T.Rex was a primary force in glam rock, thanks to the creative direction of guitarist/vocalist Marc Bolan (born Mark Feld). Bolan created a deliberately trashy form of rock and roll that was proud of its own disposability, which stood in contrast to the low-key whimsical poetry of the earlier duo. T.Rex's music borrowed the underlying sexuality of early rock & roll, adding dirty, simple grooves and fat distorted guitars, as well as an overarching folky/hippie spirituality that always came through the clearest on ballads. While most of his peers concentrated on making cohesive albums, Bolan kept the idea of a three-minute pop single alive in the early 1970s. In Britain, he became a superstar, sparking a period of "T.Rextacy" among the pop audience with a series of Top Ten hits, including four number one singles. Over in America, the group only had one major hit -- the Top Ten "Bang a Gong (Get It On)" -- before disappearing from the charts in 1973. T.Rex's popularity in the U.K. didn't begin to waver until 1975, and they retained a devoted following until Marc Bolan's death in 1977. Over the next three decades, Bolan has emerged as a cult figure and the music of T.Rex has proved quite influential on hard rock, punk, new wave, and alternative rock.
Following a career as a teenage model, Marc Bolan began performing music professionally in 1965, releasing his first single, "The Wizard," on Decca Records. Bolan joined the psychedelic folk-rock combo John's Children in 1967, appearing on three unsuccessful singles before the group disbanded later that year. Following the breakup, he formed the folk duo Tyrannosaurus Rex with percussionist Steve Peregrine Took. The duo landed a record deal with a subsidiary of EMI in February 1968, recording their debut album with producer Tony Visconti. "Debora," the group's first single, peaked at number 34 in May of that year, and their debut album, "My People Were Fair and Had Sky in Their Hair...But Now They're Content to Wear Stars on Their Brow", reached number 15 shortly afterward. The duo released their second album, "Prophets, Seers & Sages, the Angels of the Ages", in November of 1968.
By this time, Tyrannosaurus Rex was building a sizable underground following, which helped Bolan's book of poetry, The Warlock of Love, enter the British best-seller charts. In the summer of 1969, the duo released their third album, "Unicorn", as well as the single "King of the Rumbling Spires," the first Tyrannosaurus Rex song to feature an electric guitar. Following an unsuccessful American tour that fall, Took left or as is often stated by people close to the band, was sacked. He was replaced by Mickey Finn, previously linked to the band Haphash and the coloured coat.(There are a few more artists using the name Mickey Finn, though that is where the connection ends)! The new duo's first single did not chart, yet their first album, 1970's "A Beard of Stars", reached number 21.
The turning point in Bolan's career came in October of 1970, when he shortened the group's name to T.Rex and released "Ride a White Swan," a fuzz-drenched single driven by a rolling backbeat. "Ride a White Swan" became a major hit in the U.K., climbing all the way to number two. The band's next album, T.Rex, peaked at number 13 and stayed on the charts for six months. Encouraged by the results, Bolan expanded T.Rex to a full band, adding bassist Steve Currie and drummer Bill Legend (born Bill Fifield). The new lineup recorded "Hot Love," which spent six weeks at number one in early 1971. That summer, T.Rex released "Get It On" (retitled "Bang a Gong (Get It On)" in the U.S.), which became their second straight U.K. number one; the single would go on to be their biggest international hit, reaching number ten in the U.S. in 1972. "Electric Warrior", the first album recorded by the full band, was released in the fall of 1971; it was number one for six weeks in Britain and cracked America's Top 40.
By now, "T.Rextacy" was in full swing in England, as the band had captured the imaginations of both teenagers and the media with its sequined, heavily made-up appearance; the image of Marc Bolan in a top hat, feather boa, and platform shoes, performing "Get It On" on the BBC became as famous as his music. At the beginning of 1972, T.Rex signed with EMI, setting up a distribution deal for Bolan's own T.Rex Wax Co. record label. "Telegram Sam," the group's first EMI single, became their third number one single.
"Metal Guru" also hit number one, spending four weeks at the top of the chart. The Slider, released in the summer of 1972, shot to number one upon its release, allegedly selling 100,000 copies in four days; the album was also T.Rex's most successful American release, reaching number 17. Appearing in the spring of 1973, Tanx was another Top Five hit for T.Rex; the singles "20th Century Boy" and "The Groover" soon followed it to the upper ranks of the charts. However, those singles would prove to be the band's last two Top Ten hits. In the summer of 1973, rhythm guitarist Jack Green joined the band, as did three backup vocalists, including the American soul singer Gloria Jones; Jones would soon become Bolan's girlfriend. At the beginning of 1974, drummer Bill Legend left the group and was replaced by Davy Lutton, as Jones became the group's keyboardist.
In early 1974, the single "Teenage Dream" was the first record to be released under the name Marc Bolan and T.Rex. The following album, Zinc Alloy and the Hidden Riders of Tomorrow, was the last Bolan recorded with Tony Visconti. Throughout the year, T.Rex's popularity rapidly declined -- by the time "Zip Gun Boogie" was released in November, it could only reach number 41. Finn and Green left the group at the end of the year, while keyboardist Dino Dines joined. The decline of T.Rex's popularity was confirmed when 1975's Bolan's "Zip Gun" failed to chart. Bolan took the rest of the year off, returning in the spring of 1976 with "Futuristic Dragon", which peaked at number 50. Released in the summer of 1976, "I Love to Boogie," a disco-flavored three-chord thumper, became Bolan's last Top 20 hit.
Bolan released "Dandy in the Underworld" in the spring of 1977; it was a modest hit, peaking at number 26. While "The Soul of My Suit" reached number 42 on the charts, T.Rex's next two singles failed to chart. Sensing it was time for a change of direction, Bolan began expanding his horizons in August. In addition to contributing a weekly column for Record Mirror, he hosted his own variety television show, Marc. Featuring guest appearances by artists like David Bowie and Generation X, Marc helped restore Bolan's hip image. Signing with RCA Records, the guitarist formed a new band with bassist Herbie Flowers and drummer Tony Newman, yet he never was able to record with the group. While driving home from a London club with Bolan, Gloria Jones lost control of her car, smashing into a tree. Marc Bolan, riding in the passenger's seat of the car, was killed instantly.
While T.Rex's music was intended to be disposable, it has proven surprisingly influential over the years. Hard rock and heavy metal bands borrowed the group's image, as well as the pounding insistence of their guitars. Punk bands may have discarded the high heels, feather boas, and top hats, yet they adhered to the simple three-chord structures and pop aesthetics that made the band popular, as they still are today 30 years after Marc's death.
Misty Mist
T. Rex Lyrics
Jump to: Overall Meaning ↴ Line by Line Meaning ↴
Midnight is a sound singing Cupid's tune (tune)
Only seeing is believing in the Temple of the Sun (Sun)
Where silver swords dug a misty morning sun (sun)
Jump as sunlight skims the sky
Downstairs radiation burns my eyes (eyes)
Darkness is a sound of the morning sun
And the misty mist despoils the morning fun
To the Prince of Lies, as a metal stone
The friend sees us smile, he smiles to the two
In the misty mist encircles both me and you
The lyrics of T. Rex's "Misty Mist" are cryptic and difficult to decipher. The opening line "Highways mine the Mountains of the Moon" could be interpreted as a reference to the Apollo program's moon landing in 1969, which was one of the major events of that era. The next line "Midnight is a sound singing Cupid's tune" suggests that the song may be about love and relationships. The reference to Cupid is also interesting, as he is a symbol of love and desire in Greek mythology.
The third line "Only seeing is believing in the Temple of the Sun" could be a reference to the idea that we must see things with our own eyes in order to believe in them. The "Temple of the Sun" could be another reference to the Apollo program, which was named after the Greek god of the sun. The fourth line "Where silver swords dug a misty morning sun" is also difficult to interpret, but it could be a reference to the way sunlight reflects off the surface of water.
The next few lines are equally mysterious. "Jump as sunlight skims the sky / Downstairs radiation burns my eyes / Darkness is a sound of the morning sun / And the misty mist despoils the morning fun" seem to be disconnected phrases that don't make much sense when taken together. However, they do create a certain mood or atmosphere that is hard to describe.
The final lines "Farewell lost love, Black-gloved Woman known / To the Prince of Lies, as a metal stone / The friend sees us smile, he smiles to the two / In the misty mist encircles both me and you" suggest that the song is about saying goodbye to a lost love, and that there are other people involved as well. The reference to the "Prince of Lies" could be a reference to Satan, who is often associated with deceit and betrayal.
Overall, "Misty Mist" is a fascinating song that is open to many different interpretations. It is a haunting and mysterious piece of music that captures the essence of the psychedelic era.
Line by Line Meaning
Highways mine the Mountains of the Moon (Moon)
The roads winding through the mountainous regions seemed to be carved out like mines along the slopes of the Mountains of the Moon
Midnight is a sound singing cupid's tune (tune)
The silence of the night is punctuated by the sound of a love song being sung by Cupid, the God of Love
Only seeing is believing in the Temple of the Sun (Sun)
One can only trust their eyesight to trust in what they see in the Temple of the Sun
Where silver swords dug a misty morning sun (sun)
The brightness of the sun was obscured by the misty fog, but the silver blades seemed to have dug through the haze to reveal it
Jump as sunlight skims the sky
Leap high and reach for the sky with the energy of the rising sun
Downstairs radiation burns my eyes (eyes)
The radiation from below is strong enough to sting and burn the eyes
Darkness is a sound of the morning sun
Even in the darkness of the early morning, there is a sense of the sun emerging and making its presence known
And the misty mist despoils the morning fun
The mist and fog make it hard to enjoy the early morning
Farewell lost love, Black-gloved Woman known
Saying goodbye to a lost love who is known for wearing black gloves
To the Prince of Lies, as a metal stone
The lost love is a liar, impenetrably hard and unyielding like a metal stone
The friend sees us smile, he smiles to the two
The friend witnesses the happiness of a couple and smiles along with them
In the misty mist encircles both me and you
The mist surrounds both individuals, as if to create a bubble of privacy and intimacy
Lyrics © Spirit Music Group
Written by: MARC BOLAN
Lyrics Licensed & Provided by LyricFind