2) A British rock band from Liverpool in the mid 70's. They released two albums, Rush and Back to Thunder.
Strife were formed by Paul Ellson in 1969 with Peter Trotman on guitar, Peter Hobbs on bass , and Ellson on drums. Within a few gigs, Gordon Rowley had replaced Hobbs on bass and also became chief vocalist. Around that time, Graham Kin also joined on keyboards and vocals, leaving within a year to return to studies.
Soon (1971), the band were joined by John Reid, ex The Klubbs, on guitar and vocals. They recorded a demo - 'Preparation' c/w 'Jerafter' as a four peice but soon after, Peter Trotman left the band and they were joined by singer Paddy Breen also ex The Klubbs. Breen's sojourn, however, was short-lived.
In '72, John Reid was badly injured whilst Stock Car racing. Peter Trotman stepped in temporarily but, at a Liverpool Club, Gordon Rowley was electrocuted and almost died on stage, being resuscitated by medics from the stunned audience.
Back together again, the 3 piece record "Magic of the Dawn" a demo recording organised by soul singer Edwin Starr who had seen the band at the Mardi Gras club in Liverpool. (Whist gigging nationally, Strife also often played local, Merseyside venues, sometimes playing Liverpool's Cavern Club, two or even three nights in a week.)
In 1973 Strife went to Los Angeles, they had an invitation to contact Mal Evans, Apple executive and former Beatles road manager. They had met Mal on a film set, 'Little Malcolm'. Although their act was considered too wild and attention-grabbing for the film's club scenes (some audience members spontaneously jumped on the tables, thus spoiling the shots) it's possible that the band may be seen as extras (has anyone out there checked?). Mal Evans was working in L.A. with John Lennon, George Harrison and Ringo Starr. However, the media frenzy at this get-together was so intense that, a few hours prior to the arranged meeting, the ex-Beatles and their entourage had left the city for a secret destination where they could continue their work in peace. No-one, including Strife, were told of the departure or the destination.
As the band walked away from the abandoned meeting place, a pink Cadillac did a U-turn and pulled alongside. It was Edwin Starr. Through Starr they soon met up with R.Dean Taylor and recorded a demo album, both in L.A. and in San Francisco, with Taylor as producer. One of these songs, 'Better Man than I' turned up on the album 'Rush'. These sessions also resulted in the acetate 'Worry', believed to be now owned by renown Liverpool DJ, Billy Butler. Whist on a second trip to the US that year, Strife were offered a deal by the William Morris Agency to replace Grand Funk Railroad on their roster. For some reason, the band were unimpressed and returned to the UK to tour; gigs included the last night of the original Cavern Club.
Strife signed with Chrysalis Records in the UK in '74 and recorded 'Rush'. It was released in early '75 with a strong appearance in the Virgin chart (at the time, the main barometer of UK rock music). As the album was released, Strife toured with Ginger Baker led outfit, The Baker Gurvitz Army. Shortly after this tour, they were joined by guitarist Vic Pappaleo but, despite Vic being an amazing guitarist, the format didn't work out. Strife continued as a three piece, working solidly and increasing their fan-base. However, despite the band's popularity, Chrysalis, whilst going through a corporate identity crisis, refused to release any further material - yet they held Strife to their contract. Regardless of the legal situation, Strife were determined to keep recording and recorded the EP 'School', releasing it on their own label, Outlaw. (Their agent, Paul King was later to take the name 'Outlaw' for his highly successful concert promotions company). After Strife eased out of the Chrysalis contract, 'School' was quickly picked up and released by EMI .
During this mid-70s period the gigging figures showed that Strife were the most in-demand rock band in Britain. No band was safe from being blown offstage. Procol Harum paid Strife off, Judas Priest pulled out, The Average White Band turned plain nasty and Slade's manager, Chas. Chandler, gave instructions that his band should never have to appear with Strife again. Moving from support, from '73 onwards, the band headlined in major venues as well as famous rock clubs such as the London's Marquee and Frankfurt's Zoom.
On New Year's Eve 1977, Paul Ellson left the band to be replaced by David Williams, his former drum roadie. With Williams in the driving seat, the album 'Back to Thunder' was recorded and released on the Gull label. By now though, Punk dominated the scene and, within a year or so, following an illness' of Gordon Rowley, the band split.
3) Dungeon synth. https://strifeofficial.bandcamp.com/
Waiting
Strife Lyrics
Jump to: Overall Meaning ↴ Line by Line Meaning ↴
The tools of knowledge we have received
Our youth removed stripped of verity
But a voice is crying out and we'll take it back
We'll take it back
Take back our hopes our dreams
All within the reach of those who believe in what can be
I'll do what it takes
My voice is still crying out
And we'll take it back
We'll take it back
Waiting
Waiting
I'll fucking hope
I'll fucking dream
I'll fucking believe
But I'm still waiting
Waiting
I'll see the ascension of this disease
Am I alone in my dream
I'm still waiting
Waiting
Waiting
I will wait
The lyrics to Strife's song Waiting suggest the theme of empowerment and the desire to regain control of one's life. The first two lines "Reach back and release the power held in each / The tools of knowledge we have received" imply a call to action, urging the listener to tap into their inner strength and utilize the knowledge they possess to achieve their goals. The following line "Our youth removed stripped of verity" suggests that the younger generation has been robbed of their truth, possibly by societal pressures or expectations, but they won't be silenced. They will use their voice to demand change and take back what they feel has been stolen from them.
The repeated phrase "We'll take it back" reinforces the idea that there is a collective effort to regain control and reclaim what is rightfully theirs. The lines "Take back our hopes our dreams / All within the reach of those who believe in what can be" suggest that the power to make a change lies within themselves and that they need to have faith that they can make it happen. The repetition of "Waiting" creates a sense of anticipation or longing, possibly for a time when they can achieve their goals.
The lines "Am I alone in my dream / I'm still waiting" suggest that the struggle for empowerment can be lonely, and that even though they haven't achieved their goals yet, they are still willing to wait and work towards their vision.
Overall, Waiting is a song that reflects the desire for change and the fight for empowerment despite the challenges they may face.
Line by Line Meaning
Reach back and release the power held in each
Acknowledge your potential and use it to its fullest extent.
The tools of knowledge we have received
We have been given the tools necessary to create change in this world.
Our youth removed stripped of verity
The younger generation has been stripped of their innocence and forced to face the harsh realities of the world.
But a voice is crying out and we'll take it back
There is still hope and determination within us to reclaim what has been lost.
Take back our hopes our dreams
We will not let go of our aspirations and desires.
All within the reach of those who believe in what can be
If we have faith in our abilities, we can accomplish anything.
In faith I wait
With patience, I trust that the future will bring positive change.
I'll do what it takes
I am willing to go above and beyond to achieve my goals.
My voice is still crying out
I will continue to speak up for what I believe in.
Waiting
Patience is necessary in the journey towards progress.
I'll fucking hope
I will hold onto my hopes and aspirations, no matter the obstacles.
I'll fucking dream
I will continue to envision a better future.
I'll fucking believe
I will have faith in the possibility of positive change.
But I'm still waiting
Despite my efforts, progress is not happening fast enough.
I'll see the ascension of this disease
I believe that we will rise above the negativity and problems that plague our society.
Am I alone in my dream
Do others share the same vision as me?
I'm still waiting
Patience is necessary in the journey towards progress.
I will wait
I will not give up on my dreams and aspirations.
Lyrics © BMG Rights Management, Kobalt Music Publishing Ltd., Warner Chappell Music, Inc.
Written by: ANDREW E. KLINE, SIDNEY A. NIESEN, CHAD JEREMY PETERSON, RICK MYRON RODNEY, TODD RYAN TURNHAM
Lyrics Licensed & Provided by LyricFind