The Kentucky Colonels were a bluegrass band that was popular during the Ame… Read Full Bio ↴The Kentucky Colonels were a bluegrass band that was popular during the American folk music revival of the early 1960s. Formed in Burbank, California in 1954, the group released two albums, The New Sound of Bluegrass America (1963) and Appalachian Swing! (1964). The band featured the influential bluegrass guitarist Clarence White, who was largely responsible for making the acoustic guitar a lead instrument within bluegrass, and who later went on to join the Los Angeles rock band the Byrds. The Kentucky Colonels disbanded in late 1965, with two short-lived reunions taking place in 1966 and 1973.
In 1954, the three White brothers, Roland (mandolin), Clarence (acoustic guitar), and Eric Jr. (banjo and double bass) formed a country trio called Three Little Country Boys. The family group, which was occasionally augmented by the brothers' sister Joanne on bass, won a talent contest early on in their career, on radio station KXLA in Pasadena, and, by 1957, had managed to attract the interest of country guitarist Joe Maphis. With Maphis's help, the Three Little Country Boys made several appearances on the popular television program Town Hall Party.
As a result of Roland's growing interest in bluegrass music, the group soon switched to an entirely bluegrass repertoire. In 1957, banjoist Billy Ray Latham and Dobro player LeRoy Mack were added to the line-up, with the group renaming themselves the Country Boys soon after. In 1961, bassist Roger Bush replaced Eric Jr., who had left the band to get married. Later that year, the quartet had become popular enough to appear twice on The Andy Griffith Show. Between 1959 and 1962, the Country Boys released three singles on the Sundown, Republic and Briar International record labels.
In September 1962, the Country Boys recorded their debut album for Briar International. At Maphis's suggestion, the band decided to change their name to the Kentucky Colonels, with their album being released in early 1963, under the title The New Sound of Bluegrass America. Around this time, Clarence's flatpicking guitar style became a more prominent part of the group's sound, with his speed and virtuosity on the instrument being largely responsible for making the guitar a lead instrument within bluegrass music. In addition to being accomplished musicians, the Kentucky Colonels' music often featured close harmony vocals, with Clarence singing lead and baritone, Roland singing lead and tenor, Roger on lead and bass, and Billy Ray singing lead, tenor, and high baritone.
Following the release of their debut album, the Kentucky Colonels became well known on the bluegrass circuit during 1963 and 1964, performing at a multitude of folk and country venues throughout California and the United States, including an appearance at the prestigious Monterey Folk Festival in May 1963. While they may not have enjoyed the same level of commercial success as their contemporaries the Dillards, the group were highly influential and their strict adherence to a traditional, purist bluegrass repertoire saw their albums become underground classics.
In 1964, while continuing to make live appearances, the band were signed to World Pacific Records by producer Jim Dickson, who would later become the manager of the folk rock band the Byrds. After the recruitment of fiddle player Bobby Slone, the Colonels released their second album, the purely instrumental Appalachian Swing! in April 1964. Although it failed to chart, the album was a commercial success, with White's flatpicking permanently expanding the language of bluegrass guitar. Writing for the AllMusic website, critic Thom Owens has described the album as "one of the most influential albums in the whole of bluegrass music, primarily because of the stunning playing of Clarence White." Owens also noted that White's playing on the album "helped pioneer a new style in bluegrass; namely, he redefined the acoustic guitar as a solo instrument." By the close of the year, the Kentucky Colonels were considered by fans and critics to be one of the best bluegrass groups in the United States.
Although they were now a successful recording act, it was becoming increasingly hard for the Colonels to make a living playing bluegrass. The folk music revival of the late 1950s and early 1960s—which had helped facilitate the Colonels' commercial success—had been dealt a serious blow in 1964 by the popularity of the beat music of the British Invasion. However, it wasn't until mid-1965, with the release of the Byrds' folk rock single "Mr. Tambourine Man" and Bob Dylan's "Subterranean Homesick Blues", that the folk revival's popularity began to seriously wane. Before long, many young folk performers and some bluegrass acts were switching to electric instrumentation. The Kentucky Colonels followed suit, plugging in with electric instruments and hiring a drummer, in order to keep a concert booking as a country dance band at a bowling alley. The band added fiddle player Scotty Stoneman to their line-up in mid-1965, as a replacement for Slone, but some months later, the Kentucky Colonels dissolved as a band after a show on October 31, 1965.
In 1966, Clarence, Roland and Eric Jr. reunited, with rhythm guitarist Dennis Morris, banjo player Bob Warford, and fiddle player Bobby Crane to form a new version of the Kentucky Colonels. This line-up of the band made sporadic concert appearances and also recorded a series of demos that were eventually released in 1979 on the archival album Kentucky Colonels 1966. The group continued to make concert appearances until 1967 when Clarence was asked to play with Bill Monroe and the Blue Grass Boys. Although Clarence declined the offer, his brother Roland took the job and, as a result, the Colonels once more disbanded.
In early 1973, Roland, Eric Jr. and Clarence reunited once again for a series of shows as the White Brothers (a.k.a. The New Kentucky Colonels). The trio was augmented by Herb Pedersen on guitar and Alan Munde on banjo. After playing a handful of shows in California, including one at the Ash Grove folk club in Los Angeles, the White Brothers departed for Europe in May 1973. One of the band's Swedish shows was later released in 1976 as The White Brothers: The New Kentucky Colonels Live in Sweden 1973, while a concert recording from Breda in the Netherlands was issued in 2013 as Live in Holland 1973.
Returning to the United States, the New Kentucky Colonels took part in a four-date country rock package tour in June 1973, with Gram Parsons, Emmylou Harris, Country Gazette, Sneaky Pete Kleinow, Gene Parsons, Byron Berline, and Chris Ethridge among others.[20] After the end of the package tour, Clarence was killed on July 14th, 1973, by a drunk driver in Palmdale, California, following a concert by the New Kentucky Colonels. This tragic event marked the end of the Kentucky Colonels.
Members
Roland White - mandolin, vocals (1954–67, 1973)
Clarence White - guitar, vocals (1954–67, 1973)
Eric White Jr. - banjo, double bass, vocals (1954–61, 1966–67, 1973)
Billy Ray Latham - banjo, vocals (1957–65) (died in 2018)
LeRoy Mack - Dobro (1957–65)
Roger Bush - double bass, vocals (1961–65)
Bobby Slone - fiddle (1964–65)
Scotty Stoneman - banjo, fiddle (1965)
Dennis Morris - guitar (1966–67)
Bob Warford - banjo (1966–67)
Bobby Crane - fiddle (1966–67)
Herb Pedersen - banjo (1973)
Alan Munde - banjo (1973)
Discography
Albums
The New Sound of Bluegrass America (1963, Briar International 109)
Appalachian Swing! (1964, World Pacific 1821)
Kentucky Colonels (1974, United Artists UAS 29514 ) — UK reissue of Appalachian Swing! with two bonus tracks.
Livin' in the Past (1975, Briar BT-7202) — various live recordings from 1961–1965.
The Kentucky Colonels 1965–1966 (1976, Rounder 0070) — live recordings.
The White Brothers: The New Kentucky Colonels Live in Sweden 1973 (1976, Rounder 0073) — live recordings from a 1973 concert in Sweden.
Scotty Stoneman, Live in LA with the Kentucky Colonels (1978, Sierra Briar SBR 4206) — live recording from 1965.
Kentucky Colonels 1966 (1979, Shiloh SLP-4084) — studio demo recordings for an unreleased album.
Clarence White and the Kentucky Colonels (1980, Rounder 0098) — live recordings.
On Stage (1984, Rounder 0199) — live recordings.
Long Journey Home (1991, Vanguard VCD 77004) — live recordings from the 1964 Newport Folk Festival.
Live in Stereo (1999, Double Barrel DBL/BRL 1001 ) — live recordings from a 1965 concert in Vancouver, Canada.
Bush, Latham & White (2011, Sierra 6033) — live recordings from 1964.
Live in Holland 1973 (2013, Roland White Music RW0001) — live recordings from a 1973 concert in Breda, Netherlands.
Singles
"Head Over Heels in Love with You"/"Kentucky Hills" (1959, Sundown 131) (released under the name the Country Boys)
"The Valley Below"/"High On a Mountain" (1960, Republic 2013) (released under the name the Country Boys)
"To Prove My Love For You"/"Just Joshing" (1962, Briar International 45-150) (released under the name the Country Boys)
"Ballad of Farmer Brown"/"For Lovin' Me" (1965, World Pacific 427)
In 1954, the three White brothers, Roland (mandolin), Clarence (acoustic guitar), and Eric Jr. (banjo and double bass) formed a country trio called Three Little Country Boys. The family group, which was occasionally augmented by the brothers' sister Joanne on bass, won a talent contest early on in their career, on radio station KXLA in Pasadena, and, by 1957, had managed to attract the interest of country guitarist Joe Maphis. With Maphis's help, the Three Little Country Boys made several appearances on the popular television program Town Hall Party.
As a result of Roland's growing interest in bluegrass music, the group soon switched to an entirely bluegrass repertoire. In 1957, banjoist Billy Ray Latham and Dobro player LeRoy Mack were added to the line-up, with the group renaming themselves the Country Boys soon after. In 1961, bassist Roger Bush replaced Eric Jr., who had left the band to get married. Later that year, the quartet had become popular enough to appear twice on The Andy Griffith Show. Between 1959 and 1962, the Country Boys released three singles on the Sundown, Republic and Briar International record labels.
In September 1962, the Country Boys recorded their debut album for Briar International. At Maphis's suggestion, the band decided to change their name to the Kentucky Colonels, with their album being released in early 1963, under the title The New Sound of Bluegrass America. Around this time, Clarence's flatpicking guitar style became a more prominent part of the group's sound, with his speed and virtuosity on the instrument being largely responsible for making the guitar a lead instrument within bluegrass music. In addition to being accomplished musicians, the Kentucky Colonels' music often featured close harmony vocals, with Clarence singing lead and baritone, Roland singing lead and tenor, Roger on lead and bass, and Billy Ray singing lead, tenor, and high baritone.
Following the release of their debut album, the Kentucky Colonels became well known on the bluegrass circuit during 1963 and 1964, performing at a multitude of folk and country venues throughout California and the United States, including an appearance at the prestigious Monterey Folk Festival in May 1963. While they may not have enjoyed the same level of commercial success as their contemporaries the Dillards, the group were highly influential and their strict adherence to a traditional, purist bluegrass repertoire saw their albums become underground classics.
In 1964, while continuing to make live appearances, the band were signed to World Pacific Records by producer Jim Dickson, who would later become the manager of the folk rock band the Byrds. After the recruitment of fiddle player Bobby Slone, the Colonels released their second album, the purely instrumental Appalachian Swing! in April 1964. Although it failed to chart, the album was a commercial success, with White's flatpicking permanently expanding the language of bluegrass guitar. Writing for the AllMusic website, critic Thom Owens has described the album as "one of the most influential albums in the whole of bluegrass music, primarily because of the stunning playing of Clarence White." Owens also noted that White's playing on the album "helped pioneer a new style in bluegrass; namely, he redefined the acoustic guitar as a solo instrument." By the close of the year, the Kentucky Colonels were considered by fans and critics to be one of the best bluegrass groups in the United States.
Although they were now a successful recording act, it was becoming increasingly hard for the Colonels to make a living playing bluegrass. The folk music revival of the late 1950s and early 1960s—which had helped facilitate the Colonels' commercial success—had been dealt a serious blow in 1964 by the popularity of the beat music of the British Invasion. However, it wasn't until mid-1965, with the release of the Byrds' folk rock single "Mr. Tambourine Man" and Bob Dylan's "Subterranean Homesick Blues", that the folk revival's popularity began to seriously wane. Before long, many young folk performers and some bluegrass acts were switching to electric instrumentation. The Kentucky Colonels followed suit, plugging in with electric instruments and hiring a drummer, in order to keep a concert booking as a country dance band at a bowling alley. The band added fiddle player Scotty Stoneman to their line-up in mid-1965, as a replacement for Slone, but some months later, the Kentucky Colonels dissolved as a band after a show on October 31, 1965.
In 1966, Clarence, Roland and Eric Jr. reunited, with rhythm guitarist Dennis Morris, banjo player Bob Warford, and fiddle player Bobby Crane to form a new version of the Kentucky Colonels. This line-up of the band made sporadic concert appearances and also recorded a series of demos that were eventually released in 1979 on the archival album Kentucky Colonels 1966. The group continued to make concert appearances until 1967 when Clarence was asked to play with Bill Monroe and the Blue Grass Boys. Although Clarence declined the offer, his brother Roland took the job and, as a result, the Colonels once more disbanded.
In early 1973, Roland, Eric Jr. and Clarence reunited once again for a series of shows as the White Brothers (a.k.a. The New Kentucky Colonels). The trio was augmented by Herb Pedersen on guitar and Alan Munde on banjo. After playing a handful of shows in California, including one at the Ash Grove folk club in Los Angeles, the White Brothers departed for Europe in May 1973. One of the band's Swedish shows was later released in 1976 as The White Brothers: The New Kentucky Colonels Live in Sweden 1973, while a concert recording from Breda in the Netherlands was issued in 2013 as Live in Holland 1973.
Returning to the United States, the New Kentucky Colonels took part in a four-date country rock package tour in June 1973, with Gram Parsons, Emmylou Harris, Country Gazette, Sneaky Pete Kleinow, Gene Parsons, Byron Berline, and Chris Ethridge among others.[20] After the end of the package tour, Clarence was killed on July 14th, 1973, by a drunk driver in Palmdale, California, following a concert by the New Kentucky Colonels. This tragic event marked the end of the Kentucky Colonels.
Members
Roland White - mandolin, vocals (1954–67, 1973)
Clarence White - guitar, vocals (1954–67, 1973)
Eric White Jr. - banjo, double bass, vocals (1954–61, 1966–67, 1973)
Billy Ray Latham - banjo, vocals (1957–65) (died in 2018)
LeRoy Mack - Dobro (1957–65)
Roger Bush - double bass, vocals (1961–65)
Bobby Slone - fiddle (1964–65)
Scotty Stoneman - banjo, fiddle (1965)
Dennis Morris - guitar (1966–67)
Bob Warford - banjo (1966–67)
Bobby Crane - fiddle (1966–67)
Herb Pedersen - banjo (1973)
Alan Munde - banjo (1973)
Discography
Albums
The New Sound of Bluegrass America (1963, Briar International 109)
Appalachian Swing! (1964, World Pacific 1821)
Kentucky Colonels (1974, United Artists UAS 29514 ) — UK reissue of Appalachian Swing! with two bonus tracks.
Livin' in the Past (1975, Briar BT-7202) — various live recordings from 1961–1965.
The Kentucky Colonels 1965–1966 (1976, Rounder 0070) — live recordings.
The White Brothers: The New Kentucky Colonels Live in Sweden 1973 (1976, Rounder 0073) — live recordings from a 1973 concert in Sweden.
Scotty Stoneman, Live in LA with the Kentucky Colonels (1978, Sierra Briar SBR 4206) — live recording from 1965.
Kentucky Colonels 1966 (1979, Shiloh SLP-4084) — studio demo recordings for an unreleased album.
Clarence White and the Kentucky Colonels (1980, Rounder 0098) — live recordings.
On Stage (1984, Rounder 0199) — live recordings.
Long Journey Home (1991, Vanguard VCD 77004) — live recordings from the 1964 Newport Folk Festival.
Live in Stereo (1999, Double Barrel DBL/BRL 1001 ) — live recordings from a 1965 concert in Vancouver, Canada.
Bush, Latham & White (2011, Sierra 6033) — live recordings from 1964.
Live in Holland 1973 (2013, Roland White Music RW0001) — live recordings from a 1973 concert in Breda, Netherlands.
Singles
"Head Over Heels in Love with You"/"Kentucky Hills" (1959, Sundown 131) (released under the name the Country Boys)
"The Valley Below"/"High On a Mountain" (1960, Republic 2013) (released under the name the Country Boys)
"To Prove My Love For You"/"Just Joshing" (1962, Briar International 45-150) (released under the name the Country Boys)
"Ballad of Farmer Brown"/"For Lovin' Me" (1965, World Pacific 427)
Sheik Of Araby
The Kentucky Colonels Lyrics
Jump to: Overall Meaning ↴ Line by Line Meaning ↴
"I'm the Sheik of Araby,
Your love belongs to me.
At night when you're asleep
Into your tent I'll creep.
The stars that shine above,
Will light our way to love.
You'll rule this land with me;
Your love belongs to me.
At night when you're asleep
Into your tent I'll creep.
The stars that shine above,
Will light our way to love.
You'll rule this land with me;
The Kentucky Colonels's song Sheik Of Araby is a classic love song from the early 20th century. The lyrics are spoken from the perspective of the Sheik, who is proclaiming that the love of his beloved belongs to him. Though the lyrics may seem sinister at first, as the Sheik plans to creep into his beloved's tent at night, the overall message of the song is one of love and commitment.
The Sheik promises to light the way to their love with the stars that shine above them. He also promises that his beloved will rule the land with him, creating a life of love and happiness together. The song harkens back to a time when romantic love was seen as a grand adventure, full of passion and exoticism.
Overall, Sheik Of Araby is a classic love song that speaks to the themes of love, commitment, and the exotic. It is a song that has been beloved for generations, and its message of love and romance has stood the test of time.
Line by Line Meaning
I'm the Sheik of Araby
I am the powerful ruler of the exotic land of Araby.
Your love belongs to me
You are devoted to me and belong to me alone.
At night when you're asleep
While you are in slumber, I will come to you undetected.
Into your tent I'll creep.
I will sneak into your private abode.
The stars that shine above,
The celestial bodies that illuminate the sky,
Will light our way to love.
Shall lead us to a romantic pathway.
You'll rule this land with me;
You shall be my partner in governance of this land.
Lyrics © HARRY B. SMITH COPYRIGHTS, Warner Chappell Music, Inc.
Written by: Ted Snyder, Harry B. Smith, Francis Wheeler
Lyrics Licensed & Provided by LyricFind
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