From their earliest days as a band, The Clash stood apart from their peers with their musicianship as well as their lyrics, the passionate, left-wing political idealism in the lyrics by frontman Joe Strummer and guitarist Mick Jones contrasting with the lyrical nihilism of the Sex Pistols and the musical minimalism of the Ramones. Their 1979 album 'London Calling' is considered by critics as one of the greatest albums in the history of rock music. Rolling Stone declared it the best album of the 80s.
The Clash's attitude and style, as much as their music, has influenced countless bands, both within and outside the sphere of punk rock. Often lauded as "the only band that matters," The Clash were canonized as rock saints even before they broke up. They were inducted into the Rock and Roll Hall of Fame in the class of 2003. Their first five albums, ('The Clash', 'Give 'Em Enough Rope', 'London Calling', 'Sandinista!', and 'Combat Rock') to this day, continue to earn a great deal of interest from rock fans and artists alike.
Mick Jones went on to form Big Audio Dynamite after being fired from The Clash, and he more recently has produced albums by artists such as The Libertines and Babyshambles. In 2004, he formed Carbon/silicon with musician Tony James (of Generation X and Sigue Sigue Sputnik fame). Exploring various genres such as alternative rock and electronic music, he continues to collaborate with other modern groups such as Gorillaz.
Joe Strummer went on to form and front Joe Strummer and the Latino Rockabilly War and then Joe Strummer and The Mescaleros. He also had a notable solo career that involved work in films and other endeavors, often earning critical acclaim. He died on December 22, 2002, the victim of an un-diagnosed congenital heart defect. Mourned by countless punk fans, his life has been subject to several tributes and was memorialized in the 2007 documentary 'Joe Strummer: The Future Is Unwritten'.
Bass player Paul Simonon went on to form Havana 3 A.M., a group that released a self-titled album in 1991, yet he decided to quit music in the early 90s in favour of becoming an artist. In 2006, he returned to music as bass player in a musical project together with singer-songwriter Damon Albarn. The project is often referred to as The Good, The Bad & The Queen, the name of the groups first recorded album that came out in 2007. In terms of his paintings, his well-received work notably was in an exhibition at Thomas Williams Fine Art in London.
Drummer Topper Headon released a solo album, 1986's 'Waking Up', before leaving the music business to become a taxi driver and escape the heroin addiction that cost him his legacy in The Clash. Over the years, he's had sporadic involvement in various music-related endeavors, such as being a key part of the aforementioned 'The Future Is Unwritten' film. He's currently residing in the seaside town of Dover, England.
Members:
1976 Original line-up
Joe Strummer – lead vocals, rhythm guitar
Mick Jones – lead guitar, backing vocals
Keith Levene – lead guitar
Paul Simonon – bass guitar, backing vocals
Terry Chimes – drums, percussion
1977
Joe Strummer – lead vocals, rhythm guitar
Mick Jones – lead guitar, backing vocals
Paul Simonon – bass guitar, backing vocals
Terry Chimes – drums, percussion
1977-1982 Classic line-up
Joe Strummer – lead vocals, rhythm guitar
Mick Jones – lead guitar, backing vocals
Paul Simonon – bass guitar, backing vocals
Topper Headon – drums, percussion
1982-1983
Joe Strummer – lead vocals, rhythm guitar
Mick Jones – lead guitar, backing vocals
Paul Simonon – bass guitar, backing vocals
Terry Chimes – drums, percussion
1983
Joe Strummer – lead vocals, rhythm guitar
Mick Jones – lead guitar, backing vocals
Paul Simonon – bass guitar, backing vocals
Pete Howard – drums, percussion
1983-1986 Final line-up
Joe Strummer – lead vocals, rhythm guitar
Nick Sheppard – lead guitar, backing vocals
Vince White – lead guitar
Paul Simonon – bass guitar, backing vocals
Pete Howard – drums, percussion
Last Gang in Town
The Clash Lyrics
Jump to: Overall Meaning ↴ Line by Line Meaning ↴
You better watch out for they're all comin' around
The sport of today is exciting
The in crowd are into infighting
When some punk sees some rock-olla
It's rock and roll all over
In every street and every station
And it's brawn against brain
And it's knife against chain
But it's all young blood
Flowing down the drain
The Crops hit the Stiffs
An' the Spikes whipped the Quiffs
They're all looking 'round
For the last gang in town
Meanwhile down in black town
Those old soul rebels are haingin' around
An' when some punk come a looking for sound
Rastafari goes to ground
The white heart flipped his pocket dipped
'cause a black sharp knife never slips
And they never say to one another
That tomorrow we might kill our brothers
Down from the edge of London
The rockabilly rebels came
From another edge of London
Skinhead gangs call out their name
But not the Zydeco kids
From the high rise
Though they can't be recognized
When you hear a Cajun fiddle
Then you're nearly in the middle
Of the last gang in town
The Clash's "Last Gang in Town" is a song that explores youth subcultures and their tendency towards violence and aggression. It speaks of the "in crowd," who seem to be constantly in turmoil amongst themselves, fighting over things as trivial as rock-olla (a type of jukebox). The chorus "everybody's looking for the last gang in town, you better watch out for they're all comin' around" insinuates that a gang war is imminent, and no one is immune.
The song speaks about the differences between different youth subcultures, and how they interact with each other. The first verse talks about how mod and punk subcultures fight amongst themselves, while the second verse mentions the Rastafari and soul rebels in black town, and how they react to hostility from outsiders. The song doesn't take sides or offer solutions, but merely paints a picture of the violence and tension that young people are experiencing.
"Last Gang in Town" is a song that speaks to the frustration and disillusionment of a generation. It talks about the feeling of being lost and betrayed by authority figures, which was a common feeling amongst young people in the late 1970s.
Line by Line Meaning
Everybody's looking for last gang in town
People are always searching for the toughest, coolest and most exclusive group to belong to.
You better watch out for they're all comin' around
Be careful not to get involved with dangerous groups who are always looking for a fight.
The sport of today is exciting
Violence and conflict are seen as thrilling and exhilarating activities in society.
The in crowd are into infighting
The popular and influential members of society are often preoccupied with fighting each other.
When some punk sees some rock-olla
When a young troublemaker spots a wealthy individual, there is a strong likelihood of violence.
It's rock and roll all over
Violence is widespread and chaotic.
In every street and every station
Violence and conflict can be found everywhere in society, from public transportation to residential neighborhoods.
Kids fight like different nations
Young people are constantly fighting each other as if they belong to different warring countries.
And it's brawn against brain
Physical strength is pitted against intelligence and wit.
And it's knife against chain
Weapons are often used in violent conflicts, with knives and chains being common choices.
But it's all young blood
The participants in these conflicts are mostly young people, full of energy and anger.
Flowing down the drain
All of this violence and conflict is ultimately destroying the lives of these young people and hurting society as a whole.
The Crops hit the Stiffs
One group of violent individuals attacks another group who are more rigid or formal.
An' the Spikes whipped the Quiffs
Another group of violent individuals attacks those who are more well-groomed or stylish.
They're all looking 'round
Everyone is searching for the most violent and intimidating group to join.
Meanwhile down in black town
In a different part of town, the African American community is dealing with its own issues.
Those old soul rebels are haingin' around
The older generation of black people who fought for their rights and dignity are still present and watching over the community.
An' when some punk come a looking for sound
When a young troublemaker comes to the black community looking for a fight or some excitement.
Rastafari goes to ground
The Rastafarian people who are pacifists and prefer not to get involved in violence, try to stay out of the way.
The white heart flipped his pocket dipped
A white person who is nervous or uneasy about being in the black community tries to slip away unnoticed.
'cause a black sharp knife never slips
The idea that a black person might use a knife against a white person, especially one who is trying to cause trouble.
And they never say to one another
The older generation of black people who remember the struggle for civil rights and the need for unity, never encourage violence against each other.
That tomorrow we might kill our brothers
The older black people understand that the violence that was once directed against them could turn inward and tear their own community apart if they are not vigilant.
Down from the edge of London
Groups of young people from different parts of London are coming together for a major confrontation.
The rockabilly rebels came
One group of young people who are into rockabilly music, rebel against society and against the other groups of young people.
From another edge of London
Another group of young people, the skinhead gangs also come to the same location seeking a fight.
Skinhead gangs call out their name
The skinhead gangs, who are known for their aggression and racist views, taunt the other groups of young people.
But not the Zydeco kids
The Zydeco people, who are from a different culture and part of town, are not involved in these violent conflicts.
From the high rise
The Zydeco people who live in tall buildings high above the other groups of young people, observe the violence from a distance.
Though they can't be recognized
The Zydeco people are so different and distinct that the other groups of young people don't even notice or recognize them.
When you hear a Cajun fiddle
When you hear music that is unfamiliar and different, you know you are approaching a different culture or community.
Then you're nearly in the middle
The Zydeco community is close to this violent intersection, but they prefer to remain uninvolved.
Of the last gang in town
This violent intersection is seen as the last stronghold or battleground for different groups of young people trying to exert their dominance over each other.
Lyrics © Universal Music Publishing Group
Written by: JOE STRUMMER, MICK JONES, PAUL SIMONON, TOPPER HEADON
Lyrics Licensed & Provided by LyricFind
Alexander Mendoza
Todo el mundo busca la última pandilla de la ciudad
Everybody's looking for last gang in town
Es mejor que tengas cuidado porque todos están viniendo
You better watch out for they're all comin' around
El deporte de hoy es apasionante
The sport of today is exciting
A la multitud les gustan las luchas internas
The in crowd are into infighting
Cuando un punk ve algo de rock-olla
When some punk sees some rock-olla
Es rock and roll por todas partes
It's rock and roll all over
En cada calle y en cada estación
In every street and every station
Los niños pelean como naciones diferentes
Kids fight like different nations
Y es fuerza contra el cerebro
And it's brawn against brain
Y es cuchillo contra cadena
And it's knife against chain
Pero todo es sangre joven
But it's all young blood
Fluyendo por el desagüe
Flowing down the drain
Los cultivos golpean los rígidos
The Crops hit the Stiffs
Y los Spikes azotaron a los quiffs
An' the Spikes whipped the Quiffs
Todos miran alrededor
They're all looking 'round
Para la última pandilla de la ciudad
For the last gang in town
Mientras tanto, en la ciudad negra
Meanwhile down in black town
Esos viejos rebeldes del alma están dando vueltas
Those old soul rebels are haingin' around
Y cuando un punk viene buscando un sonido
An' when some punk come a looking for sound
Rastafari va al suelo
Rastafari goes to ground
El corazón blanco dio la vuelta a su bolsillo se sumergió
The white heart flipped his pocket dipped
porque un cuchillo negro afilado nunca se resbala
'cause a black sharp knife never slips
Y nunca se dicen el uno al otro
And they never say to one another
Que mañana matemos a nuestros hermanos
That tomorrow we might kill our brothers
Abajo desde el borde de Londres
Down from the edge of London
Llegaron los rebeldes del rockabilly
The rockabilly rebels came
Desde otro borde de londres
From another edge of London
Las bandas de cabezas rapadas gritan su nombre
Skinhead gangs call out their name
Pero no los niños Zydeco
But not the Zydeco kids
Desde lo alto
From the high rise
Aunque no pueden ser reconocidos
Though they can't be recognized
Cuando escuchas un violín cajún
When you hear a Cajun fiddle
Entonces estás casi en el medio
Then you're nearly in the middle
De la última pandilla en la ciudad
Of the last gang in town
mike Herald
This song was often trashed by critics but to me it is one of their great rockers. The opening is so powerful.
Apollonius Lusitanius
didn't know that, it's a great song
Gill Graham
Still Relevant after all these years. It is actually sad we have not gotten better since they sang these songs. I guess not enough people are listening!
I Can See For Miles
I'll always love The Clash ❤
Rich T
Give 'Em Enough Rope is so underrated...
Nikola Radovanovic
Their best album in my book at least. Поздрав.
charles woodhouse
Mine too
adams85
@Nikola Radovanovic after the 1st/previous.
David Williams
Not by me it isn’t.
Dave Orton
Was the first clash album I ever heard.. and the best