Snoop's debut album, Doggystyle, produced by Dr. Dre and released in 1993 by Death Row Records, debuted at number one on both the Billboard 200 and Billboard Top R&B/Hip-Hop Albums charts. Selling almost a million copies in the first week of its release, Doggystyle became certified 4× platinum in 1994 and spawned several hit singles, including "What's My Name?" and "Gin & Juice". In 1994 Snoop released a soundtrack on Death Row Records for the short film Murder Was the Case, starring himself. His second album, Tha Doggfather (1996), also debuted at number one on both charts, with "Snoop's Upside Ya Head" as the lead single. The album was certified double platinum in 1997.
After leaving Death Row Records, Snoop signed with No Limit Records, where he recorded his next three albums, Da Game Is to Be Sold, Not to Be Told (1998), No Limit Top Dogg (1999), and Tha Last Meal (2000). Snoop then signed with Priority/Capitol/EMI Records in 2002, where he released Paid tha Cost to Be da Boss. He then signed with Geffen Records in 2004 for his next three albums, R&G (Rhythm & Gangsta): The Masterpiece, Tha Blue Carpet Treatment, and Ego Trippin'. Malice 'n Wonderland (2009), and Doggumentary (2011) were released on Priority. Snoop Dogg has starred in motion pictures and hosted several television shows, including Doggy Fizzle Televizzle, Snoop Dogg's Father Hood, and Dogg After Dark. He also coaches a youth football league and a high school football team. In September 2009 Snoop was hired by EMI as the chairman of reactivated Priority Records.
In 2012, after a trip to Jamaica, Snoop announced a conversion to Rastafarianism and a new alias, Snoop Lion. As Snoop Lion he released a reggae album, Reincarnated, and a documentary film of the same name, about his Jamaican experience, in early 2013. His 13th studio album, Bush, was released in May 2015 and marked a return of the Snoop Dogg name. His 14th solo studio album, Coolaid, was released in July 2016. Snoop has 17 Grammy nominations without a win.
In 2018, he released his first gospel album, Bible of Love.
Kool Moe Dee ranks Snoop at No. 33 in his book There's a God on the Mic, and says he has "an ultra-smooth, laidback delivery" and "flavor-filled melodic rhyming". Peter Shapiro describes Snoop's delivery as a "molasses drawl" and AllMusic notes his "drawled, laconic rhyming" style. Kool Moe Dee refers to Snoop's use of vocabulary, saying he "keeps it real simple...he simplifies it and he's effective in his simplicity".
Snoop is known to freestyle some of his lyrics on the spot for some songs – in the book How to Rap, Lady of Rage says, "Snoop Dogg, when I worked with him earlier in his career, that's how created his stuff... he would freestyle, he wasn't a writer then, he was a freestyler," and The D.O.C. states, "Snoop's [rap] was a one take willy, but his shit was all freestyle. He hadn't written nothing down. He just came in and started busting. The song was "Tha Shiznit"—that was all freestyle. He started busting and when we got to the break, Dre cut the machine off, did the chorus and told Snoop to come back in. He did that throughout the record. That's when Snoop was in the zone then."
Peter Shapiro says that Snoop debuted on "Deep Cover" with a "shockingly original flow – which sounded like a Slick Rick born in South Carolina instead of South London" and adds that he "showed where his style came from by covering Slick Rick's 'La Di Da Di'". Referring to Snoop's flow, Kool Moe Dee calls him "one of the smoothest, funkiest flow-ers in the game". How to Rap also notes that Snoop is known to use syncopation in his flow to give it a laidback quality, as well as 'linking with rhythm' in his compound rhymes, using alliteration, and employing a "sparse" flow with good use of pauses.
Snoop re-popularized the use of -izzle speak, particularly in the pop and hip-hop music industry.
Snoop Dogg is a lifelong fan of professional wrestling. On March 30, 2008, Snoop Dogg appeared at WrestleMania XXIV as a Master of Ceremonies for a tag team match between Maria and Ashley Massaro as they took on Beth Phoenix and Melina. On a March 23, 2015 episode of Raw, Snoop Dogg appeared in a segment with Hulk Hogan and Curtis Axel. At WrestleMania 32, he accompanied his cousin Sasha Banks to the ring for her match, rapping over her theme music. He was also inducted into the WWE Hall of Fame in 2016.
Broadus made a special guest appearance in All Elite Wrestling on the January 6, 2021, episode of AEW Dynamite, titled New Year's Smash. During this appearance, Snoop appeared in the corner of Cody Rhodes during Rhodes's match with Matt Sydal. He later gave Serpentico a Frog Splash, with Rhodes then delivering a three-count.
Snoop Dogg would join The Miz to host both nights of WrestleMania 39. During Night 1, he accompanied Rey Mysterio in a lowrider during his entrance, paying tribute to the late Eddie Guerrero. On Night 2, he introduced Shane McMahon to face The Miz in another spontaneous match. McMahon would sustain a quad injury during the match prompting Snoop Dogg to improvise and finish the match himself, ultimately defeating Miz. Snoop Dogg's improvisational acts were lauded by wrestlers and executives, including WWE chief content officer Triple H.
B.... Please
Snoop Dogg Lyrics
Jump to: Overall Meaning ↴
It's X to the Z Xzibit, yeah (Where you at?)
Snoop double-D, uh, O.G. (West coast, Los Angeles)
What, bringin it live, with Dr. Dre, what?
Throwin up a BIG-ASS W, coverin up the world right?
YEAHHH! Hah, listen look
You ain't tryin to hot box with me, I swing hard liquor
How dat sound? Xzibit backin down from a conflict
Fuck the nonsense, terrorist, hidden bomb shit
Glass and metal in every direction
Innocent bystanders taught a very hard lesson
I'm the reason there's no time to reach for that weapon
and reason why niggaz with problems keep on steppin
Xzibit ready to scrap, like Mike Tyson with his license back
Nine to five, minimum wage, what type of life is that
for me? It's blasphemy, you fuckin around
with the Sundance Kid and Butch Cassidy
You had the audacity to wanna tangle with the X
Strangle your neck, slap you like the opposite sex
Drunk drivin tryin to stack my loot
While other rappers gettin "Treated Like a Prostitute"
So check the SoundScan
All I wanna be was a G, ha
My whole life, nigga please, ha
Breakin off these motherfuckin keys, ha
Let's get these motherfuckin G's, ha
Nigga you don't wanna fuck with this..
Hmm.. aww nah, big Snoop Dogg
Back up in the heezee bay-bay
You jockin my style, "You so cra-zy"
Dre say, ain't No Limit to this
As long as we drop gangsta shit
Look here bitch, you fine and I dig your style
Come fuck with a nigga, do it +Doggystyle+
I'll be gentle, sentimental
Shit, we fucked in the rental
Lincoln, Continental
Hmm, coast to coast, L.A. to Chicago
(Yeah nigga you know what's happenin man)
I get this pussy everywhere that I go
(These bitches know what time it is)
Ask the bitches in your hood cause they know
(Hell yeah, hoes know about a nigga like me MAN)
I get the pussy everywhere that I go
(I pimp these hoes, nigga, ha ha)
Ask the bitches in your hood cause they know
Bitch please, get down on your god damn knees
For this money chronic clothes and weed (look)
You fuckin with some real O.G's
Bitch please
Bitch please, get down on your motherfuckin knees
We came to get the motherfuckin G's
Yeah, you fuckin' with some real O.G's
You dick-tease!
Bitch, please! Now what you need to do is
Hem my coat, and roll me some dough (f'real)
Different strokes (uh-huh) for different folks
Oh, you like settin niggaz up and gettin them loc's
A cute lil' bitch with a whole lotta heart
Shit gets thick when the light gets dark
She say she gots a lick for me (well hook it up)
Worth about, two hundred G's and thirty keys
Now check this out Dre, now if I don't move
Then a nigga like me, shit I don't lose
But you know me, Dogg I'm movin
Ain't nuttin to it, but to get to groovin
You been, waitin on a nigga like me (whas' happenin)
to take that chance and rob yo' man and beat up the pussy
A victim of the circumstance (yeah right)
That's the devil, they always wanna dance
See we go out with a bang (bang BANG!)
I'm tryin to work this cold thang, and take this whole thang
I get the money everywhere that I go (I go)
I bust a bitch and take her money fo' sho (fo' sho)
I get the money everywhere that I go (I go)
I bust a bitch and take her money fo' sho (fo' sho)
Aiyyo.. aiyyo aiyyo; you don't wanna step to me
Still claimin D.P.G. - til the day I D-I-E
Aiyyo.. aiyyo aiyyo; you don't wanna step to me
Still claimin D.P.G. - til the day I D-I-E
Aiyyo.. aiyyo aiyyo; you don't wanna step to me
Still claimin D.P.G. - til the day I D-I-E
Aiyyo.. aiyyo aiyyo; you don't wanna step to me
Still claimin D.P.G. - til the day I D-I-E
The song "B Please" by Snoop Dogg featuring Xzibit is a classic gangsta rap track that highlights the rappers' prowess, flaunts their wealth, and warns anyone not to mess with them. The lyrics are a display of the rap game's bravado and the rappers' skills in delivering punchlines and clever rhymes. The opening lines of the song set the tone for their domination of the rap game, and they go on to prove why they are the kings of the West Coast.
Xzibit's verses highlight his willingness to fight and protect himself, comparing himself to Mike Tyson and referring to himself as the "Sundance Kid" and "Butch Cassidy." He also references his street credibility and hustling skills, declaring that he gets "the money everywhere that I go." Snoop Dogg's verses are more focused on his sexual prowess and his ability to get "pussy everywhere that [he goes]." He also references his affiliation with the D.P.G. (Dogg Pound Gangsta) and his disdain for anyone who tries to copy his style.
Overall, "B Please" is a classic gangsta rap song that showcases the bravado and skills of Snoop Dogg and Xzibit. It is a classic anthem that is still celebrated by fans of West Coast hip hop today.
Lyrics © EMI Music Publishing, Sony/ATV Music Publishing LLC, Warner/Chappell Music, Inc.
Written by: ANDRE YOUNG, MELVIN BRADFORD, CALVIN BROADUS, ALVIN JOINER
Lyrics Licensed & Provided by LyricFind
@_stopcallingmecelia_
2024 anyone?
@TonyMontana-jp2le
+
@Virgo820
Fuck yes ❤ Bumpin it hella hard right now in my Audi
@Teraanv
Hell yeah man i listen to this for 7 years now
@JustZamknijRyi
Beat is immortal
@lyndonsdadguillen5810
Still here
@pervertedalchemist9944
This was Snoop's big comeback as well as Xzibit's exposure to the mainstream. Notice how those two had very successful albums the following year.
@thecunninlynguist
It was helpful that even if he wasn't signed to Aftermath, XZ was aligned with dre...so this, plus 2001 exposure helped restless be a hit album
@christianterrill3503
Dre legit made kings back then. If he made your beats and worked on your album it was going to go platinum
@markmark2159
@@christianterrill3503He still a KingMaker. Kendrick is the king of his Generation