History
First incarnation
Formed in Newcastle-upon-Tyne during 1962 and 1963 when Burdon joined the existing Alan Price Rhythm and Blues Combo, the original line-up comprised Eric Burdon (vocals), Alan Price (organ and keyboards), Hilton Valentine (guitar), John Steel (drums), and Bryan "Chas" Chandler (bass). The Animals' moderate success in their hometown and a connection with The Yardbirds manager Giorgio Gomelsky motivated them to move to London in 1964, in time to be grouped with the British Invasion. They performed fiery versions of the staple rhythm and blues repertoire (Jimmy Reed, John Lee Hooker, Nina Simone, etc). Signed to the Columbia Graphophone subsidiary of EMI, a rocking version of the standard "Baby Let Me Follow You Down" (retitled Baby Let Me Take You Home) was their first UK hit single.
It was followed in June 1964 by the huge transatlantic hit "House of the Rising Sun". Burdon's howling vocals and the dramatic arrangement created arguably the first folk rock hit. Whether the arrangement was inspired by Bob Dylan's version of the song (which in turn was inspired by folk singer Dave Van Ronk) or by blues singer Josh White's (who recorded it twice in 1944 and 1949) or by singer/pianist Nina Simone (who recorded it in 1962 on At The Village Gate, predating Dylan's interpretation) remains a subject of dispute, as does whether all five Animals deserved credit for the arrangement and not just Price.
The Animals' two-year chart career, masterminded by producer Mickie Most, featured singles that were intense, gritty pop covers such as Sam Cooke's Bring It On Home To Me and the Nina Simone number Don't Let Me Be Misunderstood. In contrast their album tracks stayed with rhythm and blues, with Hooker's Boom Boom and Ray Charles' I Believe to My Soul being notable examples. Burdon's powerful, deep voice and the use of keyboards as much or more than guitars were two elements that made the Animals' sound stand out.
By May 1965 the group was starting to feel internal pressures. Price left due to personal and musical differences as well as a fear of flying on tour; he went on to a successful career as a solo artist and with the Alan Price Set. Mickey Gallagher filled in for him on keyboards for a spell, until Dave Rowberry replaced him and was on hand for the hit working-class anthems We Gotta Get Out of this Place and It's My Life. Around that time, an Animals Big Band even made a one-time appearance.
Many of The Animals' hits had come from Brill Building songwriters recruited by Most; the group, and Burdon in particular, felt this was too restrictive. As 1965 ended the group switched to Decca Records and producer Tom Wilson, who gave them more artistic freedom. In early 1966 MGM Records, their American label, collected their hits onto The Best of The Animals; it became their best-selling album in the U.S. In February 1966 Steel left and was replaced by Barry Jenkins; a leftover cover of Goffin-King's Don't Bring Me Down and the powerful hard rock tune See See Rider were the last hits as The Animals.
By this time their business affairs "were in a total shambles," according to Chandler (who would go on to manage Jimi Hendrix), and the group disbanded. Even by the standards of the day, when artists tended to be financially naïve, the Animals made very little money from their successes, eventually claiming mismanagement and theft on the part of their manager Mike Jeffery.
Second incarnation
A group with Burdon, Jenkins, and new sidemen John Weider (guitar/violin/bass), Vic Briggs alias Antion (guitar/piano), and Danny McCulloch (bass) was formed under the name Eric Burdon and the New Animals (or sometimes just Eric Burdon & the Animals) in October 1966, and changed direction. The hard-driving blues was transformed into Burdon's version of psychedelia, as the former heavy-drinking Geordie (who later said he could never get used to Newcastle, "where the rain comes at you sideways") relocated to California and became a spokesman for the Love Generation, but also a former heavy metal act and one of the upcoming stars of the genre such as Black Sabbath, Led Zeppelin and Deep Purple..
Some of this group's hits included "San Franciscan Nights", "Monterey" (a tribute to the 1967 Monterey Pop Festival), and the anti-war "Sky Pilot". There were further changes to this line-up: George Bruno (a/k/a Zoot Money, keyboards) was added in April 1968, and in July 1968 Andy Summers [sic] (guitar)—later of The Police—replaced Briggs and McCulloch.
By 1969 these Animals had dissolved, and Eric Burdon joined forces with a Latin group from Long Beach, California called War.
The first hit under Eric Burdon & War was the funky/chill-out song Spill the Wine. The Group with 8 members disbanded in July 1971.
Later incarnations
The original Animals line-up of Burdon, Price, Valentine, Chandler, and Steel briefly reunited for a benefit concert in Newcastle in 1968, for an album in 1977 and again for an album and tour (supplemented by Zoot Money on keyboards and Steve Grant on guitar) in 1983. Chandler died in 1996.
In the 2000s Burdon has toured with a new set of musicians under the name "Eric Burdon and the Animals". Periodically during the 1990s and 2000s Valentine, Steel, and Dave Rowberry toured under the name "(Hilton Valentine's) The Animals" and Valentine and Steel under the name "Animals II". Rowberry died in 2003. As of 2005 "Animals & Friends" was also active, consisting of Steel and Mickey Gallagher; this group frequently play gigs on a Color Line ship that travels between Scandinavia and Germany.
Legacy
The original Animals were inducted into the Rock and Roll Hall of Fame in 1994. Their influence can be heard in artists as varied as The Doors, Bruce Springsteen, Tom Petty & The Heartbreakers, Canned Heat, David Johansen, Joe Cocker, Fine Young Cannibals, Iggy Pop, Mando Diao and many, many more.
The Night
The Animals Lyrics
Jump to: Overall Meaning ↴ Line by Line Meaning ↴
Its dark shadows passing over me
I've been feeling the chill
Ever since you been gone
I'm thinking of you, girl
Wondering if you're going
To return to me
All we've been through
When I'm all alone
I don't have someone I can run to
Baby, I ain't got no place to go
Don't you know that the night
Keeps moving on (keeps moving on)
Keeps getting colder and colder
The night, always too long
(Always too long) I keep
Looking over my shoulder
The night, I pray for the dawn
(Pray for the dawn)
Keeps getting colder and colder
The night, always too long
Baby, you're gone
We could start again
If only you would
Reach out and touch me, baby
Like a blind man
I feel you deep down inside
I'm over the edge
I'm sorry I hurt
You so badly, girl
The things that I said
Just cannot be denied
When I'm waiting here
Hoping that someday you'll
Return to me cause, baby
Feel like I'm losing control
Don't you know that the night
Keeps moving on (keeps moving on)
Keeps getting colder and colder
The night, always too long
(Always too long) I keep
Looking over my shoulder
The night, I pray for the dawn
(Pray for the dawn)
Keeps getting colder and colder
The night, always too long
Baby, you're gone
My mind's running wild
I feel like a child
Who's been lost again
You've stolen my heart
Captured my soul
Don't you know that the night
Keeps moving on (keeps moving on)
It keeps getting colder and colder
The night, always too long
(Always too long) Keeps
Getting colder and colder
The night, I pray for the dawn
(Pray for the dawn)
Keeps getting colder and colder
The night, I pray for the dawn
Yeah, the night, the night
(Keeps moving on)
Yeah, colder and colder
The night, always too long
(Always too long) it keeps
Getting colder and colder
The night, keep moving on
(Pray for the dawn) keep
Looking over my shoulder
The night, it's always too long
The Animals' "The Night" is a heart-wrenching song about a man who is left alone after a relationship ends. In the song, the chorus repeatedly emphasizes the concept of the night getting colder and longer, which is a metaphor for how the man's sense of loneliness and isolation is intensifying in the absence of his lover. He is deeply longing for their reconciliation, and he expresses his desire for her to reach out and touch him again like she used to. The lyrics also hint at some sort of wrongdoing on the man's part, as he acknowledges that he hurt her badly and said some things that cannot be undone. The verse about him feeling like a blind man also serves as a metaphor for how he is groping in the dark to find his way back to her.
Throughout the song, the mood is somber and melancholic, and the instrumentation perfectly complements this mood with its slow tempo, spare arrangement, and bluesy guitar riffs. The lead singer's gritty and emotional vocal delivery also contributes to the song's overall impact. "The Night" may not be a complex song in terms of lyrical or musical structure, but it effectively captures the pain and desperation of a love that is lost and the hope that it might be found again.
Line by Line Meaning
Well, here comes the night
The beginning of nighttime is approaching.
Its dark shadows passing over me
The darkness of the night seems to be surrounding and affecting the singer.
I've been feeling the chill
The singer feels a sense of coldness, possibly due to being without the one they love.
Ever since you been gone
This feeling of discomfort and coldness has been present since the person the artist loves has been absent.
I'm thinking of you, girl
The artist is ruminating on the person they love and miss.
Wondering if you're going
The singer is uncertain if the person they love is leaving and not returning.
To return to me
The singer longs for the person they love to come back to them.
Or was it a waste of time
The artist questions whether the time they spent with this person was not worthwhile.
All we've been through
The artist reflects on the experiences they shared with the person they love.
When I'm all alone
During times of solitude, when the artist is without the person they miss, they feel lost.
I don't have someone I can run to
The singer has no one they can turn to for comfort or companionship during this lonely time.
Baby, I ain't got no place to go
The artist feels as if they are wandering aimlessly, directionless and without a sense of purpose.
Don't you know that the night
The singer wants the person they love to recognize the difficult time they are going through due to their absence.
Keeps moving on (keeps moving on)
Despite the singer's desire for time to stand still, the night - and time - continue to pass and move forward.
Keeps getting colder and colder
As time passes and the night becomes darker, the singer's sense of feeling lost without the person they love intensifies.
The night, always too long
Nighttime seems endless and interminable for the artist, given their sense of loneliness and discomfort.
(Always too long) I keep
The artist continues to dwell in their feelings of loneliness and loss.
Looking over my shoulder
The singer is almost constantly searching for signs of the person they love, even though they know that person is not there.
The night, I pray for the dawn
Despite their sense of despair, the singer remains hopeful that the arrival of dawn will bring with it a sense of comfort and renewal.
Baby, you're gone
The absence of the person the artist loves is the source of their distress and sense of loss.
We could start again
The artist longs to have the opportunity to be with the person they love again and begin anew.
If only you would
The artist feels that it is up to the person they love to take the first step and reach out to them.
Reach out and touch me, baby
The singer longs to feel the affection and connection of the person they love once more.
Like a blind man
The artist's sense of longing and need for the person they love is intense and all-consuming.
I feel you deep down inside
Even though the person they love is not with them physically, the singer feels their presence and longing within themselves.
I'm over the edge
The singer is feeling almost overwhelmed by their feelings of loss and pain.
I'm sorry I hurt
The singer recognizes that they may have been the cause of the person they love leaving or hurting them.
You so badly, girl
The artist acknowledges the pain and hurt that they have caused the person they love.
The things that I said
The artist acknowledges that their words may have been hurtful or damaging to the relationship.
Just cannot be denied
The singer recognizes that their mistakes cannot be ignored or brushed aside.
When I'm waiting here
The singer spends much of their time hoping and waiting for the return of the person they love.
Hoping that someday you'll
Despite their sense of despair, the artist remains optimistic and hopeful that the person they love will return.
Return to me cause, baby
The artist longs for the person they love to come back to them and reignite their connection and relationship.
Feel like I'm losing control
Given the absence of the person they love, the artist feels as if they are unable to maintain a sense of balance or stability in their life.
My mind's running wild
The singer's thoughts and emotions are racing and scattered, making it difficult for them to focus or find peace.
I feel like a child
The artist's sense of distress and despair is such that they feel vulnerable and helpless, like a small child.
Who's been lost again
The singer feels as if they have lost their way or their sense of purpose or identity once more, due to the absence of the person they love.
You've stolen my heart
The singer feels as if the person they love has captured all of their love and devotion, leaving them without any.
Captured my soul
The singer feels as if their sense of self, identity, and energy have been taken or captured by the person they love.
My mind's running wild
The artist's thoughts and emotions are racing and scattered, making it difficult for them to focus or find peace.
Yeah, the night, the night
The artist continues to reflect on the dark and difficult time they are experiencing, which is tied to the nighttime and its darkness.
(Keeps moving on)
Despite the singer's sense of hopelessness and despair, time - and the night - continues to march on and progress.
Yeah, colder and colder
The nighttime seems to become more and more uncomfortable and chilling for the singer.
The night, keep moving on
The artist recognizes that time waits for no one and that, despite their feelings of despair, they must persevere and move forward.
(Pray for the dawn) keep
Despite their sense of despair and frustration, the artist remains hopeful that the arrival of a new day - and with it new opportunities - are on the horizon.
Looking over my shoulder
The artist's longing for the person they love is so strong that they imagine they might sense that person's presence behind them, even though they are not there.
The night, it's always too long
For the singer, the nighttime seems to extend endlessly, with no end in sight to their sense of loneliness and despair.
Contributed by Kayla W. Suggest a correction in the comments below.
Samurai
Well, here comes the night
Its dark shadows passing over me
I've been feeling the chill
Ever since you been gone
I'm thinking of you, girl
Wondering if you're going
To return to me
Or was it a waste of time
All we've been through
When I'm all alone
I don't have someone I can run to
Baby, I ain't got no place to go
Don't you know that the night
Keeps moving on (keeps moving on)
Keeps getting colder and colder
The night, always too long
(Always too long) I keep
Looking over my shoulder
The night, I pray for the dawn
(Pray for the dawn)
Keeps getting colder and colder
The night, always too long
Baby, you're gone
We could start again
If only you would
Reach out and touch me, baby
Like a blind man
I feel you deep down inside
I'm over the edge
I'm sorry I hurt
You so badly, girl
The things that I said
Just cannot be denied
When I'm waiting here
Hoping that someday you'll
Return to me cause, baby
Feel like I'm losing control
Don't you know that the night
Keeps moving on (keeps moving on)
Keeps getting colder and colder
The night, always too long
(Always too long) I keep
Looking over my shoulder
The night, I pray for the dawn
(Pray for the dawn)
Keeps getting colder and colder
The night, always too long
Baby, you're gone
My mind's running wild
I feel like a child
Who's been lost again
You've stolen my heart
Captured my soul
Don't you know that the night
Keeps moving on (keeps moving on)
It keeps getting colder and colder
The night, always too long
(Always too long) Keeps
Getting colder and colder
The night, I pray for the dawn
(Pray for the dawn)
Keeps getting colder and colder
The night, I pray for the dawn
Yeah, the night, the night
(Keeps moving on)
Yeah, colder and colder
The night, always too long
(Always too long) it keeps
Getting colder and colder
The night, keep moving on
(Pray for the dawn) keep
Looking over my shoulder
The night, it's always too long
Your Neighbor Totoro
Τραγουδάρα! Είμαι τόσο χαρούμενος που ανακαλύπτω τέτοια κομμάτια!
Theodore Dimopoulos
Όσοι είμασταν τυχεροί να ζήσουμε τα '80s σαν έφηβοι, έχουμε μια ιδιαίτερη σχέση μ' αυτό το τραγούδι. 2021 και ακόμα τα σπάει!!
ΖΙΜΠΙ ΜΠΟΝΙΕΚ
2021 κ είμαστε εδώ
Youli Bez
Είμαι τυχερή που εζησα τη δεκαετία των 80'ς και πρόλαβα αυτή τη κομματαρα !! Καταπληκτικό τραγούδι που χορεύαμε σε πάρτυ , ερωτευτηκαμε με τέτοια κομμάτια !!! Η φωνή του Erik Burdon μοναδική !!! Καταπληκτικός ερμηνευτής !!! Δεν υπάρχουν πια τέτοιες φωνές και τέτοιες ερμηνείες να σε αγγίζουν στη ψυχή !! ♥️
7daylight
Το καλύτερο σχόλιο.Τυχεροί που ζήσαμε τα τελευταία ανέμελα χρόνια.Πλέον όλα είναι διαφορετικά!!
Gert Neetesonne
Περίμενα εναγωνίως να το δω στο Μουσικόραμα μαζί με τα stay the night (Chicago) και όταν δεν το προβαλλε, άντε πάλι μια εβδομάδα στο περίμενε. Πάνε πια όλα...
oldrvr
The group is in fabulous form! Eric’s voice is spot-on as always! I listen to his music every day no matter what group is with!
Joanna Tsolkoda
Ανατριχιάζω στην κομματάρα αυτή...και την ερμηνεία!!
studio 54
Θα συμφωνησω!!!
Ελλάς 🇬🇷
@studio 54 κι εγώ 👍