For some people, the main goals are a pimped out ride and a pimped out life. Ask Self Against City lead singer Jonathan Temkin about his goals and he tells a very different story. “People are searching for something to make themselves complete,” he says. “If we can inspire people with our music, I can die a happy person.” Temkin may be on to something, especially in light of Self Against City's revelatory new Drive-Thru/Rushmore CD Telling Secrets to Strangers.
Produced by Steven Haigler (Pixies, Fuel), the songs on the album were written by Temkin and guitarist Jack Matranga. The two sketched out every progression and guitar riff in advance. The prep time paid off, as a seamless cohesion ties the album together. "Every song is a chapter," says Temkin, "a summation of everything we went through in the last year."
He's referring to rock ‘n' roll grad school, i.e., touring a big country in a small van. Every triumph and misbegotten adventure has been converted into song, starting with “Becoming a Monster,” a punch-drunk rocker Temkin calls “our mission statement.” The track exemplifies the band's signature sound: buzzsaw guitars, choppy rhythms and Temkin's trip-wire vocals. “We want to be energetic and melodic at the same time,” says Matranga. “But we didn't want just one song repeated ten times on the record.”
Their pattern holds true on songs like “Stroke of Luck”, “Ready and Willing” and “Even the Strong Won’t Survive.” Says Temkin of the latter, “It's a testament to growing up and having to put mental restraints on myself. It's about different forms of addiction and the inner struggles people have.” The tuneful guitar-centered “Disappearing Act” is about an eccentric former band member, while the acoustic-flavored “Tequila Moonlight” is one of the CD's more introspective tracks. “It's about an alcohol-driven memory of a few key events that happen over a night” says Temkin. “It was written mostly by Jack, and is so pure and honest.”
“Yours Isn't The First” is, says Temkin, an ode “to everyone who ever had their heartbroken because they got dumped,” while the sly “Smooth Silver” is one of the CD's most adventurous songs. “It's about frustration, desire and confusion wrapped into one,” he notes. The CD ends with “Back to Our Innocence,” a full-circle rocker that serves as the perfect grace note. “It's our way of saying when you're a child that's when everything feels so pure. When you get older things get desensitized. You lose the vivid colors. We're on a quest to feel like childlike adults.”
That quest wasn't born yesterday. Though the band made a big impression with their 2005 Rushmore debut EP “Take It How You Want It,” the origins of Self Against City stretch back further. The son of a single mother, the Texas-born Temkin grew up in Hawaii, Germany and northern California, raised mostly by a loving aunt and uncle. He
was given access to all kinds of musical instruments and became proficient on several. But it was a Matchbox 20 concert in Frankfurt that proved the tipping point. “Something changed in me,” he remembers, “and I said, ‘That's what I'm gonna do.’ From then on I begged for a guitar and at 15 I finally got one."
Temkin moved back to California's Central Valley and started playing guitar in various bands, one of which anointed him lead singer, even though he'd never sung in his life. Turned out, he was good at it. He also started writing songs, but the big break came in 2003 when he met Matranga and LaTour. “I spent every waking second figuring out what we needed to do to get the band together,” he says. “I was with musicians who wanted exactly the same thing as me.”
Jack Matranga had a very different upbringing from Temkin: living in the same home his whole life, parents happily married. But the two clicked right away as songwriting partners and performers. “He's nuts,” says Matranga of his friend. “I feed off of him. When we first started writing, we'd hop in the band room, turn on the amp and mold a song. Our confidence has grown since then.”
Bassist Patrick O'Connor and drummer Chris Trombley rounded out the line-up of Self Against City (the name came from Temkin mishearing a DJ announce the Bowie classic “Suffragette City”). The band cut a few demos, posting two on PureVolume. Those tracks caught the ear of Drive-Thru co-founders Richard Reines and Stefanie Reines, who kept tabs on the band's progress. Only five months after officially forming, the band had their Rushmore deal, and soon enough a debut EP. Buoyed by rave reviews, Self Against City toured the U.S. as well as performed at the CMJ convention. All the while, they were thinking ahead to the new CD. “We're a high energy rock band,” says Matranga, “but we wanted to write something a little bit deeper.”
O'Connor and Trombley played on the new CD but have since left the band. All five remain friends, and the others were sorry to see them go. But with the release of Telling Secrets to Strangers, Temkin, Matranga and LaTour are looking only forward. “The day we finished the album,” says Temkin, “I thought we did everything we set out to do: make a record we were proud of, write songs we believed in and let people know who we are.”
Ready
Self Against City Lyrics
Jump to: Overall Meaning ↴ Line by Line Meaning ↴
Only stops here twice a year
He says your pretty and he adores you
Reciting dialogue from classic romances (dialogue from the classics that he steals)
He doesn't give a damn about you
Overrated boys and attention starved girls
A little curious, a little insecure
They call it love it might be premature
But they don't need excuses
She's just that girl from another town
Know her name by the letter of city and state
Brown hair, blue eyes, she's about 5'5"
She'd never lie to you
But fidelity is no concern
When you have become this
Overrated boys and attention starved girls
A little curious, a little insecure
They call it love it might be premature
But they don't need excuses
To feel used, to feel lust, to feel wanted for once
To know there's somebody else who's dying to feel anything
Ready and willing
I guess now it's safe to say
Sincerity has become a lost art these days
And if it's just to drown attention
Or maybe cool the friction
I think it's time we cleared the haze
Or we're just...
Overrated boys and attention starved girls
A little curious, a little insecure
They call it love it might be premature
But they don't need excuses
To feel used, to feel lust, to feel wanted for once
To know there's somebody else who's dying to feel anything
Ready and willing
Ready and willing
Ready and willing
The lyrics to Self Against City's song "Ready & Willing" talk about two characters: a boy and a girl, who are both outsiders to the places they are in. They both seek out attention and affection, which they find in each other, but they are not really interested in a genuine relationship. The boy uses romantic lines from classic movies, but the singer warns the girl that he doesn't really care about her. The girl, on the other hand, is faithful but only until she finds someone else she wants to be with. The song is critiquing the idea of "love" that is based on temporary excitement and attention rather than genuine connection and commitment.
The lyrics also suggest that this kind of behavior is common, with "overrated boys and attention-starved girls" seeking out these relationships. It is described as "premature," indicating that they are not yet ready for something more mature and meaningful. They don't need excuses to feel "used, lustful, and wanted," highlighting that their motivations are more about fulfilling their own desires rather than any true connection with the other person.
Overall, "Ready & Willing" is a commentary on the shallow, temporary nature of some romantic relationships and the emptiness that can result from seeking out attention rather than genuine affection.
Line by Line Meaning
He's just that boy from out of town
He's a stranger who comes to town twice a year
Only stops here twice a year
He is not someone who stays for long periods of time in town
He says your pretty and he adores you
He compliments you, says sweet things to you, quoting lines from classical romantic pieces
Reciting dialogue from classic romances (dialogue from the classics that he steals)
Stealing beautiful dialogues and using them to charm others
But Scarlet my dear
But he doesn't truly care
He doesn't give a damn about you
His love is insincere and he doesn't truly care about her
She's just that girl from another town
She's a girl from a different place, someone who is not from around here
Know her name by the letter of city and state
People know who she is based on the city and state she is from
Brown hair, blue eyes, she's about 5'5
Physical description of the girl, for identification purposes
She'd never lie to you
She's a truthful and honest girl
But fidelity is no concern
She's not concerned about loyalty
When you have become this
When you have given in to the temptations of infidelity
Overrated boys and attention starved girls
Talking about boys and girls in today's society who are too focused on getting attention
A little curious, a little insecure
Boys and girls who are still figuring out love and life
They call it love it might be premature
They might think it's love, but it's really just infatuation or lust
But they don't need excuses
They don't need reasons to feel these emotions or act on them
To feel used, to feel lust, to feel wanted for once
They want to feel needed and desired, even if it's not sincere
To know there's somebody else who's dying to feel anything
They want to know that they're not the only ones who are lost and seeking
Ready and willing
They're open and ready for whatever comes their way
I guess now it's safe to say
Now we can confirm that
Sincerity has become a lost art these days
True love and honesty are no longer valued like they used to be
And if it's just to drown attention
And if the goal is just to get attention from others
Or maybe cool the friction
Or maybe the point is to cause less conflict or tension
I think it's time we cleared the haze
It's time to clear up any confusion or misunderstandings
Or we're just...
Otherwise we might just be
Lyrics © O/B/O APRA AMCOS
Lyrics Licensed & Provided by LyricFind
@pdwman
They have been broken up for awaile now.
@cheffie
the chicks were their girlfriends :-/
@tropicalxgodesso
i cant see justin =[