In 1965, Parsons enrolled at Harvard University to study theology. Never a serious student, Parsons immediately set about establishing himself as a presence on the local folk music scene. Parsons' first band, which he named The Like, featured only Parsons and students from the Berklee College of Music. Given that Parsons was interested in pursuing a career as a folksinger at this time, his bandmates' jazz training proved incompatible with Parsons's musical aspirations. The group disbanded late in 1965, when Parsons met John Nuese, a guitarist with another local group called the Trolls, who convinced the singer to pursue an explicit country rock sound.
According to Nuese: "I was the only one with experience playing and listening to a lot of country music. Gram, who had been exposed to country music during his formative years, was doing commercial folk music. It was my influence that turned him onto country music." Sufficiently impressed with what he heard, and more interested in "chasing tail and dropping LSD" than completing his degree, Parsons dropped out of Harvard before his first semester was over. Immediately, Parsons and Nuese formed "The International Submarine Band", named after an old Our Gang comedy routine in which kids auditioned for a radio programmed as "The International Silver String Submarine Band." Featuring Parsons on guitar and vocals, Ian Dunlop on bass and Mickey Gauvin on drums, the "ISB" failed to make a lasting impression on either the Top 40 Pop or Country charts with any of their recordings, though they are largely considered to be one of the most influential pioneer country rock groups.
In early 1966, the "ISB" moved to New York City, where they lived in a house purchased through Parsons' large trust-fund. While in New York, the ISB recorded two singles for Goldstar Records, and an album which went unreleased and was eventually lost. The group's first release, a single in April 1966 called "The Russians Are Coming, The Russians Are Coming", was a largely forgettable cover of Johnny Mandel's tune of the same name composed for the eponymous Norman Jewison film. On the B-side, however, was the group's raucous cover of a Buck Owens song, namely, "Truck Driving Man", their recording now largely considered the first country rock recording.[citation needed] Later that same year, Goldstar released another single, featuring "Sum Up Broke" — a collaborative effort between Parsons (lyrics) and Nuese (music) — on the A-side, and Parsons' "One Day Week" on the flip side.
Undaunted by his failure to achieve overnight commercial success with the "ISB", Parsons began to consider moving the group to Los Angeles, spurred on by child actor Brandon deWilde's promise that he could get the group appearances in films. In November, Parsons headed out to Los Angeles' Laurel Canyon district on a scouting trip; while there, he stole Nancy Ross away from David Crosby, and began a torrid love affair with the aspiring film star. After Ross promised to find Parsons and the "ISB" official representation in Los Angeles, Parsons convinced the group to move there later in the year. As was his custom, Parsons used his trust-fund money to purchase a house for his band, while he stayed in a rented apartment with Ross. Introduced by DeWilde to Peter Fonda, Parsons convinced Fonda to advocate a cameo for the "ISB" on Roger Corman's psychedelic film, The Trip, in which Fonda was starring at the time. The "ISB" recorded "Lazy Days" for the film, but the song was eventually rejected; it was replaced with music by The Electric Flag, though the "ISB" still appeared on screen.
Frustrated by his inability to find commercial success with the "ISB", Parsons soon took to playing honky-tonks in the Los Angeles area with his friend, Bob Buchanan (co-author of "Hickory Wind"), and eventually decided to focus exclusively on country music. Almost immediately after Parsons informed them of his new country focus, Ian Dunlop and Mickey Gauvin left the "ISB", forming a group called The Flying Burrito Brothers. The split was amicable: Parsons played the group's first gig.
[edit]ISB version 2: 1967-1968
Only days before the "ISB" officially split, Suzi Jane Hokom, a would-be record producer from the area, observed a rehearsal. Impressed, Hokom convinced her boyfriend, Lee Hazlewood, owner of LHI Records, to sign the post-breakup Parsons and Nuese to an exclusive contract as the "ISB". Immediately, Parsons and Nuese began their search for musicians to complete the band. Jon Corneal, a drummer from an earlier Parsons band, answered the call, though he was making a good living playing as a session musician in Nashville. Three session musicians were hired to augment the threesome: Joe Osborn on bass, Earl Ball on piano and Jay Dee Maness on pedal steel.
The newly re-formed "International Submarine Band" recorded their first single in July 1967, under the watchful gaze of producer Hokom: two Parsons compositions, "Luxury Liner" and "Blue Eyes". Four months later, in November 1967, the same group, plus newcomer Chris Ethridge on bass, entered the studio to record what would become the band's only full length release, Safe at Home. Two more Parsons originals made the album: "Do You Know How It Feels To Be Lonesome" and "Strong Boy".
Though Safe at Home was finished by December 1967, the ISB's debut LP went unreleased for several months. Parsons left the group in February 1968, to join The Byrds to record their Sweetheart of the Rodeo album. Lee Hazelwood was unhappy with Parsons' decision and retained ownership of the name "International Submarine Band". Hazlewood attempted to prevent Parsons' vocal tracks from appearing on the Sweetheart of the Rodeo album.[2] While these legal issues were addressed by the time of the album's release, Parsons vocals were removed from several songs and replaced by vocals by Roger McGuinn; ultimately Parsons' lead vocals graced three songs on the album: "You're Still on My Mind", "Life in Prison" and "Hickory Wind".[2] The ISB's only full length release, Safe at Home, was not released by LHI until the spring of 1968, when the group had officially ceased to exist. Nonetheless, ISB's only album, Safe at Home, is now regarded a groundbreaking album of the country rock genre.
Truck Drivin' Man
The International Submarine Band Lyrics
Jump to: Overall Meaning ↴ Line by Line Meaning ↴
A little place called Hamburger Dan
I heard that old jukebox a playin′
Song about a truck drivin' man
So pour me another cup of coffee
For it is the best in the land
And drop another quarter in the jukebox
That waitress done brought me my coffee
I thanked her and I called her back again
I said, "You know that song, it sure did fit me
I'm just a truck drivin' man"
So pour me another cup of coffee
For it is the best in the land
And drop another quarter in the jukebox
Play a song about a truck drivin′ man
I climbed up aboard my old semi
Then like a flash, I was gone
Got old them big wheels a rollin′
I'm on my way to San Antone
I said, pour me another cup of coffee
For it is the best in the land
And drop another quarter in the jukebox
Play a song about a truck drivin′ man
Yeah, I'm just a truck drivin′ man
The International Submarine Band's song "Truck Drivin' Man" tells the story of a truck driver traveling through Texas who finds himself at a truck stop called "Hamburger Dan". As he takes in the sights and sounds of the place, he hears a song on the jukebox about a truck driver just like himself. The lyrics describe his gratitude for the coffee, which he calls "the best in the land", and the nostalgia he feels for the lifestyle he leads. The song paints a picture of a man who is content with his chosen profession and enjoys the simple things in life, such as a good cup of coffee and a song on the jukebox.
The song, written in 1967 by Buck Owens, became a hit for The International Submarine Band, fronted by Gram Parsons, thereby launching the career of one of country music's most seminal figures. The song's simple but catchy melody, combined with Parsons' distinctive voice and earnest delivery, helped to make Truck Drivin' Man an instant classic. Moreover, the song's lyrics speak to a deeper sense of purpose for those who work behind the wheel, showing that truck drivers are more than just individuals driving large vehicles but are instead the backbone of the American workforce.
Key interpretations of the "Truck Drivin' Man" can show how the song has become a classic of country music with enduring appeal. As a powerful tribute to the hard-working truck drivers of America, the song continues to inspire and resonate with audiences today.
Line by Line Meaning
I wheeled into a truck stop in Texas
I stopped at a truck stop in Texas
A little place called Hamburger Dan
The truck stop was nicknamed Hamburger Dan
I heard that old jukebox a playin′
I heard an old jukebox playing music
Song about a truck drivin' man
The song was about a truck driver
So pour me another cup of coffee
Give me another cup of coffee
For it is the best in the land
This coffee is really good
And drop another quarter in the jukebox
Put another quarter in the jukebox
Play a song about a truck drivin′ man
Play another song about a truck driver
That waitress done brought me my coffee
The waitress brought me my coffee
I thanked her and I called her back again
I thanked her and asked for more coffee
I said, "You know that song, it sure did fit me
I told her the song sounded like it was about me
I'm just a truck drivin' man"
I'm just a man who drives a truck
I climbed up aboard my old semi
I got back into my old semi-truck
Then like a flash, I was gone
I left quickly
Got old them big wheels a rollin′
I got the big wheels rolling
I'm on my way to San Antone
I'm headed to San Antonio
Yeah, I'm just a truck drivin′ man
I am a man who drives a truck
Writer(s): Terry Fell
Contributed by Kaitlyn C. Suggest a correction in the comments below.
Billy Shane
The definitive version. NO ONE comes close to this. Not now and more than likely not ever
Rick Lehman
Just discovered this. Incredible!
J T
Gram was way ahead of his time!
Phil Hatfield
This is damn good!
Walruswhale
cosmic american music...........a nod to buck owens and his ilk. massive respect
Dominik19Z
Treadsoftly14 Sure, what a sound man :)
Harry Knackers
His "ilk"? Buck Owens was one of a kind.
Johnny BushHogg
They're gonna put me in the movies
Gary Hector Music
Proper
Jeff J
Remembering Chris Ethridge born on February 10, 1947. He was an American country rock bass guitarist. He was a member of the International Submarine Band (ISB) and The Flying Burrito Brothers. - https://en.wikipedia.org/wiki/Chris_Ethridge