The Brand New Heavies began in 1985 as an instrumental acid jazz group call… Read Full Bio ↴The Brand New Heavies began in 1985 as an instrumental acid jazz group called Brother International.

The group came up with the Heavies name after signing their first record contract, borrowing from a liner note on a James Brown single declaring the artist "Minister of New Super Heavy Funk". As The Brand New Heavies they gained a cult following in the London club scene and soon signed to Cooltempo as acid jazz replaced rare groove in clubs. The band issued a debut recording for Eddie Piller's Acid Jazz label in 1990 with Jay Ella Ruth as lead singer.

A single, "Got to Give", came out on Cooltempo before the Brand New Heavies signed to Acid Jazz Records and released Brand New Heavies to critical acclaim. The band signed to a division of Chrysalis Records in the UK, and American distribution was picked up by influential label Delicious Vinyl, and N'Dea Davenport (who had signed an artist development deal with Delicious Vinyl) joined the group. A revamped version of the first album with vocals by N'Dea Davenport was then released, and the singles "Dream Come True", "Never Stop" and "Stay This Way", all with Davenport on lead vocals, became hits on both sides of the Atlantic, with the latter becoming a music video directed by Douglas Gayeton that saw heavy rotation on MTV.

The group's appearance with MC Serch (formerly of 3rd Bass) and Q-Tip (of A Tribe Called Quest) at a performance in New York City, inspired the group to incorporate elements of hip hop music. Their next album was the critically acclaimed Heavy Rhyme Experience, Vol. 1, which included collaborations with Guru of Gang Starr and The Pharcyde, among others, but lacked any female vocals.

While under management by Colin Lester's and Ian McAndrew's Wildlife Entertainment, The Brand New Heavies released Brother Sister (1994) which was the last album for a while with N'Dea Davenport, who had left to complete her solo album (which she had put on hold to join the Heavies). The album spawned more singles, though one of them, a cover of Maria Muldaur's "Midnight at the Oasis", was popular only in the UK because it was not included in the US version of the album.

Siedah Garrett joined the group for their next album, Shelter (1997). It contained the minor hit, the Carole King-penned song "You've Got a Friend" that was originally made famous by James Taylor. Again, though, this song did not appear on the US version of the album. The album also contained the hit "Sometimes". The remix of "Sometimes" included the rap vocals of Q-Tip from Tribe.

The Brand New Heavies then released their greatest hits album, Trunk Funk - The Best of The Brand New Heavies (2000) with Carleen Anderson on vocals for some newly recorded songs, followed by the Japan only album We Won't Stop (2003) featuring a variety of vocalists and Allaboutthefunk (2004) featuring British singer Nicole Russo on vocals.

In April 2006, the Brand New Heavies reunited with N'Dea Davenport and former label Delicious Vinyl. A new album, Get Used to It was released on June 27 2006 via Starbucks and more traditional music retail outlets. The album was recorded in New York and London; and the lead single "I Don't Know Why (I Love You)" was issued in early May. The single was notable for being one of very few late releases to feature the trademarked "A Tom Moulton Mix", as the legendary disco pioneer had been asked to contribute mixes. Later that year, their song "Jump 'N' Move" was featured on the soundtrack for the 2006 computer animated feature film, Happy Feet, and the in-game soundtrack for 2004's NBA Live 2005. The band toured at the end of 2006.

After the release of a live CD Live at the Indigo2 in late 2008, the Brand New Heavies announced they would be releasing a new album in 2009 with N'Dea Davenport on vocals.

Who Makes The Loot
The Brand New Heavies Lyrics

Jump to: Overall Meaning ↴ Line by Line Meaning ↴

Who makes the loot? Grand Puba
Who makes the loot?
Who makes the loot? Grand Puba
Well, who makes the loot? Bust it

Goodness grief, let me lighten up the brief
Honies spell Grand Puba when they wanna spell relief
Who is the man, more than a hundred grand?

Give a pound to a friend, put a tool to a clown
Damn, bang, bang, bang, Jimmy Coco Puff
Who is the one who gives you nuff?
Don't answer, here comes the flavor
And you wanna ask what Grand Puba gave ya?

Some dope shit, some real live shit
Puba is the one who's givin' fits
A new style, new style, are you ready for this type?
Now, I rock hip, everybody's rockin' hype
On the very down low you might see me at a show
If the show ain't for dough then you won't see the bro
The Grand man, just as usual
But let me slow down 'cause I know I'm confusin' y'all

Grand Puba, Grand Puba
Grand Puba, Grand Puba
Grand Puba, Grand Puba
Grand Puba

Bust it we gon' move on like this, I once caught a bid
I never hit skid, never date a girl if the girl
Got a kid, nah, poppa's got a brand new bag
And I never hit skins once they sag
Guy says groovy, you like to see a movie?
Stick it in easy, it comes back greasy
First to tell you slow down
But be the second to take you uptown

I won't fall or fumble, trip stagger or stumble
Not a soft sucker but I still come humble
The next candidate, who holds all the weight
It ain't him or him, you better get the story straight
Ron Stud is my D. J. makes the girl feel like it's foreplay
Comin' like a bull, so you better yell, "Ole"
Here is the one, I shine like the sun
You get too close, you might get done

Yeah, funky
Ain't nuttin' but funky, it's just funky
Aiyyo, check this out
The right type of hype
This how we gon' move it for the 90's and the year 2000
Check it out, do the knowledge, this ain't no loop
This is some real live funky, funky get down on the get down
And I'm flowin' to this type of hype

The bass player's real, the drummer's real
The bass player's real, and the drummer's real
Word is bond
We got the guitars, everythin' is live
Knahmsayin'?
Year 2000, it ain't just a simple loop, so don't get souped

As we hit it with the brand new heavies
Yeah

Overall Meaning

The lyrics of the song 'Who Makes The Loot' by The Brand New Heavies is basically about the rapper, Grand Puba boasting about his wealth and status. The opening line 'Who makes the loot?' is repeated throughout the song, as Grand Puba talks about his money, women and reputation. Puba is trying to prove his worth as a successful rapper, who's not to be messed with. He is confident and assertive in his statements, and delivers them with a level of coolness that only comes from someone who has made it big in the music industry.

In the first verse, Puba talks about how women are attracted to him and he has the power to make them feel better. He also boasts about having a lot of money and being able to do whatever he wants. The second verse is more of a general commentary on life, where he advises against dating a woman with a child and cautions against going too fast with a girl. The third verse talks about the band itself, and how the bass and drums are real, and the guitars are played live.

Overall, the song is a testament to Grand Puba's status in the music industry and how he has made it big. He raps about his power, money, and success, while also incorporating elements of funk and hip hop in the music.

Line by Line Meaning

Who makes the loot? Grand Puba
Asks who is responsible for the money, with Grand Puba identified as the answer

Who makes the loot?
Repeated question that continues to query the origin of monetary wealth

Who makes the loot? Grand Puba
Another reminder of the attribution of wealth creation to Grand Puba

Well, who makes the loot? Bust it
Introduces a new line of questioning to delve deeper into the topic of wealth creation while calling for attention

Goodness grief, let me lighten up the brief
Exclaims surprise or exasperation prior to attempting to quickly transition back to the topic at hand

Honies spell Grand Puba when they wanna spell relief
Asserts that women associate Grand Puba with relief and comfort, perhaps due to his monetary success

Who is the man, more than a hundred grand?
Asks who possesses wealth beyond 100,000 dollars

Give a pound to a friend, put a tool to a clown
Suggests that Grand Puba is generous to those who support him, but will retaliate against those who oppose him

Damn, bang, bang, bang, Jimmy Coco Puff
Uses onomatopoeia to simulate the sounds of gunfire while referencing a specific type of cereal mascot

Who is the one who gives you nuff?
Questions who provides enough for people's needs or wants

Don't answer, here comes the flavor
Interrupts the questioning abruptly and describes a forthcoming change in mood or style

And you wanna ask what Grand Puba gave ya?
Poses a rhetorical question to suggest that the listener has already benefited from Grand Puba's success

Some dope shit, some real live shit
Describes the types of things Grand Puba provides, which are likely drugs or other illicit products along with authentic experiences

Puba is the one who's givin' fits
Implies that Grand Puba is creating difficulties or causing trouble for others

A new style, new style, are you ready for this type?
Announces that something different is about to occur, signaling a change in tone or possibly a shift in musical style

Now, I rock hip, everybody's rockin' hype
Describes Grand Puba's coolness and popularity in the current context

On the very down low you might see me at a show
Suggests that Grand Puba may keep a low profile, but still attends public events

If the show ain't for dough then you won't see the bro
Indicates that Grand Puba prioritizes monetary gain above exposure or social engagements

The Grand man, just as usual
Refers to Grand Puba in a respectful or reverential way, implying his importance or greatness

But let me slow down 'cause I know I'm confusin' y'all
Acknowledges that the lyrics may be difficult to follow or understand, and takes a brief moment to clarify

Grand Puba, Grand Puba
Repeats Grand Puba's name twice, possibly as a chant or recognition

Grand Puba, Grand Puba
Repeats Grand Puba's name twice more for emphasis, possibly signaling a change in tempo or purpose

Grand Puba, Grand Puba
Continues to repeat Grand Puba's name as a vocal cue or motif

Bust it we gon' move on like this, I once caught a bid
Introduces a shift in focus, then describes some other aspect of Grand Puba's life

I never hit skid, never date a girl if the girl
Describes the kind of woman Grand Puba avoids, likely one with a child

Got a kid, nah, poppa's got a brand new bag
Uses a reference to James Brown to suggest that Grand Puba has a new or revised approach to life, now that he is successful

And I never hit skins once they sag
Indicates that Grand Puba does not pursue women once they pass a certain age or beauty standard

Guy says groovy, you like to see a movie?
Imitates a stereotypical pick-up line in order to mock it or make fun of it

Stick it in easy, it comes back greasy
Offers a vulgar proverb that suggests taking shortcuts or making things easy can have negative consequences

First to tell you slow down
Asserts that Grand Puba is able to control the tempo of a song or a crowd

But be the second to take you uptown
Switches the focus to another action or activity, implying that Grand Puba has many talents or skills

I won't fall or fumble, trip stagger or stumble
Declares Grand Puba's confidence and control in various situations

Not a soft sucker but I still come humble
Asserts that Grand Puba is not weak but still remains modest or humble

The next candidate, who holds all the weight
Implies that there is another person or entity with considerable influence or power

It ain't him or him, you better get the story straight
Clarifies that the previously mentioned people are not the one in question, and warns the listener to be careful about rumors or assumptions

Ron Stud is my D. J. makes the girl feel like it's foreplay
Describes the role of Grand Puba's DJ, Ron Stud, who is able to set a certain mood or tone with the music

Comin' like a bull, so you better yell, "Ole"
Invokes a cultural reference to imply that Grand Puba is charging forward like a bull, and others should get out of his way

Here is the one, I shine like the sun
Declares Grand Puba's greatness or importance once more, suggesting that he is the center of attention and a source of light or energy

You get too close, you might get done
Warns that getting too close or involved with Grand Puba could lead to trouble or negative consequences

Yeah, funky
Exclaims joy or excitement related to the style or music being played

Ain't nuttin' but funky, it's just funky
Reiterates the emphasis on the style or music, stating that it's simply funky and nothing more

Aiyyo, check this out
Introduces a new section or concept, usually to get the listener's attention

The right type of hype
Describes a specific kind of excitement or energy that is desirable or effective

This how we gon' move it for the 90's and the year 2000
Discusses the plan or strategy for moving forward or adapting with the times

Check it out, do the knowledge, this ain't no loop
Encourages the listener to pay attention or do some research to understand the complexity or originality of the music

This is some real live funky, funky get down on the get down
Affirms the authenticity and quality of the music, while inviting people to dance or participate

And I'm flowin' to this type of hype
Indicates that Grand Puba is comfortable with or excited about the particular style or energy of the music

The bass player's real, the drummer's real
Praises the authenticity and skill of the other musicians involved in the performance

The bass player's real, and the drummer's real
Repeats the previous line, possibly as a chant or emphasis

Word is bond
Asserts the truth or authenticity of what was just said

We got the guitars, everythin' is live
Confirms the presence of additional musicians and the use of live instruments, rather than pre-recorded or synthesized sounds

Knahmsayin'?
Asks the listener if they understand or agree with what has been said

Year 2000, it ain't just a simple loop, so don't get souped
Calls attention to the changing times and challenges the listener to avoid complacency or excessive excitement

As we hit it with the brand new heavies
References the band or group associated with this performance or recording

Yeah
An exclamation of affirmation, agreement, or excitement

Lyrics © Warner/Chappell Music, Inc., Universal Music Publishing Group
Written by: JAN KINCAID, ANDREW LEVY, SIMON BARTHOLOMEW, W. DIXON

Lyrics Licensed & Provided by LyricFind

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