Sonic Boom Six first appeared on the Manchester punk scene in April 2002. Some of their members were previously in the band Grimace. Their self-titled demo, recorded with Jerry Melchers, was self-released in October 2002. To promote the CD, they toured the UK with third wave ska veterans The Toasters and London ska punk/hip hop band King Prawn. They also toured with Coolie Ranx and performed as his backing band. In September 2003, they released The Turbo EP, their first release for Moon Ska Europe. This was produced by Ace (of Skunk Anansie) and Christophe. After a series of good reviews, Sonic Boom Six were invited to perform a session on BBC Radio One's The Lock Up.
After further touring with Catch 22, as well as on the Moon Ska Launchpad Tour 2004 (alongside Zen Baseballbat, Graveltrap, Babar Luck and Dumpster Pop), the band re-united with Ace and Christophe to record their second EP. Sounds to Consume was released on Moon Ska Europe in August 2004, and include the Turbo EP as bonus tracks. After tour dates with Leftöver Crack and The Suicide Machines, the band appeared on BBC2's Asian arts programme Desi DNA performing in a scrapyard, as well as being interviewed by Adil Ray for his show on the BBC Asian Network.
Sonic Boom Six performing "All In" with Itch of The King Blues. Leeds Festival, Bramham Park, 27 August 2006
In early February 2005, Sonic Boom Six replaced guitarist Dave "Hellfire" Kelly with guitarist Ben, who used to play sax, thus making SB6 a four-piece. Ben's old sax parts are now played through a sampler when performing live, or by musicians from other bands, such as Grown at Home and The Flaming Tsunamis. In 2005, the band opened the Love Music Hate Racism event on the Leftfield Stage at the Glastonbury Festival, played Belgium's Sortie 23 festival and performed at the premier of the Rock Against Racism film Who Shot the Sheriff? with HARD-Fi and Roll Deep. 2005 also saw the release of the Champion Edition of Sounds to Consume, which featured four of their original demo tracks (remixed by Tim G), three remixes, an acoustic track and a video. They also embarked on several dates on the inaugural Good To Go Tour alongside The Aquabats and Never Heard of It.
In 2006, the band recorded their second session for BBC Radio 1's The Lock Up, which was broadcast on 27 June. They were joined by Pete and Tucker from Jesse James and Itch from The King Blues. Their debut full-length album, The Ruff Guide to Genre-Terrorism, was released on 10 July 2006 on Deck Cheese Records, and in August 2006 the band played the Reading and Leeds Festivals as a last minute replacement for Paramore. They were joined again by Itch of The King Blues for a performance of "All In" (singing the parts of the song written by Coolie Ranx) and Nick 'The Blade' Horne of Howards Alias, partner of vocalist Laila, who played trombone on the songs "Bigger Than Punk Rock" and "Until the Sunlight Comes".
In May 2007, they played at the Slam Dunk Festival at Leeds University Union with Paramore and Reel Big Fish. During Reel Big Fish's set, Laila joined the band on stage to sing parts of "She Has a Girlfriend Now" alongside Aaron Barrett. She joined them again during Reel Big Fish's Monkeys for Nothin' winter tour in 2008. They played the Reading and Leeds Festivals again in 2007, on the Lock Up stage, playing not only their own material but covering the song "Sound System" by Operation Ivy. During this song, Itch from the King Blues once again joined them on stage to sing it. November 2007 saw the release of the band's second full-length CD, Arcade Perfect, on their own Rebel Alliance Recordings.
In May 2008, the band embarked on the Rude Awakening 2008 tour, alongside Big D and the Kids Table and Random Hand. 2008 also saw a second Ruff and Ready tour. This was followed by the release of a remixes, b-sides and rarities album entitled Play On: Rare, Rejected and Arcade Perfected, which the band toured in support of in late 2008. Nick Horne also joined the band as a full time member, now playing guitar and bass live as well as trombone. They played at the Hevy Music Festival on 1 August 2009.
In May 2009 Sonic Boom Six released their third album City of Thieves, once again on Rebel Alliance Recordings. August 2009 saw Sonic Boom Six open the Main Stage at the Reading and Leeds Festival.
On 8 October 2009, it was announced on the band's official website that Ben Childs would be leaving the band after the forthcoming "Boom or Bust" tour and that he would be temporarily replaced by Matthew Reynolds – current vocalist and guitarist with rock band Drawings and also formerly of Howards Alias. In February 2010 new permanent member James "Jimmy T Boom" Routh, formerly of Myth of Unity, joined the band on guitar.
Virus
Sonic Boom Six Lyrics
Jump to: Overall Meaning ↴ Line by Line Meaning ↴
No one is immune or fit to defend
The poison in our veins that spreads as we play pretend.
It's coming to get ya!
It's like the rising tides of polluted seas.
It's like the credit card with the hidden fees.
It's like the man that sleeps on the street tonight and when he asks us for change we avoid his eyes.
Could be the, money spent on helping out the poor.
It's like the pensioner inside her council home who can't pay for her heating and dies in her sleep alone.
And I've seen, no vaccine, only the writing on the wall.
White Blood cells inside our system don't work at all.
And I've seen, no vaccine, only the writing on the wall.
The writing on the wall.
It's like a virus, and it's coming to get you my friend.
No one is immune or fit to defend
The poison in our veins that spreads as we play pretend.
It's coming to get ya!
It's like the nurse that's working a twelve hour day.
It's like the thirty-five grand for a bottle of champagne.
It's the multinationals avoiding their taxes while they're raising VAT for bailing out all the banks.
It's like the kid that's smashing up the Cash Converter.
The bonus for the bosses of the corporate merger.
The way we call a quarantine for everyone else and never even realise we had the virus ourselves.
And I've seen, no vaccine, only the writing on the wall.
White Blood cells inside our system don't work at all.
And I've seen, no vaccine, only the writing on the wall.
The writing on the wall.
It's like a virus, and it's coming to get you my friend.
No one is immune or fit to defend
The poison in our veins that spreads as we play pretend.
It's coming to get ya!
It's coming to get you my friend. It's like a Virus.
The song "Virus" by Sonic Boom Six is a powerful commentary on the things that are infecting our society and causing harm to individuals and communities. The song likens these societal ills to a virus that is spreading and cannot be stopped, affecting everyone regardless of their social status or privilege. The lyrics describe the many forms that this virus can take, from polluted seas to the cost of war, from the plight of the homeless to the luxuries of the wealthy, and from corporate greed to individual acts of desperation.
The infectious quality of the virus is reinforced by the repeated refrain "It's like a virus, and it's coming to get you my friend. No one is immune or fit to defend The poison in our veins that spreads as we play pretend. It's coming to get ya!" This emphasizes that the virus is not a distant threat, but something that is already here and affecting us all, whether we are aware of it or not. The lyrics paint a bleak picture of a society that is sick with a virus that is spreading and may ultimately be fatal unless we take action to cure it.
Overall, "Virus" is a powerful and thought-provoking song that challenges us to think about the societal ills that are affecting us and to take action to address them. It is a call to recognize that we are all in this together and that we must work together to find a cure for the virus that is infecting us.
Line by Line Meaning
It's like a virus, and it's coming to get you my friend.
The problems we face as a society are like a virus, and they will affect everyone, no matter how wealthy or privileged.
No one is immune or fit to defend
No one is exempt from these problems, and we are not prepared to deal with them.
The poison in our veins that spreads as we play pretend.
Our societal issues are like a deadly poison that affects everyone, even if we try to ignore them or deny their existence.
It's like the rising tides of polluted seas.
Societal issues are like the pollution that affects our natural environment, growing and spreading like a disease.
It's like the credit card with the hidden fees.
Just as hidden fees can add up to significant debt on a credit card, so too can hidden societal issues accumulate into major problems for everyone.
It's like the man that sleeps on the street tonight and when he asks us for change we avoid his eyes.
We often choose to ignore the plight of the homeless and marginalized, just as we might avoid making eye contact when someone asks for money.
It's like the cost of sending out our troops to war.
We often prioritize military spending over addressing societal issues, even though the latter may lead to more peaceful and prosperous outcomes.
Could be the, money spent on helping out the poor.
Investing in addressing societal issues and helping those in need could lead to greater overall wellbeing for everyone.
It's like the pensioner inside her council home who can't pay for her heating and dies in her sleep alone.
Our societal problems can have tragic consequences for vulnerable groups, such as the elderly who cannot afford basic necessities and may die as a result.
And I've seen, no vaccine, only the writing on the wall.
We often ignore the warning signs of societal issues, failing to take proactive action to address them before they become more severe.
White Blood cells inside our system don't work at all.
Our societal mechanisms for addressing problems are ineffective, leaving us vulnerable to crises that could have been avoided.
It's like the nurse that's working a twelve hour day.
Our societal problems can also impact those on the front lines, such as healthcare workers who are overworked and underpaid, despite providing essential services.
It's like the thirty-five grand for a bottle of champagne.
The wealthy often prioritize extravagance over addressing societal issues, creating greater societal inequalities.
It's the multinationals avoiding their taxes while they're raising VAT for bailing out all the banks.
Corporate interests often undermine efforts to address societal issues, prioritizing profit over the well-being of the population as a whole.
It's like the kid that's smashing up the Cash Converter.
Societal problems can also manifest in destructive behavior, such as vandalism, as people express their frustration and discontent.
The bonus for the bosses of the corporate merger.
The wealthy often benefit from societal issues, receiving bonuses for actions that contribute to the problem rather than working to solve it.
The way we call a quarantine for everyone else and never even realise we had the virus ourselves.
We often fail to recognize our own role in contributing to societal issues, instead blaming others and calling for quarantines that do not address the root cause of the problem.
It's coming to get you my friend.
Ignoring societal issues will not make them go away, and we will all eventually be affected by their consequences.
It's coming to get ya!
The problems we face as a society will not go away on their own, and we must take proactive action to address them before it's too late.
Writer(s): Ben Childs, Laila Khan, James Routh, Paul Barnes, Neil Mcminn Copyright: David Platz Music
Contributed by Jonathan S. Suggest a correction in the comments below.
therandomgoth
I officially cannot get enough of this song. Thumbs up for the amazing sound.
Kriss Kitten
Can't get enough of this song. Just the best thing I've seen in ages. got my tickets for London. can't wait. can't wait :)
Ian Brooker
SB6 continuing to produce brilliant original exciting and meaningful music. With a sense of humour and with anger. Love it!
NickyD1978
Still love this tune, even in 2020 where a virus is pulling us all down.
Can't wait til we can see you live again.
andyyydotcom
I saw these guys with Yashin and Skindred back in August. I know neither are exactly heavy metal, but damn, SBS were the best band that day. They had a little bit of everything in their set. It's not about how heavy you are, nor how "riffy" your band can be, its about the vibe your music creates and SBS are amazing at creating awesome vibe.
Sonic Boom Six
Yes, there are real drums on it, along with samples on the kick and snare and totally live cymbals. No different than on 90% of rock tunes!
Peter Vittus
noise 😊
Ph Mu
Wicked new album. Shame some people can't adapt to what these guys are now. They're still awesome and trying to put messages across....gr8 stuff. Evolve or be extinct...:)
Christopher Manos
One word: Awesome.
I saw this band open for the Pilfers in Philly several years ago. They crushed it.
Glad to see they are even better and growing into such a strong musical force.
Way to go!
DaNgErHaZaRdLiFe
This was the first song that brought me to love you. No joke, it doesn't matter what voice tuning or what the band uses etc, im a fan and always will be to a brilliant and fantastic band! Bring on the new tunes! xo