T-Bo

Belgian musician Philippe Laloux who records under the moni… Read Full Bio ↴T-Bo

Belgian musician Philippe Laloux who records under the moniker of T-Bo (named after his late son Thibaut) has at last returned with the long awaited follow up to his 2007 album We Stay Together. After the tragic death of his son, who was killed by a drunk driver, Philippe decided that the perfect way to remain connected with him would be to record an ongoing series of albums that would continue to honor his memory. Without giving too much away, when all the albums in this ambitious project are completed the titles, when put together will make up one long sentence. So for now we have We Stay Together, Connected, with Connected being the title of album number two.

Assembled with much of the same cast of musicians that were featured on We Stay Together, Laloux hasn't simply created a sequel to WST with Connected, but rather a natural, flowing extension of that magical first record. All instrumental in nature once again this brilliantly executed collection of music comes together effortlessly as one extended suite of music, instead of fourteen separate tracks. Much like on the WST, the ethereal flute playing of Pierre Gillet is once again featured prominently on the absolutely gorgeous "Reach Out And Be Connected" and "A State Of Mind". Likewise another returning member, guitarist David Epis is on hand to provide some tasteful embellishments when needed, even contributing some lute work as well.

There is such an amazing amount of depth to be found within the arrangements and the performances on each and every one of these tracks. Every musician featured on Connected has totally bought into Laloux's vision and they are there to serve the song first and foremost. It really can't get any better than "Real Moments", a song that features an absolutely soul stirring melody performed by pianist Stéphane Stas, coupled with superb performances from Gillet and Epis once again. On "The Messenger" we are treated to some exquisite violin playing from Fasli Kamberi that is wrapped around another of David Epis' articulate solos. Guest musicians Ingrid Procurer (harp) and Adrian Legrand (cello) add their colorful touches to "Just For You", another dreamy composition that absolutely shines.

If I leave out any one of these fourteen tracks it's not to lessen their importance because each song definitely feels like it's an integral part of the whole experience that is Connected. The album winds down with a couple of majestic pieces of music, "Life Is Not In Vain" and "Nothing Is Finished, Everything Goes On", before closing with an adaptation of a traditional Indian spiritual song "Follow The Spirit", which features the vocals of Jerry Dunson who is originally from the Kiowa and Ponca Indian tribes of Oklahoma.

As I mentioned at the top of this review Connected definitely feels like a natural extension of the first album We Stay Together. The natural grace and beauty flowing through this record makes for a truly captivating listening experience from beginning to end. Music this enriching doesn't come along all that often, so do yourself and Philippe a favor and pick up a copy of Connected. Trust me you will not be disappointed.

Note: You can preview the tracks and purchase We Stay Together and Connected directly at Amazon.com

Track Listing
1) Looking At The Sky
2) Reach Out And Be Connected
3) A State Of Mind
4) Union
5) Real Moments
6) As A Prayer
7) The Messenger
8) Just For You
9) Spiral Of Lives
10) The Blue In My Sky
11) From The Other Side
12) Life Is Not In Vain
13) Nothing Is Finished, Everything Goes On
14) Follow The Spirit

Added: June 16th 2010
Reviewer: Ryan Sparks
Score:
Related Link: Amazon
Hits: 170
Language: english

Shut It Down
T-bo Lyrics

Jump to: Overall Meaning ↴ Line by Line Meaning ↴

When you walk in lay it down
walk in lay it down
walk in lay it down
walk in lay it down
walk in lay it down
walk in lay it down
walk in and lay it down

walk in lay it down (Down Down)

Baby when walk in lay it down
walk in lay it down
walk in lay it down
walk in lay it down

She gonna get it how I give it aye
she want it bad she go half’s
she gonna split it che
yo do the math I’m the man
I’m the nigga yay
oh that’s your man
give a fuck bout what the rumor say
she up and down on that wood like Ogwumike
OK OK she keep it real
them other bitches fake
she know I kill it know I kill it first
forty-eight fuck around and leave it in so long it marinate mari marinate nate nate yeah

(Wa wal)
walk in lay it down
walk in lay it down
walk in lay it down
walk in lay it down
walk in lay it down
walk in and lay it down

walk in lay it down (Down Down)
baby when you walk in lay it down
walk in lay it down
walk in lay it down
walk in lay it down

She gone serve it to me on a plate
game tight got a seal like shark bait
fuckin’ in diamonds knockin’ boots
that’s ice skates
hit it so often had to bundle
with my auto rate
she bounce it fast and she make a nigga concentrate shaking her ass make it roll hips figure eight switchin’ positions
we ain’t even got a separate
yeah my game is all organic
you can carbon date

walk in lay it down
walk in lay it down
walk in lay it down
walk in lay it down
walk in lay it down
walk in lay it down
walk in and lay it down

walk in lay it down (Down Down)
baby when you walk in lay it down
walk in lay it down

walk in lay it down
walk in lay it down

Overall Meaning

The lyrics to T-bo's song "Shut It Down" convey a confident and assertive attitude when it comes to sexual encounters. The repeated phrase "walk in lay it down" emphasizes the singer's ability to take control and satisfy their partner. This phrase serves as a mantra, showcasing their confidence and prowess in the bedroom.

The lyrics also highlight the singer's awareness of their partner's desires and the willingness to fulfill those desires. The line "she gonna get it how I give it" suggests that the singer knows what their partner wants and is ready to provide it. The mention of splitting the act "che" and doing the math implies the idea of equality and fairness in the relationship. The singer sees themselves as the man, the one in charge, and superior to others.

Additionally, there are references to physical pleasure and the intensity of the sexual encounter. The line "she up and down on that wood like Ogwumike" refers to the rhythmic motion during sex, comparing it to basketball player Nneka Ogwumike's agility on the court. The lyrics further emphasize the authenticity and realness of the singer's partner compared to other women who may be fake.

The lyrics also convey a sense of playfulness and enjoyment. The repetition of the phrase "walk in lay it down" and the use of onomatopoeia with "wa wal" signals a catchy and infectious energy. The reference to "carbon dating" plays on the longevity and timeless nature of the singer's sexual prowess.

Overall, the lyrics of "Shut It Down" depict a confident and skilled individual who takes charge in intimate situations, aiming to please their partner while also asserting their dominance. The lyrics are lighthearted and enthusiastic, emphasizing the pleasure and satisfaction derived from sexual encounters.

Line by Line Meaning

When you walk in lay it down
When you enter, give it your all and show your true self

walk in lay it down
Continue to confidently express yourself

She gonna get it how I give it aye
She will receive my love and attention just as I give it

she want it bad she go half’s
She desires it intensely and is willing to share the effort

she gonna split it che
She will divide and share the spoils

yo do the math I’m the man
Calculate and see, I am the one in control

I’m the nigga yay
I am the one they admire and celebrate

oh that’s your man
Oh, that guy you're with

give a fuck bout what the rumor say
I don't care about the gossip or hearsay

she up and down on that wood like Ogwumike
She moves skillfully and energetically on top

OK OK she keep it real
Okay, she stays true to herself

them other bitches fake
The other women are inauthentic

she know I kill it know I kill it first
She knows I excel and deliver satisfaction before anyone else

forty-eight fuck around and leave it in so long it marinate mari marinate nate nate yeah
For forty-eight hours, I may leave it inside her to soak and intensify the experience

(Wa wal)
Sound effect, emphasizing the action

walk in lay it down
Enter and confidently express yourself

She gone serve it to me on a plate
She will present herself and her qualities openly and willingly

game tight got a seal like shark bait
I am skilled and have a secure hold on her like a shark with its prey

fuckin’ in diamonds knockin’ boots
Engaging in sexual activity while wearing expensive jewelry

that’s ice skates
Referring to the smooth, gliding motions during intimacy

hit it so often had to bundle with my auto rate
We have been intimate frequently and had to combine our efforts for protection

she bounce it fast and she make a nigga concentrate shaking her ass make it roll hips figure eight switchin’ positions
She moves seductively and skillfully, captivating my attention with her enticing body movements and changing positions

we ain’t even got a separate
We don't even need breaks or pauses in our connection

yeah my game is all organic
Yes, my approach to relationships is genuine and free-flowing

you can carbon date
It's timeless and authentic, you can verify it through carbon dating

Lyrics © O/B/O APRA AMCOS
Written by: Cenaan Kelley

Lyrics Licensed & Provided by LyricFind

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