Snoop's debut album, Doggystyle, produced by Dr. Dre and released in 1993 by Death Row Records, debuted at number one on both the Billboard 200 and Billboard Top R&B/Hip-Hop Albums charts. Selling almost a million copies in the first week of its release, Doggystyle became certified 4× platinum in 1994 and spawned several hit singles, including "What's My Name?" and "Gin & Juice". In 1994 Snoop released a soundtrack on Death Row Records for the short film Murder Was the Case, starring himself. His second album, Tha Doggfather (1996), also debuted at number one on both charts, with "Snoop's Upside Ya Head" as the lead single. The album was certified double platinum in 1997.
After leaving Death Row Records, Snoop signed with No Limit Records, where he recorded his next three albums, Da Game Is to Be Sold, Not to Be Told (1998), No Limit Top Dogg (1999), and Tha Last Meal (2000). Snoop then signed with Priority/Capitol/EMI Records in 2002, where he released Paid tha Cost to Be da Boss. He then signed with Geffen Records in 2004 for his next three albums, R&G (Rhythm & Gangsta): The Masterpiece, Tha Blue Carpet Treatment, and Ego Trippin'. Malice 'n Wonderland (2009), and Doggumentary (2011) were released on Priority. Snoop Dogg has starred in motion pictures and hosted several television shows, including Doggy Fizzle Televizzle, Snoop Dogg's Father Hood, and Dogg After Dark. He also coaches a youth football league and a high school football team. In September 2009 Snoop was hired by EMI as the chairman of reactivated Priority Records.
In 2012, after a trip to Jamaica, Snoop announced a conversion to Rastafarianism and a new alias, Snoop Lion. As Snoop Lion he released a reggae album, Reincarnated, and a documentary film of the same name, about his Jamaican experience, in early 2013. His 13th studio album, Bush, was released in May 2015 and marked a return of the Snoop Dogg name. His 14th solo studio album, Coolaid, was released in July 2016. Snoop has 17 Grammy nominations without a win.
In 2018, he released his first gospel album, Bible of Love.
Kool Moe Dee ranks Snoop at No. 33 in his book There's a God on the Mic, and says he has "an ultra-smooth, laidback delivery" and "flavor-filled melodic rhyming". Peter Shapiro describes Snoop's delivery as a "molasses drawl" and AllMusic notes his "drawled, laconic rhyming" style. Kool Moe Dee refers to Snoop's use of vocabulary, saying he "keeps it real simple...he simplifies it and he's effective in his simplicity".
Snoop is known to freestyle some of his lyrics on the spot for some songs – in the book How to Rap, Lady of Rage says, "Snoop Dogg, when I worked with him earlier in his career, that's how created his stuff... he would freestyle, he wasn't a writer then, he was a freestyler," and The D.O.C. states, "Snoop's [rap] was a one take willy, but his shit was all freestyle. He hadn't written nothing down. He just came in and started busting. The song was "Tha Shiznit"—that was all freestyle. He started busting and when we got to the break, Dre cut the machine off, did the chorus and told Snoop to come back in. He did that throughout the record. That's when Snoop was in the zone then."
Peter Shapiro says that Snoop debuted on "Deep Cover" with a "shockingly original flow – which sounded like a Slick Rick born in South Carolina instead of South London" and adds that he "showed where his style came from by covering Slick Rick's 'La Di Da Di'". Referring to Snoop's flow, Kool Moe Dee calls him "one of the smoothest, funkiest flow-ers in the game". How to Rap also notes that Snoop is known to use syncopation in his flow to give it a laidback quality, as well as 'linking with rhythm' in his compound rhymes, using alliteration, and employing a "sparse" flow with good use of pauses.
Snoop re-popularized the use of -izzle speak, particularly in the pop and hip-hop music industry.
Snoop Dogg is a lifelong fan of professional wrestling. On March 30, 2008, Snoop Dogg appeared at WrestleMania XXIV as a Master of Ceremonies for a tag team match between Maria and Ashley Massaro as they took on Beth Phoenix and Melina. On a March 23, 2015 episode of Raw, Snoop Dogg appeared in a segment with Hulk Hogan and Curtis Axel. At WrestleMania 32, he accompanied his cousin Sasha Banks to the ring for her match, rapping over her theme music. He was also inducted into the WWE Hall of Fame in 2016.
Broadus made a special guest appearance in All Elite Wrestling on the January 6, 2021, episode of AEW Dynamite, titled New Year's Smash. During this appearance, Snoop appeared in the corner of Cody Rhodes during Rhodes's match with Matt Sydal. He later gave Serpentico a Frog Splash, with Rhodes then delivering a three-count.
Snoop Dogg would join The Miz to host both nights of WrestleMania 39. During Night 1, he accompanied Rey Mysterio in a lowrider during his entrance, paying tribute to the late Eddie Guerrero. On Night 2, he introduced Shane McMahon to face The Miz in another spontaneous match. McMahon would sustain a quad injury during the match prompting Snoop Dogg to improvise and finish the match himself, ultimately defeating Miz. Snoop Dogg's improvisational acts were lauded by wrestlers and executives, including WWE chief content officer Triple H.
We Get Around
Snoop Dogg Lyrics
Jump to: Overall Meaning ↴ Line by Line Meaning ↴
(Jeah!)
Laaaaa
Let's get this on, let's get this on
We can get this pimpin' (Jeah!)
Roll the dice (Just Blaze!)
We can get this mackin' (Uh-oh!)
(Jeah) Yeaah, bon bon bon
From P-H-I L-L-why
All the way to L-be -see, that be me
The boy F-are-Double-The-E play with mouths
I will dot your I's, blaze your T's (Bon bon bon)
No! No! I'm not related to are
I don't play with kids, I check IDs
If a chick under the age under the wig
Then she don't get under the kid makin' her bleed
Shit, I'm gone with the breeze, out with the wind
In Miami, tryin' to win two mamis out in the beach
They say I'm frontin' my Spanish, I think you prob'ly
Ain't gon' let the papi do you, I spotted you from the beach
She eat I like a melon
Tryin' to ride to my telly, chicks move when the playa speak
Them freaks tryin' to meet the Roc
And those chicks wasn't shocked when I said
[Chorus:]
You can get this pimpin' baby, you can get this mackin'
All around the world we do it big, you know what's happenin'
Like the way you work it baby, so sexy
It's all good, gimme brains on your knees
Can I hit that pussy baby? Yo, you know what's happenin'
Big F-are-Double-E, I keep it crackin'
All across the wizzorld, we doin' trizzars
With my nigga Dizzogg (Bon bon bon)
I've been all around the wizzorld, I met a lot of gizzurls
Shaniqua, Kanika, Pizzearl, Shizzirl
Look, I can go on and on
'Cause my game is strong, word is bond
Leave me a zone, no, leave me alone
See I'm up in the clizzub, banging the pizzubs
Tryin' to get some skizzirts, cause you know how I dizzoes
I'm real this this crippin' cause it's all in my blizzood
A lot of suckas want to get us, but can't fuck with us
'Cause we some real heavy hitters
'Nuff of that, cuff your ass, stuff your sack and bounce
Roc-A-Fella's in the motherfuckin' Dogghouse (Bon bon bon)
So you know, blow for blow, toe for toe
Chauffeur dough, matter of fact we can go hoe for hoe
(Get this on) And I bet you I beat you
'Cause I keep a bundle of 'em that'll greet you, see you (Bon bon bon)
Then freak you
[Chorus:]
Can I hit that pussy baby? Yeah, you know what's happenin'
Big Snoopy D-O-Double, you know I keep it crackin'
All up in your hizzoes, do it the G way
With my nigga Freeway, bon bon bon
After the show, take them chickens to my room
Makin' the moves, smellin' the fumes, sparkin' the 'dro
She gotta roll after I'm done hittin' her off
Man I smash with my kicks off, live on the road
I get around! Free stay round the coochie
I come around and round up all the groupies
Me and Snoopy swerve in a Coupe DeVille
Pick up a couple chicks and we get the dough
Watch, I show why'all chumps how to work the skills
Man the heat go (Bon bon bon bon bon)
Then I reload (Bon bon bon)
Through your people's peepholes, then I gotta roll
From around! Free stay round the hood strapped
Come around and round up all the hoodrats
In your town, P wish he could that
Roll up a couple more, tell 'em tell the hood that
I get around!
[Chorus:]
Pimpin' (Bon bon bon)
Mackin'
Stackin'
International, roll the dice (Bon bon bon)
Ooooh yeah
Ooooh yeah
In Snoop Dogg's song, "We Get Around" he addresses his promiscuous lifestyle and brags about his ability to have sexual relations with multiple women all over the world. He introduces himself as a player and raps about his ability to satisfy any woman he meets with his pimping or mack techniques. Snoop talks about his travels to different parts of the world for shows where he has come across women from different ethnic backgrounds, naming a few including Shaniqua, Kanika, Pizzearl, and Shizzirl. He emphasizes on his musical collaborations and partnership with Roc-A-Fella, which makes him a force to reckon with in the industry.
The song's chorus reiterates the fact that his sexual prowess proceeds him, and so, he can get any woman he desires. He also addresses the age restrictions on women that he will have sexual relations with by stating that he checks IDs to ensure they are above the age of consent. Snoop Dogg collaborates with Free Way and the music producer, Just Blaze, who helps create an up-tempo beat for the song. The song's arrangements are classic and heavy-laden with a range of instruments that blend well with Snoop Dogg's flow and baritone vocals.
Line by Line Meaning
Laaaaa (Uh!)
Expressing enthusiasm and excitement
(Jeah!)
An affirmation or agreement
Let's get this on, let's get this on
Let's start or initiate what we are planning to do
We can get this pimpin' (Jeah!)
We can engage in promiscuous or player-like behavior
Roll the dice (Just Blaze!)
Take chances and make decisions
We can get this mackin' (Uh-oh!)
We can engage in smooth and charming behavior
(Jeah) Yeaah, bon bon bon
Expressing agreement and enjoyment
From P-H-I L-L-why
Referring to a specific place (Philadelphia)
All the way to L-be -see, that be me
Referring to another specific place (Los Angeles) where the artist is from
The boy F-are-Double-The-E play with mouths
The artist is skillful and manipulative in his speech
I will dot your I's, blaze your T's (Bon bon bon)
I will pay close attention to details and make things happen
No! No! I'm not related to are
Clarifying that the artist is not associated with anyone named 'are'
I don't play with kids, I check IDs
The singer doesn't engage with underage individuals; he verifies their age
If a chick under the age under the wig
If a woman is underage and trying to appear older
Then she don't get under the kid makin' her bleed
She doesn't get involved with the singer, which could lead to trouble
Shit, I'm gone with the breeze, out with the wind
I'm quickly leaving without wasting any time
In Miami, tryin' to win two mamis out on the beach
In Miami, the artist is trying to attract the attention of two attractive women on the beach
They say I'm frontin' my Spanish, I think you prob'ly
People accuse the singer of pretending to know Spanish, but he believes they're probably wrong
Ain't gon' let the papi do you, I spotted you from the beach
The singer is implying that he is not going to let another man flirt with the woman he spotted from the beach
She eat I like a melon
The woman performs oral sex on the artist
Tryin' to ride to my telly, chicks move when the playa speaks
The woman is trying to come back to the artist's hotel; women are attracted to his smooth talking
Them freaks tryin' to meet the Roc
Those promiscuous women are trying to get acquainted with the artist or his crew
And those chicks wasn't shocked when I said
The women were not surprised by the singer's actions or statements
You can get this pimpin' baby, you can get this mackin'
The artist is informing the woman that she can engage in promiscuous or charming behavior with him
All around the world we do it big, you know what's happenin'
The singer and his crew engage in partying and indulging in a lavish lifestyle all over the world; it's something the woman is aware of
Like the way you work it baby, so sexy
The singer finds the way the woman moves or dances to be very attractive and appealing
It's all good, gimme brains on your knees
It's all fine and acceptable; the singer is requesting oral sex from the woman
Can I hit that pussy baby? Yo, you know what's happenin'
The artist is asking the woman if he can have sex with her; he assumes she knows what he means
Big F-are-Double-E, I keep it crackin'
Referring to himself as a well-known and successful individual; he maintains a lively and active lifestyle
All across the wizzorld, we doin' trizzars
The singer and his crew engage in various activities and events all over the world, often involving parties and indulgence
With my nigga Dizzogg (Bon bon bon)
With his friend or associate named Dizzogg; expressing enjoyment and satisfaction
I've been all around the wizzorld, I met a lot of gizzurls
The artist has traveled extensively and met numerous women
Shaniqua, Kanika, Pizzearl, Shizzirl
Referencing different women's names, possibly to emphasize diversity in his encounters
Look, I can go on and on
The artist can continue talking about the subject indefinitely
'Cause my game is strong, word is bond
The singer is confident in his skills, particularly in attracting women and being smooth in his actions
Leave me a zone, no, leave me alone
Give me some space or privacy; stop bothering or bothering me
See I'm up in the clizzub, banging the pizzubs
The singer is in the club, enjoying himself and having a good time
Tryin' to get some skizzirts, cause you know how I dizzoes
The singer is trying to approach and engage with women because he is skilled at it
I'm real this this crippin' cause it's all in my blizzood
The singer is genuinely representing his lifestyle and identity, as it runs in his blood
A lot of suckas want to get us, but can't fuck with us
Many individuals desire to be like us or compete with us, but they are unable to match our level
'Cause we some real heavy hitters
We are powerful and influential individuals
'Nuff of that, cuff your ass, stuff your sack and bounce
Enough of talking or wasting time; get ready to leave or depart while securing your belongings
Roc-A-Fella's in the motherfuckin' Dogghouse (Bon bon bon)
A reference to his affiliation with Roc-A-Fella Records; expressing enjoyment and satisfaction
So you know, blow for blow, toe for toe
A state of competition or confrontation, where actions or hits are traded equally
Chauffeur dough, matter of fact we can go hoe for hoe
Spending money extravagantly; the artist is suggesting a competition in attracting or being with women
'Cause I bet you I beat you
The artist is confident that he will come out on top in the competition
'Cause I keep a bundle of 'em that'll greet you, see you (Bon bon bon)
The singer has many women (bundle) who will enthusiastically meet or spend time with you
Then freak you
They will engage in sexual activities with you
After the show, take them chickens to my room
After the performance, bring these women to my hotel room
Makin' the moves, smellin' the fumes, sparkin' the 'dro
Engaging in various actions, enjoying the aroma of drugs, and smoking marijuana
She gotta roll after I'm done hittin' her off
The woman must leave after the singer has finished having sex with her
Man I smash with my kicks off, live on the road
The artist has sex with his shoes off, referring to his lifestyle of constantly traveling
I get around! Free stay round the coochie
The artist is promiscuous and frequently engages in sexual encounters
I come around and round up all the groupies
The singer attracts and gathers all the enthusiastic female fans
Me and Snoopy swerve in a Coupe DeVille
The singer and his acquaintance named Snoopy drive stylishly in a specific car model
Pick up a couple chicks and we get the dough
They pick up a few women and make a lot of money together
Watch, I show why'all chumps how to work the skills
The artist will demonstrate his superior abilities and skills to anyone who doubts him
Man the heat go (Bon bon bon bon bon)
The intensity or excitement increases significantly
Then I reload (Bon bon bon)
The singer takes a break or rest to regain his energy and prepare for the next phase
Through your people's peepholes, then I gotta roll
The artist gathers information or gets a glimpse of other people's lives, then leaves or moves on
From around! Free stay round the hood strapped
The singer is present and active in his neighborhood, carrying weapons for protection
Come around and round up all the hoodrats
The singer attracts and gathers all the promiscuous women in his neighborhood
In your town, P wish he could that
Referring to someone named P, who wishes they could attract as many women as the singer
Roll up a couple more, tell 'em tell the hood that
Smoke more drugs and inform others in the neighborhood about it
I get around!
The artist is promiscuous and frequently engages in various activities
Pimpin' (Bon bon bon)
Engaging in promiscuous behavior, often involving multiple sexual partners
Mackin'
Charming or seducing others, especially women, with smooth talk and persona
Stackin'
Accumulating wealth and money
International, roll the dice (Bon bon bon)
Engaging in various activities and taking risks on a global scale; expressing enjoyment and satisfaction
Ooooh yeah
Expressing pleasure or agreement
Ooooh yeah
Expressing pleasure or agreement
Lyrics © Universal Music Publishing Group, Sony/ATV Music Publishing LLC, O/B/O CAPASSO, Warner Chappell Music, Inc.
Written by: CALVIN BROADUS, LESLIE PRIDGEN, JUSTIN GREGORY SMITH
Lyrics Licensed & Provided by LyricFind
black sam
classic
k success
Classic old school
Donya Randall
Snoop Dogg sound better on East coast beat he sound corny on west coast beat I'm sorry