Intro
The C.I.T.Y. Lyrics
Jump to: Overall Meaning ↴ Line by Line Meaning ↴
Isn't she wonderful
Isn't she lovely
Isn't she wonderful
Can I
I wanna stay with you all night yea
I wanna stick with you all right yea
I don't wanna leave no no not yet
Isn't she love
Isn't she isn't she love
I know that you know that I'm indecisive
Wine on the counter yea for all of my shit
You never needed this but you still like it
And I know you like it
You a bad one but you still the nicest
Plus you always private
Nightshift is your perfect timing
You're the type to love so deep that it's just really frightening
Roll one up and watch you be a pilot
I break your back
You bring it back
You do some laps
You take it fast
These niggas jokes
You never laugh
You back on track
You back on that
You acting sweet
To salty people
In your past
Ow shawdy
Isn't she wonderful
Walk up in a room girl you a light show
Too thick for your own good you a psycho
And you know that I know
Know the streets is calling
You might need me often
You don't need you say it
Your body always talking
I'm not even tripping I'm just ready to go fall in
Isn't she lovely
Isn't she wonderful
Isn't she lovely
Isn't she wonderful
Can I
I wanna stay with you all night yea
I wanna stick with you all right yea
I don't wanna leave no no not yet
Coz isn't she lovely
Isn't she love
Isn't she isn't she love
The intro of The C.I.T.Y.'s song is an explosive statement of Kay One's return to the German rap scene. He describes how he has broken free from the shackles of German rap and is now here to deliver his rhymes in his unique style. He talks about his frustration with the direction the German rap scene was moving in with these trending themes of disrespecting women and glorifying crime. Kay One also specifically targets his critics who believed he had lost touch with music, which he refutes by pointing out his continuing popularity with fans. The song concludes with Kay One stating his dominance and the return of the king to the rap scene.
The lyrics to Intro are a scathing critique of a particular style of German rap that glorifies disrespectful and vulgar behavior towards women and perpetuates the idea of crime as a desirable lifestyle. Kay One's frustrations with the mainstream German rap scene become evident in the song. Furthermore, he addresses the criticism that had arisen against him, and the song's lyrics directly refute it.
Line by Line Meaning
Yeah, 2015, Kay One ist back und so fresh wie nie zuvor
Kay One has returned in 2015 with more energy and passion than ever before
Und ich zerfetz' jetzt Deutschrap zerbrech die scheiß Fesseln
I'm tearing German rap apart and breaking out of the constraints that held me back
Spürst du die Wut wenn ich in der Booth grad die Texte einrappe
Can you feel the anger when I'm spitting these lyrics in the recording booth?
Ich hab's gesagt eure verkackte Art nervt ich war's Leid das ich bloß abgefuckt werd'
I'm sick of your screwed-up attitude towards me, always putting me down
Weil sie meinen ich hätte es verlernt zu reimen
They think I've lost my talent for rhyming
Erfolgsfans, ihr standed in den ersten Reihen
Fans who only follow success are in the front row
Und habt „Style und das Geld“ geschriehen
They scream for style and money
ich vergess' nicht und seid geswicht und pumpt jetzt Gangstarap shit
Don't forget, you've switched to pumping gangsta rap now
Ohne Technik, ohne Flows, ohne nichts
You have no technique, no flow, and no substance
Eure Themen sind nur „Welcher Hurensohn wird gefickt“
Your only topic is who's getting screwed over
Disstracks mit Millionen von Klicks
Disstracks with millions of clicks
Euch interessiert nur wer ist tot oder nicht, wer die meiste Kohle und paar Boote besitzt
You're only interested in who's dead or alive, who has the most money and boats
Wer saß schon mal und hat wirklich Koka getickt
Who has actually been there, done that with cocaine?
Von diesen Mutterfickenden Pissern keiner doch sie dissen weiter
None of these motherfucking pissers stop dissing
Weil sie meinen sie klettern auf dieser Karriereleiter
They think they're climbing the career ladder
Aber nein man, ich werd euch jez die Flügel brechen
But no, I'm going to break your wings now
Ihr seid nur die Kings im selbstüberschätzen, sie halten jez ihre Fressen
You're only kings of overestimation, now shut up
Action wie im Wilden Weste, hab die Schnauze voll
Action like in the Wild West, I'm fed up
Schieb den Colt direkt in deinen Mund ich hör nicht auf zu prollen
I'm putting the gun in your mouth and won't stop boasting
Fick auf gestern, heute wird gefickt auf auf nem´ Rap-Battle
Forget about yesterday, today we're fucking on a rap battle
Was ich grade spitte nennt man Next Level
What I'm spitting right now is the next level
Ich sitze im Chefsessel meine Promo ist niveaulos
I'm in the boss's chair and my promotion is low-level
Das geht an euch Homos ich bin grad im kill euch alle Modus
This is for you homos, I'm currently in the 'kill all of you' mode
Fick auf den Chorus
Forget about the chorus
Liebe Eltern, eure Söhne sind gefickt
Dear parents, your sons are screwed
Der König ist zurück
The king is back
Lyrics © DistroKid
Written by: Siyabulela Khwekhwe
Lyrics Licensed & Provided by LyricFind
Periclis Dragonballz
Old friend of mine actually had a recurring role on this show in the earlier episodes.
The City Soap Opera Drive
I have the complete soap the city available to download on my google drive. :) /3
GenXorcist1976
I used to watch this, and All My Children, when I was in college. Great memories.
Edwyn Sanchez
Morgan Fairchild did wonderful in that show
Hello There
This show had potential but its developers should've realized from the start that its promos and intro looked and sounded like it was the theme for Degrassi High. Needed more sophistication...
The City Soap Opera Drive
@PluckySmurf I have the complete soap the city available to download on my google drive. :) /4
Hello There
@PluckySmurf Your opinion...
PluckySmurf
The biggest hurdle this show faced was going head to head with Y&R. For its time, there was nothing wrong with its theme or promos IMO.