As of June 2012, Rob Lowe is no longer a member of Candlemas.
Formed in the spring of 1987, the lineup began as John Perez; quit his former seminal thrash metal band Rotting Corpse in early 1987. Perez, already a veteran of the metal scene, had begun to tire of the limitations of thrash and sought a new sound. Already a long time follower of the early 1980s classic doom groups like Witchfinder General, St. Vitus, Black Hole, Nemesis and the like, Perez decided to adopt a doom metal sound. Perez assembled a group of musicians over the next year namely; Brad Kane - Drums (another member of the early 1980s thrash scene), Kris Gebhardt - vocals (previously with over the top Satanic death metal band Death Tripper), Tom Martinez - guitar and Chris Hardin - bass. After writing songs and rehearsing up until December 1987, the band entered the studio in Jan 1988 to record their legendary 5-song demo entitled “Justice for all.” It should be noted that this title and demo preceded the Metallica album of the same name by some 7 months. Also of interest is that the band's name at this time was Solitude. It would not be until two years later that the band would be forced to change the name to Solitude Aeturnus.
After the release of the demo, various gigs around the local area followed. The response was lukewarm at best since no one around the area knew what to think of the band. In late '88 changes started to occur within the band and without going into too many details the members of the band all changed finally settling on a lineup that consisted of Perez - guitars, Edgar Rivera - guitars, Robert Lowe - vocals, Lyle Steadham - bass and John "Wolf" Covington on drums. This lineup would last for the next 7 years taking the band all the way to 1996. Of special interest is that Lyle Steadham actually joined the band on drums while Chris Hardin was still on bass. This particular line-up recorded the second official demo of the band containing two classic tracks, "Mirror of Sorrow" and "Opaque Divinity.” Lyle would shortly move over to bass duties as Hardin left the band and Covington joined.
This two-song tape caught the attention of the independent label King Classic. The band entered the prestigious Dallas Sound Lab in January 1990 to record their classic debut album, "Into the Depths of Sorrow.” After a disastrous first mix, the band went back to Sound Logic Studios (where the two demos were done) for a remix. It was a nightmare to try to fix but the band managed to capture a great, albeit raw sound nonetheless. The whole album was recorded for a paltry sum of $3000 and done in 7 days including the remix. Shortly after the album was delivered, the album suffered a delay due to King Classic not having the money to put it out. After some shopping around the album eventually caught the attention of Roadrunner Records and a licensed deal followed by Solitude Aeturnus signing directly to Roadrunner followed, after numerous other delays, the album finally saw the light of day in July 1991 a full year and a half after the album was recorded. No tours followed although by this time the band had already written enough songs for a second album. In March 1992, the band entered Sound Logic recording studios to begin the sessions for the second album, "Beyond the Crimson Horizon"
The budget for "Beyond" was much greater and as a result, the sound was improved, the album was released in July 1992 and eventually a US tour was set up in late November with Paul Di'Anno's Killers. The tour lasted six weeks and was a great success for the band. Shortly after in February 1993 the band was dropped from Roadrunner. This came as a sigh of relief for the band as the proper support from Roadrunner never came their way. It would not be until December that the band would finally sign a new recording contract with up and coming label, Pavement Records.
The band decided to get away from their familiar surroundings and took off for England to record their third album, Through the Darkest Hour. Recorded in late March 1994 at Rhythm Studios, this was to be among the band's best work to date, showing a simpler and heavier direction. The production was also at its best and the band was moving their way up the metal ladder.
"Darkest Hour" received critical acclaim all across the globe upon its release in August 1994. After a few months of negotiating, the band went on the road with metal legends Mercyful Fate for an extensive US tour. The tour lasted six weeks and shortly after the band embarked on their first tour of Europe with fellow doom band Revelation. After this tour, the band went through a long break that would last until the April of 1996 when recording for the next album commenced. During this time, Perez started his own Brainticket Records label as well as recording a solo album under the name of The Liquid Sound Company. The next album, "Downfall" was recorded in Dallas TX and despite receiving praise once again for their efforts, the band was extremely dissatisfied with the product. The songs were top notch but the production quality of the album was poor. After years of hard knocks and never-ending struggles, the band underwent their first (and only) major lineup change.
Lyle Steadham left the band shortly after the recording of Downfall. Primary because he was tired of the group's sound and eventually formed the punk band the Kill keeps. The band continued on enlisting the services of Teri Pritchard in as temporary bassist. This line-up toured Europe in April 1996 with Swedish power metal band Morgana Lafey. Another unintentional break followed and a split from Pavement Records eventually occurred. During this time new bass player, Steve Mosley was added to the band. A long time friend and fan of the band, Steve was the perfect replacement for Lyle. The band then signed on to German label Massacre Records in December 1997 and recorded what was to become their masterpiece, "Adagio.” This time going back to Rhythm Studios in England the album was recorded in March 1998 and released in June of the same year. The band toured Europe in September 1998 with Savior Machine in support of the record. Adagio finally saw a U.S. release in January 1999 through Olympic Records. Being distributed through PolyGram, the Olympic deal gave the band even greater exposure in the native country.
Beneath the Fading Sun
Solitude Aeturnus Lyrics
Jump to: Overall Meaning ↴ Line by Line Meaning ↴
And who shall do the same
For empty halls and shadowed flames
For kin that nigh remain
Tonight I sleep
And nightmares have their reign
In grayish dawns and visions gone
Tomorrow see
A lonely child in pain
His father torn in tides of war
But tears cannot regain
I cannot believe
As I see the fading sun
The child has turned and gone away
The future now is done
The lyrics of Solitude Aeturnus's song, "Beneath the Fading Sun," reflect a sense of loss and despair. The first verse speaks of weeping for empty halls and shadowed flames, possibly symbolizing the loss of something that was once bright and full of life. The line "For kin that nigh remain" suggests that the sadness may be due to the loss of loved ones who are still alive, but perhaps too distant or estranged to offer comfort.
The second verse continues the theme of loss and despair, with the singer describing haunted nights filled with nightmares and visions that are now gone. The line "The world is not the same" seems to suggest a sense of disconnection or alienation from the world, as if the singer is struggling to find a place in a world that no longer holds meaning or purpose for them.
The final verse offers a compelling image of a "lonely child in pain" whose father has been torn apart by war. The singer acknowledges that tears cannot undo the pain and loss that the child has suffered. The final line, "The future now is done," suggests a bleak and hopeless outlook on the world and the possibility of finding solace or redemption.
Line by Line Meaning
Today I weep
I am crying today
And who shall do the same
Who else will cry for what I am crying for
For empty halls and shadowed flames
For deserted places and lost passions
For kin that nigh remain
For family that is still nearby
Tonight I sleep
I am going to sleep tonight
And nightmares have their reign
I will have bad dreams tonight
In grayish dawns and visions gone
During the bleak mornings and lost aspirations
The world is not the same
The world has changed for the worse
Tomorrow see
Look to the next day
A lonely child in pain
An isolated and hurting young person
His father torn in tides of war
His father affected by the violent waves of conflict
But tears cannot regain
Crying does not fix the situation
I cannot believe
I am unable to accept
As I see the fading sun
As I witness the sun slowly setting
The child has turned and gone away
The young person has left and moved on
The future now is done
There is no hope for what is to come
Lyrics © Universal Music Publishing Group
Written by: EDGAR RIVERA, JOHN COVINGTON, JOHN PEREZ, LYLE STEADHAM, ROBERT LOWE
Lyrics Licensed & Provided by LyricFind