You Are The One
Slaughter Lyrics


Jump to: Overall Meaning ↴  Line by Line Meaning ↴

Are you there?
Did patience wane?
Did you fall asleep to your four-track recording of rain?
Do you feel tame?
Do you feel insane?
Is there anyone in the audience currently living in vain?

Hard times, old ways, takes up a lot of time
Hard times, uses up whole days
All those actresses leasing compact cars
Boiling water at four in the morning
In the outfield of Elysian Park
Gone too soon to the void saloon
All night, lighting wet cigarettes
In a dog breath room

Rough lovers in deserted hallways
Crazed with unbuttoning
Everything must go, button-wise
Fumbling with keys to the door on the 94th floor
Knees buckling in the threshold
The world, open wide, open wide, and we just shiver
On the counter, 'cause we're both already there
Why don't you go put a record on?
Why don't you sing me a little song?

Ah, ah, ah
Ah, ah, ah
Ah, ah, ah
Ah, ah, ah
Ah, ah, ah
Ah, ah, ah
Ah, ah, ah
Ah, ah, ah
Ah, ah, ah
Ah, ah, ah




Ah, ah, ah
Ah, ah, ah

Overall Meaning

The lyrics to Slaughter's "You Are The One" are somewhat cryptic and open to interpretation, but at their core, they seem to be exploring themes of love, loneliness, and existential angst. The opening lines address an absent lover, asking if they are there and if they are feeling the same sense of detachment and dissatisfaction that the singer is experiencing. The lines "Do you feel tame? Do you feel insane?" suggest a feeling of being trapped or constrained by circumstances, while the reference to "living in vain" hints at a deeper sense of disillusionment.


The second verse brings in more surreal imagery, with references to "actresses leasing compact cars" and "boiling water at four in the morning." The specific details are somewhat inscrutable, but they contribute to a sense of disorientation and dislocation. The lines "Gone too soon to the void saloon / All night, lighting wet cigarettes / In a dog breath room" paint a vivid picture of someone trying to escape their reality through drugs or alcohol, but ultimately only sinking deeper into despair.


The final verse brings things back to a more intimate level, with a lover offering comfort and solace in the midst of all the chaos. The final lines, "Why don't you go put a record on? / Why don't you sing me a little song?" suggest a desire for connection and intimacy in a world that often feels cold and alienating.


Overall, "You Are The One" is a complex and intriguing song that raises more questions than answers. It's a testament to Slaughter's lyrical prowess that they are able to conjure such a powerful sense of mood and atmosphere with such enigmatic language.


Line by Line Meaning

Are you there?
Are you present and engaged?


Did patience wane?
Was patience lost over time?


Did you fall asleep to your four-track recording of rain?
Did you fall asleep to the sound of the rain on your four-track recording device?


Do you feel tame?
Do you feel docile or subdued?


Do you feel insane?
Do you feel crazy or out of control?


Is there anyone in the audience currently living in vain?
Is there anyone here living without purpose?


Hard times, old ways, takes up a lot of time
Difficult periods and past behaviors occupy much of our time


Hard times, uses up whole days
Difficult situations consume entire days


All those actresses leasing compact cars
All those female performers renting small automobiles


Boiling water at four in the morning
Boiling water at an early hour


In the outfield of Elysian Park
In the open space beyond the park's main area


Gone too soon to the void saloon
Died too early and went to an empty place for spirits


All night, lighting wet cigarettes
All night, lighting cigarettes that have been dampened by rain or a similar substance


In a dog breath room
In a room that smells like dogs or other animals


Rough lovers in deserted hallways
Rough romantic partners in empty corridors


Crazed with unbuttoning
Crazy with undoing buttons


Everything must go, button-wise
Everything must be undone, specifically buttons


Fumbling with keys to the door on the 94th floor
Struggling with keys to the door on the 94th floor


Knees buckling in the threshold
Knees shaking at the threshold of a door


The world, open wide, open wide, and we just shiver
The world is open and vast, but we are scared and cold


On the counter, 'cause we're both already there
On the counter since we are both already in that location


Why don't you go put a record on?
Why don't you play some music?


Why don't you sing me a little song?
Why don't you perform a short musical piece for me?


Ah, ah, ah
Repetition of an exclamation, likely expressing a strong emotion


Ah, ah, ah
Repetition of an exclamation, likely expressing a strong emotion


Ah, ah, ah
Repetition of an exclamation, likely expressing a strong emotion


Ah, ah, ah
Repetition of an exclamation, likely expressing a strong emotion


Ah, ah, ah
Repetition of an exclamation, likely expressing a strong emotion


Ah, ah, ah
Repetition of an exclamation, likely expressing a strong emotion


Ah, ah, ah
Repetition of an exclamation, likely expressing a strong emotion


Ah, ah, ah
Repetition of an exclamation, likely expressing a strong emotion


Ah, ah, ah
Repetition of an exclamation, likely expressing a strong emotion


Ah, ah, ah
Repetition of an exclamation, likely expressing a strong emotion


Ah, ah, ah
Repetition of an exclamation, likely expressing a strong emotion




Lyrics © TERRORBIRD PUBLISHING LLC
Written by: Jacob Ewald, Ian Farmer, Zachary Robbins

Lyrics Licensed & Provided by LyricFind
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