1.) The Original "The Dynamics"
In 1969 The Dynamics released First Landing, their first album on Cotillion Records. A smooth slice of soul called “Ice Cream Song” garnered substantial airplay on R&B radio stations, but almost as quickly as the band appeared on the scene, they evaporated into the patchouli haze of psychedelic soul that dominated the airwaves towards the end of the ‘60s. Though a second album, What a Shame, briefly placed the Dynamics back on the radar of soul music fans in 1973, the legacy of the group was relegated to cult status. Thanks to David Gorman and Michael Nieves at Hacktone, First Landing has been lovingly unearthed so that a contemporary audience can savor a long forgotten entry in the canon of ‘60s soul music.
The Dynamics were Zeke Harris, George White, Fred Baker, and Samuel Stevenson: four vocalists from Detroit whose different vocal styles blended into one lustrous whole. Under the management of Ted White, who had escorted his wife Aretha Franklin from Detroit down to Muscle Shoals for her legendary Atlantic recording sessions, The Dynamics were similarly transplanted to American Studios in Memphis to catch some of the magic that catapulted Franklin to “Queen of Soul”. Shaping the group’s sound were producers Tommy Cogbill and Chips Moman, a team whose Midas touch spun pop gold on records by Elvis Presley (“Suspicious Minds”), Wilson Pickett (“I’m in Love”), the Box Tops (“Cry Like a Baby”), and Neil Diamond (“Sweet Caroline”).
Like their Detroit brethren, the Temptations , the Dynamics alternated lead vocalists. The versatile voice of Zeke Harris, who fronts eight of the 12 tracks on First Landing, defined the group’s sound. He approached his performances with nuance and a keen interpretation for the lyrics. As for the other lead vocalists, George White possessed an Eddie Kendricks-like falsetto and Fred Baker supplied the grease to the Dynamics’ southern fried Detroit soul.
Pretend for a moment that it’s 1969, when First Landing was only available as a shiny, round platter of vinyl. (Kudos to the folks at Hacktone for the faithful reproduction of the album’s art.) “Side One” would sport a whole bunch of white rings marking up the grooves; it’s frontloaded with six would-be hits. A groovy little number called “I Don’t Want Nobody to Lead Me On” gets things started followed by “Ain’t No Love At All”, one of the more dramatic tracks on the album that boasts a shimmering unison vocal, reminiscent of the 5th Dimension . “Dum-De-Dum”, which veers close to bubblegum territory based on its title alone, is actually quite a funky workout. Harris, who sings lead on the first five tunes, brings a soulful sweetness to “Ice Cream Song” and gives “Ain’t No Sun” (a Temptations cover) an urgency equaled only by Gene Chrisman’s incessant drumming on the track. Closing side one is “What Would I Do”, which is gently caressed by George White’s angelic tenor and the dreamy notes of Bobby Emmons’ organ.
“Side two” (or tracks seven through 12) is where the album flat-lines just a tad. While the vocalists do their best to imbue the songs with passion, the melodies simply are not as remarkable as those on the flip side. “The Love That I Need” proves that Harris mastered the upbeat material a little better than White. Unlike his vocal on “What Would I Do”, White struggles to keep up with the jaunty rhythm section. Zeke Harris brings some tinge of excitement back on “Too Proud to Change” and George White redeems himself on “I Want to Thank You” with a heaven-bound reading of the line “God knows that I love you”. Fred Baker makes his lone lead vocal appearance on “Since I Lost You”, channeling “Proud Mary”-era Tina Turner during the spoken word section. “Fair Love” and “Murder in the First Degree”, the last two tracks, seem tacked on to just satisfy an even six-song-per-side album.
2.) The French "The Dynamics"
The Dynamics come correct with their debut album 'Version
Excursions'! Everything from pop, roots, disco, soul & rock is
distilled through their fuzzy hypnotic filters. You should not be
surprised to see Madonna, Curtis Mayfield or the White Stripes on
this tracklisting!
Although virtually unknown one year ago, The Dynamics have created a wave thanks to
their sound and style, washing past the borders of their native (and not so native) France,
to spill the onto the shores of the UK, Europe, North America and Japan. According to vinyl
specialists such as Dusty Groove, Picadilly and Fat City Records, The Dynamics are a
proper phenomenom ! The demand for their 7-inches has prompted reissue after reissue,
selling thousands of copies. And this hunger will be temporarily satisfied with “Version
Excursions”, their first long player which is deeply rooted in Soul!
The album presents covers of tunes that “need to be covered”. It is as quirky and diverse,
as full of clashing influences, as the members themselves. From the villages of Cameroon,
the halls of Harvard, the palaces of Versailles, the boweries of Bristol, to the squares of
Provence, Lyon France's Dynamics create a music that is timeless, both vintage and fresh.
They wield their instruments and machines to build a bed for the innocence and honesty of
this soulful vocal trio. Everything from pop, roots, disco, soul and rock is distilled through
their fuzzy hypnotic filters. The result is a sound that brings you to place, both modern and
nostalgic. You should not be surprised to see Madonna, following Curtis Mayfield or the
White Stripes on this tracklisting.
Band members are:
Mounam (singer, song writer)
Originally from Cameroun, featuring on international projects, Mounam is a main figure on
the Lyon and France music scene, within a 16 years evolution through all the Afro-American styles
(gospel, soul, blues and jazz). Her explosive stage presence pushes the music onto the
edge of control !
Mister Day (singer, song writer, musician)
Known for his solo projects on Rotax, Favorite and his lead singing on Metropolitan Jazz
Affair, Mr Day is indisputedly soul singer number 1 in his native France. With a sweet
golden voice such as his, how can you argue with that title?
Stevie Levi (singer, MC, song writer)
Originally from Bristol UK and largely familiar with British sound sytems, Stevie moved to
Lyon France to join the Dynamics. His style is between Horace Andy, Marvin Gaye and U
Roy, a wide range of influences. On stage, he brings his warmth, passion and a rarely seen
energy to the band.
Patchworks (musician, producer)
Bruno “Patchworks”, now wears the mantle of the”hardest working man in French show
business”. He’s the man behind Metropolitan Jazz Affair and Mr President, working for
various labels, from Paris to Frankfurt, from Chicago to London. He’s in charge of music
and production.
Eric ”Flab Master Flab” (musician, dub wizard)
From Boston US, Flab is described as a musical hobo. From working in recording studios
for the last 10 years, he has twisted enough knobs to create a unique effect technique !! On
stage, his vintage toys feed the “Dynamic sound” with a proper timeless dub quality.
Their best field of expression is definitely live. Their performances receive such a great
response that they truely merit their name !
3) The South African "The Dynamics"
The South African group "The Dynamics" was founded in 1983 in Johannesburg. Members included Jimmy Florence, Steve Howells, Winston Nyaunda and Harvey Roberts. They later reformed briefly twice in the 1990's with a different line up .
4) A British "The Dynamics"
The Dynamics were formed in Headingley, Yorkshire in June 2010. The band consists of Kieran Bowker, Chris Robinson, Mike Boyd and Stuart Mitchell.
5) There is also an Irish band called "The Dynamics"
6) There was also The Dynamics from Seattle, Washington, USA, who were around from 1959 to 1966, after which they evolved into the band known as Springfield Rifle.
Miss You
The Dynamics Lyrics
Jump to: Overall Meaning ↴ Line by Line Meaning ↴
And miss it each night and day
I know I'm not wrong, the feeling's getting stronger
The longer I stay away
Miss the moss-covered vines, tall sugar pines
Where mockingbirds used to sing
I'd love to see that old lazy Mississippi
The moonlight on the bayou
A Creole tune that fills the air
I dream about magnolias in bloom
And I'm wishin' I was there
Do you know what it means to miss New Orleans
When that's where you left your heart
And there's one thing more, I miss the one I care for
More than I miss New Orleans
The Dynamics’ song “Miss You” is a melancholic tune about the strong pangs of longing for a beloved place and person. It revolves around reminiscing on the sights, sounds, and scents of New Orleans and how these memories bring a sense of loss and yearning. The first few lines of the song convey this sense of longing: “Do you know what it means to miss New Orleans, and miss it each night and day?” This line utilizes repitition to accentuate the longing that the singer feels. This emotion intensifies as the song progresses, with the lyrics about the “moss-covered vines” and the “lazy Mississippi” drawing out vivid images of the city’s serene beauty.
The song alters between mentions of the city’s sights and the singer’s yearnings for a person they have left behind. The line “And there's one thing more, I miss the one I care for, more than I miss New Orleans” is particularly heartbreaking, as it opens up a deeper layer of the song’s emotions. The singer ultimately admits that the feeling of loss for the person they love is stronger than their longing for the city.
Overall, The Dynamics’ “Miss You” is a somber ode to feelings of displacement and yearning. The repetition of the opening line and the vivid details about New Orleans serve to emphasize the singer’s emotions of missing home and the people they care for.
Line by Line Meaning
Do you know what it means to miss New Orleans
Have you ever experienced the longing for New Orleans
And miss it each night and day
Do you long for it constantly, day and night?
I know I'm not wrong, the feeling's getting stronger
I am certain that this feeling of longing is growing more intense over time
The longer I stay away
The more I stay away from New Orleans
Miss the moss-covered vines, tall sugar pines
I yearn for the moss-covered vines and the tall sugar pines
Where mockingbirds used to sing
I long for the places where I used to hear mockingbirds sing
I'd love to see that old lazy Mississippi
I would be thrilled to gaze upon the slow-moving Mississippi river
Hurrying into Spring
As it rushes toward the spring season
The moonlight on the bayou
The shimmering moonlight reflecting on the bayou
A Creole tune that fills the air
Listening to the sweet melody of a Creole tune in the air
I dream about magnolias in bloom
I even dream of the magnolias in full bloom
And I'm wishin' I was there
And I desperately desire to be back in New Orleans
When that's where you left your heart
When New Orleans is where you left your heart
And there's one thing more, I miss the one I care for
On top of that, I miss the person who holds my heart more than I miss the city itself
More than I miss New Orleans
My longing for that person surpasses even my longing for the city
Lyrics © MUSIC SALES CORPORATION, Kanjian Music, BMG Rights Management, Warner Chappell Music, Inc.
Written by: Eddie De Lange, Louis Alter
Lyrics Licensed & Provided by LyricFind
@juanitocosta5469
Esta canción grita a playa. Muchas gracias por ese regalo que escuché de una pareja surfista en Playa Las Gatas en el maravilloso estado de Guerrero
@aldernipwit
Absolutely love this version of this already wicked original. People need to hear this version!
@The0ceanwave
Wow. Awesome Rolling Stones cover!!! Love this.
@BassGuitarInstrumental
Some excellent bass here!
@manonperroy8981
So cool !
@rbaldo914
unbelievable version
@nufaralb333
Great !!!!!!!!
@johnhenryp3879
Like this one...
@Eyesorewishiwasdead
I Miss You Faith
@josesantisteban8561
Thank You!