From their earliest days as a band, The Clash stood apart from their peers with their musicianship as well as their lyrics, the passionate, left-wing political idealism in the lyrics by frontman Joe Strummer and guitarist Mick Jones contrasting with the lyrical nihilism of the Sex Pistols and the musical minimalism of the Ramones. Their 1979 album 'London Calling' is considered by critics as one of the greatest albums in the history of rock music. Rolling Stone declared it the best album of the 80s.
The Clash's attitude and style, as much as their music, has influenced countless bands, both within and outside the sphere of punk rock. Often lauded as "the only band that matters," The Clash were canonized as rock saints even before they broke up. They were inducted into the Rock and Roll Hall of Fame in the class of 2003. Their first five albums, ('The Clash', 'Give 'Em Enough Rope', 'London Calling', 'Sandinista!', and 'Combat Rock') to this day, continue to earn a great deal of interest from rock fans and artists alike.
Mick Jones went on to form Big Audio Dynamite after being fired from The Clash, and he more recently has produced albums by artists such as The Libertines and Babyshambles. In 2004, he formed Carbon/silicon with musician Tony James (of Generation X and Sigue Sigue Sputnik fame). Exploring various genres such as alternative rock and electronic music, he continues to collaborate with other modern groups such as Gorillaz.
Joe Strummer went on to form and front Joe Strummer and the Latino Rockabilly War and then Joe Strummer and The Mescaleros. He also had a notable solo career that involved work in films and other endeavors, often earning critical acclaim. He died on December 22, 2002, the victim of an un-diagnosed congenital heart defect. Mourned by countless punk fans, his life has been subject to several tributes and was memorialized in the 2007 documentary 'Joe Strummer: The Future Is Unwritten'.
Bass player Paul Simonon went on to form Havana 3 A.M., a group that released a self-titled album in 1991, yet he decided to quit music in the early 90s in favour of becoming an artist. In 2006, he returned to music as bass player in a musical project together with singer-songwriter Damon Albarn. The project is often referred to as The Good, The Bad & The Queen, the name of the groups first recorded album that came out in 2007. In terms of his paintings, his well-received work notably was in an exhibition at Thomas Williams Fine Art in London.
Drummer Topper Headon released a solo album, 1986's 'Waking Up', before leaving the music business to become a taxi driver and escape the heroin addiction that cost him his legacy in The Clash. Over the years, he's had sporadic involvement in various music-related endeavors, such as being a key part of the aforementioned 'The Future Is Unwritten' film. He's currently residing in the seaside town of Dover, England.
Members:
1976 Original line-up
Joe Strummer – lead vocals, rhythm guitar
Mick Jones – lead guitar, backing vocals
Keith Levene – lead guitar
Paul Simonon – bass guitar, backing vocals
Terry Chimes – drums, percussion
1977
Joe Strummer – lead vocals, rhythm guitar
Mick Jones – lead guitar, backing vocals
Paul Simonon – bass guitar, backing vocals
Terry Chimes – drums, percussion
1977-1982 Classic line-up
Joe Strummer – lead vocals, rhythm guitar
Mick Jones – lead guitar, backing vocals
Paul Simonon – bass guitar, backing vocals
Topper Headon – drums, percussion
1982-1983
Joe Strummer – lead vocals, rhythm guitar
Mick Jones – lead guitar, backing vocals
Paul Simonon – bass guitar, backing vocals
Terry Chimes – drums, percussion
1983
Joe Strummer – lead vocals, rhythm guitar
Mick Jones – lead guitar, backing vocals
Paul Simonon – bass guitar, backing vocals
Pete Howard – drums, percussion
1983-1986 Final line-up
Joe Strummer – lead vocals, rhythm guitar
Nick Sheppard – lead guitar, backing vocals
Vince White – lead guitar
Paul Simonon – bass guitar, backing vocals
Pete Howard – drums, percussion
Koka Kola
The Clash Lyrics
Jump to: Overall Meaning ↴ Line by Line Meaning ↴
In the gleaming corridors of the fifty-first floor
The money can be made if you really want some more
Executive decision, a clinical precision
Jumping from the windows, filled with indecision
I get good advice from the advertising world
Treat me nice, party girl
So freeze, man, freeze
It's the pause that refreshes in the corridors of power
When top men need a top up long before the happy hour
Your snakeskin suit and your alligator boot
You won't need a launderette, you can take 'em to the vet
I get my advice from the advertising world
"Treat me nice", says the party girl
Coke adds life where there isn't any
So freeze, man, freeze
Coca-Cola advertising and cocaine
Strolling down the Broadway in the rain
Neon light sign says it
I read it in the paper, they're crazy
Yeah, suit your life, maybe so
In the White House, I know
All over Berlin, they do it for years
And in Manhattan
Coming through the door is a snub nose forty four
What the barrel can't snort it can spatter on the floor
Your eyeballs feel like pinballs
And your tongue feels like a fish
You're leapin' from the windows sayin'
"Don't give me none of this"
Coke adds life, advertising world
"Treat me nice", says the party girl
Coke adds life where there isn't any
So freeze, man, freeze
Hit the deck
The Clash’s song “Koka Kola” is a biting critique of the advertising and corporate world. The song begins with a description of a corporate elevator ride where executives are making money but filled with indecision. The advertising world is then introduced as a source of “good advice” and encouragement to live a life of excess and indulgence. The repeated refrain of “Koke adds life where there isn’t any” highlights the focus on the addictive and harmful nature of consumer culture. The song also references the presence of cocaine in the advertising and corporate world, which is portrayed as a dangerous and destructive element. The chorus “So freeze, man, freeze” poses a warning against being consumed by these destructive forces.
The second verse mocks the extravagance and excess of those in power, including their snakeskin suits and alligator boots. The pause for a refreshment break is portrayed as an important aspect of maintaining the power of executives who need to keep their energy up, long before normal happy hours. In the bridge section, the lyrics describe how advertising for Koka Kola and cocaine is seen throughout the city, highlighting the ubiquitous presence of these addictive and harmful substances.
Line by Line Meaning
Elevator goin' up
Starting from the ground floor, the elevator goes up to the fifty-first floor of a building
In the gleaming corridors of the fifty-first floor
The hallway of the fifty-first floor is shiny and reflective
The money can be made if you really want some more
Opportunities for making more money are available for those who desire it
Executive decision, a clinical precision
The decision-making process of executives is precise and methodical
Jumping from the windows, filled with indecision
Some people are unsure about their choices and may even contemplate suicide
I get good advice from the advertising world
The singer receives helpful suggestions from marketing and promotional campaigns
Treat me nice, party girl
The singer expects to be treated kindly, just like a female partygoer
Koke adds life where there isn't any
Coca-Cola can provide a sense of excitement or pleasure even in dull or boring situations
So freeze, man, freeze
Stop what you're doing and pay attention to the advertisement for Coca-Cola
It's the pause that refreshes in the corridors of power
Taking a moment to drink Coca-Cola can provide a sense of rejuvenation in a place of authority or influence
When top men need a top up long before the happy hour
Even high-ranking individuals require a drink, well before the scheduled time for relaxation or fun
Your snakeskin suit and your alligator boot
Possibly a reference to exotic or expensive clothing items
You won't need a launderette, you can take 'em to the vet!
The quality of these high-end garments means you can have them cleaned by a veterinarian instead of a regular launderette
Koka Kola advertising and cocaine
Coca-Cola advertisements share some similarities with drug promotions
Strolling down the Broadway in the rain
Walking down the busy street of Broadway during wet weather
Neon light sign says it
A brightly lit sign provides further advertising for Coca-Cola
I read it in the paper, they're crazy
News outlets or media publications express their opinions about the questionable behavior associated with drug and soda advertisements
Yeah, suit your life, maybe so
It's possible that you can tailor your lifestyle to fit the image portrayed in the advertisements
In the White House, I know
Even the President of the United States is familiar with the influence of marketing campaigns
All over Berlin, they do it for years
Promoting and consuming Coca-Cola has been happening for several years in Berlin
And in Manhattan
The advertising and consumption of Coca-Cola occurs in Manhattan as well
Coming through the door is a snub nose forty four
A weapon, specifically a handgun, enters the scene
What the barrel can't snort it can spatter on the floor
Doing cocaine is messy and can result in powder spilling on the ground
Your eyeballs feel like pinballs
Excessive drug use can make your vision erratic or disorienting
And your tongue feels like a fish
The sensation of having a slippery or numb tongue, possibly due to drug use
You're leapin' from the windows sayin' "Don't get me none of this!"
Some drug users experience such extreme reactions that they commit suicide by jumping out of high-rise buildings to avoid the experience altogether
Koke adds life, advertising world
Coca-Cola breathes fresh life into marketing campaigns
"Treat me nice", says the party girl
Partiers expect to be treated with kindness, similar to how Coca-Cola promises to make you feel good
Koke adds life where there isn't any
Coca-Cola makes mundane activities more enjoyable
So freeze, man, freeze
Stop what you're doing and consume Coca-Cola to feel more refreshed and alive
Hit the deck
Get on the ground quickly or prepare for impact
Lyrics © Universal Music Publishing Group
Written by: Joe Strummer, Mick Jones, Paul Simonon, Topper Headon
Lyrics Licensed & Provided by LyricFind
@stephencoomer5692
Elevator goin' up
In the gleaming corridors of the fifty-first floor
The money can be made if you really want some more
Executive decision, a clinical precision
Jumping from the windows, filled with indecision
I get good advice from the advertising world
Treat me nice, party girl
Koke adds life where there isn't any
So freeze, man, freeze
It's the pause that refreshes in the corridors of power
When top men need a top up long before the happy hour
Your snakeskin suit and your alligator boot
You won't need a launderette, you can take 'em to the vet!
I get my advice from the advertising world
"Treat me nice", says the party girl
Koke adds life where there isn't any
So freeze, man, freeze
Koka Kola advertising and cocaine
Strolling down the Broadway in the rain
Neon light sign says it
I read it in the paper, they're crazy
Yeah, suit your life, maybe so
In the White House, I know
All over Berlin, they do it for years
And in Manhattan
Coming through the door is a snub nose forty four
What the barrel can't snort it can spatter on the floor
Your eyeballs feel like pinballs
And your tongue feels like a fish
You're leapin' from the windows sayin'
"Don't get me none of this!"
Koke adds life, advertising world
"Treat me nice", says the party girl
Koke adds life where there isn't any
So freeze, man, freeze
Hit the deck
@비정한세상
Elevator goin' up
In the gleaming corridors of the fifty-first floor
The money can be made if you really want some more
Executive decision, a clinical precision
Jumping from the windows, filled with indecision
I get good advice from the advertising world
Treat me nice, party girl
Koke adds life where there isn't any
So freeze, man, freeze
It's the pause that refreshes in the corridors of power
When top men need a top up long before the happy hour
Your snakeskin suit and your alligator boot
You won't need a launderette, you can take 'em to the vet!
I get my advice from the advertising world
"Treat me nice", says the party girl
Koke adds life where there isn't any
So freeze, man, freeze
Koka Kola advertising and cocaine
Strolling down the Broadway in the rain
Neon light sign says it
I read it in the paper, they're crazy
Yeah, suit your life, maybe so
In the White House, I know
All over Berlin, they do it for years
And in Manhattan
Coming through the door is a snub nose forty four
What the barrel can't snort it can spatter on the floor
Your eyeballs feel like pinballs
And your tongue feels like a fish
You're leapin' from the windows sayin'
"Don't get me none of this!"
Koke adds life, advertising world
"Treat me nice", says the party girl
Koke adds life where there isn't any
So freeze, man, freeze
Hit the deck
@peterbolt9694
"Your snakeskin suit and your alligator boot
You won't need a launderette, you can take 'em to the vet!"
I don't think these two lines get enough attention.
@prilljazzatlanta5070
My favorite line on the album
@peterbolt9694
@@prilljazzatlanta5070 Definitively a sticker for my bumper, if I would own a car.
@OysterBoyo
@@prilljazzatlanta5070 mine too!
@johntierney8282
2 lines,lol
@elektroshop3388
This could be released today, and would still sound fresh as fuck. The Clash were reaaaaaaaaally legendary and London Calling is one of the best albums of all time.
@markvaught672
Absofuckinglutely!!
@Faustolm77
Ĺlljyuh no chão
@stephenwivverP
@@markvaught672I'd say it's absofuckinbleedinglutely wonderful. 👍
@johngibb4392
The BEST ALBUM OF ALL TIME!! Still listening every song a masterpiece untouchable!!!