When keyboardist Jon Lord and guitarist Derek Griffiths joined from Red Bludd's Bluesicians they re-christened themselves the Artwoods. Keef Hartley, formerly with Rory Storm & The Hurricanes, joined on drums in '64 and the band turned professional, secured a residency at London's 100 Club and gained a recording contract with Decca Records.
The intended debut single, a cover of Muddy Waters' "Hoochie Coochie Man" was shelved in favour of a version of an old Leadbelly song, Sweet Mary". Although it didn't reach the Charts it got sufficient airplay to bring them a lot of live work, including an appearance on the first live edition of Ready Steady Go! The second record, "Oh My Love", was another blues cover. Like its predecessor, and subsequent releases, it failed to chart.
The Artwoods were dropped by Decca at the end of 1966 and signed a one record deal with Parlophone, but "What Shall I Do" also flopped. Later in 1967 a final "one-off" single appeared on Fontana under the name "St. Valentine's Day Massacre" but by the time of its release the Artwoods had effectively ceased to exist.
The Artwoods' early records today stand up well against the work of more successful groups such as the Rolling Stones, the Yardbirds or ironically, the Birds, who included Art's younger brother Ron. But at the time they came out, despite appearances on programs like Ready, Steady, Go! their singles never seemed to connect with the record-buying public. In live performance, on the other hand, it was a different matter. They had a virtuoso lineup, Lord's piano and organ sound was a great complement to Wood's singing, Griffith's guitar work was tastefully flashy, and Keef Hartley was animated as well as powerful, with a big sound on the drums. Club audiences always knew they were good for a great show and the band loved playing live. Ultimately, in fact, the group's success in touring and their love of playing live may have hurt them.
The group broke up in mid '67 with Hartley going on to play with John Mayall's Bluesbreakers,Malcolm Pool played with Colosseum and Lord becoming a founder member of Deep Purple.
Chicago Calling
The Artwoods Lyrics
Jump to: Overall Meaning ↴ Line by Line Meaning ↴
Hear you call my name
Chicago calling
Won't go home again
I'm going back to Chicago
Chicago calling me
Going back to Chicago
Lord that's where I want to be
Saw her in a door
Going to Chicago
Going back for more
I'm going back to Chicago
Chicago calling me
Going back to Chicago
Lord that's where I long to be
Chicago calling
Hear you call my name
Chicago calling
Won't go home again
I'm going back to Chicago
Chicago calling me
Going back to Chicago
Lord that's where I want to be
I told mother nature
Saw her in a door
Going to Chicago
Going back for more
I'm going back to Chicago
Chicago calling me
Going back to Chicago
Lord that's where I long to be
The lyrics to The Artwoods' song "Chicago Calling" express a strong yearning and desire to return to the city of Chicago. The repeated phrase "Chicago calling, hear you call my name" signifies a deep connection and attraction towards the city. It represents how the singer feels a magnetic pull drawing them back to the place they consider home.
The repetition of "Won't go home again" suggests that the singer has left Chicago previously, possibly due to circumstances or personal reasons. However, despite being away, they cannot ignore the call of the city, which makes them determined to return. The lyrics convey a sense of nostalgia and longing for the familiar surroundings and experiences of Chicago.
The lines "I told mother nature, saw her in a door" could be interpreted as the singer seeking solace or guidance from nature or the natural elements. This encounter serves as a reminder of their true destination, reaffirming their decision to return to Chicago. It showcases a spiritual or introspective aspect to the song, where the singer finds meaning or answers in nature, leading them back to their desired city.
Overall, the lyrics of "Chicago Calling" evoke a strong emotional connection to a place. It portrays a person who cannot resist the allure of their hometown and feels a deep yearning to return. The repetition of the refrain emphasizes the longing and determination to answer the call of Chicago, ultimately signifying a deep longing for a place that holds personal significance and where the singer ultimately wishes to be.
Line by Line Meaning
Chicago calling
The city of Chicago is beckoning me, reaching out to me
Hear you call my name
I can clearly hear the city of Chicago calling my name, calling me to return
Chicago calling
The persistent call from Chicago continues
Won't go home again
Once I answer the call of Chicago, I won't return to my previous home
I'm going back to Chicago
I have made the decision to return to the city of Chicago
Chicago calling me
The call from Chicago is directed specifically at me
Going back to Chicago
Returning to the city of Chicago is my destination
Lord that's where I want to be
Indeed, Chicago is the place where I truly desire to be
I told mother nature
I had a conversation with the natural world
Saw her in a door
I witnessed her presence, symbolically represented as a doorway
Going to Chicago
Heading towards Chicago is my intention
Going back for more
Returning to Chicago is not just for a brief visit, but to experience more
I'm going back to Chicago
Once again, I am reaffirming my decision to return to Chicago
Chicago calling me
Chicago's call to me remains strong and persistent
Going back to Chicago
Returning to the city of Chicago is my chosen path
Lord that's where I long to be
It is my deepest desire to be in Chicago, nothing else compares
Lyrics © Warner Chappell Music, Inc.
Written by: CYRIL DAVIES
Lyrics Licensed & Provided by LyricFind
@merseymain
a BEAUTY ... great link
@gerardop9633
No la conocía y mira que soy fans de Artwoods,ese órgano muy G.Bond y esa voz aguda.Gracias,friend
@MODTRASH
Nice one!!!
@Harmonicajello
Sooo good. Shoulda made it big!