crumble demonstrates a fearless determination to overcome any challenges. The act of blocking and destroying is juxtaposed with the act of climbing cliffs, indicating a willingness to face danger and opposition head-on. The more resistance they face, the stronger their love grows, showcasing a resilience and unwavering commitment to their cause.
The lyrics also touch upon the theme of persecution and unfair treatment, with the singer expressing that the injustices they endure are not considered crazy as long as they have the kindness of their loved one to lean on. The plea to stop staring with eyes full of pity and sorrow highlights the singer's resolve to stay strong in the face of judgment. The repetition of the refrain emphasizes the defiance against those who claim to care but refuse to acknowledge the harm they cause, all the while looking towards a future filled with hope and love.
In the final lines, the act of kissing the future symbolizes a forward-looking and optimistic outlook despite the challenges faced. The repeated sentiment of growing stronger in the face of opposition reaffirms the message of perseverance and love prevailing in the end. The image of watching each other and embracing the future together encapsulates a sense of unity and determination to overcome whatever obstacles may come their way. Overall, "Juliet" is a powerful anthem of resilience, defiance, and unwavering love in the face of adversity.
Lyrics © O/B/O APRA AMCOS
Lyrics Licensed & Provided by LyricFind
grace
highlights:
4:42 “pipe down loverboy”
5:13 “WHO THE FUCK WROTE THIS? SHAKESPEARE??”
6:55 the iconic laugh at chris “jutting his bottom lip out”
9:07 nicks head shake
12:12 nick curling up in the backseat
12:50 nick casually climbing out the window
15:02 “I WOULD NEVER FUCKING SAY SOME SHIT LIKE THAT”
15:07 nicks rant about fan fiction
15:30 “WHO IS HE??? WHO THE FUCK IS HE? IS HE ME??”
16:14 chris seeing how he looks in the mirror
17:34 “where am i? i got lost in the wattpad 👹”
19:28 nick hiding
19:50 “who didnt have enough??”
idk
I'M GENUINELY CONFUSED ABT HOW NICK CAN READ ALL THESE WITHOUT STOPPING FROM SECOND HAND EMBARRASSMENT AFTER EVERY 2 SENTENCES
Keyera Evans
Do know what the stories where called
Keyera Evans
Do u know the names of any of the stories
kayla lee
@Keyera Evans do you?
kayla lee
do you?
Ellie 🧟♀️
@Keyera EvansGIRL..
Johanna Bonana
Matt wasn't joking, he secretly loves it and is going to read them all by himself later.
sophie !! 🍁
what is this comment😭
Turtles1797
@sophie !! 🍁 it’s a weird comment but it’s somewhat believable because of the lie detector video and reading fan fics part 4 video💀
sophie !! 🍁
@Turtles1797 i mean true💀