Up & Down
Saucy Santana Lyrics


Jump to: Overall Meaning ↴  Line by Line Meaning ↴

Big Latto
Latto got a lotto
Not hitting the muthafucking jackpot, bitch (Tre Trax I think we got one)
(It's Trax season, bruh)

Looking for a boss nigga, not a lost nigga (where the boss niggas at?)
Give a fuck bout a hatin' ass hoe (gotta go)
Bend it over, touch my toes, I'ma take a nigga soul (ay, ay)
Real bitch'll get down on the floor (on the floor)
Going up and down the pole (uh, yeah)
Up and down the pole (ay, ay)
If you got it, throw some more (ay, yeah, ay)
Up and down she go (ay, ay)

Knock, knock, them gorillas at the door (gotta go)
Ready to take her down, slash a nigga throat (yeah)
Be for real, boy, you don't want the smoke (no smoke)
I been trappin', been gettin' outta stores
Now I'm up in the A with the Big Latto (Latto)
Musclin' through, call me Johnny Bravo (yeah)
Real bitches, y'all here that sound? (Yeah)
Shittin' on them hoes, no Doo-Doo Brown (no Doo-Doo Brown)
Florida bitch, ready to scrub the ground
With my Air Force 1's when I'm in they town
Guns and sex, going round for round
That nigga selling big bricks, going pound for pound
I'm lookin' for a boss nigga, I'm a boss bitch
Abracadabra, is you ready for a trick?
I don't need no company, I like commas
Fuck them kids, no baby mama drama (they know that, purr)

Looking for a boss nigga, not a lost nigga (where the boss niggas at?)
Give a fuck bout a hatin' ass hoe (gotta go)
Bend it over, touch my toes, I'ma take a nigga soul (ay, ay)
Real bitch'll get down on the floor (on the floor)
Going up and down the pole (uh, yeah)
Up and down the pole (do it, do it, do it, ay, ay)
If you got it, throw some more (ay, yeah, ay)
Up and down she go (do it, do it, do it, ay, ay)

Send the baddest bitches to the VIP
I'm a real gutter bitch and a freak in the sheets (ay)
If a nigga play with me, I ain't keyin' the G
I'ma walk him like a dog, I'ma give him the leash (yessir)
I got a face like New-New and a body like Buffy (uh)
Might let him hit the Latto if he lucky (if he lucky)
I need a bad boy like Puffy, give him that cuddy (uh, uh)
I'ma put it in his mouth 'fore he fuck me (uh-huh)
Real freak bitch, I'll fuck a nigga bad
I ain't into girls, but I always stay strapped
Fuck a sneak diss, drop a name on wax
Big choppa bussin' get your wig pushed back?
Just turned twenty-one, already up a mil
I'm the youngest in charge and I do this shit for real
I ain't cryin' over niggas, I'ma show 'em how it feel
Cut a check on this pussy, nigga, do we got a deal?

Looking for a boss nigga, not a lost nigga (where the boss niggas at?)
Give a fuck bout a hatin' ass hoe (gotta go)
Bend it over, touch my toes, I'ma take a nigga soul (ay, ay)
Real bitch'll get down on the floor (on the floor)
Going up and down the pole (uh, yeah)
Up and down the pole (do it, do it, do it, ay, ay)
If you got it, throw some more (ay, yeah, ay)
Up and down she go (do it, do it, do it, ay, ay)

(Do it, do it, do it, do it)
(Do it, do it, do it)
(Do it, do it, do it, do it)
(Do it, do it, do it)
Going up and down the pole
(Up and down the pole)





(Tre Trax, I think we got one)
(It's Trax season, bruh)

Overall Meaning

The lyrics to Saucy Santana's Up & Down mainly focus on the artist's empowerment and their desire for a boss like partner. The first line references Big Latto, a rapper and friend of Santana's. The line โ€œLatto got a lotto, not hitting the motherfucking jackpot, bitchโ€ means that even though Big Latto is popular and successful, she is still searching for more, and hasn't hit the ultimate jackpot of success quite yet. Santana then asserts their desire for a boss like partner and disinterest in haters before commencing talk of their sexual prowess. Santana boasts about their ability to take a manโ€™s soul if they bend over and touch their toes. The โ€œreal bitchโ€ line that follows is a nod to their toughness, with the phrase โ€œget down on the floorโ€ possibly referencing both toughness in a physical fight or a willingness to perform sexually.


Santana then describes how they are trappin (making money through illegal means), working with Big Latto, and has moved up in the world. They also refer to themselves as a Johnny Bravo-like figure and assert their power over other women while also emphasizing their tough nature. Santana makes it clear that they are not looking for a weak partner but, rather, someone who is a boss like them. They assert their independence and desire for wealth, showing no interest in being a baby mama to someone who will not pay. In the final verse, Santana emphasizes their youth and success in making money independently, declaring no interest in crying over lost relationships, but is still looking for a man who can match their wealth and power.


Line by Line Meaning

Big Latto
The artist Big Latto is being mentioned.


Latto got a lotto
Big Latto is blessed with many positive attributes.


Not hitting the muthafucking jackpot, bitch (Tre Trax I think we got one)
Although things might not be perfect, there is still hope for success.


(It's Trax season, bruh)
The current time is a great season for Trax music.


Looking for a boss nigga, not a lost nigga (where the boss niggas at?)
The artist is searching for someone who is in charge in a relationship.


Give a fuck bout a hatin' ass hoe (gotta go)
The artist does not concern themselves with negative people.


Bend it over, touch my toes, I'ma take a nigga soul (ay, ay)
The artist plans to engage in intimate activities with someone, while also being in full control.


Real bitch'll get down on the floor (on the floor)
A genuine and confident person will not be afraid to engage in certain activities.


Going up and down the pole (uh, yeah)
The performer is executing a pole dancing routine.


Up and down the pole (ay, ay)
The artist continues to dance and perform on the pole.


If you got it, throw some more (ay, yeah, ay)
If you have more money to spend, then throw it at the performer.


Up and down she go (ay, ay)
The pole dancer continues to perform on the pole, moving up and down.


Knock, knock, them gorillas at the door (gotta go)
Trouble is approaching and it is time to leave.


Ready to take her down, slash a nigga throat (yeah)
Someone is prepared to do harm to the performer or other people around her.


Be for real, boy, you don't want the smoke (no smoke)
The artist is warning someone to not mess with her, as the consequences would not be desirable.


I been trappin', been gettin' outta stores
The singer has participated in illicit activities and has been successful with them.


Now I'm up in the A with the Big Latto (Latto)
The artist is currently with the famous performer Big Latto in an area known as The A.


Musclin' through, call me Johnny Bravo (yeah)
The artist is strong and powerful, similar to the fictional character Johnny Bravo.


Real bitches, y'all here that sound? (Yeah)
The artist is wondering if others are recognizing the strength and power of real women.


Shittin' on them hoes, no Doo-Doo Brown (no Doo-Doo Brown)
The artist needs to assert their dominance over other women, without being disrespectful.


Florida bitch, ready to scrub the ground
The artist is willing to work hard and face challenges, despite being from Florida and perhaps having faced adversity or discrimination.


With my Air Force 1's when I'm in they town
The artist is proud of themselves and where they come from, and also has a comfortable style of shoes.


Guns and sex, going round for round
The artist is involved in illicit activities, such as guns and sex, and is able to balance both effectively.


That nigga selling big bricks, going pound for pound
Someone is selling drugs and is doing very well with it, likely making a lot of money to match their high risk and danger.


I'm lookin' for a boss nigga, I'm a boss bitch
The artist is looking for someone who is in charge in a relationship, but she knows she has an equal amount of power and success.


Abracadabra, is you ready for a trick?
The artist is going to surprise someone or try to do something unexpected.


I don't need no company, I like commas
The performer is successful and prioritizes making money over spending time with others.


Fuck them kids, no baby mama drama (they know that, purr)
The artist does not want to have any kids or deal with the complications that come with that.


Send the baddest bitches to the VIP
The performer is in charge and has the power to make choices about who is able to enter the VIP section.


I'm a real gutter bitch and a freak in the sheets (ay)
The artist is authentic and perhaps from a poorer or more dangerous area, but is also capable of being sexually intimate with someone.


If a nigga play with me, I ain't keyin' the G
If someone makes the artist upset, she will not be afraid to retaliate or fight back.


I'ma walk him like a dog, I'ma give him the leash (yessir)
The performer is in control of the person she is with, and is able to dominate and manipulate them.


I got a face like New-New and a body like Buffy (uh)
The artist believes she is attractive and has a combination of features similar to characters in the film ATL and the TV show Buffy the Vampire Slayer.


Might let him hit the Latto if he lucky (if he lucky)
The artist may engage in sexual activity with someone if she feels they have earned it or are worthy of it.


I need a bad boy like Puffy, give him that cuddy (uh, uh)
The performer is interested in finding someone with a bad image, like rapper P. Diddy, and is hoping to be intimate with them.


I'ma put it in his mouth 'fore he fuck me (uh-huh)
The artist may engage in oral sex with someone in order to please or control them.


Real freak bitch, I'll fuck a nigga bad
The performer is confident and sexually experienced, and is willing to please someone in a sexual encounter.


I ain't into girls, but I always stay strapped
The artist is not interested in women, but always has protection with her in case of danger.


Fuck a sneak diss, drop a name on wax
The performer is willing to confront and expose someone in a public setting, such as a music track.


Big choppa bussin' get your wig pushed back?
A dangerous and powerful weapon will cause someone to be severely hurt or killed.


Just turned twenty-one, already up a mil
The performer is young but already has made a significant amount of money, likely through music or other unsavory means.


I'm the youngest in charge and I do this shit for real
The artist is the youngest person in a position of power and is confident in their abilities and success.


I ain't cryin' over niggas, I'ma show 'em how it feel
The artist is not going to let negative experiences with men affect her, and instead will assert her power over them.


Cut a check on this pussy, nigga, do we got a deal?
The performer is willing to engage in sexual activity with someone if they provide her with a large sum of money.


(Do it, do it, do it, do it)
A repeating sound effect is being played.


(Do it, do it, do it)
The sound effect continues.


(Do it, do it, do it, do it)
The sound effect continues again.


(Do it, do it, do it)
The repeating sound effect is played again.


Going up and down the pole
The performer is continuing to dance and perform on the pole, likely in a strip club.


(Up and down the pole)
Repeating the previous line for emphasis.


(Tre Trax, I think we got one)
The musician is giving credit to a producer, named Tre Trax.


(It's Trax season, bruh)
The producer, Tre Trax, is having a successful and popular season with his music production work.




Lyrics ยฉ BMG Rights Management
Written by: Alyssa Stephens, John Norris III, Rashad Spain

Lyrics Licensed & Provided by LyricFind
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Most interesting comment from YouTube:

Life With Niy

Here's the lyrics is anyone wanted to use them โค
๐—–๐—ต๐—ผ๐—ฟ๐˜‚๐˜€:
I'm looking for a boss nigga, not a lost nigga
Give a fuck bout a hatin' ass hoe
Bend it over, touch my toes, Imma take a nigga soul
Real bitch'll get down on the floor
Going up and down the pole
Up and down the pole
If you got it, throw some more
Up and down she go
๐—ฆ๐—ฎ๐˜‚๐—ฐ๐˜† ๐—ฆ๐—ฎ๐—ป๐˜๐—ฎ๐—ป๐—ฎ:
Knock, knock, them gorillas at the door
Ready to take her down, slash a nigga throat
Be for real, boy, you don't want the smoke
I been trappin', been gettin' outta stores
Now up in the A with the Big Latto
Musclin' through, call me Johnny Bravo
Real bitches, y'all here that sound?
Shittin' on them hoes, no Doo-Doo Brown
Florida bitch, ready to scrub the ground
With my Air Force 1's when I'm in they town
Guns and sex, going round for round
That nigga selling big bricks, going pound for pound
I'm lookin' for a boss nigga, I'm a boss bitch
Abracadabra, is you ready for a trick?
I don't need no company, I like commas
Fuck them kids, no baby mama drama
๐—–๐—ต๐—ผ๐—ฟ๐˜‚๐˜€:
I'm looking for a boss nigga, not a lost nigga
Give a fuck bout a hatin' ass hoe
Bend it over, touch my toes, Imma take a nigga soul
Real bitch'll get down on the floor
Going up and down the pole
Up and down the pole
If you got it, throw some more
Up and down she go
๐— ๐˜‚๐—น๐—ฎ๐˜๐˜๐—ผ:
Send the baddest bitches to the VIP
I'm a real gutter bitch and a freak in the sheets
If a nigga play with me, I ain't keyin' the G
Imma walk him like a dog, Imma give him the leash
I got a face like new-new and a body like Buffy
Might let him hit the latto if he lucky
I need a bad boy like Puffy, give him that cuddy
Imma put it in his mouth 'fore he fuck me
Real freak bitch, I'll fuck a nigga bad
I ain't into girls, but I always stay strapped
Fuck a sneak diss, drop a name on wack
Bitch, how bout you get your wig pushed back?
Just turned 21 and already up a mil
I'm the youngest in charge and I do this shit for real
I ain't cryin' over niggas, Imma show 'em how it feel
Cut a check on this pussy, nigga, do we got a deal?
๐—–๐—ต๐—ผ๐—ฟ๐˜‚๐˜€:
I'm looking for a boss nigga, not a lost nigga
Give a fuck bout a hatin' ass hoe
Bend it over, touch my toes, Imma take a nigga soul
Real bitch'll get down on the floor
Going up and down the pole
Up and down the pole
If you got it, throw some more
Up and down she go



All comments from YouTube:

hill william

Saucy Santana obliterated this track!!! Can't get enough!!! No matter the initial boost from authentic v i e w s Saucy Santana transformed into a legendary icon, not just an artist!!

Dee

Santana been doing his thing. This song is so underrated. Latto killed all her verses. They blend so well together. So happy they're both getting commercial success.

patricia nevarez plascencia

Gracias por la meditaciรณn de mi ahijada y bendiciones para mi ahijada feliz cumpleaรฑos bendiciones para mi hija y mis nietos a visitarme y bendiciones bendiciones para todos bendiciones bendiciones para

1 More Replies...

BaddieBaddie

Love that you actually do special things like this for us fans!

patricia nevarez plascencia

Van de los que pases por el dรญa รบltimo del aรฑo y el sรกbado por el favor que tengas buen viaje gracias gracias bendiciones bendiciones para todos bendiciones bendiciones y bendiciones bendiciones para todos ustedes que tengan un feliz dรญa bendiciones descansen bendiciones para ti y bendiciones descansen bendiciones para ti y tu salud felicidad y prosperidad para todos los dรญas de mi santo โค feliz cumpleaรฑos feliz dรญa ahijada feliz cumpleaรฑos bendiciones

Keishauna Jones

Santana never ever disappoints me I so love this!!!

Lady Assassin

Love this song I feel like both of these artists are going to take the music industry to a whole nother level

Lady Assassin

Majority of the music that these two put out I really love I see big things for both of them in the music industry

Tiffany Lee

I love how comfortable Saucy is in his skin!! This whatโ€™s makes him so likeable!

Keeโ€™s Gaming Channel

YASSSIRRR THIS IS A BANGGERRR๐Ÿ”ฅ๐Ÿ”ฅ

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