The Ink Spots were a vocal group in the 1930s and 1940s … Read Full Bio ↴(1934-1954)
The Ink Spots were a vocal group in the 1930s and 1940s that helped define the musical genre that led to rhythm and blues and rock and roll, and the subgenre doo-wop. They gained much acceptance in both the white community and black community largely due to the ballad style introduced to the group by lead singer Bill Kenny. They were inducted into the Rock & Roll hall of fame in 1999.
Their songs usually began with a guitar riff, followed by the tenor Bill Kenny, who sang the whole song through. After Kenny finished singing, the bass would either recite the first half, or the bridge of the song, or would speak the words, almost in a free form, that were not part of the song, commonly using the words "Honey Child", or "Honey Babe", expressing his love for his darling in the song. This was followed by Kenny, who finished up singing the last refrain or the last half of the song. On some songs Deek Watson would sing the lead rather than Bill Kenny. This was mostly on the uptempo "Jive" songs.
The Ink Spots formed in the early 1930s in Indianapolis. The founding members were :-
Orville "Hoppy" Jones (b. 17 February 1902, Chicago, Illinois – d. 18 October 1944, New York City) (bass) (Played cello in the manner of a stand up bass)[1]
Ivory "Deek" Watson (b. 18 July 1909, Mounds, Illinois – d. 4 November 1969, Washington, D.C.) (tenor) (Played guitar and trumpet)
Jerry Daniels (b. 14 December 1915 – d. 7 November 1995, Indianapolis, Indiana) (tenor) (Played guitar and ukulele)
Charlie Fuqua (b. 20 October 1910 – d. 21 December 1971, New Haven, Connecticut)
(baritone) (Played guitar)
*** BILL KENNY ***
The voice that made them famous Bill Kenny (Mr. Ink Spot) was born June 12th 1914 in Philadelphia PA, and died Mar 23rd 1978 in New West Minister, British Columbia. When Bill Kenny joined the group in 1936 they were mostly a "Jive" ensemble, performing swinging uptempo songs. It wasn't until The Ink Spots 1939 recording of "If I Didn't Care" that Bill Kenny's voice began being regularly featured on Ballads, which it was until The Ink Spots disbanded in 1954. Hits that feature Bill Kenny include "I Don't Want To Set The World On Fire", "We Three", "The Gypsy", "Address Unknown", "With My Eyes Wide Open I'm Dreaming", "So Sorry", "Bless You", "My Prayer", "Into Each Life Some Rain Must Fall", "It's A Sin To Tell A Lie", It Isn't A Dream Anymore", and dozens of others. Bill Kenny has been listed as an influence by such great artists as Elvis Presley, Sam Cooke, Johnny Mathis, Sonny Till, Clyde McPhatter and many others. Bill Kenny is often noted as the father of Doo Wop for his high tenor singing and his introduction of the popular "Top & Bottom" format used by virtually every Doo Wop group in the 50's and 60's.
Since Bill Kenny broke up The Ink Spots in 1954 there have been well over 500 black vocal Quartets calling themselves The Ink Spots none of which have or had any original members. There are even groups still touring as The Ink Spots today. It is largely accepted that if the group didn't contain Bill Kenny then the group was/ is a fake.
Let's Call the Whole Thing Off
The Ink Spots Lyrics
Jump to: Overall Meaning ↴ Line by Line Meaning ↴
Our romance is growing flat,
For you like this and the other
While I go for this and that.
Goodness knows what the end will be;
Oh, I don't know where I'm at...
It looks as if we two will never be one,
Something must be done.
You say either and I say eyether,
You say neither and I say nyther;
Either, eyether, neither, nyther,
Let's call the whole thing off!
You like potato and I like potatoe,
You like tomato and I like tomatoe;
Potato, potatoe, tomato, tomatoe!
Let's call the whole thing off!
But oh! If we call the whole thing off,
Then we must part.
And oh! If we ever part,
Then that might break my heart!
So, if you like pyjamas and I like pyjahmas,
I'll wear pyjamas and give up pyjahmas.
For we know we need each other,
So we better call the calling off off.
Let's call the whole thing off!
You say laughter and I say lawfter,
You say after and I say awfter;
Laughter, lawfter, after, awfter,
Let's call the whole thing off!
You like vanilla and I like vanella,
You, say s'parilla and I say s'parella;
Vanilla, vanella, chocolate, strawberry!
Let's call the whole thing off!
But oh! If we call the whole thing off,
Then we must part.
And oh! If we ever part,
Then that might break my heart!
So, if you go for oysters and I go for ersters
I'll order oysters and cancel the ersters.
For we know we need each other,
So we better call the calling off off!
Let's call the whole thing off!
The Ink Spots' Let's Call the Whole Thing Off, is a playful song about a couple who are at a crossroads in their relationship. The lyrics suggest that their romance is growing flat and they have different interests and preferences, which may hinder their relationship. It highlights communication problems between the two, as well as the importance of compromise in a relationship.
The song begins with the line "Things have come to a pretty pass, our romance is growing flat", suggesting that the relationship is in a precarious state. The next line "For you like this and the other, while I go for this and that" highlights the different preferences and interests of the couple. The pre-chorus "Goodness knows what the end will be, oh, I don't know where I'm at" foreshadows an imminent breakup while the chorus suggests a solution to the dilemma.
The chorus "You say either and I say eyether, you say neither and I say nyther; Either, eyether, neither, nyther, let's call the whole thing off!" emphasizes the differences between the couple's preferences and prononciation. The bridge "But oh! If we call the whole thing off, then we must part. And oh! If we ever part, then that might break my heart!" highlights the difficulty in making a decision as well as the consequences of a breakup.
Overall, The Ink Spots' Let's Call the Whole Thing Off offers an interesting perspective on modern relationship issues such as communication, compromise, and the difficulty of making decisions.
Line by Line Meaning
Things have come to a pretty pass,
Our relationship has reached a difficult point
Our romance is growing flat,
Our love is losing its spark
For you like this and the other
You enjoy different things than I do
While I go for this and that.
I have my own preferences
Goodness knows what the end will be;
We don't know where this is going
Oh, I don't know where I'm at...
I'm confused and uncertain
It looks as if we two will never be one,
It seems like we will never agree
Something must be done.
We need to find a solution
You say either and I say eyether,
We pronounce things differently
You say neither and I say nyther;
We also have different ways of saying the same thing
Either, eyether, neither, nyther,
We're not going to agree on pronunciation
Let's call the whole thing off!
Let's end this relationship
You like potato and I like potatoe,
We have different food preferences
You like tomato and I like tomatoe;
We also say food names differently
Potato, potatoe, tomato, tomatoe!
We will never agree on food
Let's call the whole thing off!
Let's break up
But oh! If we call the whole thing off,
Ending this relationship will have consequences
Then we must part.
Breaking up is inevitable
And oh! If we ever part,
Breaking up will be painful
Then that might break my heart!
It could be emotionally devastating
So, if you like pyjamas and I like pyjahmas,
We have different clothing preferences
I'll wear pyjamas and give up pyjahmas.
I'll compromise to make it work
For we know we need each other,
We recognize the value of our relationship
So we better call the calling off off.
We should try to save the relationship instead of ending it
Let's call the whole thing off!
But if we really can't make it work, then let's just end it
You say laughter and I say lawfter,
We also pronounce common words differently
You say after and I say awfter;
Our accents create differences in pronunciation
Laughter, lawfter, after, awfter,
We will never fully agree on language usage
Let's call the whole thing off!
So, let's end this relationship and move on
You like vanilla and I like vanella,
We also have different taste preferences
You, say s'parilla and I say s'parella;
Even something as simple as a drink can be a point of contention
Vanilla, vanella, chocolate, strawberry!
We will never fully agree on tastes
Let's call the whole thing off!
So, let's end this once and for all
But oh! If we call the whole thing off,
Breaking up will have a profound impact
Then we must part.
We might have to go our separate ways
And oh! If we ever part,
It won't be easy to move on
Then that might break my heart!
It could be a painful experience
So, if you go for oysters and I go for ersters
Even our food preferences can be a source of conflict
I'll order oysters and cancel the ersters.
I'll compromise to make it work
For we know we need each other,
We understand that we're better together
So we better call the calling off off!
We should try to work through our differences
Let's call the whole thing off!
But if it's really not meant to be, we can break up
Lyrics © Warner/Chappell Music, Inc., RALEIGH MUSIC PUBLISHING
Written by: IRA GERSHWIN, GEORGE GERSHWIN
Lyrics Licensed & Provided by LyricFind
Brian Pinches
one of their early tunes, from 1937... before they developed their familiar style
Mersey Bus
Lovely song
MrSpenceSTAR
This is a fun one.
Oldies channel
Another one I was going to upload! Funny song!
Masked
jeje a like
C Porter
Keep Calm
and
Ink Spots
tshirt idea, mine
Dante P
You can tell how old this comment is!