His name is Arabic, meaning 'the seeker' or 'student of truth and knowledge'. His parents were both college professors: his mother an English professor, his father a sociology professor. As a youth, he was drawn to Afrocentric rappers, such as De La Soul and other members of the Native Tongues Posse and in 1995 began recording with producer Hi-Tek and rapper Mos Def who he met at central park, and later attended New York University with. With Mos Def (together the pair were known as Black Star), Kweli achieved some mainstream success with Mos Def & Talib Kweli Are Black Star (1998). Also noted are Kweli and Mos' central input on Rawkus Records' compilation album Soundbombing (1997). Soundbombing also include collaborations between Kweli and DJ Hi Tek as Reflection Eternal. Together they released Train of Thought in 2000, which sold better than most alternative hip hop albums at the time. He has since released a critically acclaimed solo debut, Quality in 2002. In 2004, he released his second solo album, The Beautiful Struggle. His third solo album Ear Drum was released on August 21st, 2007.
Kweli has created his own record label, Blacksmith Records and has recently signed acclaimed female rapper Jean Grae, with rumors continuing to grow that underground veteran MF Doom is the next artist to be picked up. He left Geffen Records and has signed with the Warner Music Group.
He has since broken through slightly more towards the mainstream, thanks in large part to several appearance on the comedy show Chappelle's Show, both solo and with long-time collaborator Mos Def, this is due to a friendship between the host and creator of the show, comedian Dave Chappelle and the rapper. He also had a guest spot on friend and frequent collaborator Kanye West's widely successful debut album The College Dropout on the track "Get 'Em High". West has also produced some of Kweli's songs, including his biggest commercial hit "Get By". Kweli can also be seen in a commercial for the NCAA's Big Ten Conference, rapping about the league's basketball teams. Talib Kweli provided the voice for the main character, Trane, in the video game Marc Ecko's Getting Up, released in 2006.
Lost Desire
Talib Kweli Lyrics
Jump to: Overall Meaning ↴ Line by Line Meaning ↴
Or the pain in your mind
No one cares what the truth is
Cause a fortress built on lies
It's the lump in your heart
Or the pain in your mind
No one cares what the truth is
I'm exhausted but I never ever forfeit
Y'all just bullshit while I knock a nigga off quick
Y'all start speaking in tongues and start reaching for guns
A militant will put this heat in your lungs
The street and the slums, the weekend is done
The local class always show you what [?] is become
The seasons are done, and reasons are none
People dyin' bullets flyin' cause they schemin'[?] for fun
It's all of a nightmare, that's right there
They hopin' that somebody in the hood just might care
With all this protestin' and rallyin'
Death toll tallyin'
Foul smells around them [?] in the alley and
Corner filled with teddy bears, cause they killed a child again,
They sing about murder, so it ain't a song it's [?
Get off the choir with your soft attire,
Niggas out here don't give a fuck, cause they lost desire
It's the lump in your heart
Or the pain in your mind
No one cares what the truth is
Cause a fortress built on lies
It's the lump in your heart
Or the pain in your mind
No one cares what the truth is
Cause a fortress built on lies
My city's full of heartbreakers and stargazers
Who puff kush
Vegas, So they gone with the wind, like Clark Gable,
Breathin' like Darth Vader, believin' in dark angel
Yeah, we got flags, but they not star-spangled
We not patriotic, the heroes are not them,
Ghetto griots like rims, you stop, they still spin,
Tall tales at the bar, witnessed after dark,
And we still stop in and chicken and [?]
And listen to Rakim
With the [?] that y'all been
For realla, I hadn't been schemin' to [?]ply in
You fear us? Fear is self, personified
Payin' homage to homicide
Prayin' to the dollar sign
It's idol worship
The rebel forces
Bodies lie at the foundation of the fortress
This is war, we expect some losses
And we comin' for the heads of the bosses
It's the lump in your heart
Or the pain in your mind
No one cares what the truth is
Cause a fortress built on lies
It's the lump in your heart
Or the pain in your mind
No one cares what the truth is
Cause a fortress built on lies
We on some casualties of war shit,
What you stand for, kid?
We in the city where they definitely lost it
You open your eyelids and get capped in the ribs
Your funeral they have your 12th grade portrait
Pretty corpse in casket, bell-shaped orchids
Said he 19 and left a self-made fortune
And left trey orphans
Now he in a box with the same chain and watch
That never came off him
It's a shame what it cost him
Where he come from it ain't nuthin'
It's a everyday thing, that's a problem
It's chambers revolving
Bustin' like Russian roulette
With a full set, then change what the odds is,
Flames in the mosque, and
People held hostage
Everyday I struggle, try to get up out the mosh-pit
Homicide for profit, tell me how we not sick?
This shit is out of control, they can't stop it
It's the lump in your heart
Or the pain in your mind
No one cares what the truth is
Cause a fortress built on lies
It's the lump in your heart
Or the pain in your mind
No one cares what the truth is
Cause a fortress built on lies
In "Lost Desire," Talib Kweli paints a vivid picture of a desolate and deteriorating society where the truth is disregarded and lies are used as a foundation for survival. The lyrics capture the pain and frustration felt by individuals who witness the ongoing violence, corruption, and loss of moral values in their communities.
The repetition of the lines "It's the lump in your heart or the pain in your mind, no one cares what the truth is 'cause a fortress built on lies" emphasizes the heaviness of the emotional burden carried by the singer and the collective apathy towards seeking truth and justice.
Kweli's lyrics also address the prevalence of violence and the glorification of death within these communities. He juxtaposes the teddy bears left at crime scenes for children killed by gunfire with the casualness of murder depicted in mainstream music. The line "They sing about murder, so it ain't a song, it's a crisis" highlights the indifference and desensitization towards violence that has pervaded society.
The lyrics allude to the loss of hope and motivation, captured in the line "cause they lost desire." The absence of desire to fight against the injustices and the belief that change is futile contribute to the perpetuation of suffering and the fortification of the lies that surround them.
Overall, "Lost Desire" serves as a commentary on the deteriorating moral fabric of a society plagued by violence, indifference, and a lack of regard for the truth.
Line by Line Meaning
It's the lump in your heart
The deep sadness or heaviness that you feel within your heart
Or the pain in your mind
The anguish and torment that consumes your thoughts
No one cares what the truth is
People are indifferent to the reality and facts
Cause a fortress built on lies
Because the foundation of society is constructed upon falsehoods
I'm exhausted but I never ever forfeit
I am tired, yet I never give up or surrender
Y'all just bullshit while I knock a nigga off quick
While others engage in meaningless talk, I swiftly eliminate my adversaries
Y'all start speaking in tongues and start reaching for guns
People resort to aggressive and violent behavior, abandoning rational discourse
A militant will put this heat in your lungs
An activist will take action, confronting and challenging oppressive systems
The street and the slums, the weekend is done
The impoverished neighborhoods, where the struggle is constant and never-ending
The local class always show you what [?] is become
The marginalized communities expose the harsh reality of societal decay
The seasons are done, and reasons are none
The passage of time brings no change or justification for the suffering
People dyin' bullets flyin' cause they schemin'[?] for fun
People are losing their lives, bullets are flying, due to senseless and malicious intentions
It's all of a nightmare, that's right there
It is a horrifying reality that is present and tangible
They hopin' that somebody in the hood just might care
Those who are suffering hope that someone from their community will show empathy and concern
With all this protestin' and rallyin'
Despite the ongoing demonstrations and gatherings for change
Death toll tallyin'
The increasing count of lives lost
Foul smells around them [?] in the alley and
A putrid stench permeates the alleyways where illicit activities occur
Corner filled with teddy bears, cause they killed a child again,
A street corner adorned with teddy bears as the community mourns the loss of another innocent child
They sing about murder, so it ain't a song it's [?
They glorify violence in their music, making it more than just a song
Get off the choir with your soft attire,
Stop pretending to be righteous and compassionate with your empty words
Niggas out here don't give a fuck, cause they lost desire
People in this community no longer care because they have lost all hope and motivation
My city's full of heartbreakers and stargazers
The city is filled with individuals who cause pain and disappointment, as well as dreamers who aspire for greatness
Who puff kush
Who smoke marijuana excessively
Vegas, So they gone with the wind, like Clark Gable
They leave the city like a gust of wind, similar to how Clark Gable disappears in the movie 'Gone with the Wind'
Breathin' like Darth Vader, believin' in dark angel
They breathe heavily like Darth Vader and embrace the idea of a sinister force
Yeah, we got flags, but they not star-spangled
While we have flags, they do not represent the values of the United States
We not patriotic, the heroes are not them,
We do not feel a strong sense of loyalty or admiration for our society, as the true heroes are not celebrated
Ghetto griots like rims, you stop, they still spin
The storytellers of the ghetto, like spinning rims, continue their tales even when faced with adversity
Tall tales at the bar, witnessed after dark,
Exaggerated stories are shared at the bar, where secrets are revealed under the cover of night
And we still stop in and chicken and [?]
Despite the hardships, we find comfort in indulging in simple pleasures like fast food
And listen to Rakim
We find solace in listening to the music of Rakim, an influential hip-hop artist
With the [?] that y'all been
With the knowledge and wisdom that you have acquired
For realla, I hadn't been schemin' to [?]ply in
Honestly, I haven't been plotting or conspiring to impose myself upon others
You fear us? Fear is self, personified
Do you fear us? Fear is an embodiment of one's own insecurities
Payin' homage to homicide
Paying tribute to acts of murder and violence
Prayin' to the dollar sign
Worshipping the pursuit of wealth and materialism
It's idol worship
It is the veneration of false idols and superficial desires
The rebel forces
Those who defy the norm and resist societal expectations
Bodies lie at the foundation of the fortress
Dead bodies are the basis and support of the corrupt society
This is war, we expect some losses
In this battle for justice, we anticipate and accept that there will be casualties
And we comin' for the heads of the bosses
We are determined to challenge and overthrow those in power
We on some casualties of war shit,
We are experiencing the severe consequences of warfare
What you stand for, kid?
What do you believe in and support, young one?
We in the city where they definitely lost it
We are in a place where people have completely lost their way
You open your eyelids and get capped in the ribs
As soon as you wake up, you are shot in the side
Your funeral they have your 12th grade portrait
At your funeral, they display your high school graduation photo
Pretty corpse in casket, bell-shaped orchids
Your body lies beautifully in the casket, adorned with bell-shaped orchids
Said he 19 and left a self-made fortune
He claimed to be 19 years old and left behind a wealth he had accumulated on his own
And left trey orphans
And orphaned three children
Now he in a box with the same chain and watch
Now he is contained in a coffin, still wearing the same chain and watch
That never came off him
Which he never removed, even in death
It's a shame what it cost him
It is tragic what he lost as a result
Where he come from it ain't nuthin'
In his hometown, there is nothing left for him
It's a everyday thing, that's a problem
It happens every day, and that is a significant issue
It's chambers revolving
It's like a revolving chamber in a gun
Bustin' like Russian roulette
Firing shots unpredictably, similar to a game of Russian roulette
With a full set, then change what the odds is
With a complete set of bullets, altering the odds
Flames in the mosque, and
There are fires in the mosque, and
People held hostage
Innocent individuals being captured and controlled against their will
Everyday I struggle, try to get up out the mosh-pit
Every day, I strive to escape the chaotic and frenzied environment that surrounds me
Homicide for profit, tell me how we not sick?
Murder being committed for personal gain, how can we not be morally sick?
This shit is out of control, they can't stop it
The situation has spiraled out of control, and they are unable to bring it under control
Lyrics © DOMINO PUBLISHING COMPANY
Written by: TARIK L. COLLINS, TALIB GREENE, KARL B. JENKINS, KHARI MATEEN, MALIK SMART, AHMIR K. THOMPSON
Lyrics Licensed & Provided by LyricFind
Lemon
man.... never heard something bad from the roots. always the rawest lines over the rawest drums
noony0929
Malik B killed it!
Clayton Jones
Malik B tore this up!
noony0929
hell yeah!
Ryan Bernier
wow what an amazing song.
Jamaal Horton
MONSTER TRACK combined MONSTER BARS = CLASSIC
RiseDemUp
This is war and we expect some losses and we comin' for the heads of the bosses
John Sesame
Good stuff
Caillou
R.i.p. malik
215Christ
malik b. [r.i.p.], our work ain't finished yet. peace. they can't stop the black thought. 2-4 live, S.P. shout to da' 5 and t.e.t....[8.22.20]