Consisting of sisters Jasmina and Nabyla Serag alongside Melvyn Buss and Arci Friede, ‘We’ll Be Fine’ is a fresh start in more ways that one. Stepping away from their club orientated productions, its lush, organic summer melodies incorporate reggae guitar licks, Eastern flutes and cosmically minded lyrics – told from the perspective of one of the group’s ex-partners – of having to leave a relationship and start anew. With BBC Radio 6’s Tom Ravenscroft already a fan, it blends the band’s love of classic analogue 60s and 70s pop and soul acts, including Moody Blues and Rotary Connection, with the modern storytelling and production of stars like Drake and Solange.
More than this though, it also open up the influences of their diverse backgrounds. While all born in Switzerland, the Serag sisters’ Sudanese and Eritrean parents arrived as political refugees and freedom fighters. Arci, whose Czech parents were also political refugees following 1968’s Prague Spring, was one of the co-owners of Bern’s famous Club Bonsoir, host to everyone from Hudson Mohawke and DJ Premier to Derrick May and Todd Terje. And Melvyn, whose father is English, has been a hip-hop DJ since aged 15, subsequently working on a range of projects from collaborating with Robert Owens to providing music to the Karl Lagerfeld film.
If these influences have been implicit so far, in the epic nu-disco of ‘Post-Soviet Funk’ or the wonky tribal house chants of ‘Funky Lips of Timbuktu’ (all released on Exploited), the group are intent on bringing them to the fore, while also reaching out into their various side projects such as Jasmina’s NewRa, the only Swiss act to be selected for the Red Bull Music Academy 2018. It’s already seen Gilles Peterson favourite Alma Negra picking up one of their edits of a Saho tribe song and ‘We’ll Be Fine’ is a statement of intent for what is to come.
For most groups having an Ibiza hit is the ultimate goal. For Sirens of Lesbos, it was just the first step in proving the undeniable power and appeal of their multicultural, multi-faceted sound.
Ecstasy
Sirens Of Lesbos Lyrics
Jump to: Overall Meaning ↴ Line by Line Meaning ↴
Never felt so free
I found Shangri-La
Deep inside of me
A place like paradise
Fraught with energy
I'm the universe
Universe is me
Feels so
Feels so good to me
Emotion thrills me
Must be ecstasy
The lyrics of the song "Ecstasy" by Sirens Of Lesbos depict a sense of liberation, freedom, and positive energy. The opening lines, "A place like paradise, never felt so free," speaks of an internal utopia that is limitless and devoid of external constraints. The following line, "I found Shangri-La deep inside of me," further emphasizes this point and suggests that true happiness and satisfaction come from within oneself.
As the song progresses, the lyrics take a more cosmological tone. "I'm the universe, universe is me" aims to convey the interconnectedness between one's inner world and the external universe - it posits that the two are not separated but are, in fact, one and the same. The chorus of the song, "Feels so good to me, emotion thrills me, must be ecstasy," encapsulates the overall theme of the song. It highlights the sense of elation and joy that one experiences when they are in tune with themselves and their place in the world.
Line by Line Meaning
A place like paradise
I am in a serene and idyllic place
Never felt so free
I have never experienced such a sense of liberation
I found Shangri-La
I have discovered my own personal utopia
Deep inside of me
This place exists within my own being
A place like paradise
This paradise is a recurring reality
Fraught with energy
It is filled with a powerful and intense force
I'm the universe
I am as vast and infinite as the universe
Universe is me
The universe is a reflection of my own self
Feels so
The sensation is pronounced
Feels so
The sensation is unmistakable
Feels so good to me
I am filled with an overwhelming sense of blissfulness
Emotion thrills me
I am exhilarated by this intense feeling
Must be ecstasy
This experience can only be described as ecstasy
Writer(s): Simon Baumann, Melvyn Nicholas Buss, Arci Friede, Nabyla Serag
Contributed by Noah T. Suggest a correction in the comments below.