His name is Arabic, meaning 'the seeker' or 'student of truth and knowledge'. His parents were both college professors: his mother an English professor, his father a sociology professor. As a youth, he was drawn to Afrocentric rappers, such as De La Soul and other members of the Native Tongues Posse and in 1995 began recording with producer Hi-Tek and rapper Mos Def who he met at central park, and later attended New York University with. With Mos Def (together the pair were known as Black Star), Kweli achieved some mainstream success with Mos Def & Talib Kweli Are Black Star (1998). Also noted are Kweli and Mos' central input on Rawkus Records' compilation album Soundbombing (1997). Soundbombing also include collaborations between Kweli and DJ Hi Tek as Reflection Eternal. Together they released Train of Thought in 2000, which sold better than most alternative hip hop albums at the time. He has since released a critically acclaimed solo debut, Quality in 2002. In 2004, he released his second solo album, The Beautiful Struggle. His third solo album Ear Drum was released on August 21st, 2007.
Kweli has created his own record label, Blacksmith Records and has recently signed acclaimed female rapper Jean Grae, with rumors continuing to grow that underground veteran MF Doom is the next artist to be picked up. He left Geffen Records and has signed with the Warner Music Group.
He has since broken through slightly more towards the mainstream, thanks in large part to several appearance on the comedy show Chappelle's Show, both solo and with long-time collaborator Mos Def, this is due to a friendship between the host and creator of the show, comedian Dave Chappelle and the rapper. He also had a guest spot on friend and frequent collaborator Kanye West's widely successful debut album The College Dropout on the track "Get 'Em High". West has also produced some of Kweli's songs, including his biggest commercial hit "Get By". Kweli can also be seen in a commercial for the NCAA's Big Ten Conference, rapping about the league's basketball teams. Talib Kweli provided the voice for the main character, Trane, in the video game Marc Ecko's Getting Up, released in 2006.
Roll Off Me
Talib Kweli Lyrics
Jump to: Overall Meaning ↴ Line by Line Meaning ↴
Ahem, aiyyo, e'rybody goes through feelin' like
the walls is closin' in on you and you just stress the hell out (yeah they do)
And you feel like you gon' explode, youknow'msayin? (uh-huh)
This right here is for, all y'all to know that
I know what y'all goin' through man (yeah, yeah)
I feel it myself (yeah, yeah I do)
I could relate, yeah turn this one up
Sometimes life make you wanna attack and go off G
You wanna step back and I let it roll off me
Brooklyn, New York B, ain't nothin soft G
Yeah I get stressed but I let it roll off me
Flirtin' with the fame but I let it roll off me
They love it when I'm losin' but I let it roll off me
Dirt on my name but I let it roll off me
Always keep it movin' and I let it roll off me
Do it for my niggaz with letters, let's set it off B
Cops don't protect us, protestors just get ignored B
Played out like musical theater with best support
The investors and bankers havin sex in expensive orgies
I'm rappin' on the corners like Abbey, Abdul and Common
Born when they was robbin' the grave at Tutankhamun
Way before Bush the USA been bombin'
Cause whether ratchets or needles know the shootin' ain't stoppin'
Niggaz lootin', we ain't coppin a thing
And if I'm locked in the bing, a nigga not gonna sing
I got a lot of things on my mind, dollar signs, life on the line
What I write's so right for the time
The revelation like sight for the blind like when God cypher divine
hand you lessons, or when you in the church havin' confession
Or when you kneelin' on the pew, catchin' the Holy Ghost
Or the cult, so fanatic they think suicide's the only hope (no)
They used to ask you "Who ya master?" Now they ask you "Who your pastor?"
It's your allegiance that they truly after
They used to ask you "Who ya master?" Now they ask you "Who your pastor?"
It's your allegiance that they truly after
That make you wanna go off B
But I step back and I let it roll off me
Brooklyn, New York B, ain't nothin soft G
Yeah I get stressed but I let it roll off me
Talk the talk but to walk the walk is costly
Niggaz got on they +Game+ face like Black Wall Street
Every single move I make is ballsy
Cause the shit it used to be a, silent movie now it's a talky
The Feds cheesin' like Milwaukee when shit is Brew-in
When these niggaz stage a coup for the president I'm a shoo-in
But, ain't no political aspirations I'm persuin'
I hate to ruin your dream but music is what I'm doin'
I've touched more people in a verse than you do in 20 speeches
Whether state's blue like the water or redder than white people on sunny beaches
Sometimes I don't be understandin' it
They looked at me and said that's why you the perfect candidate
Standin' at the pulpit with a full clip
What I say real talk, turn around and walk away with your bullshit
I'm like breed, yo I ain't to be fucked with
Only write the realest, can't lie to the public
The sharp wick cut quick, killin 'em softly
They try to take me there but you could never force me
Brooklyn, New York B, ain't nothin soft G
Yeah I get stressed but I let it roll off me
Flirtin' with the fame but I let it roll off me
They love it when I'm losin' but I let it roll off me
Dirt on my name but I let it roll off me
Always keep it movin' and I let it roll off me
Talib Kweli's song "Roll Off Me" begins with an introduction that explains the song's purpose. Kweli speaks to the common experience of feeling overwhelmed with stress and frustration, but he reassures listeners that he can relate to their struggles. The song's title and chorus emphasize the importance of letting negative emotions "roll off" rather than allowing them to consume one's thoughts and actions. The first verse focuses on the challenges faced by Black Americans in contemporary society, including police brutality and government corruption. Kweli references the historical legacy of social and political movements that have fought for justice and equality, and expresses his commitment to continue this legacy through his music.
The second verse addresses Kweli's personal experience in the music industry, where he has faced exploitation and backlash for his political activism. However, he refuses to compromise his message for the sake of fame or monetary gain. Kweli speaks to the power of his music to inspire change and connect with listeners, noting that he has touched more people "in a verse" than many politicians could through countless speeches. The song ends with a repetition of the chorus, emphasizing the importance of resilience and determination in the face of adversity.
Line by Line Meaning
Sometimes life make you wanna attack and go off G
Life can be frustrating and overwhelming to the point where one may feel like they have to react in a negative way.
You wanna step back and I let it roll off me
Instead of reacting, it's better to take a moment to step back and let the frustrating situation pass.
Brooklyn, New York B, ain't nothin soft G
The singer comes from a tough neighborhood and has developed a thick skin.
Yeah I get stressed but I let it roll off me
The artist acknowledges that stress is a natural part of life, but chooses not to let it affect them negatively.
Flirtin' with the fame but I let it roll off me
The artist is aware of the pressures of fame and chooses not to let it get to them.
They love it when I'm losin' but I let it roll off me
The singer recognizes that others may enjoy seeing them fail but chooses to stay focused and not let it affect them.
Dirt on my name but I let it roll off me
The singer acknowledges that people may talk badly about them, but chooses to not let it affect them.
Always keep it movin' and I let it roll off me
The artist doesn't dwell on negative situations and prefers to keep moving forward.
Niggaz with letters, let's set it off B
The artist is referring to incarcerated individuals and is advocating for them to stand up for their rights.
Cops don't protect us, protestors just get ignored B
The artist acknowledges the lack of protection for Black people by the police and the lack of attention given to peaceful protesting.
Played out like musical theater with best support
The singer is commenting on the performative nature of politics and the people who back politicians.
The investors and bankers havin sex in expensive orgies
The artist is criticizing the wealthy elite who prioritize their own pleasure over social and economic issues affecting everyone else.
Born when they was robbin' the grave at Tutankhamun
The singer is highlighting the long history of exploitation and violence by those in power, going as far back as ancient times.
Way before Bush the USA been bombin'
The singer is commenting on the long history of US military intervention in other countries, which predates George W. Bush's presidency.
Cause whether ratchets or needles know the shootin' ain't stoppin'
The singer is acknowledging the ongoing issue of gun violence, regardless of the weapons used.
Niggaz lootin', we ain't coppin a thing
The artist is acknowledging the futility of looting and the fact that it doesn't solve any problems.
And if I'm locked in the bing, a nigga not gonna sing
The artist is stating that they will not betray their principles or confess to something they didn't do, even if it means going to prison (the bing).
I got a lot of things on my mind, dollar signs, life on the line
The singer is balancing their financial needs (dollar signs) with the dangers of life in their neighborhood.
The revelation like sight for the blind like when God cypher divine
The singer's revelation is as powerful and life-changing as regaining physical sight for someone who was blind, and is as significant as a divine message from a higher power.
They used to ask you 'Who ya master?' Now they ask you 'Who your pastor?'
The artist is highlighting the shift from slavery (where the slave's master was important) to a religious society (where the pastor is important).
It's your allegiance that they truly after
The true intentions of those in power are to gain the loyalty and obedience of the masses.
Talk the talk but to walk the walk is costly
It's easy to talk about change, but actually making changes can come with great expense or sacrifice.
Niggaz got on they +Game+ face like Black Wall Street
The singer is referring to the 1921 Tulsa race massacre, in which white residents violently attacked the successful Black community of Greenwood, known as Black Wall Street. The reference implies that people are putting on a front to hide their true intentions.
Every single move I make is ballsy
The artist takes risks and doesn't shy away from bold decisions.
The shit it used to be a, silent movie now it's a talky
The singer is commenting on the increased use of language and dialogue in society, as opposed to keeping quiet and silently accepting things.
The Feds cheesin' like Milwaukee when shit is Brew-in
The singer is criticizing the government or federal agents who act friendly or congenial, even when they are actively working against or oppressing individuals or groups.
When these niggaz stage a coup for the president I'm a shoo-in
The singer is likely being sarcastic and suggesting that they would be able to become president if there was a coup or overthrow of the current government.
But, ain't no political aspirations I'm persuin'
The artist is not interested in pursuing a career in politics or running for office.
I hate to ruin your dream but music is what I'm doin'
The artist is telling someone that they should not expect them to become a politician or leader, as they are committed to their career in music.
I've touched more people in a verse than you do in 20 speeches
The singer is suggesting that they have a larger influence through their music than politicians do through their speeches.
Whether state's blue like the water or redder than white people on sunny beaches
The singer is saying that their music is relevant and has a wide reach, regardless of political affiliations or demographics.
Sometimes I don't be understandin' it
The artist doesn't always understand why people act or feel a certain way.
They looked at me and said that's why you the perfect candidate
Despite the artist's lack of interest in politics, others may see them as having the charisma and influence needed to be a successful leader.
Standin' at the pulpit with a full clip
The artist is prepared to defend their beliefs or ideas with force, if necessary.
What I say real talk, turn around and walk away with your bullshit
The singer is confident in their message and is unwilling to engage with those who don't take them seriously or dismiss them.
I'm like breed, yo I ain't to be fucked with
The artist is comparing themselves to a specific type of dog breed known for being strong and aggressive, to emphasize that they are not to be underestimated or messed with.
Only write the realest, can't lie to the public
The singer prides themselves on being truthful and honest in their music, and cannot bring themselves to deceive their audience.
The sharp wick cut quick, killin 'em softly
The singer's words are sharp and impactful, and can have a profound effect on listeners.
They try to take me there but you could never force me
The singer is unyielding and cannot be manipulated or coerced into acting against their principles.
Lyrics © DistroKid, BMG Rights Management, Universal Music Publishing Group
Written by: JAMES DEWITT YANCEY, TALIB KWELI
Lyrics Licensed & Provided by LyricFind