On December 11, 1964, Cooke was allegedly shot to death by the manager of the Hacienda Motel in Los Angeles, California at the age of 33. At the time, the courts ruled that Cooke was drunk and distressed, and the manager killed Cooke in what was later ruled a justifiable homicide. Since that time, the circumstances of his death have been widely questioned.
Sam Cooke (he added an "e" onto the end of his name because he thought it added a touch of class) was one of eight children of Rev. Charles and Mrs. Annie Mae Cook. The family moved to Chicago, Illinois in 1933.
Cooke began his musical career as a member of a quartet with his siblings, the Singing Children, followed by a turn as a teenager as a member of the Highway QCs, a gospel group. In 1950, at the age of 19, he joined The Soul Stirrers and achieved significant success and fame within the gospel community.
His first pop single, "Lovable" (1956) was released under the alias of "Dale Cooke," in order to not alienate his fan base; there was a considerable taboo against gospel singers performing secular music. However, the alias failed to hide Cooke's unique and distinctive vocals. No one was fooled. Art Rupe, head of Specialty Records, the label of the Soul Stirrers, gave his blessing for Cooke to record secular music under his real name, but was unhappy about the type of music Cooke and Bumps Blackwell, Cooke's pop producer, were making. Rupe expected Cooke's secular music to be similar to that of another Specialty Records artist, Little Richard. When Rupe walked in on a recording session and heard Cooke covering Gershwin, he was quite upset. After an argument between Rupe and Blackwell, Cooke and Blackwell left the label, and Cooke signed with Keen Records in 1957. His first release was "You Send Me", which spent six weeks at #1 on the Billboard R&B chart but which also had massive mainstream success, spending three weeks at #1 on the Billboard pop chart.
As if a R&B performer writing his own songs and achieving mainstream fame was not innovative enough, Cooke continued to astonish the music business in the 1960s with the founding of his own label, SAR Records, which soon included The Simms Twins, The Valentinos, Bobby Womack, and Johnnie Taylor. Cooke then created a publishing imprint and management firm, then left Keen to sign with RCA. One of his first RCA singles was the hit "Chain Gang." It reached #2 on the Billboard pop chart. This was followed by more hits, including "Sad Mood", "Bring it on Home to Me" (with Lou Rawls on backing vocals), "Another Saturday Night" and "Twistin' the Night Away".
Like most R&B artists of his time, Cooke focused on singles; in all he had 29 top 40 hits on the pop charts, and more on the R&B charts. In spite of this, he released a critically acclaimed blues-inflected LP in 1963, Night Beat. He was known for having written many of the most popular songs of all time in the genre, and is often uncredited for many of them by the general public.
Cooke died at the age of 33 under mysterious circumstances on December 11, 1964 in Los Angeles, California. Though the details of the case are still in dispute (see below), it seems he was shot to death by Bertha Franklin, manager of the Hacienda Motel in South Los Angeles, who claimed that he had threatened her, and that she killed him in self-defense. The verdict was justifiable homicide, though many believe that crucial details did not come out in court, or were buried afterward. Cooke was interred in the Forest Lawn Memorial Park Cemetery, Glendale, California.
Some posthumous releases followed, many of which became hits, including "A Change Is Gonna Come", an early protest song which is generally regarded as his greatest composition.
After Cooke's death, his widow, Barbara, married Bobby Womack. Cooke's daughter, Linda, later married Bobby's brother, Cecil.
The song "A Change Is Gonna Come" was played upon the death of Malcolm X, and was memorably featured in Spike Lee's film Malcolm X. Barack Obama's presidential victory speech paraphrased the song: "It's been a long time coming, but tonight, because of what we did on this day, in this election, at this defining moment, change has come to America."
Rapper Tupac Shakur references Cooke in a line of the song "Thugz Mansion", and Nas references him in the song "We Major" with Kanye West. The Roots song "Stay Cool" suggests, "I got the soul of a young Sam Cooke". Mike Doughty's song "Sweet Lord in Heaven" evokes the memory of Cooke, as does the Wallflowers 2000 song "Sleepwalker": "Cupid don't draw back your bow, Sam Cooke didn't know what I know". The Irish rock-group Jetplane Landing have a song named "Sam Cooke".
A fictional version of Cooke (portrayed by Paul Mooney) appeared briefly in the 1978 film, The Buddy Holly Story, leaving the stage at the Apollo Theater before Buddy and The Crickets got on. After being featured prominently in the 1985 film Witness, the song "Wonderful World" gained further exposure. "Wonderful World" was featured in one of two concurrently running Levi's Jeans commercials in 1985 and became a hit in the United Kingdom because of this, reaching #2 in re-release. Other notable movies that featured his music are Animal House ("Wonderful World" and "Twistin' the Night Away"), American Werewolf in London, and Cadence ("Chain Gang").
Cooke's songs "Bring It on Home to Me" and "Change is Gonna Come" were both featured in the movie Ali. The opening scene of the movie consisted of a live reenactment of "Bring It on Home to Me".
Posthumous honors
Shortly following his passing, Motown Records released We Remember Sam Cooke, a collection of Cooke covers recorded by The Supremes.
In 1986, Cooke was inducted as a charter member of the Rock and Roll Hall of Fame.
In 1999, Cooke was honored with the Grammy Lifetime Achievement Award.
In 2004 Rolling Stone magazine ranked him #16 on their list of the "100 Greatest Artists of All Time".
In 2008, Cooke was named the fourth "Greatest Singer of All Time" by Rolling Stone magazine."
Covers
John Lennon included a medley of two Cooke songs, "Bring It On Home to Me" and "Send Me Some Lovin'," on his 1975 oldies album, Rock 'n' Roll.
Cooke's songs are covered in a tour-available EP from Decemberists frontman, Colin Meloy. It is the third installment of his solo-tour Colin Meloy Sings...!
Johnny Nash covered the song "Cupid" in 1969 with chart success in the US and UK, and it was included as the B-side on some versions of his 1972 hit single I Can See Clearly Now.
The Animals covered the song "Bring It On Home To Me" in 1965.
Amy Winehouse also covered the song "Cupid" for the BBC Radio 1 album Radio 1 Established 1967.
British soul singer Adele covered the song "That's It, I Quit, I'm Movin' On" as B-side to her single "Chasing Pavements" a bonus track for the Asian release of her studio album 19.
Richard Marx covered "Bring It On Home To Me" and "Wonderful World" during his earlier concerts.
"A Change Is Gonna Come" has been covered several times. Solo, Aretha Franklin, Tina Turner, The Fifth Dimension, The Neville Brothers, Otis Redding, The Fugees, Cold War Kids, Seal, Bill Frisell, and The Band featuring the vocals of Rick Danko have all recorded versions of the song. Seal's version debuted on the R&B/Hip-Hop Songs chart (Billboard, Nov. 2008) shortly after the election of Obama-Biden.
Gene Vincent, who was a big fan and a close personal friend of Sam Cooke's, recorded "Another Saturday Night" in 1964 and "Bring It On Home to Me" shortly before his own death in 1971.
Cat Stevens released his Greatest Hits album (1975) with a cover of Sam Cooke's "Another Saturday Night", only the second song he released that he didn't write himself. He had also released it as a single (July 12, 1974) which reached No.4 in the U.S.
Cooke was an influence on punk vocalist Mia Zapata of The Gits, who honored him with a cover of "A Change Is Gonna Come" on their album Enter: The Conquering Chicken.
In spring 1965 the British group Herman's Hermits reached no. 5 in the US charts and no.7 in the UK charts with their version of "Wonderful World".
In 1978, Art Garfunkel, Paul Simon, and James Taylor sang "Wonderful World" which hit the Top 40 in the US charts.
In 1966, the now cult 60s British pop show Ready Steady Goes Live, the live version of Ready Steady Go!, devoted a whole programme to a live performance of Soul singer Otis Redding, who regularly covered many of Cooke's songs. One of the highlights was a rousing version of "Shake" on which Redding was joined by British Soul legends Eric Burdon, lead singer of The Animals, and chart topper Chris Farlowe.
Jimmy Buffett covered "Another Saturday Night" on his album Margaritaville Cafe Late Night Menu, in 1993.
Laughin' and Clownin'
Sam Cooke Lyrics
Jump to: Overall Meaning ↴ Line by Line Meaning ↴
Just to keep from cryin'
I'm laughin' and clownin'
Just to keep from cryin'
I keep on tryin' to hide the fact
I've got a worried mind
Let me tell you, being life of the party
Since you left me, baby, being life of the party
Seemed to be my role
I keep on tryin' to hide my feelings
Trying to hide my soul
Let me tell you what I do, I stand in the doorway
Watchin' all the girls go through
You might not believe me, baby, but I stand in the doorway
Watchin' all the girls go through
I keep on tryin' to me find someone
To take my mind off you, tickle 'em for me
I keep on laughin' and clownin'
To take my mind off you
The lyrics to Sam Cooke's song "Laughin' and Clownin'" are powerful and emotive, describing the experience of trying to cover up one's true feelings by putting on a smile and acting happy. The first verse sets up this tension, with the singer stating that he is "laughin' and clownin'" in order to keep from crying. The second verse delves deeper into this idea, with the singer explaining that he tries to hide the fact that he has a "worried mind" and that he is "trying to hide [his] soul." Despite this, he continues to act as the life of the party, joking and entertaining, even though he doesn't feel like it anymore.
The third verse takes a more melancholy turn, showing the singer standing in the doorway and watching all the girls go through, trying to find someone to take his mind off of the person who left him. He even asks someone to "tickle 'em for me," implying that he can't even bring himself to do it himself. The chorus repeats, reiterating the struggle of trying to hide one's true feelings and put on a brave face.
Overall, "Laughin' and Clownin'" is a poignant exploration of the psychological toll that comes with pretending to be happy when you're really feeling deeply sad. It's a reminder that sometimes it's okay to be vulnerable and let others know how you're really feeling, instead of putting on a façade of happiness.
Line by Line Meaning
Laughin' and clownin'
Trying to hide my true feelings by putting up a facade of laughter and jokes.
Just to keep from cryin'
Trying to distract myself from the pain and sadness that I feel deep down inside.
I keep on tryin' to hide the fact
I'm struggling to come to terms with my emotions and I'm trying to pretend that everything is okay.
I've got a worried mind
I can't stop thinking about you and it's causing me a lot of anxiety and stress.
Let me tell you, being life of the party
I used to enjoy socializing and entertaining others, but now it feels like an obligation.
Seemed to be my role
This was my way of coping with life before you left me.
I keep on tryin' to hide my feelings
I don't want anyone to see how hurt and vulnerable I really am.
Trying to hide my soul
I'm attempting to keep my innermost thoughts and emotions hidden from others.
Let me tell you what I do, I stand in the doorway
I observe others going about their lives, but I feel disconnected from them.
Watchin' all the girls go through
I'm searching for someone to distract me from my pain, but I know deep down it's not what I really need.
You might not believe me, baby, but I stand in the doorway
I'm struggling to move on from you and I'm constantly searching for distractions to avoid dealing with my true feelings.
I keep on tryin' to me find someone
I'm desperately searching for someone else to take your place in my heart and mind.
To take my mind off you, tickle 'em for me
I'm asking someone to help me forget about you by entertaining me or distracting me in some way, even if it's only temporary.
I keep on laughin' and clownin'
I'm continuing to pretend that everything is okay, even though I'm deeply hurting inside.
To take my mind off you
To distract myself from the pain and heartache that your absence has caused me.
Lyrics © Sony/ATV Music Publishing LLC
Written by: SAM COOKE
Lyrics Licensed & Provided by LyricFind
Phil David
on Goin' Home
The lyric is not “Nothing loss of days...”
It is “Nothing’s lost, all is gain...”
You will notice this actually supports the rhyme.