Conversation
Tateeze Lyrics


Jump to: Overall Meaning ↴  Line by Line Meaning ↴

Hey, there shawty you looking kinda good
Put ya' Gucci frames on girl represent ya' hood
Hey, how you doing? You kinda cute too
Smelling like cool water in, yo' pinacle boots

See I get my hair cut and I get my nails done
Everybody know my name and baby, where I'm from
See they treat me like the Mayor
Some say that I'm a player, I'm a high noon tycoon, sexy lady slayer

Damn, dude, please, I'm all about the cheese
You push it old school I dangle Mercedes keys
Ya' bad credit having ass need to be ashamed
With everything in, yo' mama name everybody know

Now I'ma tell the truth we ain't got to fuss
I don't own a car, pimping ride the bus
But you looking mighty good, yea, I'm kinda hot
Girl, we can get it on, boy, go an do da wop

Wop wid it, wop da, wop wit it
Wop wid it, wop da, wop wit it
Bang, bang, bang, bang, ba, bang, oh
Bang, bang, bang, bang, ba, bang, oh

Work sum, twurk sum, get it girls
Work sum, twurk sum, get it girls
Rock wit it and look back at it
I said, roll wit it and look back at it, see'ommon

You say, you doing good but you could be better
Roll with a pimp number one trend setter
Ya, man is a cream puff, boy, you don't know him
Well, do he buy you nice stuff? Shut up, he's still growing

Enough about him, let's talk about us
Take ya, time Shawty, baby, I ain't in a rush
Slow motion with it if ya let me hit it
I get ya right every night put the ocean in it

I got a posture-pedic, heart-shaped water bed
Sheet might be satin and the pillows look suede
Yea, girl I know how to getcha, I got a 54 inch flat screen picture of me
Standing by a tree with some kackhi dickies on in a white tee
And I like the way you move, I like the way you step
We could get it going, we go and do the prep

Prep wit it, prep da, prep wit it, prep wit it
Prep wit it, right to left wit it, prep wit it
Go an' break it down show 'em what you working with
Go an' break it down shake it like a earthquake

Smurf wit it, smurf da, smurf wit it, jerk wit it
Smurf wit it, smurf da, smurf wit it [Inaudible]
Now do the soul clap, now do the soul clap
Now do the soul clap, now do the soul clap

The club is packed, the night is young
For real baby girl, I'm trying to make you the one
You're the one, one, one, one, one
Put ya' finger in it and you having fun girl, well, I

Been looking at you from across the spot
My legs start shaking and my body get hot
Hey, I need relations can't fight the temptations
Well, this just conversation ain't gon' be no penetration

Now wait a minute, hold up baby, get it straight
I ain't gotta be yo' man, we don't even gotta date
But we almost at the end of the song
The club 'bout to close let a player bring you home

Shawty drop it like its hot, pick it up and make it pop
Now go down to the floor take ya' time work it slow
Keep it right there daddy I'ma bounce that
When you want it, how you want it, make it bounce back

Come on and back it up, back to, back it up, oh
Back it up, back to, back it up, oh
Come on rock wit it and look back at it
I said, roll wit it and look back at it, c'mon

Now slide and do the waterfall
Now slide and let the rain come down
Slide and do the waterfall
Now slide and let the rain come down

Get some, get some, get some
Get some, get some, get some
Now tighten up wit it, tighten up wit it
Tighten up wit it, tighten up, tighten up

Wam da, wam da, wam, wam da, wam, oh
Wam da, wam da, wam, wam da, wam, oh

Man I'm tired I don't even
Do da running man, I do da running man
I do da running man, I do da running man

Now, do da bunny hop, I do da bunny hop




I do da bunny hop, I do da bunny hop
Now, do da bunny hop, now everybody freeze

Overall Meaning

The song "Conversation" by Tateeze is a fun and flirtatious conversation between two people at a club. The song has a catchy beat driven by smooth lyrics that almost act like a call-and-response section of the song. The singer starts off by complimenting the woman on her appearance and then engages in a conversation with her. He tells her about his reputation as a ladies' man but is attracted to her and wants to slow things down. He then suggests taking her home and closing the conversation with a dance.


The lyrics in "Conversation" are full of slang and humorous comparisons. For example, the phrase "pinacle boots" is a reference to the brand Timberland, which is well-known for its boots. The singer also compares his bed to a hotel bed, the sheets to satin, and the pillows to suede. These playful comparisons add to the fun and flirtatious tone of the song. Additionally, the song includes many dance instructions such as "smurf wit it" and "bunny hop" that encourage listeners to get up and dance.


Line by Line Meaning

Hey, there shawty you looking kinda good
The singer compliments the person they are talking to, saying they look good.


Put ya' Gucci frames on girl represent ya' hood
The singer tells the person they are talking to to put on their Gucci frames to represent their area of town.


Hey, how you doing? You kinda cute too
The singer asks the person how they are doing and tells them that they are cute as well.


Smelling like cool water in, yo' pinacle boots
The singer compliments the person's scent, saying they smell like Cool Water, and their boots are nice too.


See I get my hair cut and I get my nails done
The singer mentions that they take care of their appearance by getting their hair and nails done.


Everybody know my name and baby, where I'm from
The singer says that everyone knows them and where they are from.


See they treat me like the Mayor
The singer explains that people treat them like a mayor, which means they are important and respected.


Some say that I'm a player, I'm a high noon tycoon, sexy lady slayer
The singer claims that some people call them a player and that they are successful with women.


Damn, dude, please, I'm all about the cheese
The singer responds to someone, saying that they are all about the money.


You push it old school I dangle Mercedes keys
The singer teases someone who has an old car, saying they have Mercedes keys to show off their luxury car.


Ya' bad credit having ass need to be ashamed
The singer insults someone by saying their credit is bad and they should feel embarrassed about it.


With everything in, yo' mama name everybody know
The singer points out that everything the person owns is in their mother's name, which everyone knows about.


Now I'ma tell the truth we ain't got to fuss
The singer says they will be honest and that there's no need to argue or fight.


I don't own a car, pimping ride the bus
The singer admits that they don't own a car and they ride the bus instead.


But you looking mighty good, yea, I'm kinda hot
The singer says they still find the person attractive despite not owning a car.


Girl, we can get it on, boy, go an do da wop
The singer suggests being intimate with the person and references the dance 'da wop.'


Wop wid it, wop da, wop wit it
The singer repeats the dance 'da wop' as a way to encourage the person to dance.


Bang, bang, bang, bang, ba, bang, oh
The singer adds sound effects to go along with the dance 'da wop.'


Work sum, twurk sum, get it girls
The singer encourages people to work hard and dance well.


Rock wit it and look back at it
The singer instructs people to dance and look back at their body while doing it.


You say, you doing good but you could be better
The singer comments that the person is doing well, but they could improve.


Roll with a pimp number one trend setter
The singer suggests the person should associate with them since they are a trendsetter and a pimp.


Ya, man is a cream puff, boy, you don't know him
The singer insults the person's partner, saying they are weak, and questions if they really know them.


Well, do he buy you nice stuff? Shut up, he's still growing
The singer asks if the person's partner buys them nice things and then insults them again, saying they are still immature.


Enough about him, let's talk about us
The singer changes the subject and suggests talking about themselves.


Take ya, time Shawty, baby, I ain't in a rush
The singer suggests taking things slow and not rushing into anything.


Slow motion with it if ya let me hit it
The singer says they will take it slow if the person lets them be intimate with them.


I get ya right every night put the ocean in it
The singer promises to make the person feel good and give them pleasure every night.


I got a posture-pedic, heart-shaped water bed
The singer talks about their bed, saying it is a posture-pedic bed and shaped like a heart with water in it.


Sheet might be satin and the pillows look suede
The singer talks about the texture of the sheets and pillows on their bed.


Yea, girl I know how to getcha, I got a 54 inch flat screen picture of me
The singer boasts about being able to attract the person and says they have a large flat-screen TV with a picture of themselves on it.


Standing by a tree with some kackhi dickies on in a white tee
The singer describes the picture that is on the TV, saying they are standing by a tree wearing khaki pants and a white T-shirt.


And I like the way you move, I like the way you step
The singer compliments the person's movements while dancing.


We could get it going, we go and do the prep
The singer suggests being intimate with the person and references another dance called 'the prep.'


Prep wit it, prep da, prep wit it, prep wit it
The singer repeats the dance 'the prep' as a way to encourage the person to dance.


Prep wit it, right to left wit it, prep wit it
The singer instructs the person on how to do the dance 'the prep.'


Go an' break it down show 'em what you working with
The singer encourages the person to dance and show off their moves.


Go an' break it down shake it like a earthquake
The singer encourages the person to dance and shake their body like an earthquake.


Smurf wit it, smurf da, smurf wit it, jerk wit it
The singer references another dance called 'the smurf' and 'the jerk' as a way to encourage the person to dance.


Now do the soul clap, now do the soul clap
The singer references another dance called 'the soul clap' as a way to encourage the person to dance.


The club is packed, the night is young
The singer comments that the club is busy and the night is still young.


For real baby girl, I'm trying to make you the one
The singer expresses their desire to make the person their partner.


You're the one, one, one, one, one
The singer repeats that the person is the one they want.


Put ya' finger in it and you having fun girl, well, I
The singer encourages the person to touch themselves and have fun while being intimate.


Been looking at you from across the spot
The singer says they have been watching the person from across the room.


My legs start shaking and my body get hot
The singer describes feeling aroused and excited by the person's presence.


Hey, I need relations can't fight the temptations
The singer admits to wanting to have intimate relations and not being able to resist the temptation.


Well, this just conversation ain't gon' be no penetration
The singer clarifies that although they are flirting and talking about intimacy, they won't actually have intercourse.


Now wait a minute, hold up baby, get it straight
The singer stops the conversation to clarify something and calls the person 'baby.'


I ain't gotta be yo' man, we don't even gotta date
The singer says they don't have to be in a relationship with the person or date them.


But we almost at the end of the song
The singer notes that the song is almost over.


The club 'bout to close let a player bring you home
The singer offers to take the person home before the club closes.


Shawty drop it like its hot, pick it up and make it pop
The singer encourages the person to dance and move their body sensually.


Now go down to the floor take ya' time work it slow
The singer instructs the person to lower themselves to the ground and dance slowly.


Keep it right there daddy I'ma bounce that
The singer tells someone to keep dancing in a certain way and promises to participate with them.


When you want it, how you want it, make it bounce back
The singer encourages the person to ask for what they want and to make their body move.


Come on and back it up, back to, back it up, oh
The singer instructs the person to back their body up while dancing.


Come on rock wit it and look back at it
The singer encourages the person to dance and look back at their body while doing it.


Now slide and do the waterfall
The singer references another dance called 'the waterfall' as a way to encourage the person to dance.


Now slide and let the rain come down
The singer adds lyrics to the 'waterfall' dance as a way to encourage the person to dance in a particular way.


Get some, get some, get some
The singer encourages people to dance and have fun.


Now tighten up wit it, tighten up wit it
The singer tells the person to dance in a certain way and encourages them to tighten up their body.


Wam da, wam da, wam, wam da, wam, oh
The singer adds sound effects as a way to encourage the person to dance.


Man I'm tired I don't even
The singer says they are tired.


Do da running man, I do da running man
The singer references another dance called 'the running man' and repeats it as a way to encourage the person to dance.


Now, do da bunny hop, I do da bunny hop
The singer references another dance called 'the bunny hop' and repeats it as a way to encourage the person to dance.


Now everybody freeze
The singer tells everyone to stop dancing.




Lyrics © Universal Music Publishing Group, Sony/ATV Music Publishing LLC
Written by: BYRON O. THOMAS, TATEEZE

Lyrics Licensed & Provided by LyricFind
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