Clyde Vernon "Sonny" Landreth (born February 1, 1951) is an American blues … Read Full Bio ↴Clyde Vernon "Sonny" Landreth (born February 1, 1951) is an American blues musician from southwest Louisiana who is especially known as a slide guitar player. He was born in Canton, Mississippi, but soon after, his family moved to Jackson, Mississippi, before settling in Lafayette, Louisiana. When he is not touring and performing, he resides in Breaux Bridge, Louisiana.
Although Landreth is an extremely competent guitarist in the conventional form, he is most well-known for his slide playing. Landreth has developed a technique where he also frets notes and plays chords and chord fragments behind the slide while he plays. Landreth plays with the slide on his little finger, so that his other fingers have more room to fret behind the slide. He's also known for his unique right-hand technique, which involves tapping, slapping, and picking strings, using all of the fingers on his right hand.
Landreth has worked steadily for decades and amassed a following among his fans and peers. Eric Clapton has said he is "probably the most underestimated musician on the planet and also probably one of the most advanced.
Sonny Landreth's official website (Warning: Flash) is http://www.sonnylandreth.com.
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Sonny Landreth released his Newest CD: "From the Reach"!“This ninth album, is the first is released on his own Landfall label. On it, the Louisiana-based slide guitar wizard does something unprecedented in his body of work, as he collaborates with five of the greatest guitar players on the planet – Eric Clapton, Mark Knopfler, Robben Ford, Eric Johnson and Vince Gill – for some jaw-dropping performances. Also making a house call is legendary New Orleans pianist and singer Dr. John and iconic Gulf Coast troubadour Jimmy Buffett and also features Nadirah Shakoor (backing vocals) from Buffett discovery.
On the opener, “Blue Tarp Blues,” Sonny trades solos with Knopfler, and the aural contrast between Sonny’s shimmering slide and the Dire Straits leaders’ biting Strat is a textural treat. Clapton cuts loose on the following “When I Still Had You,” adding his soulful voice to the choruses as well. Slowhand then wails on “Storm Of Worry”, a spooky slow blues reminiscent of his Bluesbreakers era.
“The Milky Way Home” is a powerful instrumental rocker that features Eric Johnson on delectably distorted guitar passages that morph into his trademark violin-like sound. “The Goin’ On” shifts into a country rock groove, with Vince Gill and Sonny alternating guitar solos and lead vocals. Robben Ford brings his soulful tone and phrasing to “Way Past Long” and “Blue Angel (the latter with Gill on backing vocals), as Landreth swaps his trusty Strat for a Les Paul. Each of these performances is an extraordinary showcase of brilliant players reacting to each other in supremely inspired fashion.
“I’ve wanted to make this kind of record for a long time – to do an entire album that would feature some of my favorite players as special guests,” says Landreth, who’s as articulate as he is virtuosic. “And after all these years, I’ve gotten to become friends with them, so that addressed the question of, who do you ask? Every one of them wanted to do it, so that really fired me up.”
“The other thing was how to do it without it being yet another clichéd ‘duets’ album,” he continues. “Then I got the idea to write the songs specifically for each of the artists and that was the real hook for me, as a writer as well as a guitar player. I grew up listening to Eric and Mark, and these other players have influenced me along the way. Not only that, but we all came up listening to a lot of the same music, so we had common ground to work with. Once someone would say yeah, then I had to come up with songs that were worthy of them.”
Landreth spent a year writing these songs, and another year putting the album together—a logistical feat of some magnitude considering the fact that every one of the principals, including Landreth, spends considerable time on the road. The process for most of the recording involved two stages. After Landreth had a particular song written, he went in the studio with his band and longtime engineer Tony Daigle and completed the basic tracks, leaving space for the guests. Daigle then sent his mix of the tune to the guest to contribute his or her parts. (The exceptions were the tracks with Gill, which were cut face to face in Nashville, and the one featuring Dr. John, which was recorded in New Orleans.)
“I’d get back these fantastic solos, and I’d go, ‘Oh my God, I’ve gotta re-cut mine!” Sonny recalls with a laugh. He’s exaggerating, but he did take a second pass at a couple of his parts.
The final stereo mixes feature Landreth on the left and the other players on the right. “We did it to tap into the conversational aspect of it,” Sonny points out. Current technology brought virtually unlimited flexibility to the recording process, but in the end what matters is that the performances truly feel in the moment—even if that moment was actually separated by time and physical distance.
“That was of course the goal with these performances,” Sonny confirms. “They’ve gotta feel right. I was going for the essence of what about these fabulous musicians inspired me to begin with, and that’s what I honed in on. I was able to go, ‘This sounds like a lick he would do,’ and then write that into the arrangement. The guests then had a chance to flesh the concepts out. I really wanted to make sure we captured each of their individual voices on the guitar, and I feel like we did that.”
In one of two delightful changes of pace to the album’s six-string focus, Dr. John brings the requisite gris-gris to “Howlin’ Moon” with his trademark rollicking piano and harmonies, on which he’s joined by Jimmy Buffett. “Although the central idea of the record was playing with my guitar heroes, I wanted to be open to the unexpected as well,” Sonny explains. “I’d written ‘Howlin’ Moon’ a long time ago, and I always had Dr. John in mind for it. Then we took it a step further with Jimmy’s vocal and the vibe was perfect.”
As for the rest, “Let It Fly,” a slice of exotica so warm that sweat drips off it, features backing vocals from Buffett discovery Nadirah Shakoor. The title of “Uberesso,” a blistering instrumental from Landreth and his band, was inspired by Sonny’s passion for espresso. The album closes with the metaphysical ballad “Universe,” as Gill adds his glorious voice to the goosebump finale.
Anchoring the grooves is Landreth’s touring rhythm section featuring longtime musical partner Dave Ranson on bass and Mike Burch on drums. Steve Conn, another regular, is on keyboards. Sam Broussard plays acoustic guitar on “Universe” and “Let It Fly.”
As for the intriguing album title, “I thought about it a lot,” says Sonny. “One of the most interesting things to me in the songwriting process is letting it cook and bubble and see what comes up to the top. As I was writing these songs, the word ‘reach’ kept coming up, and ‘reach’ is a pretty powerful word. Aside from the obvious meanings, it can refer to a body of water. And the water imagery kept appearing as well, so it’s like this is what came up out of this whole project for me. What would happen if I invited all these people; where would this take me? I literally reached out to them, and they graciously came on board. Then there was the impact locally of Hurricane Katrina. So the title is the result of all of the above. It’s coming from an honest place.”
The same could be said of everything this one-of-a-kind artist has done in his single-minded career.
Source:-- Bud Scoppa
http://vetril.blogspot.com/2008/05/sonny-landreth-new-cd-from-reach.html
Landreth was born February 1, 1951, in Canton, MS, and his family lived in Jackson, MS, for a few years before settling in Lafayette, LA. Landreth, who still lives in southwest Louisiana, began playing guitar after a long tenure with the trumpet. His earliest inspiration came from Scotty Moore, the guitarist from Elvis Presley's band, but as time went on, he learned from the recordings of musicians and groups like Chet Atkins and the Ventures. As a teen, Landreth began playing out with his friends in their parents' houses.
"They would ping-pong us from one house to another, and though we were all awful at first, as time went on we got pretty good. It's an evolutionary process, just like songwriting is," Landreth explained in an interview on his 44th birthday in 1995. After his first professional gig with accordionist Clifton Chenier in the 1970s (where he was the only White guy in the Red Beans and Rice Revue for awhile), Landreth struck out on his own, but not before he recorded two albums for the Blues Unlimited label out of Crowley, LA, Blues Attack in 1981 and Way Down in Louisiana in 1985. If anyone is living proof of the need to press on in spite of obstacles, it is Landreth.
The second of those two albums got him noticed by some record executives in Nashville, which in turn led to his recording and touring work with John Hiatt. That led to still more work with John Mayall, who recorded Landreth's radio-ready "Congo Square." More recently, he's worked with New Orleans bandleader and pianist Allen Toussaint (who guests on several tracks on South of I-10, as does Dire Straits guitarist Mark Knopfler). In the last years he was on tour with guitarist, composer and singer Hank Shizzoe.
On Landreth's brilliant albums for Zoo, the lyrics draw the listener in to the sights, sounds, smells and heat of southwest Louisiana, and a strong sense of place is evident in many of Landreth's songs. Although his style is completely his own and his singing is more than adequate, Landreth admits that writers like William Faulkner have had a big influence on his lyric writing. The fact that it's taken so long for academics at American universities to recognize the great body of poetry that blues is concerns Landreth as well. Robert Johnson is Landreth's big hero when it comes to guitar playing. "When I finally discovered Robert Johnson, it all came together for me," Landreth said, noting that he also closely studied the recordings of Skip James, Mississippi John Hurt and Charley Patton.
FOR SPECIAL VIDEOS See Also:
Youtube channel: "Sonny Landreth's Specials": http://www.youtube.com/user/WilliamMusicEater
Although Landreth is an extremely competent guitarist in the conventional form, he is most well-known for his slide playing. Landreth has developed a technique where he also frets notes and plays chords and chord fragments behind the slide while he plays. Landreth plays with the slide on his little finger, so that his other fingers have more room to fret behind the slide. He's also known for his unique right-hand technique, which involves tapping, slapping, and picking strings, using all of the fingers on his right hand.
Landreth has worked steadily for decades and amassed a following among his fans and peers. Eric Clapton has said he is "probably the most underestimated musician on the planet and also probably one of the most advanced.
Sonny Landreth's official website (Warning: Flash) is http://www.sonnylandreth.com.
-----
Sonny Landreth released his Newest CD: "From the Reach"!“This ninth album, is the first is released on his own Landfall label. On it, the Louisiana-based slide guitar wizard does something unprecedented in his body of work, as he collaborates with five of the greatest guitar players on the planet – Eric Clapton, Mark Knopfler, Robben Ford, Eric Johnson and Vince Gill – for some jaw-dropping performances. Also making a house call is legendary New Orleans pianist and singer Dr. John and iconic Gulf Coast troubadour Jimmy Buffett and also features Nadirah Shakoor (backing vocals) from Buffett discovery.
On the opener, “Blue Tarp Blues,” Sonny trades solos with Knopfler, and the aural contrast between Sonny’s shimmering slide and the Dire Straits leaders’ biting Strat is a textural treat. Clapton cuts loose on the following “When I Still Had You,” adding his soulful voice to the choruses as well. Slowhand then wails on “Storm Of Worry”, a spooky slow blues reminiscent of his Bluesbreakers era.
“The Milky Way Home” is a powerful instrumental rocker that features Eric Johnson on delectably distorted guitar passages that morph into his trademark violin-like sound. “The Goin’ On” shifts into a country rock groove, with Vince Gill and Sonny alternating guitar solos and lead vocals. Robben Ford brings his soulful tone and phrasing to “Way Past Long” and “Blue Angel (the latter with Gill on backing vocals), as Landreth swaps his trusty Strat for a Les Paul. Each of these performances is an extraordinary showcase of brilliant players reacting to each other in supremely inspired fashion.
“I’ve wanted to make this kind of record for a long time – to do an entire album that would feature some of my favorite players as special guests,” says Landreth, who’s as articulate as he is virtuosic. “And after all these years, I’ve gotten to become friends with them, so that addressed the question of, who do you ask? Every one of them wanted to do it, so that really fired me up.”
“The other thing was how to do it without it being yet another clichéd ‘duets’ album,” he continues. “Then I got the idea to write the songs specifically for each of the artists and that was the real hook for me, as a writer as well as a guitar player. I grew up listening to Eric and Mark, and these other players have influenced me along the way. Not only that, but we all came up listening to a lot of the same music, so we had common ground to work with. Once someone would say yeah, then I had to come up with songs that were worthy of them.”
Landreth spent a year writing these songs, and another year putting the album together—a logistical feat of some magnitude considering the fact that every one of the principals, including Landreth, spends considerable time on the road. The process for most of the recording involved two stages. After Landreth had a particular song written, he went in the studio with his band and longtime engineer Tony Daigle and completed the basic tracks, leaving space for the guests. Daigle then sent his mix of the tune to the guest to contribute his or her parts. (The exceptions were the tracks with Gill, which were cut face to face in Nashville, and the one featuring Dr. John, which was recorded in New Orleans.)
“I’d get back these fantastic solos, and I’d go, ‘Oh my God, I’ve gotta re-cut mine!” Sonny recalls with a laugh. He’s exaggerating, but he did take a second pass at a couple of his parts.
The final stereo mixes feature Landreth on the left and the other players on the right. “We did it to tap into the conversational aspect of it,” Sonny points out. Current technology brought virtually unlimited flexibility to the recording process, but in the end what matters is that the performances truly feel in the moment—even if that moment was actually separated by time and physical distance.
“That was of course the goal with these performances,” Sonny confirms. “They’ve gotta feel right. I was going for the essence of what about these fabulous musicians inspired me to begin with, and that’s what I honed in on. I was able to go, ‘This sounds like a lick he would do,’ and then write that into the arrangement. The guests then had a chance to flesh the concepts out. I really wanted to make sure we captured each of their individual voices on the guitar, and I feel like we did that.”
In one of two delightful changes of pace to the album’s six-string focus, Dr. John brings the requisite gris-gris to “Howlin’ Moon” with his trademark rollicking piano and harmonies, on which he’s joined by Jimmy Buffett. “Although the central idea of the record was playing with my guitar heroes, I wanted to be open to the unexpected as well,” Sonny explains. “I’d written ‘Howlin’ Moon’ a long time ago, and I always had Dr. John in mind for it. Then we took it a step further with Jimmy’s vocal and the vibe was perfect.”
As for the rest, “Let It Fly,” a slice of exotica so warm that sweat drips off it, features backing vocals from Buffett discovery Nadirah Shakoor. The title of “Uberesso,” a blistering instrumental from Landreth and his band, was inspired by Sonny’s passion for espresso. The album closes with the metaphysical ballad “Universe,” as Gill adds his glorious voice to the goosebump finale.
Anchoring the grooves is Landreth’s touring rhythm section featuring longtime musical partner Dave Ranson on bass and Mike Burch on drums. Steve Conn, another regular, is on keyboards. Sam Broussard plays acoustic guitar on “Universe” and “Let It Fly.”
As for the intriguing album title, “I thought about it a lot,” says Sonny. “One of the most interesting things to me in the songwriting process is letting it cook and bubble and see what comes up to the top. As I was writing these songs, the word ‘reach’ kept coming up, and ‘reach’ is a pretty powerful word. Aside from the obvious meanings, it can refer to a body of water. And the water imagery kept appearing as well, so it’s like this is what came up out of this whole project for me. What would happen if I invited all these people; where would this take me? I literally reached out to them, and they graciously came on board. Then there was the impact locally of Hurricane Katrina. So the title is the result of all of the above. It’s coming from an honest place.”
The same could be said of everything this one-of-a-kind artist has done in his single-minded career.
Source:-- Bud Scoppa
http://vetril.blogspot.com/2008/05/sonny-landreth-new-cd-from-reach.html
Landreth was born February 1, 1951, in Canton, MS, and his family lived in Jackson, MS, for a few years before settling in Lafayette, LA. Landreth, who still lives in southwest Louisiana, began playing guitar after a long tenure with the trumpet. His earliest inspiration came from Scotty Moore, the guitarist from Elvis Presley's band, but as time went on, he learned from the recordings of musicians and groups like Chet Atkins and the Ventures. As a teen, Landreth began playing out with his friends in their parents' houses.
"They would ping-pong us from one house to another, and though we were all awful at first, as time went on we got pretty good. It's an evolutionary process, just like songwriting is," Landreth explained in an interview on his 44th birthday in 1995. After his first professional gig with accordionist Clifton Chenier in the 1970s (where he was the only White guy in the Red Beans and Rice Revue for awhile), Landreth struck out on his own, but not before he recorded two albums for the Blues Unlimited label out of Crowley, LA, Blues Attack in 1981 and Way Down in Louisiana in 1985. If anyone is living proof of the need to press on in spite of obstacles, it is Landreth.
The second of those two albums got him noticed by some record executives in Nashville, which in turn led to his recording and touring work with John Hiatt. That led to still more work with John Mayall, who recorded Landreth's radio-ready "Congo Square." More recently, he's worked with New Orleans bandleader and pianist Allen Toussaint (who guests on several tracks on South of I-10, as does Dire Straits guitarist Mark Knopfler). In the last years he was on tour with guitarist, composer and singer Hank Shizzoe.
On Landreth's brilliant albums for Zoo, the lyrics draw the listener in to the sights, sounds, smells and heat of southwest Louisiana, and a strong sense of place is evident in many of Landreth's songs. Although his style is completely his own and his singing is more than adequate, Landreth admits that writers like William Faulkner have had a big influence on his lyric writing. The fact that it's taken so long for academics at American universities to recognize the great body of poetry that blues is concerns Landreth as well. Robert Johnson is Landreth's big hero when it comes to guitar playing. "When I finally discovered Robert Johnson, it all came together for me," Landreth said, noting that he also closely studied the recordings of Skip James, Mississippi John Hurt and Charley Patton.
FOR SPECIAL VIDEOS See Also:
Youtube channel: "Sonny Landreth's Specials": http://www.youtube.com/user/WilliamMusicEater
Prodigal Son
Sonny Landreth Lyrics
We have lyrics for 'Prodigal Son' by these artists:
2-07 Well, I've been a disclaimer for twenty-four years Poor moth…
Aidan Hawken Go out Out Of your house Get in Inside your car Drive …
Ashton Allen I wanted to run I wanted to hide away From all that…
Bad Religion Oh, can't you feel the nostalgia? I wonder about ya Modern-…
Benedictum Caught up in the violence Cloaked in silent secrecy You ar…
Bruce Springsteen In a place where outlaws abound from the range ???on a…
Bully Boss Momma talk a lot What she talking bout (talk, talk, talk, ta…
Cassie Joy A camel pack at midnight From MAPCO down the road You always…
Compañero Asma PRODIGAL SON Listen to me Lamia, listen to what I've…
Embassy of Silence Well ...he never could see the err in his ways It's…
Envy & Other Sins So, your dreams fell by the way, along with any…
Fred Hammond Prodigal Son The Loneliest place in the world is without yo…
G.A. Though it was fun, thought I could Do what I want,…
Gaither & The Gatlin Brothers There was a young man who had the best of…
Gideon Restoration This is the last time I will choose to run f…
Graeme Connors It was gonna be a long walk home With empty pockets Till…
H.P. Mendoza The angels in heaven rejoice when a sinner repents A man…
Hank Williams Recorded by hank williams, sr. Words and music by jenkins […
Heather Dale Did you think that you were better, somehow better than…
Horismos Floating in a moment You know it was chosen You had to…
Iron Maiden Listen to me Lamia, listen to what I've got to…
J.P. DeLaire The angels in heaven rejoice when a sinner repents A man…
Jen Gloeckner If you find you keep slipping on your tongue Well…
Jhybo Like the prodigal son I wandered in darkness And I traded…
Johnny Winter Shine on, prodigal son. Gotta have your morning glory Keep o…
Johnny Winter And Shine on, prodigal son. Gotta have your morning glory Keep…
Josh Williams Well excuse me sir Would you do me a favor? See I…
Joshua White I broke my mother's heart, Lord when I runned away I…
Juan Mordecai Father father won't you tell me what we're living for? From…
Kamelot Essence of beauty Taken to soon Princess of hope Deep in our…
Kid Rock 'cause growin up I was never the logical one, Packed my…
Kim Burrell What happen to the days when we use to talk In…
Kostya Fedulov Prodigal son is back to home Prodigal son is taking the…
KÜCHE - Iron Maiden Listen to me Lamia, listen to what I've got to…
Les Fleur De Lys Do you think that it's too late When you been away…
M. Vaughan The story is told of the prodigal son Who left Father's…
Mark and Brad Runnin' down this dusty road Tryin' to lose this heavy load …
Prodigal Son Broken Lord I'm broken I'm so broken Lord broken I'm broken …
Professor A.L.I. Na me be the prodigal son wey dey castout They been…
Rationale I wanna hold counsel with the ghost of my father Tell…
Rev. J.M. Gates The story is told of the prodigal son Who left Father's…
Rock Kid 'cause growin up I was never the logical one, Packed my…
Rolling Stones Well a poor boy took his father's bread and started…
Roy Acuff [G] A Prodigal son once [C] strayed from his [G]…
Sam Amidon When I left my father′s house I was well supplied I made…
Samamidon When I left my father's house I was well supplied I made…
Sevendust Passing through this life with so much regret It feels like…
Steel Pulse Woy! Desperation has return Sodom and Gomorrah no deh yah so…
Steve Grace I′ve been away a long time Lord I'm coming home Oh I′ve…
The Gatlin Brothers There was a young man who had the best of…
The Gideon This is the last time I will choose to run from…
The Killigans Staring at a cross of splintered wood My sins washed away…
The Petersens O ye prodigal son O ye prodigal son Go ye prodigal son Go…
The Rolling Stones Well a poor boy took his father's bread and started…
Tye Tribbett Though it was fun, thought I could Do what I want,…
Tye Tribbett G.A. Though it was fun, thought I could Do what I want,…
VIKTOH Omo every just dey disturb me everybody just dey complai…
Winter Johnny Winter Shine on, prodigal son. Gotta have your morning glory Keep…
WOHNZIMMER - The Rolling Stones Well a poor boy took his father's bread and started…
Wonderboom I'm getting us lost in our own town Same old streets…
We have lyrics for these tracks by Sonny Landreth:
A World Away wake up baby listen to me it's time to open your eyes snap…
All About You we can't pick up the pieces i'm here to break the…
Ay Ai Ai Way down in Louisiana Underneath the evergreen I was sitti…
Blue Angel Watching over you with eyes as deep as open sky To…
Blue Tarp Blues Air Force One Had a heck of a view Air Force One Had…
Broken Hearted Road Weary head, lay on my pillow Come rest your troubles with…
Cajun Waltz When I look into your eyes They speak your heart to…
Checking Up On My Baby Checkin' on my baby See what she puttin' down Checkin' on …
Congo Square Congo Square Sonny Landreth, Mel Melton, Dave Ranson might …
Creole Angel Bottle rocket combo got a corner on the crowd Under her…
Everybody's Breakin' Everybody's Heart Billy really loves his lady Lou She got eyes for an…
Gemini Blues you say "hi baby bye stop baby go" you say "stay baby…
Gone Pecan stretch the road beneath my treads i got a tap in my…
Hell At Home Her daddy's doorbell was a ringin' When i called on the…
Hell at Home ft Eric Clapton Her daddy's doorbell was a ringin' When I called on the…
Howlin' Moon Make you slide your hand Right down his back Make you…
I Had A Dream Hey where you been After all these years, you come waltzing…
I Know You Rider I know you, rider, gonna miss me when I'm gone; I…
If I Ever Get Lucky Well, if I ever get lucky I'm gonna take a train…
Juke Box Mama this magic box is full of lights and all the songs that'l…
Lady Come Lately Lady, what's wrong with you Now that you caught my eye Where…
Let It Fly You've had a hard road Going town to town But you don't…
Levee Town Sunlight blinking through the cypress knees Lays shadow step…
Little Linda Well, I got a little girl, she sure is sweet You…
Love and Glory Spider-Gris caught Evangeline grinning After one of his tale…
Mojo Boogie Been to New Orleans sho' had a wonderful time Been to…
Natural World There′s somethin' in the air I breathe this mornin′ Caution …
New Landlord Neon lights don't ever dim In the kind of bars that…
Planet Cannonball Hand to hand, arms to arms For every heart that's breaking …
Soldier Of Fortune Burning with a passion turning into greed The wandering feve…
South Of I-10 I woke up in Mississippi in '51 Migrated next door became…
Speak of the Devil you say your man is the jealous kind he knocked you down and…
Storm Of Worry [Chorus:] Storm of worry Shake the family tree Scattering dr…
Sugar Cane Once I had a little girl Brought a smile into my…
The Goin Nightfall Spill the cross (?) While you're pouring out th…
The Parish Line Young temptation Please, don't wink your eyes They got law…
The Promise Land She got great expectations Down in louisianne She got great …
The U.S.S. Zydecoldsmobile You can feel the horses under the hood Through thick and…
This River Right here at the mouth of this river Where we stand…
True Blue true blue i see your head a hangin' down true blue i see…
U.S.S. Zydecoldsmobile You can feel the horses under the hood Through thick and…
Universe Can't sleep Flip flopping, oh 'Cause I sleep too much When m…
Way Past Long I'm getting the feeling loud and clear The time is now…
When I Still Had You Hey where you been After all these years, you come waltzing…
When I Still Have You Hey where you been After all these years, you come waltzing…
When You're Away There are faces everywhere but I walk on In the street…
Without My Baby Well, I'm sitting 'round my house And I don't know what…
You Hey where you been After all these years, you come waltzing…
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