There are several artists named The Crusaders;
1) The Crusaders were… Read Full Bio ↴There are several artists named The Crusaders;
1) The Crusaders were an American jazz fusion group that was successful from the 1960s to the 1980s. The group was known as The Jazz Crusaders from its formation in 1960 until shortening its name in 1971.
High school friends Joe Sample (piano), Wilton Felder (tenor saxophone) and Nesbert "Stix" Hooper (drums) formed their first band together, the Swingsters, in Houston, Texas in 1954. They played a mixture of jazz and R&B, and were joined by Wayne Henderson (trombone), Hubert Laws (flute), and Henry Wilson (bass). The group soon turned more to hard bop, and renamed themselves the Modern Jazz Sextet, but also recorded in a more R&B vein as the Nighthawks (or Nite Hawks).
In 1960, Sample, Felder, Hooper and Henderson moved to Los Angeles, and formed the Jazz Crusaders as a quintet with a succession of different bass players. Influenced by musicians such as Cannonball Adderley, Art Blakey and John Coltrane, the band signed to the Pacific Jazz label in 1961, and released 16 albums on the label over the subsequent eight years. With a front-line horn section of Felder and Henderson, the group's sound was rooted in hard bop, but with a slant towards R&B and soul music.
Their first two albums, with Jimmy Bond on bass, were Freedom Sound (1961), and Lookin' Ahead (1962), followed by the live album At the Lighthouse (1962) and Tough Talk, the first of several albums with bassist Bobby Haynes. In all, the group recorded five live albums in the 1960s, four of which were recorded at the Lighthouse Café in Hermosa Beach. They also had their first chart entry, their treatment of Stevie Wonder's "Uptight (Everything's Alright)" reaching No.95 on the Hot 100 in 1966. The group's 1969 album, Powerhouse, was their first to reach the Billboard 200 album chart, reaching No. 184, and was also their last studio album for Pacific Jazz.
The group then signed with the Chisa label, co-owned by trumpeter Hugh Masekela and producer Stewart Levine. Their 1970 album Old Socks, New Shoes reached No. 90 on the album chart, and was their last as the Jazz Crusaders. The decision was taken to call the group simply the Crusaders, so as not to limit their scope and potential audience. After a second album with Chisa, (Pass the Plate, 1971), and one album for the MoWest label (Hollywood, 1972) they signed with Blue Thumb Records, where they remained until the late 1970s. Their recordings increasingly adopted a jazz-funk style. They incorporated electric guitar and bass into their shows and recordings, as well as using Sample's electric piano and clavinet. Guitarist Larry Carlton joined, and featured on their albums in the early part of the decade. Bass duties were often handled by Felder, though Robert "Pops" Popwell joined later in the decade.
According to jazz critic Scott Yanow at Allmusic, however, "after a few excellent albums during the early part of the decade... the group began to decline in quality." Sample later commented that the group was under commercial pressure from record companies to record jazzed-up versions of contemporary popular songs. Henderson left to become a record producer in 1975, and the other musicians regularly and increasingly worked as session musicians with artists such as the Jackson 5, Marvin Gaye, Joni Mitchell, Steely Dan, and Randy Newman. With a growing crossover appeal, the group's most commercially successful recordings included the single "Put It Where You Want It" (No.52 pop, 1972), and the albums The 2nd Crusade (No.45 album, 1973), Southern Comfort (No.31 album, 1974), Chain Reaction (No.26 album, 1975), Those Southern Knights (No.38 album, 1976), and Images (No.34 album, 1978).
The peak of the group's commercial success came with 1979's Street Life, with Randy Crawford as featured singer. The album peaked at No. 18 on the pop album charts and the title track made the Top 10 on the R&B chart, No. 36 on Billboard′s Hot 100 chart, and No.5 in the UK. Later albums by the group featured singers Bill Withers and Joe Cocker. The live 1982 album Royal Jam featured guitarist B. B. King, bassist James Jamerson, and the Royal Philharmonic Orchestra. Hooper left in 1983, and though Felder and Sample kept the group operating through the 1980s, the group's commercial success diminished.
Felder and Henderson reunited in the mid-1990s as the Crusaders. Henderson later led a band called the Jazz Crusaders, in which Felder and Carlton also played, and Felder and Sample reunited as the Crusaders in 2003.
Wayne Henderson died on April 5, 2014. Joe Sample died in Houston on September 12, 2014. Wilton Felder died on September 27, 2015.
2) a European Oi band.
3) an Australian garage surf band who recorded two albums in the late 1990s.
4) a Christian garage band active 1966-67.
1) The Crusaders were… Read Full Bio ↴There are several artists named The Crusaders;
1) The Crusaders were an American jazz fusion group that was successful from the 1960s to the 1980s. The group was known as The Jazz Crusaders from its formation in 1960 until shortening its name in 1971.
High school friends Joe Sample (piano), Wilton Felder (tenor saxophone) and Nesbert "Stix" Hooper (drums) formed their first band together, the Swingsters, in Houston, Texas in 1954. They played a mixture of jazz and R&B, and were joined by Wayne Henderson (trombone), Hubert Laws (flute), and Henry Wilson (bass). The group soon turned more to hard bop, and renamed themselves the Modern Jazz Sextet, but also recorded in a more R&B vein as the Nighthawks (or Nite Hawks).
In 1960, Sample, Felder, Hooper and Henderson moved to Los Angeles, and formed the Jazz Crusaders as a quintet with a succession of different bass players. Influenced by musicians such as Cannonball Adderley, Art Blakey and John Coltrane, the band signed to the Pacific Jazz label in 1961, and released 16 albums on the label over the subsequent eight years. With a front-line horn section of Felder and Henderson, the group's sound was rooted in hard bop, but with a slant towards R&B and soul music.
Their first two albums, with Jimmy Bond on bass, were Freedom Sound (1961), and Lookin' Ahead (1962), followed by the live album At the Lighthouse (1962) and Tough Talk, the first of several albums with bassist Bobby Haynes. In all, the group recorded five live albums in the 1960s, four of which were recorded at the Lighthouse Café in Hermosa Beach. They also had their first chart entry, their treatment of Stevie Wonder's "Uptight (Everything's Alright)" reaching No.95 on the Hot 100 in 1966. The group's 1969 album, Powerhouse, was their first to reach the Billboard 200 album chart, reaching No. 184, and was also their last studio album for Pacific Jazz.
The group then signed with the Chisa label, co-owned by trumpeter Hugh Masekela and producer Stewart Levine. Their 1970 album Old Socks, New Shoes reached No. 90 on the album chart, and was their last as the Jazz Crusaders. The decision was taken to call the group simply the Crusaders, so as not to limit their scope and potential audience. After a second album with Chisa, (Pass the Plate, 1971), and one album for the MoWest label (Hollywood, 1972) they signed with Blue Thumb Records, where they remained until the late 1970s. Their recordings increasingly adopted a jazz-funk style. They incorporated electric guitar and bass into their shows and recordings, as well as using Sample's electric piano and clavinet. Guitarist Larry Carlton joined, and featured on their albums in the early part of the decade. Bass duties were often handled by Felder, though Robert "Pops" Popwell joined later in the decade.
According to jazz critic Scott Yanow at Allmusic, however, "after a few excellent albums during the early part of the decade... the group began to decline in quality." Sample later commented that the group was under commercial pressure from record companies to record jazzed-up versions of contemporary popular songs. Henderson left to become a record producer in 1975, and the other musicians regularly and increasingly worked as session musicians with artists such as the Jackson 5, Marvin Gaye, Joni Mitchell, Steely Dan, and Randy Newman. With a growing crossover appeal, the group's most commercially successful recordings included the single "Put It Where You Want It" (No.52 pop, 1972), and the albums The 2nd Crusade (No.45 album, 1973), Southern Comfort (No.31 album, 1974), Chain Reaction (No.26 album, 1975), Those Southern Knights (No.38 album, 1976), and Images (No.34 album, 1978).
The peak of the group's commercial success came with 1979's Street Life, with Randy Crawford as featured singer. The album peaked at No. 18 on the pop album charts and the title track made the Top 10 on the R&B chart, No. 36 on Billboard′s Hot 100 chart, and No.5 in the UK. Later albums by the group featured singers Bill Withers and Joe Cocker. The live 1982 album Royal Jam featured guitarist B. B. King, bassist James Jamerson, and the Royal Philharmonic Orchestra. Hooper left in 1983, and though Felder and Sample kept the group operating through the 1980s, the group's commercial success diminished.
Felder and Henderson reunited in the mid-1990s as the Crusaders. Henderson later led a band called the Jazz Crusaders, in which Felder and Carlton also played, and Felder and Sample reunited as the Crusaders in 2003.
Wayne Henderson died on April 5, 2014. Joe Sample died in Houston on September 12, 2014. Wilton Felder died on September 27, 2015.
2) a European Oi band.
3) an Australian garage surf band who recorded two albums in the late 1990s.
4) a Christian garage band active 1966-67.
A Message From The Inner City
The Crusaders Lyrics
We have lyrics for these tracks by The Crusaders:
A Healing Coming On Momma said in this old world The trouble's down to find…
Be My Girlfriend Be my wife Be my life Be my bride My brightest hope Be my…
Better Not Look Down I´ve been around and i´ve seen some things People moving fas…
Blues Up Tight Baby, everything is all right, uptight, out of sight Baby, e…
Crusaders I'm so glad I'm standing here today There were times I…
D.C. I've never dreamed before I'm gonna knock the door Into the …
Don't Let It Get You Down [Instrumental]…
Eleanor Rigby Ah look at all the lonely people Ah look at all…
Eleanor Rigby From Lighthouse '68 Ah look at all the lonely people Ah look at all…
Give It Up Let's talk about with me "Friday, I'm in love" The best fore…
Golden Slumbers Once there was a way, To get back homeward. Once there…
Help When I was younger, so much younger than today yeah Never…
Hey Jude Hey Jude, don't make it bad Take a sad song and…
Hold On Turn out the light, sleep won't come I think about what's…
Hold On ) Turn out the light, sleep won't come I think about what's…
I Felt The Love Oh I am lost in your eyes And the beauty of…
I Just Can You let me down All over town I guess by now I…
I'm So Glad I'm Standing Here Today I'm so glad I'm standing here today There were times I…
Imagine Imagine there's no heaven It's easy if you try No hell below…
It Happens Every Day 3amrak ghatchof rassi me7ni labghaw y9t3oh gha y9t3oh ghanmo…
Keep That Same Old Feeling Keep on. keep that same old feeling, Keep on. keep that…
Let's dance together One fine day on my way There's a bear In a deep forest Run…
Never Make A Move Too Soon Three days of snow in Birmingham Thought you would wonder wh…
Never Make A Move Too Soon ) Three days of snow in Birmingham Thought you would wonder w…
Never Make Your Move Too Soon Three days of snow in Birmingham Thought you would wonder wh…
On Broadway They say the neon lights are bright On Broadway They say…
One Day I'll Fly Away I may get along, when love is gone Still, you made…
So Far Away So far away Doesn't anybody stay in one place any more? It…
So Far Away ) So far away Doesn't anybody stay in one place any more? It…
Soul Shadows San Francisco morning coming clear and cold Don't know if I'…
Spanish Harlem There is a rose in Spanish Harlem A red rose up…
Street Life I still hang around neither lost nor found Hear the lonely…
Streetlife I still hang around neither lost nor found Hear the lonely…
Sweet Dreams Happend already, split your money Walking gobshine, hollow l…
THE CRUSADERS I'm so glad I'm standing here today There were times I…
the thing Baby I don't know where it's going And Baby I don't know whe…
The Thrill Is Gone The thrill is gone The thrill is gone away The thrill is…
The Way It Goes I'm comin' home, baby now I'm comin' home now, right away …
This Old World's Too Funky For Me Spend my time chasing down Got no rest from the…
Thrill Is Gone The thrill is gone The thrill is gone away The thrill is…
Way Back Home Oh Nuguna songarakjil badeul ttaemyeon Gaseum han kyeoni tte…
The lyrics are frequently found in the comments by searching or by filtering for lyric videos
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SeerTruth
Crying all over my lap. This album and these guys raised my awareness in high school and college.
Joe is still here, you know. He's in the woodwork and in our hands and in our tones and voices.
When I stop crying, I'm going to go sit at the keyboard and LET HIM IN.
I'm going to call for him, and his broad spirit will see mine smiling and HE'LL COME GET A HUG FROM ME.
I'M LOOKING FOR HIM.
Frank Boyle
Larry Carlton 3:32 - 4:27 OMFG!! What a guitar solo. Great band not often heard about. Started listening to these guy's early 70's. One of my favorite jazz bands all time.
John Barrett
You can see why Motown , Steely Dan and a whole lot of others wanted these cats on their records .Dopeness abounds !
Focus Studios 129
That’s for sure!
oldschoolruler
My Pops hard wired this into my consciousness when it dropped in 73, my junior year in HS. Classic cut off of a classic album. It's been in my rotation since.
Those 'Southern Knights'.
sirresebethea
Wow I was 5 yrs old 1973
Fabian White
That sample really is outstanding...
Two true gemstones of music 💎
ray hanes
Amazing how you usually here the piece that was sample and repeated over and over again in a hit song only once in the original. Man this is golden. Organic
Jay's Kicks N Fits
It's hear 👂,not here. 🤣🤣🤣🤣
D
If the word “Heaven” had a sound it would start at 6:00-6:11
The most beautiful 11 seconds in music history as far as I’m concerned.
andre granderson
Music like this should be shared to the younger generation